Early 1900s Decorative Objects

Loetz Art Nouveau vase whit Colered Details of Irradiated glass 1900s Beautifully decorated whit Irradiated glass Rare to find with original condition The piece is in good conditio...

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Liberty & Co in the style of. An English Arts & Crafts hexagonal pewter Inkwell with a Green Ruskin ceramic jewel to the hinged lid. Retaining the original pewter removable inkwell. ...

Superb and extremely rare Baccarat Cactus scroll vase in acid etched and gilt uraline crystal glass from the art nouveau period circa 1909. A vase of the same model but in transparen...

Pair of vintage Italian neoclassical style carved gold giltwood candlesticks converted to beautiful table lamps, features white cream gesso and gold gilt polychrome finish, solid car...

Edwardian Classical sterling silver picture frame. Made by Goldsmiths & Silversmiths Co Ltd in London in 1901. Plain rectangular surround mounted with open scrollwork at top. With gl...

Model #4598. Hard Earthenware. Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The ...

Wonderful complete set, consisting of a planter and two vases, made by Keller Guerin Luneville around 1900 in the Art Nouveau style, France. This set consists of three objects with ...

Carved in the Tramp Art style with precise designs and raised velvet centers, the hinged top opening to a paper lined interior, raised on small carved feet

Glorifying the effects of refracted light for 170 years, the iconic Baccarat products are well-known all over the world. A  Large Art Nouveau Baccarat egelantier and leaf pattern ac...

Noted for his detailed and colorful work, Bergman was signing his creations with either a "B" in an urn-shaped cartouche, or "Nam Greb" for "Bergman" in reverse (these marks used to disguise his identity on the erotic works). They are also often inscribed ‘Geschutzt’, which refers to the model/design being ‘registered’ or copyrighted; or not marked at all, especially if the pieces are miniatures, circa 1900. Dimensions: Height 0.88 inches (2.2 cm) Width 0.94 inches (2.4 cm) Depth 2.07 inches (5.2 cm) Franz Xavier Bergmann...

Jugendstil vases by Carl Deffner, combination of brass and copper.

Antique (late 19th century) French garniture including mantel portico style mantel clock and pair of vases, finely cut from onyx stone with gilt brass mounts including masks, ram hea...

Vienes Candle Holder 1910s.

An enameled dog guilloche round pill box This is a gorgeous and exceptional round pill box created during the Edwardian period, circa 1900–1910. This remarkable piece has been masterfully handcrafted in solid .900/.999 sterling silver, featuring intricate engine-turned patterns that demonstrate the exceptional skill and precision of the period’s silversmithing. The twisted lid is beautifully embellished with a charming standing dog motif, expertly decorated with applications of colorful hard-glass enamels, adding a vibrant and artistic touch to the refined silver surface. The craftsmanship is outstanding, with remarkable attention to detail throughout the design and execution. A wonderful example of Edwardian decorative arts, this elegant pill box represents the perfect combination of fine craftsmanship, artistic imagination, and historical charm. A true conversation piece, it would make a distinguished addition to any collection or display. Country: American. Period: Edwardian, 1900-1910. Weight: 34.75 Grams, (22.28 Dwt). Measurements: Diameter: 36.2 mm by Height: 19.4 mm (1.42 x 0.75 Inches). Hallmarks: Stamped with the maker's mark symbol, the mark for the assay and warranty of the silver and signed as follows. "900". Collateral: This Dog enamel guilloche pill box...

Emile Galle Mold Blown Blue Clematis Glase Vase. Circa: 1910 Nancy, France A fine Galle blown-out glass vase, Clematis pattern, in strong blue colors. Signed in cameo, Galle. Heigh...

Established in 1853 by Miklós Zsolnay, Zsolnay began as a small business producing basic stoneware and earthenware. Ten years later Miklós’ son, Vilmos, joined the company and led it...

Monkey with Skull, Bronze, Circa 1900, By the German Sculptor Hugo Wolfgang Reinhold The fate of the "Monkey with Skull" and its creator, Wolfgang Hugo Reinhard, could not be more d...

Rare set of three Art Nouveau objects consisting of two identical vases and a matching jardinière, made of barbotine or majolica earthenware, numbered 2054 on the bottom, France, cir...

Constructed entirely of thick chestnut veneers/strips interwoven and rolled at the tops, the four baskets differing very slightly in size attributable to the rustic and handmade natu...

A Very Fine, Large and Charming Italian Late 19th to early 20th-Century Carrara Marble Sculpture Group Titled “The Village Celebration” by Professor Antonio Garella (Italian, 1863-1919). The intricately, impressive and exceptionally carved statuary marble group depicting a joyful dancing and singing group of Italian villagers, in a lively embrace, holding hands and arms. The happy celebratory scene includes a figure playing an accordion, another holding a wicker basket, and a hunter with a rifle slung over his back, accompanied by his hunting dog. The sculpture is elegantly mounted on a swiveling, carved green marble pedestal. Signed: Profre A. Garella – Galleria P. Bazzanti, Firenze. Circa: Florence, 1900. Antonio Giuseppe Garella (1863–1919) was an Italian sculptor renowned for his work in marble, alabaster, and bronze during the late 19th and early 20th centuries. Born in Ferrara (some sources cite Bologna), he trained at the Accademia di Belle Arti in Florence and in Bologna before establishing himself in Florence, where he became a prominent figure in the city’s artistic community. Often referred to as "Professor Antonio Garella," he was closely associated with the Galleria P. Bazzanti, a prestigious hub for sculpture sales and exhibitions. Garella’s career spanned the fin-de-siècle period, blending neoclassical influences with romantic, narrative themes inspired by everyday Italian life and classical antiquity. His sculptures, known for their intricate carving and emotional expressiveness, include lively portrayals, as seen in The Village Celebration. Other notable works include The Love Letter, a white marble figure of a young woman reading, evoking tender emotion; La Notte (The Night), a nude sculpture of a flying maiden above an orb; Diane of Gabii, a life-size marble inspired by classical antiquity; and Apollo and Daphne, a large marble sculpture modeled after Gianlorenzo Bernini’s 17th-century masterpiece in the Borghese Villa, Rome. In Apollo and Daphne, drawn from Ovid’s Metamorphoses, Garella captures the myth of the chaste nymph Daphne, pursued by the young god Apollo, who is bewitched by Cupid to fall in love with her. As Daphne prays to her river-god father to escape Apollo’s advances, she transforms into a laurel tree. Garella, like Bernini, sensitively carves Daphne’s feet and hands morphing into leaves and branches, while Ovid notes that Apollo can still feel her heart beating beneath the bark. Garella’s monumental commissions further highlight his prominence, including a 1904 statue of Garibaldi in Pistoia and two statues, L’Architettura and La Musica, for the Vittorio Emanuele II Monument in Rome. Though not as celebrated as Antonio Canova (1757–1822), Garella significantly contributed to Florence’s marble sculpture tradition, bridging academic styles with emerging 20th-century trends and influencing decorative arts. His masterpieces, often crafted through ateliers like Galleria P. Bazzanti, remain highly valued in European and American private collections, with limited auction records due to their scarcity in the antiques trade market. Related Literature: A. Panzetta, Nuovo dizionario degli scultori italiani, Turin, 2003, vol. I. Museums: • Museo Civico di Prato (Prato Civic Museum) - Prato, Italy Ritratto di Filippino Lippi (Portrait of Filippino Lippi) Bronze and marble bust portraying the Renaissance painter Filippino Lippi (1457–1504), reflecting Garella's skill in portraiture and historical homage. • Fondazione Sgarbi (Sgarbi Foundation; a private cultural institution with museum-like functions, focused on art collections) - Ro Ferrarese, Italy Saffo (Sappho) Polymaterial bust (likely marble and other media) depicting the ancient Greek poet Sappho, emphasizing classical themes. • Muzeum Palac-Herbsta – Łódź, Poland...

A large terracotta olive jar with a lovely worn, painted finish. Because of its grand scale, the piece is really more of a decorative piece that can fill a corner or add architectur...

This is an early glass vase my the well known French artist Emile Galle, made in the late 19 and early 20th century most like it in Nancy, France. We found an other sample of this wo...

Finest Bohemian Art Nouveau glass vase blown into the form of a baluster-shaped vessel with two constrictions, a flared rim and a stepped round foot. Shape: Production number / patt...

A Fine Pair of French 19th/20th Century Patinated Bronze Sculptures of "The Marly Horses" After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian br...

Early 1900s Vienna Bronze Dachshund Figurine – Unpainted, Patinated Finish A charming and finely crafted Vienna Bronze dachshund figurine dating to the early 1900s, found at an esta...

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

Wonderful highly sculptural found object or architectural element with an ethnographical/Industrial feel to it. Although it is ceramic ( a type of stoneware ) it has a lovely metal...

Model #13 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Driven to establish a new company that produced luxury porcelain and ceramic items based on his own aesthetic aspirations, Stellmacher left Amphora when the workshop was at its most prosperous, in 1904. Together with entrepreneur Karl Frank, who provided the financial backing, he founded Ed. Stellmacher & Co. in Turn-Teplitz in 1905. From the outset, Stellmacher worked hard to achieve a major position among other high-end ceramic art producers. He believed the success of the company would depend on his products of “appropriate methods and unerring quality, perfect from both the technical and artistic sides”. Stellmacher based his first collection on artistically progressive products, pieces he believed would be in high demand. The greater part of the designs were either large vases complemented with sculptures of fantastic dragons or natural animals. With this series, Stellmacher continued the themes he had created for Amphora from 1899-1902, however, his naturalistic renderings of animals was even more elaborately precise. He developed a special ceramic material called refined earthenware, which minimized the shrinkage that was common during firing and allowed for greater preservation of details in the original models. Unfortunately, by 1905, contrary to Stellmacher’s plans, there was little to no demand for objects of this type. Very few pieces exist today as very few were originally produced. Even after redirecting the company to produce commercial goods Stellmacher still could not ward off the company’s demise. By 1910 the Stellmacher & Co. fell into bankruptcy and was liquidated. Art Nouveau Dragon...

1900s Copper Horn Holder On Copper Base All copper Little chip at top in one of arches Horn secured to base - one solid piece except for insert that pops out

Elegant storage jar from the transitional period, circa 1900. The old Vietnamese wine pots were used in kitchens around the turn of the century, which is why they have such a beautif...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Majolica money bank Tom Terrier Saint Clement, circa 1900.

Model #4543 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Hallmarked in London in 1901 by Ernest Damant, this striking, Victorian, antique sterling silver ink stand, features shaped and pierced gallery borders, and two glass ink wells...

This french Vase is a very nice, early object of the Art Nouveau / Jugendstil era. The glass body is made of orange glass with a beautifully cut top. The entire bolbous body is ove...

Austrian Majolica Dog Tobacco Jar, Circa 1900.

French Faience Tureen Keller & Guerin Saint Clement Circa 1900. Small tureen with plate decorated with flowers and coat of arms Aurillac. Measures:...

Napoleon III card holder (card fray) Gilt bronze and enamel Origin France Circa 1900 Gilt bronze and Cloissone enamel with hand-painted Sevres porcelain plate signed by E. Horche Per...

A desk magnifier glass designed by Tiffany & Co. This is a desk magnifier glass created in 1905 at the Tiffany & Co. in New York City. This beautiful piece was carefully crafted during the Edwardian period in solid sterling silver .925/.999 and fitted with a round loupe glass, which is framed into the sterling. The magnifier is very useful and was made under the Tiffany's directory period of Charles T. Cook (1902-1907). As with all Tiffany pieces, the quality and design are beyond compared. Exceptional and rare example of Tiffany's finest work. This a perfect gift and display beautiful in a desk. Country: New York City, United States. Period: Edwardian, 1905 Designer: Period C, for 1902-1907 Charles T. Cook. Weight: 266.5 Grams, (170.85 Dwt). Measurements: 210 mm by 106 mm by 16 mm (8.25 x 4.16 x 0.63 inches). Hallmarks: Stamped with the maker's mark, the "C" for the period of Charles T. Cook and signed in full as follows. "TIFFANY & CO. MAKERS STERLING SILVER C.". Tiffany Hallmarking Tiffany silver holloware and flatware is generally marked Tiffany & Co and generally includes date letters indicating the period it was made. Flatware also usually includes a pattern number. The first date letter "M (old English) used by Tiffany’s represented Edward C. Moore, who was the head of tiffany's silver operations until 1891. after his death, the date letters were based on the initial of the current tiffany president; 1891-1902 Charles L. Tiffany (T), 1902-1907 Charles T. Cook (C), 1907-1947 John C. Moore (M), 1947-1955 Louis De Bian Moore (B), 1955-ca.1965 William T. Lusk (L). The Tiffany dynasty Was founded in 1837 at 259 Broadway in New York City by Charles Louis Tiffany and partner John B. Young. It began not as a jewelry & silver emporium...

FREE WORLD WIDE SHIPPING This pair of English silver plated owl candlesticks by Robert and Belk are modelled as standing owls supporting tulip form candle cups raised above their h...

FREE WORLDWIDE SHIPPING The Stationery Box finished in moroccan red leather with a slanted lid features two hooks to the rear originally for mounting on a carriage. A rare example i...

Rare, full size example of this piece. Isidore De Rudder (1855 - 1943) was active/lived in Belgium.

Pretty Edwardian repousse sterling silver box. Made by S. Kirk & Son Co. in Baltimore. Rectangular with hinged cover. Flowering and leafing stems in loose and scattered arrangement o...

Antique French silvered wood oval photo frame, circa 1900. Antique oval frame decorated with foliage scrolls. Frame width: 1.5 cm / 0.59 in. Suitable for photo size 18 x 24 cm (7.08 ...

Charming Majolica wire basket with leaves signed Villeroy & Boch, Circa 1900.

Incredibly detailed jardiniere, made of copper-plated metal with the original brass insert, rich rose blossom decor, made around 1900, Art Nouveau, in Italy (or France). This fasci...

By Wilhelm Schiller & Son. Austria Majolica vase. Early 1900 Impressed within a raised cartouche in the clay at bottom: WS&S / 7...

The finest examples of vases produced in collaboration between Edmond Lachenal and Emile Decoeur date from 1901-1904. This vase, with the word “original” marked on its underside, ind...

Lovely antique Chinese Chinoiserie small Catchall Vide Poche polychrome enamel floral bronze dish with cobalt blue background.

Beautiful patina on this African small tray side table hand carved from a single block of wood. Celebrating the cracks and crevices and all the other marks that time and loving use h...

19th Century Continental Majolica Bird & Flowers Platter. 14 inches by 9.3 inches.

Important vase for museum display from the full Art Nouveau period. A large handled vase made of Bohemian glass with metal mount decoration in relief and chiselled in Art Nouveau sty...

The antique Sarreguemines ceramic TREFLE big round deep serving platter dish plate is a magnificent and rare piece of French ceramic history. Sar...

FREE WORLDWIDE SHIPPING WHIMSICAL BLACK FOREST DESK ACCESSORY WITH HAND-CARVED RABBIT, TREE PEN REST, AND HAT-LIDDED GLASS INKWELLS. From our Black Forest collection, we are delig...

Pair of French Majolica Cups & Saucers Louis Sicard Circa 1950. Decorated with cicadas on the cups and olives on the cups. Rare blue colors , usually yell...

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A Beautiful Pair of very Meissen Porcelain Figures of Hoopoe Birds Perched on White Tree Branches, with Insects and Flowers. This finely detailed naturalistic pair of exotic Hoopoe...

Jugendstil sugar bowl brass and glass conbination around 1908. Brass polished and stove enameled. Original glass.

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