American Modern Art

"Glass Fused Ceramic Vase" is vintage Mid-Century Modern. This handsome vase has an elongated neck with a white glass-fused inlay portion on the front body...

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

Charles Turzak, 'Loop Alley (Chicago)', color woodcut, edition c. 25, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan pa...

This exquisite silkscreen by Stuart Davis (1892–1964), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum...

Blacksmith (Untitled), 1936, oil on canvas, signed and dated lower right, 28 x 30 inches Erle Loran was an influential American painter, art historian, and educator, renowned for h...

Kenny Scharf Ratfinkbonerthunk : Surrealist Rat, 1990 Original Giclee Print Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) Published by Editions Vermorel in 1990 ...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" "They encapsulate an era...

shipped in roll Acrylic painting of woman in sunglasses white dress black dots green socks sitting near shopping cart full of fruits Acrylic Painting on canvas One of a kind artwor...

This original c. 1960s David Klein London TWA poster represents a pinnacle of mid-century travel illustration. The David Klein London TWA poster captures a defining moment when airli...

A Fine 1930s Modern Academic Figure Study Drawing, Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s char...

'I'll Be What I Choose: Vanity of Ambition', color lithograph, 1949, edition 40, Fine and Looney 281. Signed, titled, and numbered '23/40' in pencil. Initialed in the stone, lower ri...

Rare, large format poster for the 2011, Toyota Grand Prix of Long Beach, California. This very rare racing poster is for the 2011 race. The event poster, such as this image was not available to the public for purchase. The artist name may be hidden inside the design, but we believe the artwork to be done by Jeff Foster. The image was printed to give an antique feel with old edges and distress marks, but the poster is in mint condition. It features a driver looking through his helmet as he is racing, with a reflection of a palm tree and the starting flag reflection back on the face shield. The poster has no defects. The Long Beach Grand Prix is the longest-running major street race held in North America. It started in 1975 as a Formula 5000 race and became a Formula One event in 1976. For Grand Prix poster...

Minimal image in black ink on buff rice paper. Taro leaves are a simple form inspiring this woodcut print. Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman T...

This is a very stylized and powerful portrait by the noted artist Frank Anderson Trapp. It is dated 1940, and is very much in the modern style of French painters Ferdinand Leger...

Calder’s use of curvilinear forms and asymmetrical balance mimics the natural, evolving movement of a snail, underscoring his fascination with motion and transformation. ‘Escargot’ e...

A scenic, colorful Modern 1930s summer harbor scene of Saugatuck, Michigan by notable Chicago Modern artist, Francis Chapin. Depicting a lively summer harbor view of the historic S...

A Colorful, Mid-Century Modern American Scene Country Landscape Painting, "The Farm" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). The painting depicts a vibrant, sunlit depiction of a Midwestern country farm, including a red barn and silo. The painting is oil on canvas, dating from the 1950s. A painting of a great visual appeal- a perfect complement to any collection. Artwork size: 23 x 25 inches, accompanied with the artist's original, hand-painted frame (Framed size: 27 1/2 x 29 1/2 inches). Signed "Turzak", upper right; titled on artist's label on reverse. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

H.C. Westermann Untitled (Scarecrow with Cow), 1972 2 Color Photogravure Year: 2000 Edition: 2 of 30 Paper Size: 20.75 x 26 inches (52.7 × 66.0 cm) Publisher: Landfall Press, Chicag...

Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...

Mrs George Cameron - Society Portrait of Socialite with Red Lips on Tiger Rug by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate...

Signed verso lower left, 'Isaac Mizrahi'. A fashion designer and creator of costume, Isaac Mizrahi attended the Parsons School of Design before becoming immersed in haute couture in...

A colorful, blustery painting of sailing off the coast of Martha's Vineyard by famed Chicago Modern artist, Francis Chapin. Painted in the early 1950s, the painting depicts a vibran...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Another example previously exhibited: An Exhibition of Recent Paintings ...

Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right. A fine, richly-inked...

Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...

Verbier Skier, 1964 - Blonde Skier Polishes Skis on Snowy Mountain Ski Slopes by Slim Aarons 16" x 20" print Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'V...

Color Block Modernist Still Life with Fruit Bowl by Ellis Hopkins (American, b. 1952). This bold still life depicts a yellow bowl of fruit sitting on a table next to a long bottle,...

Michael Lyne (1912-1989) The Necessary Ingredients Signed lower left Oil on canvas Canvas size - 20 x 40 in Framed size - 25 x 45 in 'The Necessary Ingredients' is a charming and c...

Painted circa 1955, this evocative California landscape by Jon Blanchette captures the quiet optimism of postwar American life through a finely balanced rural composition. A red barn...

Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...

A unique, contemplative 1930s Modern table top still-life painting featuring a spoon, egg and an artichoke by famed Chicago artist, Francis Chapin. Image size: 11 1/4 x 15 1/4 inc...

Original Spokane (Washington), The Colorful Capital of the Inland Empire vintage travel fun map. Printed in 1971, this seldom if ever found original map is archival linen backed an...

Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...

A Finely Drawn, 1930s Art Deco Modern Figure Study of a Kneeling Female Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon dem...

Snow in the Valley - Winter Landscape in Oil on Canvas Serene winter landscape by A. V. Gagliardi (20th Century). A valley is covered with snow, with a small house and river in thew...

Isac Friedlander, 'Run Little Chillun' also 'Revival', wood engraving, 1933, edition 50. Signed, titled and annotated 'New York 1933' in pencil. A sup...

“Untitled, 1946” by Louis K. Stone (1902-1984). A strong and charming example of mid-century American modernism by one of the most important artists working in New Hope, PA. This wa...

A Stylized, 1950s Mid-Century Modern Studio Figure Study of a Reclining Female Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Executed in a Mannerist, Rubenesq...

A charming, vintage 1930s Modern forest landscape scene painted in Algonquin Park, Ontario, Canada by notable Chicago artist, Harold Haydon. Many of Haydon's early landscape paintin...

Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...

The Great Escape – 1963 Frank McCarthy Original Lithograph This 1963 Frank McCarthy lithograph captures the raw tension of one of cinema's great...

A Fabulous, Abstract 1960s Mid-Century Modern Painting of a Sleeping Female Nude by Noted Chicago Artist, Rudolph Pen. A sensuous, intimate studio depiction of a sleeping nude femal...

Pablo Picasso "Paix, Désarmement pour le succès de la Conférence au Sommet, Paris, Mai 1960" Original Vintage Poster, 1952/1960. Archival linen backed and ready to frame. This pos...

A Finely Drawn, Modern 1940s Figure Study Drawing (Seated Young Female Model) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, Mid-Century M...

Charles Turzak, 'The Workers (No. 1)', woodcut, edition c. 50, c. 1935. Signed and titled in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove...

shipped in roll Acrylic on canvas Size: 60 x 90 x 2 cm Style: Modern minimalistic and pop art Professional-grade acrylics on canvas Signed by the artist with certificate of authenti...

Bob Dylan, Subterranean Homesick Blues, Mondo Scripto, 2020 Somerset 300gsm paper and framed in charcoal pine and spruce wood 102.9 x 74.9 cm (40.5 x 2...

Mercedes Matter Reclining Nude, circa 1920 Signed "Mercedes Matter" on the overlap Oil on canvas 32 x 51 inches Known for his use of expressive and uninhibited color, Arthur B. Car...

Bob Dylan, It Ain't Me Babe, Mondo Scripto, 2020 Somerset 300gsm paper and framed in charcoal pine and spruce wood 102.9 x 74.9 cm (40.5 x 29.5 in) AP...

Abstract painting, ca. 1950s measures 25 x 30 inches. Oil on canvas, unsigned and unattributed. Stunning modernist custom carved picture frame by Newcomb Macklin. ca. 1950 productio...

A contemporary photograph of an AC/DC - Back In Black cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro "They encapsulate an...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

A lovely scene of the canals in Annecy, France by renowned American artist Emma Fordyce MacRae (1887-1974). This work highlights the geometric nature of the historic architecture al...

MAYBEL DWIGHT (1875 - 1955) GREETINGS FROM THE HOUSE OF WEYHE, 1928 Lithograph, signed in the plate. Image 7 1/8 x 8 3/8” + printed title. Sheet 8 ¼ x 9” as issued. Xmas card iss...

Farmhouse in Autumn, Early 20th Century Landscape by Florence Helena McGillivray A vibrant and colorful late 1920's landscape by Florence Helena McGillivray (Canadian, 1864-1938). This beautiful 1929 landscape depicts a quaint farmhouse in autumn, surrounded by a landscape full of fall foliage in goldenrod yellow, bright orange, and deep red, with soft purple hills receding into the distance. Signed "F. McGillivray" lower left. Displayed in a new Arts & Crafts style giltwood frame. Board size: 16"H x 20"W. Framed size: 19.25"H x 23.25"W x 1"D. McGillivray (1864–1938) garnered admiration for her modern landscape paintings, as well as for her mentorship of young artists, including Tom Thomson. She has been credited in some instances as an influence for what would later be known as the Group of Seven. A prolific sketcher and painter, Florence McGillivray...

Iconic Boxing Memorabilia, Authentic Signature For sale is a museum-quality, hand-signed 16 × 20 inch photograph of Muhammad Ali capturing the iconic moment he stands triumphant over Sonny Liston following their legendary 1965 fight. Shot by renowned sports photographer Neil Leifer, this image, often called “Ali Over Liston,” is one of the most celebrated and recognizable photographs in sports history. This piece is personally hand signed by Muhammad Ali, making it a highly coveted collectible for serious sports memorabilia enthusiasts, collectors of fine art photography, and fans of the boxing legend. The glossy print emphasizes the drama and athleticism of Ali’s knockout, immortalizing one of boxing’s most historic moments. Details • Athlete: Muhammad Ali • Opponent Pictured: Sonny Liston • Photographer: Neil Leifer • Image: Iconic “Ali Over Liston” moment, 1965 • Size: 16 × 20 inches • Medium: Glossy photographic print • Signature: Hand signed by Muhammad Ali Authentication Includes a Certificate of Authenticity (COA) from KO Collectibles, a trusted source with over 30 years of experience in Muhammad Ali memorabilia. COA Details: Peter Morkovin 30 Years Dealing in Muhammad Ali Memorabilia 1009 Oswego St., Liverpool, NY 13088 Item No. 24698 Dated: January 5, 2005 The signature of Muhammad Ali is guaranteed authentic per the included certificate. This photograph is a rare, collectible work of art and sports history, ideal for display in private collections, galleries, or offices. A must-have for anyone seeking a combination of fine art photography and legendary sports memorabilia. Keywords / Search Tags: Muhammad Ali, Sonny Liston, boxing memorabilia, signed sports photograph, 16x20 photo...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 18 x 12 1/2 in. Framed: 39 x 21 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidbit I fou...

Silverprint photograph, 1973 (printed later). Signed by the artist in pencil, lower right. Titled and numbered 2/90 in pencil in lower left. Published in 1987 by Palm Press. Full...

Original Philadelphia Fly TWA vintage American travel poster created by master artist David Klein. Professional, acid-free, linen-bac...