Risaburo Kimura

City 364, Serigraph by Risaburo Kimura

circa 1971

"City 6" is an original 1968 hand-signed and numbered (9/45) screenprint by Risaburo Kimura, Japanese (1924 - 2014), nicely framed. Image measures 15 x 22 inches. The artist has sp...

Artist: Robert Morris Title: Roller Disco: Cenotaph for a Public Figure Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 180 Paper Size: 26 in. x 32 in. (66.04 ...

Artist: Robert Morris Title: A Final Tomb for Frank "Jelly" Nash Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 180 Paper Size: 32 x 26 inches Text Reads: A ...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 191 Year: 1971 Medium: Silkscreen, signed in pencil Edition: AP Size: 29 x 22.5 in. (73.66 x 57.15 cm)

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 179 Year: 1971 Medium: Silkscreen, signed in pencil Edition: AP Size: 28.5 x 22.5 in. (72.39 x 57.15 cm)

Artist: Chryssa, Greek (1933 - 2013) Title: New York Times (CE) Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 38 x 25 inches

Screen print by Dmitri Alexandrowitsch Prigow from the portfolio "Kinderstern". "No Title", 1989 76 x 58 cm Copy 61/100 Edition of 100 (approx.)

2011 Lithograph/screenprint in colors, on wove paper Sheet: 25 3/4 x 19 3/4 in. Edition of 75 Signed, dated and numbered in pencil Unframed

A very good impression of this color screenprint on Fabriano Bütten smooth 300 Gram paper. Signed and numbered 12/100 in pencil by Lewitt. Printed and published by Editions Domberger...

The New Year graphisms & 12. 1979, paper, silk screen, 15x21.5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art...

Hans Haacke "If Elections Were Held Today" from the Castelli Sonnabend Collection, 1973 Silkscreen in portfolio sleeve of Crane's bond paper No. 1. Stamped and numbered. Unframed in ...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...