Antiques Associations Members Art
Antiques Association Members
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19th Century landscape animal oil painting of Highland Cattle on a moor
By Louis Bosworth Hurt
Located in Nr Broadway, Worcestershire
Louis Bosworth Hurt
British, (1856-1929)
Crossing the Moorland
Oil on canvas, signed & inscribed with title in pencil on the stretcher
Image size: 23.5 inches x 39.25 inches
Size in...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century river landscape oil painting of the Thames at Shepperton
By Alfred Augustus Glendening Senior
Located in Nr Broadway, Worcestershire
Alfred Augustus Glendening Snr
British, (1840-1921)
The Thames at Shepperton
Oil on canvas, signed
Image size: 16 inches x 26 inches
Size including frame: 22.5 inches x 32.5 inches
...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of the river Severn
By Robert John Hammond
Located in Nr Broadway, Worcestershire
Robert John Hammond
British, (1853-1911)
On the River Severn
Oil on canvas, signed & inscribed verso in pencil to stretcher
Image size: 15.25 inches x 23.25 inches
Size including frame: 21.25 inches x 29.25 inches
An attractive landscape scene of figures on the banks of the river Severn by Robert John Hammond. A man can be seen steadying a boat whilst a woman and her daughter wait by the bank.
Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century sporting horse portrait oil painting of a racehorse with spaniels
By George Henry Laporte
Located in Nr Broadway, Worcestershire
George Henry Laporte
British, (1802-1873)
Best of Friends
Oil on canvas, signed & indistinctly dated
Image size: 27.25 inches x 35.25 inches
Size...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century Scottish river landscape oil painting of Glen Falloch
By Sidney Richard Percy
Located in Nr Broadway, Worcestershire
Sidney Richard Percy
British, (1821-1886)
Glen Falloch
Oil on canvas, signed & dated (18)69
Image size: 23.5 inches x 37.5 inches
Size including frame: 29.5 inches x 43.5 inches
Provenance: MacConnal-Mason & Son Ltd
A superb Scottish landscape painting of Glen Falloch by Sidney Richard Percy. The work is typical of his oeuvre and includes seated figures, a fisherman, cattle and sheep. Glen Falloch is a valley in the Argyll and Bute area of Scotland. It lies between Crianlarich and Loch Lomand. The river Falloch, which is featured in the painting, flows through it before entering Loch Lomand.
Sidney Richard Percy was born Sidney Richard Williams, on the 22 March, 1822 the fifth son of the artist Edward Williams Snr (1781–1855) and Ann Hildebrandt. His brothers Edward Charles (1807–1881), Henry John Boddington (1811–1865), George Augustus (1814–1901), Arthur Gilbert (1819–1895) and Alfred Walter Williams...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century sporting oil painting of a hunt
By Edward Benjamin Herberte
Located in Nr Broadway, Worcestershire
Edward Benjamin Herberte
British, (1830-1896)
On the Scent
Oil on canvas, signed & dated 1890, embossed makers mark to stretcher
Image size: 15.5 inches x 23.5 inches
Size including...
Category
Late 19th Century Antiques Associations Members Art
Materials
Canvas, Oil
18th Century marine oil painting of a ship on fire
By Dominic Serres
Located in Nr Broadway, Worcestershire
Circle of Dominic Serres
British, (1722-1793)
Attack of the Fire Ships
Oil on canvas, indistinctly signed and dated 176(1)?
Image size: 23.5 inches x 39.25 inches
Size including fra...
Category
18th Century Antiques Associations Members Art
Materials
Canvas, Oil
Horse portrait oil painting of a Hackney Mare
By Florence Mabel Hollams
Located in Nr Broadway, Worcestershire
Florence Mabel Hollams
British, (1876-1963)
Craigwell Jewel
Oil on panel, signed & dated (19)‘46, also inscribed ‘Craigwell Jewel’
Image size: 13 inches x 17.25 inches
Size includin...
Category
Mid-20th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
19th Century oil painting of The Grand Canal Venice towards St Marks Square
By Alfred Pollentine
Located in Nr Broadway, Worcestershire
Alfred Pollentine
British, (1844-1910)
The Grand Canal looking towards St Marks Square & the Doge’s Palace, Venice
Oil on canvas, signed
Image size: 19.25 inches x 29.25 inches
Size including frame: 25.25 inches x 35.25 inches
A wonderful view of the Grand Canal featuring the Doge’s Palace and St Mark’s Square, Venice by Alfred Pollentine. The scene shows the entrance to the Grand Canal with the Santa Maria Della Salute with its distinctive rotunda and the Dogana to the left. Ahead can be seen the bell tower of St Mark’s with the Doges palace to its right.
Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century pair of marine oil paintings of ships off Scarborough & Portsmouth
By John James Wilson
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 18.5 INCHES X 26.5 INCHES**
John James Wilson
British, (1818-1875)
Shipping off Scarborough & Shipping off Portsmouth Harb...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of geese in a Nottinghamshire cornfield
Located in Nr Broadway, Worcestershire
Arthur Walker Redgate
British, (1860-1906)
Wilford Hill
Oil on canvas, signed, further inscribed verso
Image size: 15.25 inches x 25.25 inches
Size including frame: 21.25 inches x 3...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century still life oil painting of fruit
By Alfred Arthur Brunel De Neuville
Located in Nr Broadway, Worcestershire
Alfred Arthur Brunel de Neuville
French, (1852-1941)
Still Life of Fruit in a Basket
Oil on canvas, signed
Image size: 14.5 inches x 17.5 inches
Size including frame: 23.25 inches x ...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century oil painting of The Dogana, Venice
By Alfred Pollentine
Located in Nr Broadway, Worcestershire
Alfred Pollentine
British, (1844-1910)
The Dogana, Venice
Oil on canvas, signed & further inscribed verso
Image size: 15.5 inches x 23.5 inches
Size including frame: 22.5 inches x 30.5 inches
A lovely painting of the Grand Canal, Venice towards the Punta Della Dogana by Alfred Pollentine. The view shows the entrance to the Grand Canal with the Dogana and Santa Maria Della Salute on the right.
Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Pair of 19th Century seascape oil paintings of Malta & Constantinople (Istanbul)
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15.25 INCHES X 23.25 INCHES**
Anton Schoth
Austrian, (1843-1905)
Valetta, Malta & Constantinople
O...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
A pair of 18th century Italian landscapes with classical ruins and figures
By Giovanni Paolo Panini
Located in Bath, Somerset
A pair of 18th century Italian landscapes with classical ruins and figures, circa 1750.
Circle of Giovanni Panini (1691-1765)
Thomas Agnew and Sons, Lo...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
Large scale 19th Century historical genre oil painting of a group of musicians
By Robert Alexander Hillingford
Located in Nr Broadway, Worcestershire
Robert Alexander Hillingford
British, (1828-1904)
The Duke’s Musicians – A Reminiscence of Hardwick Hall, Derbyshire
Oil on canvas, signed
Image size: 40 inches x 59 inches
Size including frame: 47.5 inches x 66.5 inches
Exhibited at the Royal Academy in 1883, no. 844
Exhibited at the Yorkshire Institute
A large-scale Royal Academy painting...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century seascape oil painting of ships on the Humber Estuary
Located in Nr Broadway, Worcestershire
Henry Redmore
British, (1820-1887)
Trading Schooners & Dutch Luggers on the Humber Estuary
Oil on canvas, signed & dated 1873
Image size: 23.5 inches x 37.5 inches
Size including frame: 31.25 inches x 45.25 inches
An atmospheric seascape of fishing boats and ships on the Humber Estuary at sunset. Fishermen can be seen unloading their catch by the shore as others take down their sails and drop anchor.
Henry Redmore was born in Kingston upon Hull, Yorkshire in 1820 to James Redmore and Mary Wilkinson. His father was an engineer and initially Henry followed in his footsteps becoming a marine engineer. His job took him on several voyages as an engineer, which undoubtedly inspired his future career as an artist.
He married Martha Markham on 28 November, 1844 at Hull and together they settled in Sculcoates, a suburb of Hull, They went on to have 4 children...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of a river glen
By William Mellor
Located in Nr Broadway, Worcestershire
William Mellor
British, (1851-1931)
A River Glen
Oil on canvas, signed
Image size: 19 inches x 29 inches
Size including frame: 27.5 inches x 37.5 inches
A lovely landscape painting of a river glen by William Mellor. In the foreground, the river flows over large boulders whilst sheep graze on the banks and beyond the trees in the distance.
William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter.
In 1876, he married Mary Elizabeth Watson...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
French 19th century Animalier bronze of Two Hares on a naturalistic base
By Alfred Dubucand
Located in Bath, Somerset
19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...
Category
Late 19th Century Naturalistic Antiques Associations Members Art
Materials
Bronze
19th Century pair of seascape oil paintings of ships at sunrise and sunset
By Adolphus Knell
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 12 INCHES X 15 INCHES**
Adolphus Knell
British, (b.1849, fl.1870-1890)
Shipping at Sunrise & Shipping at Sunset
Oil on boar...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil, Board
19th Century sporting oil painting of a hunting meet
By Edward Benjamin Herberte
Located in Nr Broadway, Worcestershire
Edward Benjamin Herberte
British, (1830-1896)
The Meet
Oil on canvas, signed & dated 1890, embossed makers mark to stretcher
Image size: 15.5 inches x 23.5 inches
Size including fra...
Category
Late 19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century seascape oil painting of fishing boats off the Dutch coast
By Abraham Hulk the Elder
Located in Nr Broadway, Worcestershire
Abraham Hulk Snr
British, (1813-1897)
Fishing Boats off the Dutch Coast
Oil on canvas, signed
Image size: 11.75 inches x 17.75 inches
Size including frame: 21.25 inches x 27.25 inches
Provenance: M S Nathan Galleries, 29 Queen Victoria Street, London
A fine seascape painting by Abraham Hulk Snr of fishing boats off a Dutch coast. A number of fishing vessels are depicted sailing in choppy seas near a coast. Meanwhile on the shore to the right, fishermen are shown working next to herring boats...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape animal oil painting of sheep with lambs
By Claude Cardon
Located in Nr Broadway, Worcestershire
Claude Cardon
British, (1864-1937)
Spring Lambs
Oil on canvas, signed
Image size: 9.5 inches x 13.5 inches
Size including frame: 16.25 inches x 20.25 inches
A charming painting of ...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of figures by a Derbyshire brook
By George Turner
Located in Nr Broadway, Worcestershire
George Turner
British, (1843-1910)
A Derbyshire Brook
Oil on canvas, signed, further signed, titled & dated 1899 verso
Image size: 19.5 inches x 29.5 inches
Size including frame: ...
Category
19th Century Antiques Associations Members Art
Materials
Oil, Canvas
L'avenue Des Champs-élysees au Crepuscule
By Édouard Leon Cortès
Located in Belgravia, London, London
Oil on canvas
Canvas size: 13 x 18 inches
Framed size: 20 x 25.25 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
19th Century continental townscape oil painting of a busy harbour
By Ludwig Hermann
Located in Nr Broadway, Worcestershire
Ludwig Hermann
German, (1812-1881)
A Bustling Harbour Town
Oil on canvas, signed & dated 1863
Image size: 26 inches x 36.5 inches
Size including frame: 35.25 inches x 45.75 inches
A wonderful continental townscape scene of a bustling harbour by Ludwig Hermann. The Medieval architecture is reminiscent of North Germany and the Baltic sea area with its busy trading ports. Figures can be seen chatting to traders as ships sail around the harbour.
Ludwig Hermann or Herman was born Elias Ludwig Julius Herrmann at Greifswald, Germany in 1812 to Wilhelm and Sophie Herrmann. Although little is recorded about his early life and education, he is known to have left his home in 1831 at the age of 19, to pursue an artistic career in Berlin. There he entered the Prussian Academy of Arts where he studied under Johann Gottfried Schadow (1764-1850).
Hermann started exhibiting at the Berlin Academy exhibitions in 1836. A year later in 1837, he travelled to Paris to study under Eugène Isabey (1803-1886) and Eugène Lepoittevin (1806-1870). By 1841 he had returned to Berlin where he married Caroline Wilhelmine ‘Auguste’ Dupont on 16 October, 1841. From his base in Berlin he travelled around Europe painting views of France...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
17th century English portrait of a lady
By Sir Peter Lely
Located in Bath, Somerset
Miss Ada Gossett, circa 1673, half-length in a landscape at dusk, wearing an amber silk gown adorned with a gold trimmed gauze shawl and fine jewels, wearing a pearl necklace, her fa...
Category
17th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
Still life of fruit and nuts
Located in Stoke, Hampshire
James Shaw (fl.1769-1784)
Still life of fruit and nuts
Oil on canvas
Canvas Size - 13 1/2 x 17 3/4 in
Framed Size - 16 1/4 x 20 1/2 in
Born in Sedgley in Staffordshire, it is unclea...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Oil
$2,696 Sale Price
54% Off
Historical genre oil painting of a gentleman & his dogs
By Frank Dadd
Located in Nr Broadway, Worcestershire
Frank Dadd RI
British, (1851-1929)
Time for Supper
Oil on canvas, signed & dated 1925
Image size: 19.75 inches x 15.75 inches
Size including frame: 27 inches x 23 inches
A well-exe...
Category
Early 20th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century coaching scene oil painting
By Heywood Hardy
Located in Nr Broadway, Worcestershire
Heywood Hardy
British, (1842-1933)
The Arrival of the Coach
Oil on canvas, signed
Image size: 19 inches x 29 inches
Size including frame: 25.75 inches x 35.75 inches
A superb paint...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Deer in Windsor Park
By John Frederick Herring Sr.
Located in Stoke, Hampshire
John Frederick Herring Snr (Surrey 1795-1863 Kent)
Deer in Windsor Park
Signed and dated 'J.F. Herring 1835'
Oil on Panel
Painting size 10 x 12 in
Framed Size 15 x 17 in
John Frederick Herring Sr. was born on September 12, 1795, in London, England. He was the son of a London-based fringe maker, and the family lived in modest circumstances. Although little is known about his early education, Herring showed a natural affinity for art and horses from a young age. His father moved the family to Doncaster when Herring was still a boy, a town famous for horse racing, which would play a significant role in shaping his future career.
Herring’s love for horses became evident during his youth, where he worked as a coachman and sign painter. He often painted inn signs...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
Still life oil painting of flowers in a glass vase
By Harold Clayton
Located in Nr Broadway, Worcestershire
Harold Clayton
British, (1896 - 1979)
Still Life of Flowers
Oil on canvas, signed
Image size: 21.5 inches x 25.5 inches
Size including frame: 30.25 inches x 34.25 inches
A finely ...
Category
20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century genre oil painting of figures in a cottage with animals
By Charles Hunt Jr.
Located in Nr Broadway, Worcestershire
Charles Hunt Jnr
British, (1829-1900)
A Visitor Calls
Oil on canvas, signed
Image size: 24.75 inches x 34.75 inches
Size including frame: 32.25 inches x 42.25 inches
A wonderful genre painting by Charles Hunt of two men and two boys with horses and other animals in a cottage. A farmer and his two sons can be seen eating lunch at a table in rustic interior as a visitor approaches. Perhaps encouraged by the boys, a piglet seems to have found its way onto the table whilst a rabbit and guinea pig eat cabbage leaves on the floor. To the far right, a horse is shown in a stable area along with some piglets. To the far left, a terrier waits on the step by its master.
Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Contemporary Bright & Colourful Landscape Painting 'Mountain Villa', Red & Green
By Rosa Canto
Located in Shrewsbury, Shropshire
A bright and beautiful landscape by a highly sought after Spanish contemporary painter, Rosa Canto. Canto is a master of paint and has a loose and free-flowing style, capturing the d...
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
Boates moored, with the tide going out
Located in Stoke, Hampshire
John Willes Johnson (1793-1863)
Boates moored, with tide going out
Oil on canvas
Signed and dated 1830 lower right
Canvas Size - 15 x 15 in
Framed Size - 16 x 18 1/2 in
John Samuel...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
18th Century portrait oil painting of a lady in an ermine trimmed cloak
By Sir Godfrey Kneller
Located in Nr Broadway, Worcestershire
Circle of Sir Godfrey Kneller
Dutch, (1646-1723)
Portrait of a Lady in an Ermine Trimmed Cloak
Oil on canvas
Image size: 26.5 inches x 22.5 inches
Size including frame: 33.5 inches x 29.5 inches
A well-executed half-length portrait of a lady painted in a feigned oval, circle of Sir Godfrey Kneller. The use of a feigned oval was a device used in portraiture to give a sense of depth and add an intimacy to the painting, drawing your attention to the sitter.
The subject, posed without her wig in the undressed fashion of the day, wears a blue ermine trimmed blue cloak over a white silk robe...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Canvas, Oil
19th Century exhibition size landscape oil painting of Sheep on a cliff
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones
British, (1836-1892)
Sheep Resting
Oil on canvas, signed with monogram & dated 1877, further inscribed verso
Image size: 35 inches x 59 inches
Size including frame: 47 inches x 71 inches
Exhibition Size Painting
A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint.
Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.
By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones.
As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Historical genre oil painting of a cavalier studying a map
By Frank Moss Bennett
Located in Nr Broadway, Worcestershire
Frank Moss Bennett
British, (1874-1952)
Studying the Map
Oil on canvas, signed & dated (19)27
Image size: 12.75 inches x 10.75 inches
Size including frame: 17.25 inches x 15.25 inch...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
The Harbour at low tide
Located in Stoke, Hampshire
John Willes Johnson (1793-1863)
The Harbour at low tide
Oil on canvas
Signed and dated 1829 lower left
Canvas Size - 15 x 15 in
Framed Size - 16 x 18 1/2 in
John Samuel Willes Johns...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Oil
19th Century winter landscape oil painting of a caravan with Cossacks on horses
By Adolf Constantin Baumgartner-Stoiloff
Located in Nr Broadway, Worcestershire
Adolf Constantin Baumgartner-Stoiloff
Austrian (1850-1924)
The Gold Convoy
Oil on canvas, signed
Image size: 26.25 inches x 40.5 inches
Size including frame: 32.25 inches x 46.5 inches
An animated winterscape of Cossacks on horseback with a number of covered wagons by Adolf Constantin Baumgartner-Stoiloff. The caravan is shown moving at speed and flanked by a group of armed Cossacks. During the 19th century, Cossacks were often used by the Czar to collect tributes or taxes from many of the native tribes in Russia.
Adolf Constantin Baumgartner-Stoiloff was born Adolf Baumgartner...
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
A Surprise Visit
Located in Belgravia, London, London
Oil on canvas
Canvas size: 32 x 45 inches
Framed size: 35.5 x 50 inches
Signed lower right
Category
19th Century Romantic Antiques Associations Members Art
Materials
Canvas, Oil
$103,661
Fishing Amongst The Reeds
By Sidney Richard Percy
Located in Belgravia, London, London
Fishing Amongst the Reeds
by Sidney Richard Percy
British, 1821-1886
Oil on canvas
Canvas size: 10 x 17 inches
Framed size: 13.5 x 20.5 inches
Signed lower right
Category
19th Century Antiques Associations Members Art
Materials
Oil, Canvas
19th Century genre oil painting of two gentlemen in a garden
By Frank Moss Bennett
Located in Nr Broadway, Worcestershire
Frank Moss Bennett
British, (1874-1952)
In the Garden
Oil on panel, signed & dated 1917
Image size: 11 inches x 13.5 inches
Size including frame: 20 inches x 22.5 inches
A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men drink wine and eat fruit at a linen covered table...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Oil, Panel
Historical genre oil painting of a couple eloping
Located in Nr Broadway, Worcestershire
Jules Girardet
French, (1856-1938)
Le Coeur a des Raisons
Oil on canvas, signed
Image size: 41 inches x 33 inches
Size including frame: 50.25 inches x ...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century seascape oil painting of fishing boats off a harbour early morning
By George Stainton
Located in Nr Broadway, Worcestershire
George Stainton
British, (1838-1900)
Fishing Vessels off a Harbour Early Morning
Oil on canvas, signed
Image size: 23.25 inches x 35.25 inches
Size including frame: 31 inches x 43 inches
A wonderful coastal marine painting of boats off a busy harbour at dawn by George Stainton. A large ship is depicted having weighed anchor and with sails unfurled as a supply boat arrives port side. In the foreground, a group of fishermen can be seen in a rowing boat waiting for their next catch. In the distance, lies a busy harbour, possibly Chatham Dockyard.
George Stainton was a marine and landscape artist who was born in Aston, Birmingham in October 1838 to John Stainton and Ann Horton. By the age of 12, he was working as a paper mache painter and then later as a Japanner before becoming a full-time artist. He specialised in painting seascapes and river scenes in the style of Abraham Hulk and was influenced by the Dutch school.
He exhibited at the Royal Society of Birmingham Artists from 1865 and also at the Walker Art Gallery, Liverpool. He married Clara Adelaide Mason (née shears), a widow on 8 November, 1866 and together they lived in Addesley Street, Aston. The couple had 8 children and one of their sons Ernest Stainton became a lithographic artist. During the mid to late 1870’s he lived at Walnut Terrace in Kyrwicks Lane in the Sparkbrook area of Birmingham. However, by 1881, Stainton had moved to nearby Moseley Road where many Birmingham artists of the industrial period lived and also took up photography. Sometime during the late 1880’s early 1890’s, he made his final move to Pembroke Villa, 14 St Pauls Road, Moseley Road. He died at his home on 25 April, 1900.
Whilst Stainton lived in Birmingham all his life, he travelled around the country painting coastal views of the Bristol Channel, Portsmouth and the Medway, as well as river scenes of the Thames, Tyne and Mersey. He also visited Scotland and Northern France. His works are beautifully detailed and show a masterful understanding of the moods of the weather and movement of the water. His paintings have always been popular when they appear on the art market.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Military WW1 oil painting of French Cavalry & German Infantry Soldiers
By Paul Emile Léon Perboyre
Located in Nr Broadway, Worcestershire
Paul-Emile Perboyre
French, (1851-1929)
The Surrender
Oil on canvas, signed & dated 1916
Image size: 20.5 inches x 25 inches
Size including frame: 26.25 inches x 30.75 inches
A well...
Category
Early 20th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century Scottish Highland landscape oil painting of a Loch at sunset
By Alfred de Breanski Sr.
Located in Nr Broadway, Worcestershire
Alfred de Breanski Snr
British, (1852-1928)
Sunset over a Scottish Highland Loch
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 26.5 inches x 36....
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of sheep in a Sussex lane
By William Luker Sr.
Located in Nr Broadway, Worcestershire
William Luker Snr
British, (1828-1905)
Sheep in a Sussex Lane with Pevensey Bay in the distance
Oil on canvas, signed & dated 1875
Image size: 17.25 inches x 25.25 inches
Size including frame: 23.25 inches x 31.25 inches
A tranquil landscape scene of a shepherd and his flock resting in a lane near Pevensey Bay, Sussex by William Luker. The ruins of Pevensey Castle can be seen in the distance with the sea beyond.
William Luker Snr was born in 1828 at Faringdon, Berkshire to William and Jane Luker (née Charlwood). His father was a plumber and glazier by trade and the family lived at London Street in Faringdon. Little is known about his early education and it is believed for the most part he was self -taught. However, given the quality of his work and the fact that his family were able to keep a servant, he may well have received some artistic tuition.
By the early 1850’s, he had begun earning a living as an artist by advertising in local directories, earning commissions from local landowners. He made his debut at the Royal Society of British Artists in 1851 and was a prolific exhibitor there for over 40 years. He began exhibiting at the Royal Academy in 1852 and also exhibited at the British Institution.
He married the artist Ada Augusta Margetts (1839-1930) on 27 October 1864. Their eldest son William Luker Jnr (1867-1951) also became a well-known artist. The couple soon moved to London where they lived at 22 Gloucester Terrace, Campden Hill from where they both exhibited. From 1867, they lived at 15 Sheffield Terrace in Kensington until 1874 when they moved for the final time to 22 Notting Hill Square, later renamed Campden Hill Square in 1893. He died at Campden Hill-square on 28 February, 1905.
Luker specialised in landscapes featuring animals such as sheep and cattle, horses and deer. He travelled around visiting areas such as Sussex, Buckinghamshire, Kent, Wales and the Highlands. However, he also made trips to Egypt and Libya producing a series of Oriental scenes in the early 1860’s. His works show a great attention to detail and his use of a lighter palette gives his subjects a luminous quality that instantly attracts the viewer. Examples of his paintings are held by the Atkinson Art Gallery, National Library of Wales, Newstead Abbey...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Study of the Head of a Moorhen
By Joseph Mallord William Turner
Located in Belgravia, London, London
Watercolour on paper
Paper size: 4 x 5 inches
Framed size: 19 x 19.75 inches
PROVENANCE
A gift from Joseph Mallord William Turner to Miss Amelia Hawksworth (later Mrs Hotham), niece of Walter Fawkes. The watercolour descended through the ownership of Amelia Hawksworth, daughter of Francis Fawkes ( Walter Fawkes's brother) who was the main compiler of the Ornithological Collection (Miss Hawksworth owned five other bird studies by Turner).
Private collection, London
LITERATURE:
For similar works by J M W Turner see Anne Lyles, The Tate catalogue for the exhibition 'Turner and Natural History, The Farnley Project', 1988.
The present watercolour was drawn circa 1815-1820 for Walter Fawkes of Farnley Hall, for his Ornithological Collection Volume IV.
Between 1808 and 1824, Turner visited Farnley Hall in Yorkshire to stay with the Fawkes family. Turner felt at home at Farnley - the Fawkes daughters reminded him of his own. He helped illustrate a five volume ornithological scrap book for the Fawkes children, making watercolour studies of the birds for the children to stick in opposite the pages on which feathers from similar birds were attached. His bird portraits were most effective, most "life-like", when in fact the bird was dead ! His watercolours of a live robin and goldfinch have a more hesitant touch.
At this time Turner enjoyed the patronage first of Edward Lascelles, the heir to Harewood, and after 1808, of the radical landlord Walter Fawkes of Farnley Hall, near Otley. He became a close friend of the Fawkes family with whom he stayed for most summers until 1824.
The last owner of Old Farnley Hall was Francis Fawkes, a rich widower with no direct heirs. When Francis Fawkes died in 1786 he left the house to Walter Beaumont Hawksworth of Hawksworth Hall, on condition that Hawksworth adopt the Fawkes name by Royal Licence. Walter Fawkes brought in architect John Carr of York to make extensions to the house, but he died before the work was completed, and Farnley Hall was passed on to his son, also called Walter who also took the Fawkes name and was known as Walter Ramsden Fawkes. It was this Walter who was a great friend of J M W Turner.
Anne Lyles has confirmed the attribution and writes:
"Everything fits in relation to the style of the watercolour and most especially the provenance - in the Turner and Natural History exhibition catalogue of 1988 we know that Amelia Hawksworth (Mrs Hotham) owned three studies of birds' heads by J M W Turner (previously with the Maas Gallery, and numbers 36, 37 and 61 in that catalogue) as well as two studies of dead game by the artist (catalogue numbers 59 and 63, the latter untraced in 1988). Interestingly, catalogue numbers 36 and 37 (the Merganser and the Smew) seem also originally to have been intended for Volume IV of the Ornithological Collection - it is likely that the "Study of the Head of a Moorhen...
Category
19th Century Antiques Associations Members Art
Materials
Paper, Watercolor
19th Century sporting animal oil painting of a horse & groom in a stable
By John Ferneley Junior
Located in Nr Broadway, Worcestershire
John Ferneley Jnr
British, (1815-1862)
Horse & Groom in a Stable
Oil on canvas, indistinctly signed
Image size: 18.75 inches x 23.25 inches
Size including frame: 23.5 inches x 28 inches
Provenance: The Parker Gallery, Berkeley St., London
A mid-19th century sporting painting of a horse and groom in a stable by John Ferneley Jnr. A stable hand is depicted in the middle of a stall grooming a bay horse. Nearby, a tabby cat can be seen resting on table whilst a small black and tan dog wanders by a door to the left.
John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century historical genre oil painting of a courtship
By Henry Gillard Glindoni
Located in Nr Broadway, Worcestershire
Henry Gillard Glindoni
British, (1852-1913)
The Suitor
Oil on canvas, signed & dated 'Jan 1908'
Image size: 27.5 inches x 35.5 inches
Size including frame: 41 inches x 49 inches
Thi...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century seascape oil painting of Douglas Harbour, Isle of Man
By William Edward Webb
Located in Nr Broadway, Worcestershire
William Edward Webb
British, (1862-1903)
Douglas Harbour, Isle of Man
Oil on canvas, signed
Image size: 21.5 inches x 37.5 inches
Size including frame: 33 inches x 49 inches
A busy quayside painting by William Edward Webb of Douglas Harbour on the Isle of man. Fishermen in boats can be seen preparing to head ashore as other figures make their way along the quayside.
William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871.
By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester.
Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work.
His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape oil painting of a harvest
By Alfred Augustus Glendening Senior
Located in Nr Broadway, Worcestershire
Alfred Augustus Glendening Snr
British, (1840-1921)
Harvest Time
Oil on canvas, signed with monogram & dated (18)81
Image size: 23.25 inches x 35.25 inches
Size including frame: 32.5 inches x 44.5 inches
A lovely landscape painting of figures harvesting in a field by Alfred Glendening Snr. On the crest of a hill, a man ties sheaves whilst others harvest the crop. In the valley below, more figures can be seen stacking shocks into a cart.
Alfred Augustus Glendening was born in Hampton near Richmond upon Thames...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
In Pursuit
By Heywood Hardy
Located in Belgravia, London, London
Oil on canvas
Canvas size: 20 x 30 inches
Framed size: 25.25 x 35.25 inches
Signed in lower right
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
$40,791
19th Century landscape oil painting of figures with cattle near a country river
By Thomas Thomas
Located in Nr Broadway, Worcestershire
Thomas Thomas
British, (1831-1913)
A Country Idyll
Oil on canvas, signed
Image size: 19.25 inches x 29.25 inches
Size including frame: 28.75 inches x 38...
Category
19th Century Victorian Antiques Associations Members Art
Materials
Canvas, Oil
Bouquet De Fleurs
By Marcel Dyf
Located in Belgravia, London, London
Oil on canvas
Canvas size: 25.5 x 21.25 inches
Framed size: 33.5 x 29.25 inches
Signed lower right
Category
20th Century Impressionist Antiques Associations Members Art
Materials
Canvas, Oil
$26,203
Rio San Barnaba, Venice
By Martin Rico y Ortega
Located in Belgravia, London, London
Oil on canvas
Canvas size: 27.5 x 19 inches
Framed size: 36.25 x 27.5 inches
Signed lower left
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
19th Century landscape animal oil painting of cattle at a river
Located in Nr Broadway, Worcestershire
Henry Cheadle
British, (1852-1931)
Cattle Resting
Oil on canvas, signed & dated (18)84
Image size: 19.25 inches x 29.25 inches
Size including frame: 26.75 inches x 36.75 inches
A well-executed landscape painting of cattle at a river by Henry Cheadle. A small herd of cattle are shown resting in a meadow by the side of a river. On the other side of the bank in the distance can be seen sloping hills reminiscent of the river Avon. At the time of this painting, the artist was living at Steelhouse Lane in Birmingham.
Henry Cheadle was a landscape painter born in Birmingham on 16 May 1852 to Henry Cheadle and his wife Matilda (née Wood). His father was a hairdresser and they lived at 2a Steelhouse Lane in Birmingham. Although little can be found about his early education, he is known to have attended the Birmingham School of Art, where he won a number of prizes. He went on to study at the South Kensington Art School (later the Royal College of Art), where he also won awards including silver and bronze medals.
Cheadle began exhibiting at the Royal Birmingham Society of Artists in 1871, where he went on to become a member. He also exhibited at the Royal Society of British Artists from 1875, the Royal Cambrian Academy, Walker Art Gallery, Liverpool, Bristol Fine Art Academy as well as at Frost & Reed. He played an active part in the local art societies, becoming curator and later president of the Midlands Art Club. He also became a member of the Birmingham Art Circle where he exhibited up until his death.
By the late 1880’s, he had moved with his parents to 40 Spring Road in Edgbaston. He spent his time travelling around painting the landscapes of Gloucestershire, Worcestershire, the Midlands and North Wales. He also visited Newlyn in Cornwall where he painted a number of coastal views. He remained unmarried and lived with his parents until their deaths at the beginning of the 20th century.
He continued living in Birmingham and exhibiting until his death aged 78 on 10 January, 1931. He was buried at Key Hill Cemetery in Birmingham. Some of his paintings were gifted to the Birmingham Museum shortly after his death and hung in the Victorian Room. Two of his works can still be found at the Museum today.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished.
© Benton Fine Art
Category
19th Century Antiques Associations Members Art
Materials
Canvas, Oil
Sir Richard Sutton's foxhounds
By John Ferneley Senior
Located in Stoke, Hampshire
John Ferneley Snr (1782-1860 Melton Mowbray)
Sir Richard Sutton's foxhounds
signed J. Ferneley lower right
Oil on canvas
Canvas Size 16 1/8 x 20 1/2 in
Framed Size 21 x 25 in
Proven...
Category
18th Century Old Masters Antiques Associations Members Art
Materials
Oil
$8,556 Sale Price
24% Off
Fortress of Charlemont - 19th Century Oil Painting River Landscape French Castle
By George Clarkson Stanfield
Located in Gerrards Cross, GB
‘The Fortress of Charlemont’ by George Clarkson Stanfield (1828-1878).
The painting – which depicts the 16th century stronghold built by Emperor Charles V at the French town of Giv...
Category
Mid-19th Century Victorian Antiques Associations Members Art
Materials
Oil
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