Antiques Associations Members Art
Antiques Association Members
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19th Century landscape oil painting of sheep grazing on a clifftop
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones
British, (1836-1892)
Sheep Grazing on a Cliff Top
Oil on canvas, signed with monogram
Image size: 7.5 inches x 11.5 inches
Size including frame: 13.5 inches x 17.5 inches
A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often.
Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.
By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil, Canvas
19th Century still life oil painting of apples, grapes & other fruit
By Oliver Clare
Located in Nr Broadway, Worcestershire
Oliver Clare
British, (1853-1927)
Still Life of Apples, Grapes & Other Fruit
Oil on canvas, signed
Image size: 17.5 inches x 13.5 inches
Size including frame: 23.5 inches x 19.5 inches
A lovely still life painting of fruit by Oliver Clare. Apples, black grapes and plums can be seen together with a strawberry and gooseberries. The fruit is shown lying amongst foliage and trailing ivy on a woodland bank.
Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks.
Sometime after 1871, he moved to London where he married Emma Mary Webb...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th century oil painting of the Doge’s Palace from the Dogana, Venice
By Jane Vivian
Located in Nr Broadway, Worcestershire
Jane Vivian
British, (fl. 1869-1890)
Looking towards the Doge’s palace from the Dogana
Oil on canvas, signed
Image size: 17.25 inches x 31.25 inches
Size including frame: 22.75 inch...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
17th Century portrait oil painting of a lady
Located in Nr Broadway, Worcestershire
Circle of Sir Peter Lely
Dutch, (1618-1680)
Portrait of a Lady, traditionally identified as Princess Henrietta Anne Stuart
Oil on canvas
Image...
Category
17th Century Antiques Associations Members Art
Materials
Canvas, Oil
The Handsome Suitor
Located in Belgravia, London, London
Oil on canvas
Canvas size: 33.5 x 49 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century genre oil painting of cherubs with flowers
By Charles Augustus Henry Lutyens
Located in Nr Broadway, Worcestershire
Charles Augustus Henry Lutyens
British, (1829-1915)
Cherubs with Flower Garlands
Oil on canvas, signed
Image size: 19.5 inches x 29.25 inches
Size including frame: 25.5 inches x 35.25 inches
A beautiful painting of three cherubs or putti with flower garlands by Charles Augustus Henry Lutyens. The winged infants are shown holding rose blooms as they rest on a cloud.
Charles Augustus Henry Lutyens was born in 1829 the son of Charles Lutyens, who was the Deputy Commissary General of the Forces and Frances Jane Fludger. With his family connection to the military it was no surprise that he joined the army in 1848 as Ensign, serving in the 20th Foot Regiment in Montreal, Canada. Whilst there, he met Mary Teresa Gallwey, daughter of Major Gallwey of Ireland and sister of Thomas Gallwey, the Governor of Montreal. They married on 28 November, 1852 and the couple went on to have 14 children in total. He returned to England having been promoted to Captain and lived in Hampshire where was appointed Instructor of Musketry to the regiment.
He retired from the army in 1855, moving to London in the same year where he lived at 4 Allen Terrace, Kensington. He began pursuing an artistic career and most likely took art and sculpture lessons as well as studying animal anatomy. He made his debut at the British Institution from 1860 and by 1861 was living at 6 Palace Garden Terraces in Kensington. In 1862, he began exhibiting at the Royal Academy, where he continued to exhibit regularly until 1903. He initially painted portraits but then developed his subjects to include animals, usually horses and hunting scenes. Many of the people in his paintings were notable horse owners such as King Edward and the Duke of Westminster as well as military figures. He is known to have sculpted clay models of animals which he used during his creative process. He also produced a number of scenes with cherubs which he became well known for.
By 1865, he had moved to 16 Onslow Square...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Green Seascape with Figures 'Apres midi sur la plage' by Gabriel Spat
By Gabriele Spat
Located in Shrewsbury, Shropshire
The harmonious colour palette of the blues and seafoam greens creates a beautiful seascape that is a joy to look at. The dark figures paddling in the shallows create a contrast again...
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Board
19th Century genre oil painting of children at a recital
Located in Nr Broadway, Worcestershire
Jean Pierre Haag
French, (1842-1921)
The Students’ Recital
Oil on canvas, signed & dated 1891
Image size: 26.75 inches x 38.75 inches
Size including frame: 34.75 inches x 46.75 inch...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Her First Steps
Located in Belgravia, London, London
Oil on panel
Panel size: 26.5 x 19.5 inches
Framed size: 35 x 28 inches
Signed and dated 1878 lower left
Category
19th Century Antiques Associations Members Art
Materials
Oil, Panel
Riverscape oil painting of shipping on the Thames near Tower Bridge & St Paul’s
By Edward Henry Eugene Fletcher
Located in Nr Broadway, Worcestershire
Edward Henry Eugene Fletcher
British, (1857-1945)
Shipping in the Pool of London with Tower Bridge & St Paul’s Beyond
Oil on canvas, signed
Image size: 14.25 inches x 29.25 inches
Size including frame: 19.25 inches x 34.25 inches
A wonderful painting of a steamship and other boats in the Pool of London by Edward Henry Eugene Fletcher. A two funnelled steamship is shown in the foreground next to sailing boats and a dock. Tower Bridge can be seen in the distance with St Paul’s Cathedral beyond. The Pool of London is a stretch of the River Thames between Tower Bridge and Limehouse and is divided into two sections, the Upper Pool and the Lower Pool.
Edward Henry Eugene Fletcher was a marine artist who was born in Marylebone, London on 23 July 1857 to Robert Henry Fletcher and Julia Pennell. His father worked for the Bengal Pilot Service guiding shipping along the Hooghly River between Calcutta and the Bay of Bengal. After the death of his father in 1862, his mother married the picture dealer Reuben Brooks. He attended the Bradmore House School in Chiswick Lane before enrolling at the Chelsea School of Art, where he became a close friend of the landscape artist Daniel Sherrin.
Fletcher initially enlisted in the Army Hospital Corp, serving in Nova Scotia but was invalided out in 1882 at the age of 24 due to an eye condition. His records indicate he was 6ft tall with fair hair and grey eyes. He continued to paint in his spare time and undoubtedly his travels would have inspired his subject matter and given him a deeper knowledge of shipping and the sea. He married Annie Reed Moses in 1886 at Norwich and they lived in Margate before moving back to London to live in Blackheath around 1890. He is widely believed to have set up an auction business during this time to help support his growing family, however , perhaps due to the return of ill health he decided to give it up to focus on painting.
Although he did not exhibit, he sold his work mainly through art galleries, possibly aided by his step father. He also used the pseudonym of John Hayes which was probably for contractual reasons. By 1901, he had established himself as a full time artist and was living at Georgette Place in Greenwich with his wife and their 5 children. He later moved to 99 Lee Road, Blackheath where he spent the rest of his life. He died at Blackheath on 23 June, 1945.
Much of Fletcher’s work consisted of views of the river Thames or ships in harbours...
Category
Late 19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century Welsh landscape oil painting of figures by the River Glaslyn
By David Bates b.1840
Located in Nr Broadway, Worcestershire
David Bates
British, (1840-1921)
Early Morning on the Glaslyn
Oil on canvas, signed & dated 1895, further inscribed verso
Image size: 23.25 inches x 35.25 inches
Size including fra...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century Sussex landscape oil painting of a harvest
By Henry John Kinnaird
Located in Nr Broadway, Worcestershire
Henry John Kinnaird
British, (1861-1929)
View near Cooksbridge, Sussex
Oil on canvas, signed & further inscribed verso
Image size: 15.5 inches x 23.5 inches
Size including frame: 23 inches x 31 inches
A pleasing landscape scene of a harvest near Cooksbridge, Sussex by Henry John Kinnaird. Figures are shown harvesting a crop in the foreground; whilst in the field beyond others stack sheaves onto a hay cart. A cottage and other buildings can be seen nestled amongst trees to the right. Cooksbridge is a village situated in the parish of Hamsey in Sussex a short distance from Lewes. It sits on the edge of the South Downs National Park, England’s newest national park which was designated in 2010.
Henry John Kinnaird was a landscape artist born on 7 June, 1861 at Old Church, St Pancras in London. He was the eldest son of Francis Henry Kinnaird (1836-1916), who was an artist and his wife Charlotte née Lee. His brother Francis Joseph ‘Wiggs’ Kinnaird (1875-1915) also became an artist. Both were probably tutored by their father as their style and subject matter are similar, but Henry is also known to have taught his brother art. He spent his time on painting trips around the country and visited areas such as Buxton in Derbyshire where he met his future wife.
He made his debut at the Royal Society of British Artists in 1880 from his parents address at 98 Brecknock Road, Islington with a work entitled ‘In the Green Woods, near Buxton’. By the time of his marriage to Alice Mary Leyland on 6 Feb, 1883 at Buxton he had established himself as a full time artist. The couple spent their early married life at 38 Leighton Road, Camden and had 2 children together.
In 1886, he began exhibiting at the Royal Academy where he continued to show his work over the years. He moved to Chingford, Essex around 1887 where he was inspired by the views in his locality. Kinnaird painted in both oils and watercolours in a broad, naturalistic style similar to John Horace Hooper. Many of his works are of harvest scenes such as this fine example.
After the death of his wife Alice in 1890, he married Mary Helen Cooke on 6 September, 1892. The couple went on to have 2 children. By 1901, he had relocated with his family to Worthing in Sussex where he lived at Rusholme on Homefield Road. After staying there for a few more years he moved to Elm Croft, Burpham, Arundel before moving to Ringmer near Lewes in Sussex.
He spent the final years of his life living at The Old Cottage in Ringmer, where he died on 26 April, 1929. An example of his work is held by Chelmsford Museum.
Presentation: The work is housed in a new English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th century oil painting of the Dogana & Santa Maria della Salute, Venice
By Jane Vivian
Located in Nr Broadway, Worcestershire
Jane Vivian
British, (fl. 1869-1890)
The Punta della Dogana with Santa Maria della Salute from the Molo, Venice
Oil on canvas, indistinctly signed
Image size: 17.25 inches x 31.25 in...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
A pair of late 17th century Northern European carved oak angels
Located in Bath, Somerset
A pair of carved oak angels, circa 1700, with a lovely warm patina and faint traces of polychrome to the face and gilding to the body. The angels are both kn...
Category
17th Century Baroque Antiques Associations Members Art
Materials
Oak
$6,164 Sale Price
20% Off
In the Country
By William Joseph Shayer
Located in Belgravia, London, London
Oil on canvas
Canvas size: 28 x 36 inches
Framed size: 36.75 x 44.75 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century winter townscape oil painting of a quay on a frozen river
By Ludwig Hermann
Located in Nr Broadway, Worcestershire
Ludwig Hermann
German, (1812-1881)
Winter on the Quay
Oil on canvas, signed
Image size: 15.75 inches x 22 inches
Size including frame: 23 inches x 29.25 inches
This highly detailed...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Saddling up, Saratoga Springs
Located in Stoke, Hampshire
Colin Coots (b. 1944)
Saddling up, Saratoga Springs
Signed and dated '86
Watercolour and pencil
19 x 23 in
Colin Coots (b. 1944) is a celebrated equestrian artist known for his evoc...
Category
20th Century Modern Antiques Associations Members Art
Materials
Watercolor
$3,572 Sale Price
40% Off
19th Century river landscape oil painting of the Thames at Shepperton
By Alfred Augustus Glendening Senior
Located in Nr Broadway, Worcestershire
Alfred Augustus Glendening Snr
British, (1840-1921)
The Thames at Shepperton
Oil on canvas, signed
Image size: 16 inches x 26 inches
Size including frame: 22.5 inches x 32.5 inches
...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
18th century English portrait of a lady beside an urn, with a basket of flowers
By Tilly Kettle
Located in Bath, Somerset
Portrait of a lady wearing a white gown with a red cloak, pearls in her hair and draped over one shoullder, standing beside a classical urn with a basket of flowers, c.1765.
The portrait is believed to be a companion portrait of a John (1741-1816) or James (1751-1807) Durno which is housed in an identical frame. The sitter is possibly either the wife of John who was Janes Byres of Stonywood or John and James's sister Elizabeth. (James never married). The Durno family were based around the Aberdeen area of Scotland and John was an advocate in the area and then later a customs official in Jamaica. James was a successful timber merchant, spending time in the Baltic before being made His Majesty's Consul in Memel, Prussia.
The portrait is likely to have been painted before Tilly travelled to India in 1768, when John, Jane and Elizabeth would have been in their twenties.
We are gtrateful to Mark Beattie for sharing his family knowlege and research on the portrait.
Provenance:
With W. C. Beattie in the mid 19th century, and by descent through the family
Private collection, Kent
With thanks to Hugh Belsey who has confirmed this to be the work of Tilly Kettle from photographs.
Tilly Kettle (1735-1786) was born in London, the third of six children by Henry Kettle (c.1704-c.1773), a coach painter, and his wife Ann. He attended William Shipley...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
Place de la Bastille
By Eugene Galien-Laloue
Located in Belgravia, London, London
Gouache on paper
Paper size: 14.25 x 8.75 inches
Framed size: 20 x 14.25 inches
Signed lower left
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Paper, Gouache
19th Century genre oil painting of children playing
Located in Nr Broadway, Worcestershire
Reuben Hunt
British, (1857-1938)
Taking Aim
Oil on canvas, signed & dated (18)84
Image size: 19.5 inches x 29.5 inches
Size including frame: 25.25 inches ...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century North African river landscape oil painting of a man using a Shadoof
By David Bates b.1840
Located in Nr Broadway, Worcestershire
David Bates
British, (1840-1921)
The Shadoof
Oil on canvas, signed, further inscribed verso
Image size: 19.75 inches x 29.75 inches
Size including fram...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
18th Century portrait oil painting of a gentleman
Located in Nr Broadway, Worcestershire
Follower of Enoch Seeman the Younger
German, (1694-1744)
Portrait of Gilbert Sympkin
Oil on canvas
Image size: 29.25 inches x 24.5 inches
Size including frame: 38 inches x 33.25 inches
A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger.
Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice.
Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
Pair of 19th Century genre oil paintings of children
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 20 INCHES X 18 INCHES**
Jean Pierre Haag
French, (1842-1921)
Daily Chores & Little Drummer Boy
Oil on panel, pair, both sig...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
Fishing Amongst The Reeds
By Sidney Richard Percy
Located in Belgravia, London, London
Fishing Amongst the Reeds
by Sidney Richard Percy
British, 1821-1886
Oil on canvas
Canvas size: 10 x 17 inches
Framed size: 13.5 x 20.5 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Oil, Canvas
Pair of seascape oil paintings of fishing boats by a Dutch shore
By Pieter Cornelis Dommersen
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 18.5 INCHES X 22.5 INCHES**
Pieter Cornelis Dommersen
Dutch, (1833-1918)
Goeser Veerhuis with Goes in the Distance &
Elburg on the Zuiderzee
Oil on panel, pair, both signed & dated 1904 with wax seals verso
Image size: 11.5 inches x 15.5 inches (each)
Size including frame: 18.5 inches x 22.5 inches (each)
A wonderful pair of seascape paintings by Pieter Cornelis Dommersen. The first painting depicts the Goeser Veerhuis or Goes Ferry House on the left with the Dutch town of Goes in the distance. The ferry house was a popular landing stage for barges and fishing boats. Goes church, with its distinctive spire can be seen in the far distance. The second painting is of Elburg, a fishing port on the east shore of the Zuiderzee in the Dutch province of Gelderland. Dommersen often returned to these areas to paint when he travelled back to the Netherlands and these fine examples were most likely painted on one of these trips.
Pieter Cornelis Dommersen was born Pieter Cornelis Dommershuizen or Dommerhershuisen on 6 December, 1833 in Utrecht, Holland. Little is known about his father and he appears to have been brought up solely by his mother Cornelia into an artistic family. His younger brother was the artist Cornelis Christian...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
Highland Pastures (Pair)
By Sidney Richard Percy
Located in Belgravia, London, London
Oil on board
Board size: 7 x 10.25 inches each
Framed size: 9.5 x 12.75 inches each
A monogrammed lower right
Category
19th Century Antiques Associations Members Art
Materials
Oil, Board
Gorleston Beach
By Campbell Archibald Mellon
Located in Belgravia, London, London
Oil on canvas
Canvas size: 20 x 24 inches
Framed size: 28.5 x 32.25 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Canvas
Under Mother's Watchful Eye
By Edgar Hunt
Located in Belgravia, London, London
Under Mother's Watchful Eye
by Edgar Hunt
British, 1876–1953
Oil on canvas
Canvas size: 8.25 x 10 inches
Framed size: 17 x 19 inches
Signed and dated 1911 lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Mother's Brood
By Valentine Thomas Garland
Located in Belgravia, London, London
Oil on panel
Panel size: 16 x 12 inches
Framed size: 23.25 x 19.25 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Oil, Panel
Madame du Barry white marble bust by French sculptor Augustin Pajou (1730-1810)
Located in Bath, Somerset
A 19th century white marble bust of Marie-Jeanne Bécu, the Comtesse du Barry after the 18th century original by the French sculptor Augustin Pajou. ...
Category
19th Century Antiques Associations Members Art
Materials
Marble
19th Century genre oil painting of a young woman pouring tea
Located in Nr Broadway, Worcestershire
Pierre-Louis Bouchard
French, (1831-1889)
Une Bonne Tasse de Thé
Oil on canvas, signed
Image size: 23 inches x 13.75 inches
Size including frame: 35 inches x 25.75 inches
A lovely portrait of a young woman pouring a cup of tea, by Pierre Louis Bouchard. The woman is depicted wearing a green striped dress with a white apron, whilst on her head is a mob cap decorated with a red ribbon. She is shown standing before a table containing a porcelain tea service on a silver salver. She is painted with her head turned towards the viewer as she expertly pours the tea into a cup. The mode appears similar to others figures the artist painted and could well have been the same person.
Pierre Louis Bouchard was born Pierre-François Bouchard in Lyon on 2 May 1831 to Pierre Bouchard and Amelie Baron. In 1845, he began studying at the École des Beaux-Arts in Lyon where he was taught by Jean-Claude Bonnefond (1796-1860). He then moved to Paris where he became a pupil of Jean-Léon Gérôme (1824-1904) at the Ecole des beaux Arts. He also studied under Jean-Hippolyte Flandrin...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Presentation
By Georges Croegaert
Located in Belgravia, London, London
Presentation
by Georges Croegaert
French born 1848 – 1923
Oil on panel
Panel size: 16 x 13 inches
Framed size: 24.25 x 21.25 inches
Signed
Category
19th Century Antiques Associations Members Art
Materials
Oil, Panel
Pair of 19th Century sporting oil painting with terrier dogs
By Edward Armfield
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 22.25 INCHES x 18.25 INCHES**
Edward Armfield
British, (1857-1935)
The Rat Trap & Under the Wheelbarrow
Oil on canvas, pair...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century coaching oil painting
By John Charles Maggs
Located in Nr Broadway, Worcestershire
John Charles Maggs
British, (1819-1896)
Bristol, Bath & London Coach Outside The Crown Inn, Bath
Oil on canvas, signed & dated 1882
Image size: 17.5 inches x 29.5 inches
Size includ...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Cattle Watering in the Shadows of Windsor
Located in Belgravia, London, London
Oil on canvas
Canvas size: 28 x 36 inches
Framed size: 41 x 48.75 inches
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Burnham Beeches
Located in Belgravia, London, London
Oil on canvas
Canvas size: 30 x 50 inches
Framed size: 38.25 x 58.25 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century seascape oil painting of fishing boats by a Dutch shore
By Pieter Cornelis Dommersen
Located in Nr Broadway, Worcestershire
Pieter Cornelis Dommersen
Dutch, (1833-1918)
Launching the Boat
Oil on canvas, signed & dated 1861
Image size: 23 inches x 41 inches
Size including frame: 29.75 inches x 47.75 inches
A beautifully painted marine scene of a boat being launched from a Dutch shore by Pieter Cornelis Dommersen. In the foreground, fishermen can be seen heaving a boat into the water as others look on. Beyond the beach, a number of ships are shown moored next to a windmill whilst further ships are depicted sailing around the harbour.
Pieter Cornelis Dommersen was born Pieter Cornelis Dommershuizen or Dommerhershuisen on 6 December, 1833 in Utrecht, Holland. Little is known about his father and he appears to have been brought up solely by his mother Cornelia into an artistic family. His younger brother was the artist Cornelis Christian...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
The Little Charmer
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18.75 x 25 inches
Framed size: 29.5 x 35.5 inches
Signed and dated 1890 lower left
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th century landscape oil painting of a village tavern
By John Holland Senior
Located in Nr Broadway, Worcestershire
John Holland Snr
British, (1830-1886)
The Malt Shovel Tavern
Oil on canvas, signed
Image size: 13 inches x 20.5 inches
Size including frame: 18.25 inches x 25.75 inches
Provenance: Frost & Reed
A wonderful painting of figures sat outside a village inn by John Holland Senior. A wagon is shown delivering supplies as another cart drives off towards a windmill in the distance. In the foreground two people cut a log in half whilst their family looks on. The Malt Shovel Inn was most likely the one at Upper Lambourn in Berkshire. Over 500 years old, it was located on Malt Shovel Lane, and was originally a bakery, becoming an inn sometime during the mid 1700’s. It remained as a pub until its closure in 2016. The windmill in the distance was situated outside Lambourn on the road to Baydon. It was built in 1771 but was demolished around 1887 and is now the site of a farm.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Beach Tents on Gorleston Beach
By Campbell Archibald Mellon
Located in Belgravia, London, London
Oil on canvas
Canvas size: 12 x 16 inches
Framed size: 18.75 x 22.75 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Canvas
19th Century genre painting of two women with flowers
By William Oliver
Located in Nr Broadway, Worcestershire
William Oliver
British, (1823-1901)
Confidences
Oil on canvas, signed
Image size: 40.75 inches x 27.75 inches
Size including frame: 47.75 inches x 34.75 inches
A delightful genre painting of two women with flowers by William Oliver. The young women can be seen in a garden setting posed next to an arrangement of spring flowers on a wooden stool. One of the women is shown seated on a grassy bank wearing a white dress with flowers in her hair. The other, dressed in green stands beside her holding a posy of flowers.
William Oliver was born William Oliver Williams at Worcester in 1823 to William and Jane Williams (née Oliver). Both his parents were from Wales but had relocated to Worcester where his father worked as a chemist before becoming a surgeon. Oliver showed a talent for art at an early age and when the family later moved to Birmingham he began working at the Government School of Design, where he later became the assistant master.
In 1848, he moved to London where he enrolled at the Royal Academy and was admitted to the RA school on 16 December, 1848. Whilst there, he married Jane Hughes on 30 December, 1852. The couple lived in St Pancras and went on to have 10 children. Two of their sons, William Oliver Williams, known as Oliver Rhys (1854-1907) and Reginald Arthur Williams or Reginald Arthur (1862-1899), also became artists.
Oliver began exhibiting in 1851 under his full name William Oliver Williams at the British Institution and in 1858 made his debut at the Royal Academy. He also exhibited around the country at the Royal Birmingham Society of Artists, Glasgow Institute, Manchester Art Gallery and the Walker Art Gallery, Liverpool. In the early 1850’s he won a commission from the Arundel Society to travel to Italy to draw Giotto’s fresco in Padua and other classical works. He later used his knowledge to incorporate Roman and Greek themes into his paintings, particularly fabrics and costumes.
Sometime during the early 1860’s he was declared bankrupt and moved his family to Corwen in Wales and later to Aberystwyth near to be closer to where his parents had retired. Perhaps prompted by this, he began signing his works William Oliver from 1867 and resumed exhibiting at the Royal Academy and elsewhere. By 1872, his circumstances had improved and he returned to London, residing in the St John’s Wood area. He spent his final years living at 41 Queens gate Gardens, Kensington where he died on 16 April, 1901.
Examples of his work are held by a number of public collections including the Aberystwyth University School of Art, Atkinson Art Gallery, Birmingham Museum, Bradford Museum, Kirklees Museum, Manchester Art Gallery, National Museum, Cardiff, Parc Howard Museum, Sewerby Hall Museum, Sheffield Museum, Stockport Heritage Services, Sunderland Museum, Thirlestane Castle and the Walker Art Gallery.
Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century pair of winter landscape oil paintings
By George Augustus Williams
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13.5 INCHES X 19.5 INCHES**
George Augustus Williams
British, (1814-1901)
Winter in...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
The End of the Day
By Valentine Thomas Garland
Located in Belgravia, London, London
Oil on canvas
Canvas size: 12.5 x 10.5 inches
Framed size: 17.25 x 15.25 inches
Signed lower left
Provenance: Private collection Belgium
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century winter landscape oil painting of figures skating on a Dutch lake
Located in Nr Broadway, Worcestershire
Louis Smets
Dutch, (act. 1852-1896)
A Winter’s Day
Oil on canvas, signed
Image size: 23.5 inches x 32.5 inches
Size including frame: 30.5 inches x 39.5 in...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of figures in a lane near Abbey ruins
By Edward Williams
Located in Nr Broadway, Worcestershire
Edward Williams
British, (1781-1855)
The Old Abbey Ruins
Oil on canvas
Image size: 22.25 inches x 30.75 inches
Size including frame: 28.25 inches x 36.75 in...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
A Suffolk Mill
By Robert Gallon
Located in Belgravia, London, London
Oil on canvas
Canvas size: 24.25 x 40.5 inches
Framed size: 29 x 45.75 inches
Signed lower left
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
$18,144
A Woeful Companion
By Arthur Batt
Located in Belgravia, London, London
Oil on canvas
Canvas size: 27 x 24 inches
Framed size: 33 x 30.5 inches
Signed and date '87 lower left
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
En Provence
By Gabriel Deschamps
Located in Belgravia, London, London
En Provence
by Gabriel Deschamps
French 1919 - 2011
Oil on canvas
Canvas size: 18 x 21.75 inches
Framed size: 26 x 29.5 inches
Signed lower left
Category
20th Century Post-Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
$20,666
Historical genre oil painting of two gentlemen playing a game of cards
By Marcel Brunery
Located in Nr Broadway, Worcestershire
Marcel Brunery
French, (1893-1982)
A Good Hand
Oil on panel, signed
Image size: 18.75 inches x 23.5 inches
Size including frame: 26.75 inches x 31.5 inches
Provenance: Frost & Reed
...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
Gorleston Stones, Norfolk
By Campbell Archibald Mellon
Located in Belgravia, London, London
Oil on board
Canvas size: 9 x 12 inches
Framed size: 14 x 17.25 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Oil, Board
Silent Waters, Culham on Thames
By Henry Hillingford Parker
Located in Belgravia, London, London
Oil on canvas
Canvas size: 24 x 36 inches
Framed size: 33.75 x 46 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century genre landscape oil painting of two Italian women near a vineyard
Located in Nr Broadway, Worcestershire
Karel Frans Philippeau
Dutch, (1825-1897)
Home from the Vineyard
Oil on panel, signed & dated 1867 with old label verso
Image size: 11.25 inche...
Category
Mid-19th Century Antiques Associations Members Art
Materials
Oil, Panel
Eavesdropping
By Charles Hunt
Located in Belgravia, London, London
Oil on canvas
Canvas size: 28 x 36.25 inches
Framed size: 33 x 41.25 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
$30,684
19th century landscape oil painting of a village fair
By John Holland Senior
Located in Nr Broadway, Worcestershire
John Holland Snr
British, (1830-1886)
Braintree Fair, Essex
Oil on canvas, signed
Image size: 13.25 inches x 20.5 inches
Size including frame: 19 inches x 26.25 inches
Provenance: Frost & Reed
A lively painting of an annual town fair near Braintree, Essex by John Holland Snr. The middle of the scene shows a crowd of figures dancing on the green next to the Kings Head Inn whilst others watch on. In the foreground, people can be seen conversing with sellers and other visitors.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for Frost & Reed, a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century oil painting of horses & grooms outside a coach house
By Henry Barraud
Located in Nr Broadway, Worcestershire
Henry Barraud
British, (1811-1874)
Horses & grooms at Mount Mascal
Oil on canvas, signed
Image size: 15.25 inches x 29.25 inches
Size including frame: 21.25 inches x 35.25 inches
...
Category
Mid-19th Century Victorian Antiques Associations Members Art
Materials
Oil, Canvas
Pups Slumber
Located in Belgravia, London, London
Oil on canvas
Canvas size: 12 x 16 inches
Framed size: 18 x 22 inches
Signed and dated 1890 lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Fishing Under The Setting Sun
Located in Belgravia, London, London
Fishing Under The Setting Sun
by William Thornley
British fl. 1858 - 1898
Oil on canvas
Canvas size: 16 x 24 inches
Framed size: 22.25 x 30.25 inches
...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Glen Lyon
By William Perring Hollyer
Located in Belgravia, London, London
Oil on canvas
Canvas size: 20 x 30 inches
Framed size: 30 x 39 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Animal portrait oil painting of Pekingese dog
By Florence Mabel Hollams
Located in Nr Broadway, Worcestershire
Florence Mabel Hollams
British, (1876-1963)
Robert
Oil on panel, signed & also inscribed ‘Robert’
Image size: 12.25 inches x 15.25 inches
Size including frame: 16.5 inches x 19.5 in...
Category
20th Century Antiques Associations Members Art
Materials
Oil, Panel
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