1960s Asian Art and Furniture

This work uses a vintage kimono fabric with marble pattern, that makes it look like a real piece of marble. The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation and meaning of pattern and colors >> Kintsugi (金継ぎ), which translates to "golden joinery" or "golden repair," is a traditional Japanese art form of repairing broken pottery with lacquer mixed with powdered gold, silver, or platinum. I used this tecnique here to "repair" antique kimono by transforming it into art work. Beyond its literal meaning of mending broken ceramics, kintsugi carries profound philosophical and cultural significance in Japanese tradition: ・Embracing Imperfection: Kintsugi celebrates imperfection and impermanence. Rather than disguising or concealing flaws, it highlights them, treating the breakage as part of the object's history. This philosophy encourages acceptance of imperfection as an essential aspect of life, beauty, and human experience. ・Wabi-Sabi Aesthetic: Kintsugi embodies the principles of wabi-sabi, an aesthetic worldview centered on the acceptance of transience and imperfection. Wabi-sabi values simplicity, authenticity, and the beauty of things that are imperfect, impermanent, and incomplete. Kintsugi exemplifies these principles by turning what might be considered flaws into features that enhance the object's beauty and character. ・Resilience and Transformation: The act of repairing broken things with precious metals symbolizes resilience and transformation. Instead of discarding or replacing the broken object, kintsugi honors its history and transforms it into something new and valuable. This reflects broader philosophical themes of overcoming adversity, finding beauty in imperfection, and embracing change. ・Honoring the Past: Kintsugi preserves and honors the history of the object. Rather than erasing or ignoring its past, it acknowledges and celebrates it. This aspect of kintsugi can be seen as a metaphor for honoring our own personal histories, including the challenges and setbacks we have faced, and recognizing how they have shaped us into who we are today. ・Spiritual and Philosophical Symbolism: Kintsugi has spiritual and philosophical implications, reflecting concepts such as the interconnectedness of all things, the cycle of life and death, and the pursuit of harmony and balance. The process of repairing broken objects with precious metals is seen as a metaphor for spiritual growth, enlightenment, and the journey towards wholeness. Overall, kintsugi represents not only a practical technique for repairing ceramics but also a profound philosophical and cultural perspective on life, beauty, and the human experience. It embodies values such as resilience, acceptance, and the transformative power of embracing imperfection. << Characteristics of the fabric >> This vintage textile is hand-painted with a traditional painting technique where the colors are added on wet surface, which creates an effect of marble. << About the frame >> Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely suite of five original Watercolour paintings dating to the Ch'ien Lung Period 1736-1796 publishe...

An exceptionally rare four-leg version of the iconic “Roundette” dining set designed by Hans Olsen for Frem Rojle, Denmark, circa 1960s. This masterfully engineered set features a bu...

A wonderfully composed and colored, limited edition woodblock print by famed Japanese artist Junichiro Sekino This print, which is titled "Mr. Ozek's Daughter", is pencil signed, sealed in red, dated (1966), and numbered (5/100) by the master printmaker. A beautiful snapshot of a child and her favorite doll, an ever-trusted companion. Notice how the doll holds her hand in a protective gesture. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of fine Art, Boston, the British Museum, and the Portland Art Museum among many other fine museums throughout the world. This listing is for print only (no frame). Would be a fantastic addition to any modern Japanese print...

This is a charming vintage elephant planter base. An Oriental, ceramic conservatory or garden jardiniere stand, dating to the mid 20th century...

A standout of Brazilian mid-century design, this 1960s “Saci” sofa by Jean Gillon for WoodArt is an exceptionally rare find—the only known example currently available for sale worldw...

Yasumi Nakajima II (1906-1988) Ikebana vase, circa 1960, Japan. Trumpet form, Tomoe model, with nice patinated brown-red (seido) bronze. Signed underneath. Dimensions: 26 cm H, 9 ...

Beautiful 20th century Maison Charles gilded brass Heron table lamp from the 1960s. The lampshade is damage but it's the originale one. Adjustable height. Blackened wooden base. ...

The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono. I use antique kiritansu that can’t be used as furniture anymore to crea...

This work is inspired by traditional Japanese nature colors symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is filled with storytelling ...

Asian influenced or chinoiserie coffee table, designed by Michael Taylor for Baker, American, circa 1960s. This table is currently being refinished and will look incredible when comp...

A sculptural and rare Mid-Century Modern floor lamp by Italiana Luce, made in Italy circa 1960s. This elegant and refined piece features a ...

Offered is a vibrant and intricate Tibetan Buddhist "thangka" (also known as "tangka", "thanka", or "tanka"), which is what a painting that serves as a visual representation of spiri...

Introducing this 1960s rosewood coffee/side table by P.S. Heggen, made in Norway. Featuring a stunning checkerboard design with exquisite grain, this ta...

The art piece uses two sides - front and reverse - of the same kimono, to show beautiful sea surrounding Japan, in hues and in late sunset, as a timelapse. The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono. I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it? << Period / Story >> The kimono used in this piece was originally crafted during Showa period (around 1960ies). << Explanation and meaning of pattern and colors >> Sea waves, depicted in two color variations here, are a symbol of transience and Impermanence in Japanese culture. The ebb and flow of the tides, the ever-changing currents, and the relentless motion of the waves serve as reminders of the fleeting nature of life. This artwork featuring the sea convey themes of impermanence, reminding viewers to cherish the present moment and appreciate the beauty of life's fleeting moments. The theme of impermanence is strengthen by two colors of the sea - the lighter in early hues and the darker when the sun is just about to set in the sea. << About the frame >> This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. Paulownia wood is closely linked to kimono culture. During the Edo period (17th cent.~), it became customary to store cherished kimonos in paulownia chests...

Italian Teak Wood Trolley Bar 1960s. Very typical design for that era, two storage compartamnet. One top compartment and one draw at the back of the trolley. A small crack next to t...

We are thrilled to present this lovely pair of ceramic "Lotte" lamps, complete with their original fiberglass shades from the 1960s. Each lamp boasts its own unique color and mottlin...

This work uses an antique tomesode (festive kind of kimono) with fern design to evoke feelings of tranquility, harmony, and appreciation for the beauty of the environment. Can be used both vertically and horizontally. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation of colors and patterns >> In Japanese traditional culture, ferns, particularly the Japanese painted fern (Athyrium niponicum), hold several meanings and symbolisms: ・Elegance and Beauty: Ferns are admired for their graceful, delicate appearance and intricate leaf patterns. In Japanese aesthetics, they are appreciated for their natural beauty and are often used in gardens, landscapes, and floral arrangements to add a sense of refinement and elegance. ・Resilience and Perseverance: Ferns are known for their ability to thrive in diverse environments, including shady forests, rocky cliffs, and damp soil. Their resilience in the face of challenging conditions is seen as a symbol of endurance and perseverance. In Japanese culture, ferns may represent the ability to overcome adversity and flourish despite obstacles. ・Connection to Nature and Tranquility: Ferns are native to forested areas and are often associated with the natural world. In Japanese traditional culture, they symbolize a deep connection to nature and the importance of maintaining harmony with the environment. The lush green foliage of ferns evokes feelings of tranquility and peacefulness, making them popular motifs in Zen gardens and traditional landscape paintings. ・Purity and Simplicity: Ferns are emblematic of simplicity and purity in Japanese aesthetics. Their unassuming beauty and understated elegance reflect the principles of wabi-sabi, an aesthetic worldview that values imperfection, impermanence, and simplicity. Ferns may be used in tea ceremonies, Ikebana (flower arranging), and other traditional arts to evoke a sense of tranquility and appreciation for life's fleeting moments. Overall, ferns in Japanese traditional culture symbolize elegance, resilience, connection to nature, purity, and simplicity. Their presence in art, literature, and landscape design underscores their enduring significance as symbols of natural beauty and spiritual resonance. << Characteristics of the fabric >> This vintage textile is hand-painted with a traditional Japanese technique called "yuzen". << About the frame >> Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. In this artwork, the aim was to capture the the auspicious symbol of camellia used in antique kimono. Traditional Japanese culture, represented by the kimono, and wood, an integral element of Japanese craftsmanship, were used to bring this vision to life. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation and meaning of pattern and colors >> This delicate piece features hand-drawn camellia motifs flowing gracefully on a softly brightened grayish background. Camellias, native to Japan, bloom from winter to early spring. As an evergreen tree with green leaves throughout the year, it symbolizes the anticipation of spring and is considered an auspicious plant. Due to its seasonal significance and auspicious meanings, camellias have been used as motifs symbolizing good fortune. Additionally, they were highly valued for their use in oil, cosmetics, and medicine, representing nobility. Believed to possess the power to ward off misfortune, camellias also carry the meaning of "protection from calamity" and have strong ties to traditional ceremonies. In this artwork, camellias are delicately depicted alongside flowing branches, subtly representing good fortune with their pale pink and white hues. "Sora-iro nezumi 空色鼠" refers to a light grayish color with a hint of blue, reminiscent of the slightly brightened sky on a lightly cloudy day. Popular during the late Edo period (19th cent.), it elegantly captures the slightly brighter sky pattern seen on lightly overcast days. Notably, the term "nezumi-iro" (mouse gray), popular during the late Edo period, was paired with brown tones, collectively known as "Forty-eight Teas and a Hundred Mice 四十八茶百鼠." Colors within the "nezumi" (gray) spectrum, particularly "sora-iro nezumi," were favored by young people for their cool and sophisticated appeal. << Characteristics of the fabric >> The fabric features intricately woven patterns that reveal subtle gradations through dyeing, creating a grid pattern that transforms depending on the light conditions. Originally, this fabric was part of a formal kimono known as a "hōmongi 訪問着," featuring motifs along the hem, shoulders, and sleeves. These motifs have been carefully selected and combined to create a unified piece of artwork. << About the frame >> Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

This work is inspired by traditional Japanese nature colors symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is filled with storytelling ...

This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is elegantly framed with pau...

SPECIFICATIONS - Dimensions: 58”H x 11”W X 4"D (1960's) - Material: Genuine African Ebony Wood - Construction: 100% Handmade / Carved from Mpingo Ebony Bark - This is "NOT" self sup...

A true Danish modern gem, this rare 1960s coffee table by Arne Wahl Iversen brings sculptural sophistication to any space. Crafted in richly grained teak, the unique triangular top w...

This work is inspired by traditional Japanese natural symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is elegantly framed with paulownia...

This is a Japanese beautiful Kimono belt called 'Han haba obi'. One side is with motifs and other side has no motif. It is a belt for kimono but you can use as a table runner or wal...

Indian embroidery fabric - N°1221 Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works ...

An interesting bronze sculpture of medium size but considerable weight. Constructed of solid, worked and formed rods connected in an organic manner.?

Vintage Indonesian Kain Batik Tulis, Solo (Surakarta), Java, 1960. A traditional meticulously hand drawn wax resist painting by canting on cotton, dyed in two colors; a fine line of ...

Vintage Indonesian Kain Batik Tulis, Solo (Surakarta), Java, 1960. A traditional meticulously hand drawn wax resist painting by canting on cotton of an Udan Liris pattern of lyrical ...

Looking for a unique vintage chair to elevate your space? This stunning lounge chair, designed and crafted in Canada during the 1960s, embodies a playful yet sophisticated aesthetic ...

A beautiful and expressive freestanding tropical hardwood tree sculpture with highly textured and striated surfaces and evocative forms. Variable sections in cocobolo and lignum vita...

Add a touch of classic Chinese artistry to your collection with this exquisite 1960s Chinese Wood Plate with Shell Birds and Flowers. This vintage plate is...

Elevate your living space with the timeless elegance of this 1960's Ib Fabiensen for Fog and Morup Teak Scissor Wall Lamp, a quintessential piece of...

Indonesian Vintage Kain Batik Tulis, Solo (Surakarta), Java, 1960. A traditional hand drawn wax resist painting by canting on cotton, dyed in three colors. beige, dark indigo blue an...

Hereke carpets used to be only produced in Hereke, a coastal town in Turkey, 60 km from Istanbul. The materials used are silk, a combination of wool and cotton and sometimes gold or ...

A beautiful and expressive freestanding tropical hardwood tree sculpture with highly textured and striated surfaces and evocative forms. Variable sections in cocobolo and lignum vita...

The fine pair of mirrored gilt cloisonné enamel butterfly vases from the mid 20th-century are exquisite examples of Chinese artistry and craftsmanship. These vases combine several in...

Fresh to the market, this clever little piece functions well as a side or end table, and houses a large compartment to keep your bottles and glasses stylishly stowed away. Freshly re...

This is an antique netsuke made in Japan around Showa period 1970s. Netsuke is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on...

Contemporary sumie (ink) painting on silver.

Crafted in the 1960s by Danish master Niels Otto Møller for J.L. Møllers Møbelfabrik, this rare set of six Model 78 side chairs is among the most coveted designs of the Danish modern...

Pair of Danish teak dining chairs designed by Poul Volther for Frem Røjle, circa 1960s. Known for his clean architectural lines and attention to proportion, Volther’s work bridges cl...

Set of four 1960s teak dining chairs by RS & Associates, crafted in Canada with elegant sculptural lines and signature curved teak slats. The frames have been freshly cleaned and pol...

A masterwork of Scandinavian modernism, the “Paris” daybed by Bruno Mathsson embodies the designer’s pioneering approach to ergonomics, form, and natural materials. First conceived f...

An exquisite example of Hans Wegner’s enduring artistry, this 1960s “China Chair” (model FH4283) for Fritz Hansen is crafted from exceptionally figured Brazilian rosewood, showcasing...

Vintage Indonesian Kain Batik Tulis Parang, Solo (Surakarta), Java 1960. A fine hand drawn wax resist painting by canting on cotton of a variation of the Parang Rusak pattern of a br...

New to our collection, we’re thrilled to showcase this stunning 1960s lounge chair. Its solid wood frame boasts a rich, warm patina that pairs beautifully with the newly added natura...

Original Exhibition Poster – Quarta Exposició del Círcol de Sant Lluch, Alexandre de Riquer, 1969 Details: Exhibition: Quarta Exposició del Círcol de Sant Lluch Artist: Alexandre d...

A rare find, especially in Canada, this unique light was designed in Switzerland by H. Zender for Temde during the 1950s. Retaining its original paint and finish, this piece is in go...

Signed and sealed “Winter in Aizu with Skiers” woodblock print by renowned Japanese woodblock artist Kiyoshi Saito, from the “Winter in Aizu” series, c. 1960. The print has been matt...

Beautiful and rare vintage figure. Stylistically primitive and raw, this beautiful bronze statue represents an old protective ancestor or soul. The skeletal figure and large head e...

About A spectacular Chinese embroidery wall hanging purchased from Antique Chinese collector This example, entailed with many stitch techni...

An unsigned vintage cast bronze abstract sculpture with natural patina.

Elegant statue made of bronze, beautiful facial expression, hands pointed forward in grace and goodwill. Exceptional dress with vivid stars like repetitive motif all around. One of a...

Beautifully framed art piece that evokes style and elegance. This beautiful antique chinoiserie tile is delightfully framed in rich gold velvet and gi...

This is a small cup for drinking sake. It is called Ochoko in Japanese. It was made in showa era around 1960s. It is made with porcelain and all hand painted. This is Kutani ware. ...

Original Exhibition Poster – Quarta Exposició del Círcol de Sant Lluch, Alexandre de Riquer, 1969 Details: Exhibition: Quarta Exposició del Círcol de Sant Lluch Artist: Alexandre d...

A model of a spirit dugout canoe, from the Asmat village in New Guinea. A replica of the large canoes they use for transportation and fishing, this smaller model is hand-carved in ...