American Modern Art

Palm Springs Riders, 1970 - Desert Landscapes in Southern California Hills 16 x 20" print. Limited Edition Estate Stamped Print. Digital C-Type print. Edition of 150. Printed Later....

Catherine Wilke, 1980 - Bronze Model Poses Drinking Cocktail by Sunbathers by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later Please...

A Fine 1930s, Art Deco Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed ea...

Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...

A contemporary photograph of Guns N' Roses iconic "Appetite for Destruction" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Dest...

Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...

Louise BOURGEOIS (1911-2010) Sheaves, 1985 Original lithograph Signed on the plate On Arches vellum, 31 x 21 cm (c. 12 x 8 in) REFERENCES: Wye Smith Catalogue Raisonné #79-2 INFOR...

Original, Linen backed New Orleans Jazz & Heritage Festival poster from 1983. A fun image with a crawfish holding an umbrella with streamers. 1983 JAZZ & HERITAGE FESTIVAL PRO-MO ...

A Fabulous, 1940s Modern Cubist Watercolor of a Seated Female Nude Model by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Watercolor and ink on sepia toned paper, dating from...

Original museum grade exhibition prints on acid-free archival photographic paper. Edition of 150 These are the highest quality NASA prints ever produced. The bright clusters and ...

Otto Kuhler, 'The Gateway to the New World', etching (artist's proof), edition 16, 1926, Kennedy 25. Signed in pencil and annotated 'Japan Silk Paper - Trial Proof - Ltd. Ed. Del. et...

A Distinctive, 1950s Mid-Century Modern Cubist Portrait Study of Two Young Men by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). A visually striking charcoal male portrait stu...

Lord Fauntleroy Cali 180722-277 Pigment Print Year: 2018 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with standard ...

Adriaan Lubbers New York City, The El at Chatham Square, 1930 Original lithograph Handsigned in pencil Numbered / 100 On Rives vellum 28 x 22.5 cm (c. 11 x 9 in) Very good condition

Title: French Gouache Painting of Native American Antelope Hunt in Utah by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, Si...

A captivating Mid-Century watercolor of an old Chicago house (with a female figure standing in the window) by Chicago artist George Yelich. The watercolor bears its original frame. ...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. a sexy young girl lies in bed bathed in sunlight

Edward Landon, 'The French Farm', color serigraph, 1942, Ryan 86. Signed, titled, and annotated 'Edition 50' in pencil. A superb impression, with fresh colors, on cream, wove paper; ...

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

'Lot Cleaning, Los Angeles', wood engraving, edition 60, Zeitlin & Ver Brugge 69. Signed, titled and numbered '51/60' in pencil. A brilliant, black impression, on Kitakata Japan pape...

FRANCES H. GEARHART (1869 – 1958) SPRING MORNING – SEAL BEACH c. 1929 Color block print, signed in pencil. Image 8 ½” x 9 3/4”, sheet, 11 3/8 x 11 7/8”. Full margins as issued with...

Jean-Michel Basquiat (1960-1988) Crowned T-Rex, 1997 Lithograph Printed signature in the plate On paper 76 x 56 cm (c. 29.9 x 22 in) Published by Galerie Enrico Navarra Authentica...

Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. From 1949 to 1951 Hill attended the Brookl...

A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Nude Male Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 193...

A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...

A serene, ca. 1940s, Western landscape painting with horses by artist Francis Chapin. In a brown, wooden frame. Image size: 22" x 28". Framed size: 25" x 31". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

Sunbathers at the Hotel du Cap Eden-Roc, Antibes, France, August 1969. Sunbathers at Eden Roc, 1969 Chromogenic lambda print Estate stamped and numbered edition of 150 Slim Aarons ...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...

Poolside Dreams, 1970 - Poolside Gossip Poolside Glamor Palm Springs Poolside by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. '...

Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper. Abbronzatevi! (suntan) Non bruciatevi! (don’t burn) Archival linen-backed in fine condition, ready to frame. This original Coppertone poster is in A condition. The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion! Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...

'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...

Sunbathing in Capri, 1974 - Sunbathers on Island of Capri in Summer Sunshine by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Su...

Alexandre Calder (1898 - 1976) Tribute to the Victims, 1967 Lithograph on offset background (Arte atelier) Printed signature in the plate On paper 75 x 44.5 cm (c. 29.5 x 17.3 inch) Original vintage poster INFORMATION: Published by Maeght on the occasion of the artist's exhibition "Pour le Viet Nam...

James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...

Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...

Fishing Boats in Mexico, 1952 - Southern America Beaches Landscape Photography by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. '...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

"Sea Cliff" Mid Century Modern Coastal Cliff Seascape in Acrylic on Masonite Expansive seascape by notable California artist Farren Jensen (American, 19...

Original 1989 Louis Vuitton Automobile Classiques Poster –Hand Signed, Archival Linen-Backed. This poster was created for the Concours d’Elegance ...

Alexander CALDER Composition with Red and Blue Ball Original lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 25 x 19 cm (c. 10 x 8 inch) Edi...

Giacomo Montegazza, 1983 - Vintage Wooden Antique Watercraft Italian Lakes by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Giac...

Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...

Rockwell Kent, 'Starry Night' wood engraving, 1933, edition 1750, Burne Jones 103. Signed in pencil. A brilliant, black impression, on cream wove Japan paper; with margins (7/8 to 1 ...

Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery. Francisco Souto was born in Venezuela. He received a BFA from Herron Schoo...

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

A Striking 1950s Mid-Century Modern Ink Drawing of a Reclining Female Nude by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Exhibiting a spare and exceptional use of brushwor...

Robert Vale Faro, 'Easter Sunday', color lithograph, 1946, edition 31. Signed, dated, titled and numbered '116' and '17/31' in pen. A fine impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 inches), in excellent condition. Image size 21 x 13 1/2 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...

Original Armagnac Ryst - de Haut Parage vintage poster. This great lithographic image features a lion holding both a shield which is a lion on a shield and a sparkling glass of Armagnac. Original old French vintage...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...

Original “The 3rd Man”, 1949, linen-backed vintage one-sheet movie poster "The 3rd Man". NSS: # 49/452. Excellent condition with restored original fold m...

A Fabulous, 1951 Mid-Century Modern Abstract Portrait of a Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork Size: 12 x 9 1/2 inches. Artwork is unframed, matted ...

Louise BOURGEOIS (1911-2010) Inner Life, 1985 Original lithograph Signed on the plate On Arches vellum, 31 x 21 cm (c. 12 x 8 in) REFERENCES: Wye Smith Catalogue Raisonné #78-2 IN...

Unfinished Problem, by 1953, oil on canvas, signed lower right, signed and inscribed verso on stretcher “Charles Goeller/1272 Clinton Place, Elizabeth, NJ...

Untitled, c. 1940s, oil on Masonite, signed lower right, 19 ¾ x 25 ¾ inches Ava Vorhaus Gabriel was a New York-based painter, lithographer, and designer. Born in Larchmont, Gabriel ...

'Bob" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller i...

Original oil on masonite painting of the Black Crater in the state of Oregon by the American artist Marcel K. Sessler. Signed and dated lower right, 1955. Condition is excellent....

Gordena Parker Jackson (1900 - 1993), Canyon with Bridge, 1939, watercolor on paper, signed and dated lower right, 17 ½ x 13 inches (sight), inscription verso reads: “Watercolor Competition Show / Washington D. C. 1940 [or 1941] F. W. A.” Gordena Parker Jackson was a California painter, graphic artist, craftsperson, and designer. A native of Pleasanton, Jackson studied at the California College of Arts & Crafts and lived much of her life in the Bay Area. In 1925, she married fellow artist Frederic Osman Jackson...

A Fine, 1930s Modern Academic Figure Study of a Standing Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s c...