Stan Galli Art

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "squirrel." Smith has used one of her animal/insect iconic figur...

A striking abstract gouache and ink on paper by acclaimed American modernist Ward Lockwood (1894–1963), created circa 1960 during the artist’s later period. Richly layered in yellow,...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

Women Seated in Garden "Femmos Restant" New Hope Pennsylvania Artist Edna Gass Women Seated in the Garden 'Femmos Restant" by New Hope Artist Edna Gass (American, 1904–1993). Image, ...

This three-part work spanning 10 feet was printed from the plates of Francesco Clemente’s mythological landscape Untitled A on the occasion of the 1986 MoMA, New York show of Clement...

JESSIE ARMS BOTKE (1883 – 1971) THE INTRUDER c. 1930 Color woodcut, signed, titled and inscribed “Botke prints” Image 9 ¾ x 11”, sheet 11 7/8 x 14 3/4". On cream laid paper. Califor...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

Artist: Robert Rauschenberg Title: Untitled (McGovern) Medium: Offset Lithograph in Colors Edition: 59/75 Image Size: 38.75" × 26.5" Sheet Size: 40" × 30" Year: 1972 Inscription: Sig...

Le jardin de Daubigny Style of Vincent Van Gogh by Stephen Goosson The painting depicts the enclosed garden of Charles-François Daubigny, a French landscape painter whom Van Gogh ad...

Lou (Louis) Sackman (American, 1911-2000) Signed: Lou Sackman 7-78 (Lower, Left) " Friday Market, Ocotlan ", 1978 (Mexico) Acrylic on Board 19 1/4" x 32" Housed in its original ...

JESSIE ARMS BOTKE (1883 – 1971) PELICANS c 1927-30 Color woodcut, small edition 13 3/8” x 15 3/8”, sheet 15 x 17”. Signed in pencil. Annotated “Botke Prints” Good impression and col...