Opie Surfer

American photographer Catherine Opie has not only documented the cultural shift of the last few decades, she has also lived it. Once an outsider shooting her own “fringe community,” Opie is celebrated today for her evocative black and white and color photography and her confrontational examination of gender conventions. Through her lens, she investigates themes of individual identity and community.

Opie was born in Ohio in 1961 and spent her childhood in the Midwest. When she was 13, her family moved to California, where she set up a darkroom in the spare bedroom of the new house and started taking photographs. She received her BFA from San Francisco Art Institute in 1985, followed by an MFA from the California Institute of the Arts in 1988.

Opie started gaining recognition in the 1990s for her intimate studio portraits featuring other lesbian, gay and transgender artists and personal friends. Harkening back to traditional Renaissance-style portrait paintings, the photographs helped increase the visibility of marginalized communities as the fight for LGBTQ rights took shape. 

Opie has embraced a range of additional subject matter. She traveled across the United States to photograph widely varying but quintessentially American groups, from high school football players to members of a staunchly conservative political movement. She documented ice-fishing sheds in Minnesota, the 2008 US presidential inauguration, the Michigan Womyn's Music Festival and anything and everything that caught her interest. For 2015’s 700 Nimes Road (DelMonico Books/Prestel), Opie trained her eclectic lens on the house and personal belongings of Elizabeth Taylor. 

Opie has been teaching at the University of California, Los Angeles, since 2001 and has garnered numerous prestigious awards for her work, including the Women's Caucus for Art Lifetime Achievement Award. In 2008, the Guggenheim’s “Catherine Opie: American Photographer” exhibition spanned four floors and attracted thousands of people every day until it closed. 

Despite her recognition and accolades, Opie continues to prefer subversive imagery. "Photographs are different these days," she told Introspective magazine in 2020. "The ones I like best are from those people who are bearing witness, like images of the protestors."

On 1stDibs, find original Catherine Opie photography and prints.

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.