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Style: American Modern
A Fine, Modern 1930s Academic Anatomical Figure Study (Standing Male Nude Model)
Located in Chicago, IL
A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...
Category

1930s American Modern Art

Materials

Paper, Charcoal

A Fine, Modern 1930s Academic Anatomical Figure Study (Standing Male Nude Model)
Located in Chicago, IL
A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...
Category

1930s American Modern Art

Materials

Paper, Charcoal

Sheaves - Original Lithograph (Wye Smith #79-2)
Located in Paris, IDF
Louise BOURGEOIS (1911-2010) Sheaves, 1985 Original lithograph Signed on the plate On Arches vellum, 31 x 21 cm (c. 12 x 8 in) REFERENCES: Wye Smith Catalogue Raisonné #79-2 INFOR...
Category

1980s American Modern Art

Materials

Lithograph

East River View of N.Y.
Located in Fairlawn, OH
East River View of N.Y. Etching, 1934 Signed, dated and titled in pencil by the artist From a very small edition. Brilliant impression Condition: Excellent Image/Plate size: 5-1/8 x...
Category

1930s American Modern Art

Materials

Etching

A Fabulous 1950s Serigraph of Chicago's Wrigley Building by Mark Coomer
Located in Chicago, IL
You really need to bring home this wonderful serigraph for your collection! A fabulous Mid-Century, ca. 1959 serigraph of Chicago's Wrigley Building in its original (and kitchy!) fr...
Category

1950s American Modern Art

Materials

Paper, Screen

'Mountain Climber' — American Modernism
Located in Myrtle Beach, SC
Rockwell Kent, 'Mountain Climber', wood engraving, 1933, edition 250, Burne Jones 93. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 9/16 to 3 5/8 inches); slight skinning at the top sheet edge verso, where previously hinged; otherwise, in excellent condition. Archivally matted to museum standards, unframed. Image size 7 7/8 x 5 7/8 inches (200 x 149 mm); sheet size 14 x 11 1/8 inches (356 x 283 mm). Printed by Pynson Printers, New York. Distributed by The Print Club of Cleveland, Publication No. 11, 1933. Literature: 'Rockwellkentiana,' Harcourt, Brace and Company, New York, 1933. '101 of The World’s Greatest Books', edited by Spencer Armstrong, 1950. Impressions of this work are held in the following museum collections: Akron Art Institute, Burne Jones Collection, IL; Cincinnati Art Museum; Cleveland Museum of Art; Columbus Gallery of Fine Arts; Crystal Bridges Museum of American Art; Davis Museum at Wellesley College; Fine Art Museums of San Francisco; H. M. de Young Museum; Hermitage Museum; Kent Collection, NY; Library of Congress; Memorial Art Gallery, University of Rochester; Metropolitan Museum of Art; New York Public Library; Philadelphia Museum of Art; Princeton University Library; Smithsonian American Art Museum, Spector Collection, NY; SUNY, Plattsburg. ABOUT THE ARTIST Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper. Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in nature. Kent soon found success exhibiting and selling his paintings in New York, and in 1907, he was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They divorced after 15 years of marriage, and the artist married Sally Johnstone. For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took several extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, elemental locations inspired his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often allude to the mythic themes of isolation, individualism, heroism, and the quest for self-connection. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...
Category

1930s American Modern Art

Materials

Woodcut

Paul K. Smith Vintage 1930s New Mexico Adobe Church, Denver Modernist Oil
Located in Denver, CO
This evocative vintage oil painting from the 1930s–1940s by Denver modernist Paul K. Smith beautifully depicts a classic adobe church in New Mexico, likely insp...
Category

1940s American Modern Art

Materials

Oil

Cityscape Mid-20th Century Modern Social Realism American Scene Regionalism WPA
Located in New York, NY
Cityscape Mid-20th Century Modern Social Realism American Scene Regionalism WPA Samuel Thal (1903 to 1964) "Cityscene" 12 x 16 inches Oil on board, c. 1940s Signed verso Framed: 19...
Category

1940s American Modern Art

Materials

Oil, Board

"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance
Located in New York, NY
"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance Arthur Dove (1880-1946) "Through the Trees" 5 x 7 Watercolor on paper, 1938 Singed lower center Framed: 1...
Category

1930s American Modern Art

Materials

Paper, Watercolor

'Diver' — 1930s American Modernism
Located in Myrtle Beach, SC
Rockwell Kent, 'Diver', wood engraving, 1931, edition 150, Burne Jones 88. Signed, and titled 'The Diver' in pencil.. A brilliant, black impression, on cream, wove Japan paper; the f...
Category

1930s American Modern Art

Materials

Woodcut

Neighbors
Located in Los Angeles, CA
Neighbors, 1939, oil on canvas, signed and dated lower right, 22 x 26 inches Norman Barr was an American Scene painter and muralist known for his poignant depictions of working-clas...
Category

1930s American Modern Art

Materials

Canvas, Oil

Jazz : Swing Guy (Yellow) - Screenprint Poster, Montreux, 1983
Located in Paris, IDF
Keith Haring Swing Guy (Yellow), 1983 Screenprint Printed signature in the plate On heavy paper 100 x 70 cm (c. 40 x 28 in) Created by Haring for the Montreux Jazz Festival Excelle...
Category

1980s American Modern Art

Materials

Screen

Blizzard in Woods
Located in Fairlawn, OH
Blizzard in Woods Graphite on paper, c. 1945-1963 Unsigned Provenance: Sid Deutsch Gallery, New York Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...
Category

1940s American Modern Art

Materials

Graphite

Delightful ca. 1950s Cubist Harbor Scene by Artist Rita Duis (Astley-Bell)
Located in Chicago, IL
A ca. 1950s Cubist watercolor of a brightly-colored dock scene by Chicago and New York artist Rita Duis (Astley-Bell). Archivally matted to 14" x 18". Artist Rita Duis (Astley-Bell...
Category

1950s American Modern Art

Materials

Watercolor, Paper

'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category

1940s American Modern Art

Materials

Drypoint

“Rocky Mountain Meadow”
Located in Southampton, NY
Original watercolor on archival paper of a Rocky Mountain Meadow by the well known American artist, Werner Drewes. Signed lower right. Titled and dated 1956 on verso of sheet. Con...
Category

1950s American Modern Art

Materials

Watercolor, Archival Paper

Original Visit Washington State Diamond '75th" Jubilee vintage postger
Located in Spokane, WA
Original, linen backed, Visit Washington State - Diamond Jubilee vintage poster (1889 - 1964), excellent condition. This poster would be produced pri...
Category

1960s American Modern Art

Materials

Offset

'Lot Cleaning, Los Angeles' — 1930s Modernism
Located in Myrtle Beach, SC
'Lot Cleaning, Los Angeles', wood engraving, edition 60, Zeitlin & Ver Brugge 69. Signed, titled and numbered '51/60' in pencil. A brilliant, black impression, on Kitakata Japan pape...
Category

1930s American Modern Art

Materials

Woodcut

Sister Kate — Mid-century, Jazz-inspired Modernism
Located in Myrtle Beach, SC
James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce. Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'. ABOUT THE IMAGE "I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister. Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...
Category

1940s American Modern Art

Materials

Screen

Charles Ragland Bunnell “Quitting Time” 1941 Black and Blue Abstract Painting
Located in Denver, CO
This original vintage painting by Charles Ragland Bunnell (1897–1968), titled Quitting Time from his Black and Blue Series (1941), exemplifies the artist’s signature Abstract Structu...
Category

1940s American Modern Art

Materials

Charcoal, Ink, Watercolor

Original 1933 Concours de Photographie e Cinematographie vintage French poster
Located in Spokane, WA
Original 1933 French Poster — Touring Club de France “Concours de Photographie et de Cinématographie” — Art Deco — Linen Backed Vintage Advertising Grade a- condition with minor r...
Category

1930s American Modern Art

Materials

Lithograph

A Large, Sensational Mid-Century Modern Painting of a Showgirl, Burlesque Dancer
Located in Chicago, IL
A Large, Sensational Mid-Century Modern Painting of a Chicago Night Club Showgirl. Painted in the 1950s, this is a large, vertical, abstracted portrayal of a standing Burlesque danc...
Category

Mid-20th Century American Modern Art

Materials

Masonite, Oil

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of a Male Model
Located in Chicago, IL
A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of a Standing Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well exe...
Category

1930s American Modern Art

Materials

Paper, Charcoal

'Financial District', New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category

1930s American Modern Art

Materials

Lithograph

Plaster Works, Los Angeles, 1925
Located in Fairlawn, OH
Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...
Category

1920s American Modern Art

Materials

Silver Gelatin

Ben Shahn Original Hand Signed Litho WPA Artist Rilke Poem Lithograph Portfolio
Located in Surfside, FL
"To Days of Childhood That are Still Unexplained". It depicts six female silhouette figures in long dresses or coats against a blue and pastel purple background. From the Rainier Ma...
Category

1950s American Modern Art

Materials

Lithograph

Julie London - Portrait Julie London Jazz Singer Beverly Hills Hotel Hollywood
Located in Brighton, GB
Julie London - Portrait Julie London Jazz Singer Beverly Hills Hotel Hollywood by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. J...
Category

20th Century American Modern Art

Materials

Photographic Paper, C Print, Color, Digital

WPA Landscape American Scene Social Realism Mid 20th Century Modern Farm Rural
Located in New York, NY
WPA Landscape American Scene Social Realism Mid 20th Century Modern Farm Rural James McCracken (1875 – 1967) WPA Landscape 28 x 36 inches Oil on canvas, c. 1930s Signed lower right ...
Category

1930s American Modern Art

Materials

Canvas, Oil

Portrait of Franklin Atwood Park, VP of Singer Mfg. Co.
Located in Soquel, CA
Portrait of Franklin Atwood Park, VP of Singer Mfg. Co. Stately portrait of Franklin Atwood Park by Arthur Trevethin Nowell (British, 1862-1940). Park is sitting for a classical portrait, wearing a suit with a blue bowtie against a dark background. Of particular note are his glasses and moustache, both rendered with expert detail. Park was the VP and Chairman of the Board for Singer Manufacturing Company and Manager of the Singer Division in Scotland when the portrait was commissioned. We show a digital image of a photographic portrait of Franklin. Signed and dated "A T Nowell. 1922" Includes paper with biographical information on the sitter. Frame size: 37.5"H x 32.5"W Canvas size: 30"H x 25"W Arthur Nowell (British, 1862-1940) was born at Garndiffath, near Pontypool, and was the youngest of six children born to the Rev. John Nowell and his wife Mary...
Category

1920s American Modern Art

Materials

Canvas, Oil, Stretcher Bars

Original Pin-Up - Telephone Call linen backed vintage pinup girl.
Located in Spokane, WA
Behold the original lithographic Petty Pin-up, a unique vertical-format piece. The see-through bathing suit she wears seems to make her glow, especially with her red hair peeking fro...
Category

1940s American Modern Art

Materials

Lithograph

"History of Detroit" Linoleum Cut, Black Ink, African American, Mural Style
Located in Detroit, MI
"History of Detroit" is in the style of a mural by the master muralist from the city of Detroit, Hubert Massey. It renders in dramatic composition the ov...
Category

Early 2000s American Modern Art

Materials

Linocut

Cathedral of Saint Cyr and Saint Julitta, Nevers
Located in Middletown, NY
Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...
Category

Mid-20th Century American Modern Art

Materials

Handmade Paper, Laid Paper, Etching

"Don't Cry Long" Abstracted and Distorted Self-Portrait, One Crying Eye
Located in Detroit, MI
"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...
Category

Mid-20th Century American Modern Art

Materials

Oil, Masonite

Ca. 1950, Black & White Ink Abstraction by Notable Artist Jan Matulka
Located in Chicago, IL
A handsome ca. 1950 black & white Abstraction by important Modernist artist Jan Matulka. Image size: 6" x 6 1/2". Framed size: 12 3/4" x 12 3/4". Born in Prague, Czechoslovakia...
Category

1950s American Modern Art

Materials

Ink, Graphite

The Gothic Spirit
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Art

Materials

Drypoint, Etching

'Wild Pilgrimage' (Contemplation) — 'Story Without Words' Graphic Modernism
Located in Myrtle Beach, SC
Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...
Category

1930s American Modern Art

Materials

Woodcut

'Soaring New York' — 1930s American Modernism, New York City
Located in Myrtle Beach, SC
Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...
Category

1930s American Modern Art

Materials

Etching, Aquatint

Cameo Pink Seaform with Black Lip Wrap (94.678.s1)
Located in Missouri, MO
Cameo Pink Seaform with Black Lip Wrap (94.678.s1), 1994 Dale Chihuly (American, b. 1941) 14 x 32 x 18 inches Born in Tacoma, Washington, Dale Chihuly became the most famous ornate ...
Category

1990s American Modern Art

Materials

Glass, Blown Glass

Dark House
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category

1930s American Modern Art

Materials

Etching

Dark House
Dark House
$296 Sale Price
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'Havoc in Heaven' — Mid-Century Modernism
Located in Myrtle Beach, SC
Benton Spruance, 'Havoc in Heaven', lithograph, 1948, edition 30-35, Fine and Looney 270. Signed, titled, and numbered 'Ed 35' in pencil. Initialed in the stone, lower right. A fine,...
Category

1940s American Modern Art

Materials

Lithograph

Original Chile - Chilean travel poster
Located in Spokane, WA
Vintage 1960s Chile Travel Poster – Mid-Century Modern Wall Art Print Showcasing Historic Architecture and a Fountain Scene. Archival linen backed and in Grade A condition, ready to frame. Transport yourself to the scenic beauty of Chile with this authentic 1960s travel poster...
Category

1960s American Modern Art

Materials

Offset

Dennis Hopper Out of the Sixties exhibit poster (Dennis Hopper Biker Couple)
Located in NEW YORK, NY
Dennis Hopper, Out of the Sixties 1986 exhibit poster published Tony Shafrazi Gallery, New York 1986 Image: Dennis Hopper's Biker Couple' (1961) Off-set lithograph. 17 x 24 inche...
Category

1960s American Modern Art

Materials

Offset

A Dynamic 1930s Boxing Match Painting by Famed Chicago Artist, Francis Chapin
Located in Chicago, IL
A dynamic, colorful 1930s painting of a boxing match in Mexico by famed Chicago Modern artist Francis Chapin. Painted during one of the artist's early trips to Mexico, an exceptional painting showing Chapin's steadfast interest in sporting scenes, particularly boxing matches. Image size: 12 x 28 inches. Framed size: 15 1/2 x 31 1/2 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...
Category

1930s American Modern Art

Materials

Canvas, Oil

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing (Male Model, Back)
Located in Chicago, IL
A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Nude Male Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 193...
Category

1930s American Modern Art

Materials

Paper, Charcoal

A Striking 1950s Mid-Century Modern Ink Drawing of a Reclining Female Nude
Located in Chicago, IL
A Striking 1950s Mid-Century Modern Ink Drawing of a Reclining Female Nude by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Exhibiting a spare and exceptional use of brushwor...
Category

Mid-20th Century American Modern Art

Materials

Paper, Ink

Profile of an African Woman — 1920s Modernism
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...
Category

1920s American Modern Art

Materials

Lithograph

Modernist Oil Painting George Schwacha Brooklyn Street Scene Fruit Market WPA
Located in Surfside, FL
Hand signed lower left corner Oil on masonite Dimensions: Frame H 18.25" x W 22.25". Sight H 11.25" x W 15.25 This is a great scene, vintage Americana. Possibly Crown Heights in Brooklyn New York City. Done in a mid century modern style with great vibrant colors and loose, adept, brushwork. Fruit vendor with ladies shopping. George Schwacha, Jr. (1908 - 1986) New Jersey artist. Known for Landscape painting and snow scenes. He studied Arthur W. Woelfle; John Grabach; Edward Dufner and A. Schweider. George Schwacha was president of the American Artists Professional League and a past president of the Audubon Artists and Art Center of New Jersey. He belongs to the American Watercolor Society, The National Society of Painters in Casein, and the Philadelphia Watercolor Club. His paintings have been shown throughout the country at museums such as the Pennsylvania Academy, the Corcoran Gallery in Washington, DC and the Birmingham Art Museum, The Butler Art Institute in Youngstown, Ohio the Connecticut Academy of Fine Arts, as well as in leading New Jersey and New York exhibitions, including the American Society of Arts and Letters. He is listed in Who's Who in American Art and International Directory of Arts. His work is represented nationally in over 30 museums and public collections including the Newark Museum, Montclair Museum, Birmingham Art Museum, the Isaac Delgado Museum in New Orleans, and the Butler Art Institute. Worldwide he is also represented in collections in the following countries: Austria, Belgium, Canada, Egypt, England, France, Germany, Greece, Holland, Hong Kong, Israel, Scotland and Switzerland. Seymour Zayon, Bertram Hartman, Hugh Campbell, Frank Herbst, Joseph Newman, Theodore Valenkamph, Robert John McClelland, Nicolai Cikovsky, Ben Benn, George Howell Gay, Robert Brackman, Vernon Wood...
Category

Mid-20th Century American Modern Art

Materials

Masonite, Oil

Tennis in The Bahamas, 1957 - Tennis Players Socialise after Tennis Match in Sun
Located in Brighton, GB
Tennis in The Bahamas, 1957 - Tennis Players Socialise after Tennis Match in Sun by Slim Aarons 16 x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...
Category

20th Century American Modern Art

Materials

Photographic Paper, Color, C Print, Digital

A Fine 1930s, Modern Academic Pastel Figure Study of a Kneeling Male Nude Model
Located in Chicago, IL
A Fine 1930s, Modern Academic Pastel Figure Study of a Kneeling Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...
Category

1930s American Modern Art

Materials

Paper, Pastel

"King of the Range" - Mid Century Western Fighting Stallions
By Bernard Preston Thomas
Located in Soquel, CA
Wonderful and dynamic western painting of two wild fighting stallions by listed artist Bernard Preston Thomas (American, 1918-1992), dated 1951. Signed and dated lower left corner and on verso. Image size: 28"H x 36"W. Presented in rustic painted frame size: 34"H x 41"W x 3"D. Originally from Sheridan, Wyoming, he loved football and art, giving up the sport to concentrate on a career in art. Thomas graduated from Woodbury College in Los Angeles with a Bachelor of Science degree, earning the Leo Youngsworth Award for outstanding senior art student at Woodbury. He became a camouflage technician at the outbreak of WWII and caught the attention of General Patton...
Category

1950s American Modern Art

Materials

Canvas, Oil

Chicago in 1857
Located in Middletown, NY
Chicago: A. Ackermann & Son, Inc., 1930. Aquatint with engraving on heavy wove paper with a deckle edge, 15 1/8 x 12 inches (384 x 304 mm); sheet 24 1/2 x 17 1/2 inches (622 x 445 m...
Category

Mid-20th Century American Modern Art

Materials

Lithograph

Feast of Lights: Hanukkah
Located in Fairlawn, OH
Feast of Lights (Poster) Signed in the stone 17 color lithograph Published by Kennedy Galleries Edition: Unknown edition, signed in the stone There was also a pencil signed edition o...
Category

1970s American Modern Art

Materials

Lithograph

Red Cliffs & Hogan, Arizona, Early 20th Century Western Mountainous Landscape
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887–1964) Red Cliffs and Hogan, Arizona, 1937 Watercolor on paper Signed and dated lower right 14.5 x 19 inches 18.5 x 24 inches framed Frank Nelso...
Category

1930s American Modern Art

Materials

Watercolor

A Fine 1930s, Modern Academic Figure Study Drawing, Standing Male Model
Located in Chicago, IL
A Fine 1930s Modern Academic Figure Study Drawing, Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s cha...
Category

1930s American Modern Art

Materials

Paper, Pastel

Original 1975 Aspen, Colorado vintage town and Rocky Mountains poster
Located in Spokane, WA
Original Aspen Colorado town and mountain scene printed in 1975. Artist: Jim Ford. This poster is archivally linen-backed in excellent condition, Grade A, and ready to frame. No...
Category

1970s American Modern Art

Materials

Offset

"Cubist Landscape" Albert Heckman, American Modernist, Fractured Landscape
Located in New York, NY
Albert Heckman Cubist Landscape Signed lower right Oil on canvas 21 3/4 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to tr...
Category

1940s American Modern Art

Materials

Canvas, Oil

1950s "Red Sun" Mid Century Abstract Art Students League NYC
Located in Arp, TX
Donald Stacy "Red Sun" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League...
Category

Mid-20th Century American Modern Art

Materials

Paper, Oil Pastel, Gouache

A Fine 1930s, Modern Academic Pastel Figure Study of a Standing Male Nude (Back)
Located in Chicago, IL
A Fine 1930s, Modern Academic Pastel Figure Study of a Standing Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, earl...
Category

1930s American Modern Art

Materials

Paper, Pastel

A Cheerful, 1930s American Scene Landscape Painting with Church and Country Road
Located in Chicago, IL
A Cheerful, 1930s American Scene Landscape Painting with Church and Country Road by Notable Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A gem of a painting, exemplifying ...
Category

1930s American Modern Art

Materials

Canvas, Oil, Board

Construction & Garment Worker, WPA Bronze by Robert Cronbach
By Robert Cronbach
Located in Long Island City, NY
Artist: Robert Cronbach, American (1908 - 2001) Title: Construction & Garment Worker Year: 1938 Medium: Bronze sculpture with Brown Patina, signature and date in the cast Size: 18 ...
Category

1930s American Modern Art

Materials

Bronze

American Modern art for sale on 1stDibs.

Find a wide variety of authentic American Modern art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Slim Aarons, Destro, Howard Schatz, and John Taylor Arms. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern art, so small editions measuring 0.25 inches across are also available.

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