Impressionist Art

Antique American impressionist winter landscape oil painting by Ernest Albert (1857 - 1946). Oil on canvas, circa 1900. Signed. Frame...

The Master of the Fox Hounds by John Renney (British circa 1960's) signed to label verso oil painting on board, framed painting: 18 x 22 inches framed: 23.5 ...

Artist: Itzchak Tarkay (1935-2012) Title: Tranquility Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 11.5 inches Edition: 455/750, plus 100 Remarques Condition: Excellent Inscription: Signed in crayon & numbered in ink ITZHAK TARKAY (1935-2012) Itzhak Tarkay has achieved international recognition as a leading representative of figurative artists. The inspiration for his work clearly lies with French Impressionism, particularly the paintings of Matisse and the drawing style of Toulouse-Lautrec. He drew upon the history of art to create many of his compositions, designing a kind of visual poetry from the aura of his cafes and intimate settings. His rich tapestry of form and color is achieved through the use of painting many colors laid over one another to create texture and transparency. Tarkay is considered one of the most influential artists of the early 21st century and has inspired dozens of artists throughout the world with his contemplative depiction of the female figure. ABOUT SELLER DO YOU HAVE ARTWORK TO SELL? WE ARE ACTIVELY SEEKING CONSIGNMENTS AND EXCEPTIONAL OBJECTS TO PURCHASE OUTRIGHT! Art Commerce...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: Autumn Forest Size: 27.5" x 31.5" x 0...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Untitled (Young woman seen from the back) Sanguine crayon, charcola and watercolor on paper, c. 1910 Signed with the estate stamp, Lugt 5169 lower left corner Provenance: Estate of ...

This stunning Impressionist winter landscape oil painting is by one of the leading American Impressionism artists, William Samuel Horton. Horton moved to England in 1918 and travelle...

René Toussaint 1902 – Spa – 1972 Belgian Painter 'Belgian Coast – Le Zwin' Signature: signed lower left ’R Toussaint’ Medium: oil on panel Dimensions: image size 50 x 60 cm, frame...

Elegant Portrait of a Woman Spanish/ French School, mid 20th century signed oil on canvas, framed in original period frame inscribed verso Framed: 30 x 27 inches Canas: 22 x 18 inche...

Antique American school seascape oil painting. Oil on canvas. Framed. Signed. Image size, 30L x 24H.

A charming depiction of Snow on 5th Avenue New York City with figures walking and taxis in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, white...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

Artist: Carl Thorp – American (1912-1989 ) Title: Untitled, California landscape Year: circa 1950 Medium: Oil on canvas Image size: 24.5 x 29.5 inches Framed size: 27.5 x 32.5 inches Signature: Signed lower right Condition: Very good This artwork is untitled. It looks like a scene in California. There is a sun-dappled, partially shaded foreground, a dark shaded row of trees mid-ground and a sunny hillside or mountainside as background, showing in the upper right of the composition. The painting is composed of oil on canvas. It is signed in the lower right corner by the artist. It is framed in a wooden gold frame. The painting is in very good condition. The frame is in good condition with a small 1/8" dent. Please see pictures. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene Painting, as well as New York City, Boston and New Orleans Cityscapes. He was born in Lubbock, Texas on November 14, 1912. Active in California between 1928 and 1957, Carl Thorp studied at the Academy of Fine Art in San Diego with Maurice Braun and Alfred Mitchell...

This artwork is a vivid celebration of nature's abundance, featuring an intricate arrangement of wildflowers bursting with color. The piece masterfully captures diverse flora with a ...

A beautiful late 19th century English impressionist oil on board depicting an extensive landscape at sunset. Excellent quality work by an accomplished artist. Indistinctly signed lo...

FRANCES H. GEARHART (1869-1958) VALLEY RAMPARTS 1933 Color block print, signed and titled in pencil. 10 1/8 x 12 inches. Very large and good impression In generally good condition. ...

**Technical Details** - Author: Josep Puigdengolas Barella (1906-1987) - Title: *Landscapes of the Pyrenees and Mallorca* - Technique: Oil on panel (painted on both sides) - ...

Auguste Rodin, French (1840 - 1917) - Aristophane, Medium: Etching on BFK Rives, Image Size: 6.5 x 4.5 inches, Size: 11 x 9 in. (27.94 x 22.86 cm), Printer: Bracquemond, Description...

Seth Winegar's (US based) "Prism Sky" is an original, handmade oil painting that depicts a landscape with a brilliant sunset illuminating a cloudy sky. Bio/artist statement: Seth W...

Guy C. Wiggins Silvery Days, Madison Square Park, 1962 Signed lower left; signed, titled "Silvery Days" and dated on the reverse Oil on canvas 20 x 24 inches Guy Carleton Wiggins is...

In creating this serene winter landscape, I aimed to capture the tranquil yet invigorating essence of a frosty sunrise. Using impressionistic strokes and a realistic approach, I laye...

A wonderful Impressionist summer pastoral scene of a colorful quaint home and barn in a green pastoral landscape. Willet has portrayed this piece in a most intimate, yet energetic wa...

The commissioned by HRH King Charles by Kuhfeld’s portrait shows King Charles in his coronation regalia, seated with the Imperial State Crown nearby on a plinth. Sunlight from a wi...

Walking along dappled lanes on a Sunday afternoon in late Spring/early Summer, with the gentle hum of the bees and a lark singing high above the Oxfordshire fields - everywhere was a...

This lovely British Impressionist portrait oil painting is by noted Nottinghamshire artist Arthur Spooner. Painted circa 1930 it is a charming head and shoulders portrait of a young ...

Continuing a series of small paintings in oil and tempera on wooden boards, artist turned to the image found in the live sketches at one of the beautiful Saturday mornings. So once ...

Technical Data Sheet Title: La Arboleda (Zaragoza) Artist: Juan Bayón Salado (Bay Sala) Technique: Oil on canvas Dimensions: 23.6 x 28.7 inches Condition: Unframed Period: Mid-20th century Style: Impressionism with Expressionist influences Description: This painting depicts a wooded riverside landscape, likely the Ebro River as it passes through Zaragoza. The open composition and vibrant natural light emphasize green and ochre tones, evoking an atmosphere of tranquility and connection with nature. The arrangement of trees in perspective guides the viewer's eye toward the horizon, where a red building provides contrast and balance to the scene. On the right, small human figures add dynamism and depth to the landscape. The loose brushstrokes and tonal transitions suggest an agile yet detailed execution. Artist's Biography Juan Bayón Salado, artistically known as Bay Sala, was born in Logroño on June 24, 1913, and passed away in Bilbao on April 2, 1995. In 1918, his family moved to Bilbao, where he developed most of his artistic career. In the early 1930s, he set up his easel in Bilbao’s Arenal district, painting and raffling his works to support his parents. In 1941, he held his first exhibition in Bilbao, followed by another in Zaragoza in 1942, where he began signing his works as Bay Sala. In 1950, he moved to Paris in search of Impressionist roots, residing there until the late 1960s. His style is characterized by Impressionist brushstrokes with Expressionist touches, focusing primarily on urban and rural landscapes. His works are part of significant collections and museums, including the Museum of Fine Arts in Bilbao and the San Telmo Museum in San Sebastián. Similar Artists Bay Sala’s style can be related to other artists who focused on landscapes and the capture of natural light. Among them are: Camille Pissarro: French Impressionist painter known for his rural and urban landscapes capturing atmosphere and natural light. Alfred Sisley: British-French artist celebrated for Impressionist landscapes reflecting the serenity of nature. Joaquín Sorolla: Spanish painter and master in representing Mediterranean light in beach scenes and landscapes. Martín Rico y Ortega: Spanish artist renowned for detailed landscapes and urban views with notable Impressionist influences. Darío de Regoyos...

Victor Gilbert 1847 - 1933, French Oil on Panel A magnificent work by Victor Gilbert and one for all collectors. This is a rare and important example on a grand scale that is scarcely seen. Artist's very rarely painted on beautiful mahogany panels as large as this as they were too expensive and very hard to buy. The fact that Gilbert did this highlights the significance of this work. Panel Size: 45 x 26" (114 x 66cm) Outside Frame Size: 52 x 33" (132 x 84cm) Free Shipping Victor Gilbert’s natural ability as an artist was recognized early, but his family lacked the financial resources to send the young man to the École des Beaux-Arts. Rather than enrolling in the École, Gilbert was apprenticed to Eugene Adam as an artisan painter and decorator. His only formal education was evening classes with Pierre Levasseur at the École de la Ville de Paris. Perhaps it was his early immersion into la vie quotidienne that formed the basis for his later choices of subject matter for his art, that of the markets and streets of Paris. Despite his lack of formal training, Gilbert’s admissions to the Paris Salons of 1873 and 1874 were very well received by audiences and critics alike; at this time he was supported by the dealer Paul Martin, who was an important proponent of the Impressionist movement. Gilbert emerged in the early 1880s as the primary Realist painter to record the French marketplace...

This artwork is a vibrant, impressionistic painting featuring a woman seated at a table at café Paris with a strong emotion being felt. Her story if felt through the expression in he...

Title: British Impressionist Watercolor, Waterfront Scene with Sailboats and Boathouse by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

The Artists Model Portrait of a Nude Lady reclining French School, circa 1970's indistinctly signed oil painting on card, unframed size: 25 x 18 inches condition: overall very good,...

Antique American impressionist southern oil painting. Oil on canvas. Framed. Label from a Florida frame shop verso.

"Path Across the Fields" by Paul Morgan, British 20th century signed oil on board, framed Framed: 21 x 24.5 inches Board : 16 x 20 inches Provenance: private collection Condition: ve...

The Old Provencal House French Impressionist artist, late 20th century indistinctly signed oil on canvas, unframed Canvas: 13.75 x 17.5 in...

Set amidst the rolling hills of Provence, the historic Sénanque Abbey emerges from a sea of lavender. Bathed in gentle light, its stone walls carry centuries of silence, while violet...

Impressive early French impressionist Paris street scene oil painting. Framed. Oil on canvas. Signed. Image size, 24H by 40L.

Sailing Ship at Sea Signed C.S .Vokes dated 83 signed oil painting on canvas, framed framed: 24 x 34 inches canvas: 20 x 30 inches condition: very good provenance: private collection...

Gorgeous seascape of Pacific Grove, California just north of Carmel by Marie Duncan (American, 20th Century), c. 1990. Signed lower right corner. Excelle...

Title: British Impressionist Watercolor of a Farmyard Scene with a Figure and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions:...

Storm (At Sea) Oil on board, c. 1908 Signed: L. O. Griffith lower left (see photo) Titled on label verso Image: 6 5/8 x 8 3/4" Frame: 10 x 12 x 1 1/2" Provenance: Estate of the Arti...

Signed still life oil on canvas circa 1920 by French impressionist painter Leon Detroy. The work depicts a ceramic vase filled with flowers in reds, pinks and yellows and set agains...

Edward Glafke (American, 1925-1997) Carmel River Oil on canvas Signed lower left Titled on the verso Canvas: 20in H x 24in L In a vintage giltwood frame: 24in H x 27.5 in L x 1.5in D...

Paris, Cafe de la Paix. Period 1920-1940s. Oil on canvas, 60x73 cm Lucien Adrion (1889-1953) was a French painter known for his depictions of the countryside and bustling street sce...

Portrait of a resting young lady (Marjorie Organ) Black chalk on paper. c. 1907 signed in ink by Henri's nephew, John C. LeClair, the executor of the Henri estate "Robert Henri JLC" Note: The sitter for this portrait is depicted in two drawings of similar size, illustrated in Chapellier Galleries Inc., Robert Henri 1865-1929, 1976, nos. 15 & 16. Please see the attached photo of Marjorie Organ, Henri's second wife Condition: Excellent Image/Sheet size: 10 3/8 x 7 1/2 inches Provenance: Estate of the Artist John C. LeClair, Estate Adminitrator Private Collection, Pawling, New York Biography Robert Henri was born Robert Henry Cozad in Cincinnati, Ohio, on June 24, 1865, the son of a professional gambler and real estate developer. The family lived in Nebraska and Colorado, but fled east when the father shot and killed a rancher over a land dispute and was indicted for manslaughter. They changed their last name because of the ensuing scandal and eventually settled in Atlantic City, New Jersey, during the early 1880s. In 1886 Henri enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia, where he studied under Thomas Anshutz, Thomas Hovenden...

A wonderful image of an English country cottage set in a meadow with cattle grazing. Franklin White (1892-1975) A cottage in the countryside Signed with initials and dated (19)32 Oi...

Work on canvas Molded frame Diensions with frame : 87 x 73.5 x 4.5 cm This captivating work depicts a female nude in a dynamic pose, combining softness and tension. Every curve of t...

Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michael Budden that showcases a beautifully lit sundown and an egret catching the ligh...

Winter Woods is a beautiful impressionistic winter landscape snow scene. The painting is on a canvas panel and exudes the rich qualities of oil paint with bright strong color, a vari...

Joaquim Marsillach i Codony (1905-1986) - Landscape with characters Oil on canvas Oil measures 46x55 cm. Frame measures 69x78 cm. Marsillach Codony...

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In 'Romanian Morning' from my 'Madeleine' series...

A gorgeous American impressionist painting of Gloucester Harbor. Unsigned but by a very skilled hand. The canvas is 20" x 16" housed in a period frame.

Title: Rincón de Horta (Corner of Horta) Artist: Antoni Llobet Aracil (Barcelona, 1910 – 1983) Medium: Oil on canvas Dimensions: 46 × 55 cm (18.1 × 21.7 in) Support: Canvas on stretcher Signature: Signed “A. Llobet” in the lower right corner Inscription on reverse: “Rincón de Horta” Estimated period: 1950s–1960s Condition: Good Provenance: Private collection DESCRIPTION The painting depicts a scene of vernacular architecture in Barcelona’s Horta neighborhood, at a time when it still preserved its rural and peaceful character. A dirt path opens between lush vegetation and the façades of traditional houses, wrapped in bougainvillea, ivy, and leafy trees. Light enters from the left, illuminating the walls with warm brushstrokes that contrast with the greens and violets defining the foliage. The atmosphere is serene, almost nostalgic, captured with a loose and impasto technique, especially visible in the sky and vegetation. The composition showcases the painter’s ability to harmonize architecture and nature, conveying the tranquility of a nearly hidden corner. The vibrant brushwork and mastery of color evoke a distinctly Mediterranean sensibility, heir to post-impressionism and the legacy of Joaquim Mir. ABOUT THE ARTIST: ANTONI LLOBET ARACIL Antoni Llobet Aracil was a Catalan painter born in Barcelona in 1910 (according to some sources, 1919) and died in 1983. He trained at the Escola Superior de Belles Arts de Sant Jordi and was a pupil of masters such as José Mongrell and Joaquim Mir. In 1931, he received a scholarship to continue his studies in Rome. His career included exhibitions in Paris, Denmark, Finland, Norway, Iceland, and Mallorca, as well as his native city. He led an itinerant life that enriched his pictorial vision and allowed him to develop a plastic language characterized by free use of color, energetic brushwork, and a poetic view of the landscape. In his works, Llobet blended the impressionist tradition with a Mediterranean sense of light. He alternated natural landscapes, seascapes, rural streets, and urban corners with a rich palette and atmospheric sensitivity. He worked as a drawing and painting teacher and exhibited in prominent venues such as Grifé & Escoda in Barcelona, as well as in Palma and Inca, Mallorca. ARTISTS WITH SIMILAR STYLE The work of Antoni Llobet Aracil can be linked to that of several Catalan and Mediterranean artists through his loose technique, treatment of the landscape, and warm palette: Joaquim Mir i Trinxet – for his impasto brushwork and vibrant luminosity. Rafael Durancamps – for the intimacy and warmth of his urban and rural landscapes. Josep Mompou – for chromatic harmony and evocative simplicity. Isidre Nonell (in some late landscapes) – for dense pictorial matter and atmospheric color. Ramón Vilanova...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 16 x 20 Frame Size: 24 x 28 Medium: Oil "Spring Creek Phlox" Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields...

This is a print of one ofRenoir’s most famous paintings titled “Bather on a seated rock.” it was printed by. Spadem, a well-known Paris printing company. It is numbered what looks t...

This artwork captures an idyllic mountain landscape with remarkable precision and vibrancy. In the foreground, a serene lake reflects the intricate interplay of colors from the surro...

A beautiful winter street scene by contemporary artist Paul Bachem. oil on canvas on panel 14 x 11 unframed, 20 x 17 framed in a distressed looking frame. BIOGRAPHY Paul Bachem stud...

A wonderful Impressionist winter pastoral scene of colorful quaint homes by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feel...

OLD MASTER COPY Signed Vincent " Cypress Trees " Oil Painting 20th Century GGF NEW COLLECTION Of RARE PIECES OF ART Here we have a unique and rare piece of Art signed Good Detai...

Flowers oil Painting, Impressionism Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2025 Style: Impressionism, Subject: R...