Conceptual Art

Cosmic Spheres, Biblioteca Comunale Imola, Italy 2022 In this photograph, light strikes an an elegant green and wood armillary sphere on a black and gold lathe mount, before a seri...

Jenny Holzer's menacing "Truisms" first appeared in 1983 when the artist was invited to participate in a group show exploring the themes and dialogue from George Orwell's "1984". O...

Chair Swirl Plant Donald Saff, American (1937) Date: circa 1980 Aquatint Etching, signed and numbered in pencil Edition of 50 Image Size: 24 x 18.5 inches Size: 39 in. x 27.5 in. (99...

In this game of life, we fiercely strive, Chasing dreams, hoping to survive. Each step we take, is a move on the board, Sometimes rewarded, sometimes ignored. We start with a roll of...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester May - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in fr...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Kate - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Ella - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Emily - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

Rose Main Reading Room, 2014 Public Library New York 70 x 88.9 inches Ed. of 5 $11,000 60 x 76.2 inches Ed. of 7 $9,000 50 x 63.5 Ed. of 10 $6,000 signed and numbered on label, v...

30 Cents Singapore Orchid Purple, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...

30 Cents Singapore Orchid Green, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...

30 Cents Singapore Orchid Yellow, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcar...

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Mika - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Page - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Shosh - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Pip - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in f...

G_IX, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm Alina Aldea's drawings, project all the possible forms which appear to rapidly disappear, wi...

G_XI, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm Alina Aldea's drawings, project all the possible forms which appear to rapidly disappear, w...

"I cherish our memories and the bond we share. My love for you is like a precious gem, shining bright and always treasured." Romans 12:10 Be devoted to one another in love. Honor on...

"Do not judge me by my success, judge me by how many times I fell and got back up again." I can do all things through Christ which strengtheneth me. “The peasantry ceased, they ceas...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Ella and May - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef S...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Sophie - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef Sisters...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Sui - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef Sisters" i...

A walk Oil on canvas, 80x81 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of Lat...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive ...

Red Lips, part of Richard's 2016 Hong Kong series, this street photography artwork captures the essence of Kowloon. The bold typography makes cool original pop art. The artwork is a...

Robert Booth is a visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into t...

Reinhard Görner Rose Main Reading Room, 2014 New York Public Library New York, NY 50 x 63.5 inches Ed. of 10 $6,000 60 x 76.2 inches Ed. of 7 $9,000 70 x 88.9 inches Ed. of 5 $11,...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - Peace II, Year: 1986, Medium: Monoprint Screenprint with hand coloring on BFK Rives, signed, numbered,...

Rebecca Baird, Canadian (1954 - ) - Standing up for the people II, Year: 2003, Medium: Monoprint screenprint with hand coloring, signed, numbered and dated in pencil, Edition: 1/1...

Rebecca Baird, Canadian (1954 - ) - Red Memories, Year: 2003, Medium: Monoprint screenprint with hand coloring, signed, numbered and dated in pencil, Edition: 1/1, Image Size: 32...

Rebecca Baird, Canadian (1954 - ) - Landscape Impressions, Year: 2003, Medium: Monoprint Screenprint and watercolor, signed and numbered in pencil, Edition: 1/1, Image Size: 23.5...

Rebecca Baird, Canadian (1954 - ) - Honour This land, Year: 2003, Medium: Monoprint screenprint with hand coloring, signed, numbered and dated in pencil, Edition: 1/1, Image Size:...

Charlie Hewitt, American (1946 - ) - Heartland I, Year: 1993, Medium: Etching, signed and numbered in pencil, Edition: HC 4/6, Image Size: 35.5 x 24 inches, Size: 37.5 x 25.5 in...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - Peace VI, Year: 1986, Medium: Lithograph on BFK Rives, signed, dated and numbered in pencil, Edition: ...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - Peace III, Year: 1986, Medium: Lithograph and screenprint collage on BFK Rives, signed, numbered and d...

Rebecca Baird, Canadian (1954 - ) - Honour, Year: 2003, Medium: Monoprint screenprint with hand coloring, signed, numbered and dated in pencil, Edition: 1/1, Image Size: 32 x 21 ...

Rebecca Baird, Canadian (1954 - ) - Honour II, Year: 2003, Medium: Monoprint screenprint with hand coloring, signed, numbered and dated in pencil, Edition: 1/1, Image Size: 29 x ...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 8, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 1, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 3, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 7, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 4, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 5, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 10, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inche...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 2, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Rebecca Baird, Canadian (1954 - ) - Standing up for the people, Year: 2003, Medium: Monoprint screenprint with hand coloring, signed, numbered and dated in pencil, Edition: 1/1, I...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 9, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Reinhard Görner captures the monumentality of the Beinecke Rare Book & Manuscript Library, Yale's principal repository for literary archives, early manuscripts, and rare books...

Reinhard Görner Inter Arma Charitas Lisbon, Portugal 2014 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Halle, Germany, Large-Scale Photography, Large-scale German photography, German Libraries, German Monuments...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 36 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

"My Father's Car" is a striking artwork created by Desmond Akindoju, depicting a young man sitting in a car as though he's the driver, complete with a...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the open jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 35 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

Vertical Phythms - Animal Painting - Oil on Canvas By Marc Zimmerman Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His...

LETTER P by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

LETTER O by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

North Shore Motel, from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in the Salton...