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19th Century animal oil painting of a duck & ducklings on a river bank
By Constant David Ludovic Artz
Located in Nr Broadway, Worcestershire
Constant Ludovic Artz
Dutch, (1870-1951)
Mother Duck & Ducklings
Oil on panel, signed
Image size: 9.5 inches x 15.25 inches
Size including frame: 16.5 inches x 22.25 inches
A delightful painting of a mother duck with her ducklings by constant Ludovic Artz. A white duck can be seen sitting on a river bank surrounded by her five ducklings. Two of the ducklings are shown taking rest by her side as the others forage close by.
Constant David Ludovic Artz was born in Paris on 3 June, 1870, the son of David Adolph Constant Artz (1837-1890) and Josephine Jouanin. His father was a Dutch artist who had moved his family to Paris to set up a studio. The family returned to Holland in 1874 and settled in the Hague. Artz was taught art by his father and at the age of 12 enrolled at the Academy of Visual Arts in The Hague. He also received tuition from Hendrik Mesdag (1831-1915) and Willem Maris (1844-1910) who had an influence on his subject matter.
He married Johanna Sophia Cecilia Ginjoolen at the Hague on 5 July, 1893. One of the witnesses was the artist Tony Offermans (1854-1911) whom he was apprenticed to at his studio. The couple went on to have two children together and to supplement his income, Artz also worked as an art teacher. One of his pupils was Leendert Scheltema (1876-1966).
After divorcing from his first wife in 1915, he married Lucie Sophie van der Hoeven in 1917. At some point he moved to Soestdijk, living there until 1926 when he relocated to Katwijk at Sea in. He returned to Soestdijk in 1931 where he died on 23 February, 1951.
Like his father, Artz was fascinated by nature and after painting a series of landscapes and seascapes began producing scenes featuring ducks and waterfowl usually on or by lakes and rivers. He was an expert at painting the play of light upon water and also preferred to work with smaller canvasses. His work can be found in private and public collections including the Rijksmuseum.
Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine...
Category
19th Century Antiques Associations Members Art
Materials
Oil, Panel
Low Water on the Orwell Impressionist Landscape of English Harbour, River, Boats
By Edward Seago
Located in Shrewsbury, Shropshire
Framed Size: 33" x 43" - Signed 'Edward Seago' bottom left
Edward Seago’s Low Water on the Orwell captures the calm beauty of the Suffolk estuary with his characteristic blend of r...
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Panel
19th Century horse portrait oil painting of a chestnut hunter
Located in Nr Broadway, Worcestershire
Alfred Moginie Bryant
British, (1855-1935)
Sunshine
Oil on canvas, signed & dated (18)90
Image size: 17.75 inches x 23.75 inches
Size including frame: 26.5 inches x 32.5 inches
A f...
Category
Late 19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Going to Market - 19th Century Exhibition Oil Painting Woking Common in Surrey
By George Cole
Located in Gerrards Cross, GB
‘Going to Market, Woking Common’ by George Cole RBA (1810-1883). The painting is signed by the artist and dated 1853 in which year it was exhibited at the Society of British Artists ...
Category
Mid-19th Century English School Antiques Associations Members Art
Materials
Oil
$8,132 Sale Price
25% Off
A coastal landscape
Located in Stoke, Hampshire
George Edwards Herring (1805-1879)
A coastal landscape
Oil on canvas
Painting size - 7 x 19 in
Framed size - 15 x 28
Provenance
With Arthur Tooth & Sons, London;
Private Collection,...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
Study of the Head of a Moorhen
By Joseph Mallord William Turner
Located in Belgravia, London, London
Watercolour on paper
Paper size: 4 x 5 inches
Framed size: 19 x 19.75 inches
PROVENANCE
A gift from Joseph Mallord William Turner to Miss Amelia Hawksworth (later Mrs Hotham), niece of Walter Fawkes. The watercolour descended through the ownership of Amelia Hawksworth, daughter of Francis Fawkes ( Walter Fawkes's brother) who was the main compiler of the Ornithological Collection (Miss Hawksworth owned five other bird studies by Turner).
Private collection, London
LITERATURE:
For similar works by J M W Turner see Anne Lyles, The Tate catalogue for the exhibition 'Turner and Natural History, The Farnley Project', 1988.
The present watercolour was drawn circa 1815-1820 for Walter Fawkes of Farnley Hall, for his Ornithological Collection Volume IV.
Between 1808 and 1824, Turner visited Farnley Hall in Yorkshire to stay with the Fawkes family. Turner felt at home at Farnley - the Fawkes daughters reminded him of his own. He helped illustrate a five volume ornithological scrap book for the Fawkes children, making watercolour studies of the birds for the children to stick in opposite the pages on which feathers from similar birds were attached. His bird portraits were most effective, most "life-like", when in fact the bird was dead ! His watercolours of a live robin and goldfinch have a more hesitant touch.
At this time Turner enjoyed the patronage first of Edward Lascelles, the heir to Harewood, and after 1808, of the radical landlord Walter Fawkes of Farnley Hall, near Otley. He became a close friend of the Fawkes family with whom he stayed for most summers until 1824.
The last owner of Old Farnley Hall was Francis Fawkes, a rich widower with no direct heirs. When Francis Fawkes died in 1786 he left the house to Walter Beaumont Hawksworth of Hawksworth Hall, on condition that Hawksworth adopt the Fawkes name by Royal Licence. Walter Fawkes brought in architect John Carr of York to make extensions to the house, but he died before the work was completed, and Farnley Hall was passed on to his son, also called Walter who also took the Fawkes name and was known as Walter Ramsden Fawkes. It was this Walter who was a great friend of J M W Turner.
Anne Lyles has confirmed the attribution and writes:
"Everything fits in relation to the style of the watercolour and most especially the provenance - in the Turner and Natural History exhibition catalogue of 1988 we know that Amelia Hawksworth (Mrs Hotham) owned three studies of birds' heads by J M W Turner (previously with the Maas Gallery, and numbers 36, 37 and 61 in that catalogue) as well as two studies of dead game by the artist (catalogue numbers 59 and 63, the latter untraced in 1988). Interestingly, catalogue numbers 36 and 37 (the Merganser and the Smew) seem also originally to have been intended for Volume IV of the Ornithological Collection - it is likely that the "Study of the Head of a Moorhen...
Category
19th Century Antiques Associations Members Art
Materials
Paper, Watercolor
Old Trent Bridge, Nottingham - 19th Century Oil Painting of Medieval Viaduct
Located in Gerrards Cross, GB
‘Old Trent Bridge, Nottingham’ by Andrew MacCallum (1821-1902).
The painting - which depicts the ancient 14th century viaduct in its final years prior to demolition in 1871 - is si...
Category
1840s English School Antiques Associations Members Art
Materials
Oil
Sporting horse portrait oil painting of bay hunter in a stable
By Alfred Grenfell Haigh
Located in Nr Broadway, Worcestershire
Alfred Grenfell Haigh
British, (1880-1963)
Braydon
Oil on canvas, signed & dated 1913, further inscribed Braydon
Image size: 22.5 inches x 29.5 inches
Size including frame: 28.5 in...
Category
Early 20th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape animal oil painting of sheep with lambs
By Claude Cardon
Located in Nr Broadway, Worcestershire
Claude Cardon
British, (1864-1937)
Spring Lambs
Oil on canvas, signed
Image size: 9.5 inches x 13.5 inches
Size including frame: 16.25 inches x 20.25 inches
A charming painting of ...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Historical genre oil painting of gentlemen playing bowls
By Frank Moss Bennett
Located in Nr Broadway, Worcestershire
Frank Moss Bennett
British, (1874-1952)
The Bowling Match
Oil on canvas, signed & dated 1922, with original slip
Image size: 13.5 inches x 19.5 inches
Size including frame: 20.25 in...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Head of a terrier
By Samuel Raven
Located in Stoke, Hampshire
Samuel Raven (1775-1847)
Head of a terrier
signed and inscribed 'S. Raven pinxt./Patronized by H.R.H. the Duke of Sussex/& Prince Leopold of Saxe-Coburg' verso
oil on papier mâché
Pa...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
Porthscatho Coastline Painting of boat, sea & beach. Atmospheric green, yellow
By Donald McIntyre
Located in Shrewsbury, Shropshire
Framed Size: 28" x 38"
McIntyre’s Porthscatho captures the quiet rhythm of a Cornish fishing village, its boats drawn up onto the shore at low tide. The composition leads the eye acr...
Category
20th Century Post-Impressionist Antiques Associations Members Art
Materials
Oil, Panel
A fox at bay
By James Bateman
Located in Stoke, Hampshire
James Bateman (1814-1849)
A fox at bay
signed and dated 'J. Bateman 44' centre right
Oil on panel
Painting size 8 x 10 in
Framed size 13 x 15 in
James Bateman (1893–1959) was an Eng...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
la Chapelle Impressionist Landscape, South of France, Chapel, building architect
By Maxime Maufra
Located in Shrewsbury, Shropshire
Framed size: 33" x 38"
This work is signed and dated '97.
La Chapelle captures a charming rural chapel, likely situated within the idyllic landscapes of Brittany or Normandy - bathe...
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
Late 19th century Grand Tour bronze of the Dancing Faun
Located in Bath, Somerset
A 19th century 'Grand Tour' bronze figure of the Dancing Faun, standing on a bronze square plinth. The faun balances on his toes and pivots, his horned head raised, his hair wreathe...
Category
Late 19th Century Antiques Associations Members Art
Materials
Bronze
A groom leading a bay hunter in a landscape
Located in Stoke, Hampshire
James Lynwood Palmer (1868-1941)
A groom leading a bay hunter in a landscape
signed and dated 'Lynwood Palmer/ 1903' (lower left)
Oil on canvas
Painting size 20 x 24 in
Framed size 2...
Category
20th Century Antiques Associations Members Art
Materials
Oil
Jeune Fille en Blanc - 19th Century French Impressionist Oil Painting Portrait
By Jacques Emile Blanche
Located in Gerrards Cross, GB
‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942).
Academy Fine Paintings is fully conversant with the legal exemptions which, under the supreme law of the U.S. Constitut...
Category
Late 19th Century Impressionist Antiques Associations Members Art
Materials
Oil
Waiting for Master
By Philip Eustace Stretton
Located in Stoke, Hampshire
Philip Eustace Sretton (1884-1919)
Waiting for Master
Oil on canvas
Canvas Size - 30 x 25 in
Framed Size - 37 x 32 in
Provenance
The Leverhulme Collection; Sotheby's, Thornton Mano...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
19th Century seascape oil painting of ships on the Humber Estuary
Located in Nr Broadway, Worcestershire
Henry Redmore
British, (1820-1887)
Trading Schooners & Dutch Luggers on the Humber Estuary
Oil on canvas, signed & dated 1873
Image size: 23.5 inches x 37.5 inches
Size including frame: 31.25 inches x 45.25 inches
An atmospheric seascape of fishing boats and ships on the Humber Estuary at sunset. Fishermen can be seen unloading their catch by the shore as others take down their sails and drop anchor.
Henry Redmore was born in Kingston upon Hull, Yorkshire in 1820 to James Redmore and Mary Wilkinson. His father was an engineer and initially Henry followed in his footsteps becoming a marine engineer. His job took him on several voyages as an engineer, which undoubtedly inspired his future career as an artist.
He married Martha Markham on 28 November, 1844 at Hull and together they settled in Sculcoates, a suburb of Hull, They went on to have 4 children...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Harbour Life Energetic Abstract Painting, horses, figures Inspired by Raoul Dufy
By Gen Paul
Located in Shrewsbury, Shropshire
Framed size: 26.5" x 33". Signed bottom right
This dynamic and vividly expressive painting by Eugène Paul, titled Harbour Life, captures the energy and atmosphere of Paris in the mid...
Category
19th Century Abstract Impressionist Antiques Associations Members Art
Materials
Paper, Watercolor, Gouache
English 17th century portrait of John Ludford Esquire
By Mary Beale
Located in Bath, Somerset
Portrait of John Ludford (1653-1681), wearing a lace jabot and brown and gold trimmed cloak in a feigned stone oval cartouche. Inscribed 'John Ludford, Esq, nat. 14th March 1653, Ob,...
Category
Late 17th Century Baroque Antiques Associations Members Art
Materials
Canvas, Oil
$12,003 Sale Price
20% Off
Champs-Elysees
By Antoine Blanchard
Located in Belgravia, London, London
Oil on canvas
Canvas size: 13 x 18 inches
Framed size: 20.5 x 25.5 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
Homeward Bound
By Henry H. Parker
Located in Belgravia, London, London
Oil on canvas
Canvas size: 24 x 36 inches
Framed size: 36.75 x 48.75 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century Oil Painting of Young Belle Epoque Beauty Portrait of Flower Girl
Located in Gerrards Cross, GB
‘Young Beauty holding a Red Rose’ by Étienne Adolphe Piot (1831-1910).
Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exemptio...
Category
Late 19th Century French School Antiques Associations Members Art
Materials
Oil
Cattle grazing in an extensive landscape
Located in Stoke, Hampshire
Tom Coates (1941-2023)
Cattle grazing in an extensive landscape
Oil on canvas
Signed with initials lower left
Canvas Size - 20 x 24 in
Framed Size - 29 x 33 in
Tom Coates (1941–2023...
Category
20th Century Modern Antiques Associations Members Art
Materials
Oil
Deer in Windsor Park
By John Frederick Herring Sr.
Located in Stoke, Hampshire
John Frederick Herring Snr (Surrey 1795-1863 Kent)
Deer in Windsor Park
Signed and dated 'J.F. Herring 1835'
Oil on Panel
Painting size 10 x 12 in
Framed Size 15 x 17 in
John Frederick Herring Sr. was born on September 12, 1795, in London, England. He was the son of a London-based fringe maker, and the family lived in modest circumstances. Although little is known about his early education, Herring showed a natural affinity for art and horses from a young age. His father moved the family to Doncaster when Herring was still a boy, a town famous for horse racing, which would play a significant role in shaping his future career.
Herring’s love for horses became evident during his youth, where he worked as a coachman and sign painter. He often painted inn signs...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
Animal oil painting of a cockerel, chickens & chicks
By Edgar Hunt
Located in Nr Broadway, Worcestershire
Edgar Hunt
British, (1876-1953)
Cockerel, Chickens & Chicks
Oil on canvas, signed & dated 1933
Image size: 7.75 inches x 13.75 inches
Size including frame: 14.5 inches x 20.5 inches...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Ducks and Pigeons in a Barn Interior
By John Frederick Herring Sr.
Located in Stoke, Hampshire
John Frederick Herring Snr (Surrey 1795-1863 Kent)
Ducks and Pigeons in a Barn Interior
Signed and dated 1858
Oil on canvas
Painting size 18 1/2 x 28 1/2 in
Framed size 24 x 33 1/2 in
John Frederick Herring Sr. was born on September 12, 1795, in London, England. He was the son of a London-based fringe maker, and the family lived in modest circumstances. Although little is known about his early education, Herring showed a natural affinity for art and horses from a young age. His father moved the family to Doncaster when Herring was still a boy, a town famous for horse racing, which would play a significant role in shaping his future career.
Herring’s love for horses became evident during his youth, where he worked as a coachman and sign painter. He often painted inn signs...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
19th Century landscape oil painting of a harvest field
Located in Nr Broadway, Worcestershire
Henry H Parker
British, (1858-1930)
Harvest Time
Oil on canvas, signed & inscribed verso
Image size: 18.75 inches x 14.5 inches
Size including frame: 23.25 inches x 19 inches
A lo...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
A wooded landscape with a traveller on a path
By Charles Towne
Located in Stoke, Hampshire
Charles Towne (1763-1840)
A wooded landscape with a traveller on a path
Signed "By CT" lower left
Oil on canvas
23 1/8 x 19 1/2 in
Provenance
Private Collection, West Sussex
Charle...
Category
Early 19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
$3,219 Sale Price
56% Off
'The winter of our discontent when we took the bar to the ebb', Newport, Wales
Located in Stoke, Hampshire
John Brett A.R.A. (1831-1902)
The winter of our discontent when we took the bar to the ebb', Newport, Wales
Oil on canvas
Canvas Size - 12 3/8 x 25 3/8 in
Provenance
Acquired from the artist by C J Robin in December 1882 for £150;
Private collection
Literature
C Payne...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
Both parent and guardian
By Frank Paton
Located in Stoke, Hampshire
Frank Paton (1856-1909)
Both parent and guardian
signed and dated 'F. Paton. 1882.' lower left
Oil on canvas
Painting Size - 25 x 30 in
Framed Size - 30 x 35 in
Provenance
With The ...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
Between Us Impressionist Landscape & Figurative painting of two girls, beach
By Robert Gemmell Hutchison
Located in Shrewsbury, Shropshire
Framed size: 19.5" x 22.5"
Between Us is a charming oil painting depicting two young girls seated closely on a sandy Scottish beach. Their figures - rendered with tender brushwork - ...
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
19th Century oil painting of a farm with horses, pigs, goats, poultry & cattle
By John Frederick Herring Jr
Located in Nr Broadway, Worcestershire
John Frederick Herring Jnr
British, (c1820-1907)
Farmyard Friends
Oil on canvas, signed
Image size: 23.25 inches x 35.25 inches
Size including frame: 29.75 inches x 41.75 inches
Provenance: Frost & Reed; Stacy Marks, Eastbourne
A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr. In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church.
John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820.
Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children.
By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street.
After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907.
Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Looking Out To Sea Figurative landscape painting of the sea, rocks and beach
By Donald McIntyre
Located in Shrewsbury, Shropshire
Framed Size: 29" x 33"
Looking Out to Sea is a striking evocation of the Scottish coastline, painted with the artist’s characteristic vigour and bold palette. The scene unfolds upon ...
Category
20th Century Post-Impressionist Antiques Associations Members Art
Materials
Paper, Acrylic
Landscape oil painting of boats on the River Severn
By Benjamin Williams Leader
Located in Nr Broadway, Worcestershire
Benjamin Williams Leader RA
British, (1831-1923)
Evening on the Severn
Oil on canvas, signed & dated 1904, further inscribed verso
Image size: 29.25 inches x 47.25 inches
Size incl...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century townscape oil painting of the Ducal Palace, Venice
By Alfred Pollentine
Located in Nr Broadway, Worcestershire
Alfred Pollentine
British, (1844-1910)
The Ducal Palace, Venice
Oil on canvas, signed & dated (18)91
Image size: 15 inches x 23 inches
Size including frame: 21.75 inches x 29.75 inches
Provenance: Colmore Galleries Ltd, Henley-in-Arden, Warwickshire
An attractive canal scene featuring the Ducal Palace, Venice by Alfred Pollentine. The view is taken close to the mouth of the Grand Canal towards The Ducal or Doge’s Palace and the Molo. To the left of the Palace on the Molo, can be seen the two columns of St Mark and St Theodore at St Mark’s Square. The columns marked the original entrance used by officials and distinguished visitors to Venice.
Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Sitting on the Rocks, St Ives
By Dorothea Sharp
Located in Belgravia, London, London
Oil on board
Board size: 10.5 x 13.5 inches
Framed size: 17 x 20 inches
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Board
Early 19th Century sporting horse portrait oil painting of a horse & groom
By Clifton Tomson
Located in Nr Broadway, Worcestershire
Clifton Tomson
British, (1775-1828)
Catching a Horse
Oil on canvas, signed, inscribed & dated ‘Nottingham 1826’
Image size: 23 inches x 29.25 inches
Size including frame: 30.25 inch...
Category
Early 19th Century Antiques Associations Members Art
Materials
Canvas, Oil
L'avenue Des Champs-élysees au Crepuscule
By Édouard Leon Cortès
Located in Belgravia, London, London
Oil on canvas
Canvas size: 13 x 18 inches
Framed size: 20 x 25.25 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
Cows grazing on a hillside
Located in Stoke, Hampshire
Fred Hall (1860-1948)
Cows grazing on a hillside
Signed 'Fred Hall' lower right
Oil on board
Painting Size - 12 x 16 in
Framed Size - 17 x 21 in
Fred Hall was a British painter who ...
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil
An English 18th century portrait of James Stanley, standing in a landscape
By John Hamilton Mortimer
Located in Bath, Somerset
Portrait of James Stanley (1750 - 1810), circa 1775-1778, full-length, wearing a red coat and breeches and a gold embroidered waistcoat, hold...
Category
1770s English School Antiques Associations Members Art
Materials
Canvas, Oil, ABS
19th Century pair of still life oil paintings of fruit and flowers
By Oliver Clare
Located in Nr Broadway, Worcestershire
***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13 INCHES X 16 INCHES***
Oliver Clare
British, (1853-1927)
Still Life of Fruit & Still Life of Flowers
Oil on canvas, pair, both signed & dated ‘92
Image size: 6 inches x 9 inches (each)
Size including frame: 13 inches x 16 inches (each)
An appealing pair of still life paintings by Oliver Clare. The first painting shows primroses and lilac blossom next to a red berry. In the second, damsons can be seen next to apples and a strawberry.
Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks.
Sometime after 1871, he moved to London where he married Emma Mary Webb...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Welsh landscape oil painting of cattle by the River Llugwy, North Wales
Located in Nr Broadway, Worcestershire
Walter J Watson
British, (1877-1963)
On the Llugwy, North Wales
Oil on canvas, signed & dated 1922, further inscribed verso
Image size: 15.5 inches x...
Category
20th Century Antiques Associations Members Art
Materials
Canvas, Oil
Self Portrait
Located in Stoke, Hampshire
Frank Samuel Eastman (1878-1964)
Self Portrait
Oil on canvas
Canvas - 34 1/2 x 26 1/2 in
Framed - 40 x 32 in
Provenance: by descent from the artist
Frank Eastman...
Category
20th Century Victorian Antiques Associations Members Art
Materials
Oil
$5,455 Sale Price
20% Off
Deep Blue Sea Seascape Painting of crashing waves and water, rocks and sand
By Donald McIntyre
Located in Shrewsbury, Shropshire
Framed size: 29" x 41"
Deep Blue Sea captures the raw, untamed beauty of the shoreline, where rocks, sand, and sea converge in a symphony of bold colour and energetic brushwork. The...
Category
20th Century Antiques Associations Members Art
Materials
Paper, Acrylic
A view of Paesteum with Grand Tourists in the foreground
Located in Stoke, Hampshire
Pietro Antoniani (Milan circa 1740-1805)
A view of Paesteum with Grand Tourists in the foreground
Oil on canvas
Painting Size 13 x 19 1/2 in
Framed Size 17 x 24 in
Provenance
Sale,...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Oil
Riverscape oil painting of shipping on the Thames with Tower Bridge
By Edward Henry Eugene Fletcher
Located in Nr Broadway, Worcestershire
Edward Henry Eugene Fletcher
British, (1857-1945)
Shipping in the Pool of London at Dusk with Tower Bridge in the Distance
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 26.75 inches x 36.75 inches
An atmospheric painting of ships in the Pool of London at dusk by Edward Henry Eugene Fletcher. A variety of boats are depicted in the scene, including tug boats and barges. In the distance lies the iconic Tower Bridge. The Pool of London is a stretch of the River Thames between Tower Bridge and Limehouse and is divided into two sections, the Upper Pool and the Lower Pool.
Edward Henry Eugene Fletcher was a marine artist who was born in Marylebone, London on 23 July 1857 to Robert Henry Fletcher and Julia Pennell. His father worked for the Bengal Pilot Service guiding shipping along the Hooghly River between Calcutta and the Bay of Bengal. After the death of his father in 1862, his mother married the picture dealer Reuben Brooks. He attended the Bradmore House School in Chiswick Lane before enrolling at the Chelsea School of Art, where he became a close friend of the landscape artist Daniel Sherrin.
Fletcher initially enlisted in the Army Hospital Corp, serving in Nova Scotia but was invalided out in 1882 at the age of 24 due to an eye condition. His records indicate he was 6ft tall with fair hair and grey eyes. He continued to paint in his spare time and undoubtedly his travels would have inspired his subject matter and given him a deeper knowledge of shipping and the sea. He married Annie Reed Moses in 1886 at Norwich and they lived in Margate before moving back to London to live in Blackheath around 1890. He is widely believed to have set up an auction business during this time to help support his growing family, however , perhaps due to the return of ill health he decided to give it up to focus on painting.
Although he did not exhibit, he sold his work mainly through art galleries, possibly aided by his step father. He also used the pseudonym of John Hayes which was probably for contractual reasons. By 1901, he had established himself as a full time artist and was living at Georgette Place in Greenwich with his wife and their 5 children. He later moved to 99 Lee Road, Blackheath where he spent the rest of his life. He died at Blackheath on 23 June, 1945.
Much of Fletcher’s work consisted of views of the river Thames or ships in harbours...
Category
Late 19th Century Antiques Associations Members Art
Materials
Canvas, Oil
London : A distant view of the city from the south with a herdsman and cattle
By Charles Towne
Located in Stoke, Hampshire
Charles Towne (1763-1840)
London : A distant view of the city from the south with a herdsman and cattle in the foreground
Oil on canvas laid on panel
Canvas Size - 14 1/2 x 19 in
Fra...
Category
Early 19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
$16,313 Sale Price
54% Off
Le Bac De La Bouille
By Albert Lebourg
Located in Belgravia, London, London
Oil on canvas
Canvas size: 26.75 x 30.5 inches
Framed size: 36 x 39 inches
Signed lower left
Category
19th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
Gondolas de Venise
By Antoine Bouvard (Marc Aldine)
Located in Belgravia, London, London
Oil on canvas
Canvas size: 15 x 21.5 inches
Framed size: 26 x 31 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of a logging cart on a country track
By Henry H. Parker
Located in Nr Broadway, Worcestershire
Henry H Parker
British, (1858-1930)
At Ewhurst near Guildford, Surrey
Oil on canvas, signed & dated (18)95, further transcribed verso
Image size: 23.25 inches x 35.25 inches
Size including frame: 30.25 inches x 42.25 inches
An atmospheric landscape painting of a logging cart and horses on a country track by Henry Parker. A figure and a dog are depicted leading a logging cart and team of horses past a village church as dusk falls.
Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon...
Category
Late 19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Pleasure Boats Coastal Landscape painting of boats, figures, fisherman and beach
By Donald McIntyre
Located in Shrewsbury, Shropshire
Framed Size: 29" x 33"
Pleasure Boats presents a pared-back yet evocative vision of the shore, where a group of small vessels rest quietly on the beach. A large white boat, with figu...
Category
20th Century Post-Impressionist Antiques Associations Members Art
Materials
Paper, Acrylic
19th Century sporting dog oil painting of a setter in a landscape
By Colin Graeme Roe
Located in Nr Broadway, Worcestershire
Colin Graeme Roe
British, (1855-1910)
Setter Standing Proud
Oil on canvas, signed
Image size: 15.25 inches x 21.25 inches
Size including frame: 22.25 inches x 28.25 inches
A fine s...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Townscape oil painting of Semur, France
By Letitia Marion Hamilton
Located in Nr Broadway, Worcestershire
Letitia Marion Hamilton
Irish, (1878-1964)
Gateway, Semur
Oil on canvas, signed, inscribed on verso 'Gateway, Semur by Letitia Marion Hamilton of Fonthill Palmerstown, Dublin’
Image size: 24 inches x 20 inches
Size including frame: 33 inches x 29 inches
A lovely painting of the town of Semur-en-Auxois, France by Letitia Marion Hamilton. The work with its airy lightness shows figures outside a grocers shop next to the Guillier Gate showing a glimpse of the central square of the famous medieval town. The use of white pigment in her colours applied in a thick impasto was a trademark of her work.
Letitia Marion Hamilton was born in Dunboyne, County Meath on 30 July, 1878, the daughter of Charles Hamilton and Louisa Brooke. She came from a family of famous Irish women artists: her great-grandmother was Caroline Hamilton (1771-1861), her elder sister Eva Hamilton (1876-1960) was also a talented painter, and her cousin Rose Maynard Barton (1856-1929) was a townscape and watercolour artist. The family lived at Hamwood, Dunboyne, Meath in Ireland.
She trained at the Metropolitan School of Art, Dublin alongside her sister Eva under Sir William Orpen (1878-1939) before attending the Slade School of Art where she was taught by Sir Frank Brangwyn (1867-1956). She made her debut at the Royal Hibernian Academy in 1909 where she continued to exhibit regularly. In 1912, she was awarded a silver medal by the Dublin school and received another from the Board of Education National Competition.
After the death of her father in 1913, she and her family moved to 40 Lower Dominick Street in Dublin, later living at Monasterevin, in Co. Kildare. By 1920, they had relocated to Font Hill in Palmerstown, Dublin. In the same year, Hamilton formed the Society of Dublin Painters together with Paul Henry, his wife Emily Grace Mitchell...
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Canvas
19th Century winter landscape oil painting of figures on a frozen lake
By Alexis De Leeuw
Located in Nr Broadway, Worcestershire
Alexis De Leeuw
Belgian, (1822-1900)
A Winter’s Day
Oil on panel, signed
Image size: 10.25 inches x 14.25 inches
Size including frame: 18 inches x 22 inches
Provenance: Cooling Gall...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
19th Century pair of seascape oil paintings of fishing boats near Rochester
By Hubert Thornley
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 16.25 INCHES X 22.25 INCHES**
Hubert Thornley
British, (exh. 1858 -1898)
Rochester on the Medway & Moonset Nr Queenborough
...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
English 19th century portrait of Lord Methuen's favourite dogs
By William Barraud
Located in Bath, Somerset
A painting of Lord Methuen’s Spaniels Gipsy and Fairy, by William Barraud, standing beside a classical urn in a landscape by a lake, probably in the grounds of Corsham Court in Wiltshire, the Methuen family country seat. Signed and dated 'W Barraud...
Category
19th Century English School Antiques Associations Members Art
Materials
Canvas, Oil
Still life of fruit and nuts
Located in Stoke, Hampshire
James Shaw (fl.1769-1784)
Still life of fruit and nuts
Oil on canvas
Canvas Size - 13 1/2 x 17 3/4 in
Framed Size - 16 1/4 x 20 1/2 in
Born in Sedgley in Staffordshire, it is unclea...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Oil
$2,659 Sale Price
54% Off
19th Century landscape oil painting of people boating at a lake in Arundel Park
By George Cole
Located in Nr Broadway, Worcestershire
George Cole
British, (1810-1883)
Arundel Park
Oil on canvas, signed, inscribed & dated 1878
Image size: 19.25 inches x 29.25 inches
Size including frame: 26.75 inches x 36.75 inches
...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil, Canvas
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