Rafael Bogarin Art

Joseph Beuys (German, 1921-1986) Initiation Gauloise, 1976 Medium: Lithograph in colors on card stock Dimensions: 55.3 x 75.7 cm (21 3/4 x 29 13/16 in) Edition of 185 + 15 unnumbered...

An original signed screenprint on Rives BFK paper by German-American artist Josef Albers (1888-1976) titled "Arrived", 1965. Hand pencil signed and dated by Albers lower right, and t...

Anne Youkeles Arctic Circle, ca. 1969 Three-dimensional silkscreen on folded sheets of thin card and hand made paper collage Signed, titled and numbered 44/100 on the front 27 inches...

Laure Prouvost (French, b. 1978) Ideally this print would want to share all it knows with you, 2020 Medium: Lithograph on paper Dimensions: 49.5 x 76...

Santiago Sierra (Spanish, b. 1966) Door Plate, 2006 Medium: Cast aluminium relief sign with black enamel paint Dimensions: 59 x 69 x 2 cm Edition of...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

An original screenprint on Mohawk Superfine Bristol paper by German-American artist Josef Albers (1888-1976) titled "Thaw", 1962. Issued unsigned. Limited edition: 250. Comes from Al...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

Shusaku Arakawa Color lithograph and silkscreen with embossing on Arches paper with deckled edges and folded collage upper left 29 × 48 inches Edition 26/35 Hand-signed by artist, Titled "Blankless Tone", signed "Arakawa", inscribed "1979 at New York City", and numbered 26/35, with publishers' blind stamp Printed by Handworks Inc., New York and Maurel Studio, New York, published by Multiples, Inc., New York Unframed Dramatic light gold horizontal mixed media graphic work, pencil signed. numbered and inscribed, with text lettering and corner collage element. The Estate of Shusaku Arakawa is represented by Gagosian Gallery. This work is classic Arakawa - an important example of his way of displacing sometimes cryptic words onto images as a form of artistic philosophy and performance. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan, Gadamer also wrote of the work: "There are songs to sing beyond the human." Arthur Danto has found Arakawa to be “the most philosophical of contemporary artists." For his part, Arakawa has declared: “Painting is only an exercise, never more than that.” Arakawa and Madeline Gins...

Jenny Holzer, Martin Wong, CRASH (John "Crash" Matos), John Ahearn, Jane Dickson, Chris DAZE Ellis, Gary Simmons, Various Artists, Various Artists,...

Josef Albers (after) Homage to the Square: R-I D-5 (from "Albers") Screenprint in brilliant Colors on strong wove paper double folded, 1971 Image 6.25 x 6.25 inches Sheet: 9 x 7.625 ...

Nam June Paik Untitled, Plate Six from Novecento, 1992 Color offset lithograph with unique chalk pastel drawing 13 3/10 × 18 inches Edition 104/130 Pencil numbered 104/130, hand sign...