Frank Wootton Art

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Fritz Scholder (1937 2005) Walking Dog 1977 Lithograph, Edition 80/100 Hand signed "Scholder" lower right, numbered lower left. Full sheet size, 22 inches x 30 inches. Printer: Tam...

A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...

Jean Jansem (1920-2013) Nu de dos au tabouret, 1993 Lithographie sur papier Arches, Justifiée Signée en bas à droite 76 x 56 cm CR Jansem, 1993, n°88 "Dans mes dernières litho...

A vibrant pictorial map of San Francisco’s Chinatown, created by Ethel Chun in 1939. It is rendered in striking tones of traditional Chinese red and yellow. Oriented with west at the...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

2014 Colour offset lithograph on 250 gsm glossy wove paper 70 x 50 cm Edition of 500 Signed and dated in pen by Tracey Emin Published by Emin International Stored in its original tub...

untitled lithograph drawn in 2022 and published in an edition of 43. Measuring 36 by 25 inches, the work is designated number 9 of 43 lower left and signed in pencil "R Hunt...

Jean Jansem (1920-2013), Les trois masques, 1980, Lithographie sur papier Arches justifiée Signée en bas à droite 76 x 55 cm CR Jansem, 1984, n°451 "Dans mes dernières lithograp...

A striking original lithograph from Hockney's popular The Moving Focus series with Cubist influences. Hockney depicts his studio interior with varying perspectives, shadows, views an...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Andre Minaux (French 1923 - 1986) Nature Morte: A still life of flowers in a vase. The colors are predominantly oranges and greens. This is a lithograph signed in pencil and marked e...