Art Deco Sculptures

Very fine cold painted Austrian Bronze study of a salmon leaping from the water. The bronze with excellent cold painted colours and very fine hand chased surface detail, raised on a shaped onyx plinth ADDITIONAL INFORMATION Height: 10 cm Width: 13 cm Condition: Excellent Original Condition with light surface wear Circa: 1900 Materials: Cold Painted Bronze and Onyx ABOUT Vienna Bronze Leaping Salmon...

Great looking lady figurine carrying a water Jug. Multi-patinas and mounted on a special marble base. Heavy casting 29" height and the base is 9" diameter. From an Art Deco collector...

An almost perfectly clear rock crystal point from Brazil. Custom mounted in a solid brass base with ball decorations from a private collection. Very...

DETAILS Signed by the author and stamped with Roman Bronze Works Foundry NYC stamp. DIMENSIONS Height: 14.5 inches Width: 6.5 inches Depth: 9inches ABOUT THE SCULPTURE Made of black patinated bronze, the fairy literally floats in the air thanks to a wonderful composition using a huge light scarf fluttering in the wind. ABOUT THE SCULPTOR Alexandre Zeitlin (French/American, 1872 - 1946) was an outstanding sculptor known for his portrait busts. Alexander Zeitlin was born in Tiflis, Georgia (Russian Empire), in 1872. He held his first art exhibition in his hometown in his early teens. At first, the novice sculptor studied at the Vienna Academy of Fine Arts (1890–1894), where his portrait busts of Archduke Otto were noted. He then studied at the École des Beaux-Arts in Paris. Zeitlin's ‘Despair’ statue and a portrait bust of the opera singer Jeanne Hatto were among the first to receive public recognition. He became known for his portrait busts. Zeitlin received the Ordre des Palmes académiques (1903) for the busts of Camille Flammarion...

Depiction of a female dancing couple, named Katta Sterna and Maria Solveg, in identical costumes with backless, fitted, black and white patterned top with black neck piece closed hig...

Art Deco-period bronze statue featuring two flying gulls skimming the crest of a wave. The sculpture is set upon a black marble base. Signed H. Molins for Enrique Molins Balleste...

Our wonderful white marble statue of a stylized Isoult with fawn after the original cast by Edward Francis McCartan (1879-1947) dates from the second quarter of the twentieth century and measures 58 inches tall. Apparently unsigned. The original bronze, entitled Isoult, was cast in 1926 and is on display at the National Gallery of Art in Washington, DC. Isoult (alternatively Iseult and Isolde) is the name of multiple characters comes from the legend of Tristan and Iseult...

Early 20th century Art Déco small bronze sculpture of girl with skirt dancing By: unknown Material: bronze, copper, metal Technique: patinate...

Fantastic polo or equestrian paperweight, car mascot, hood ornament, by French artist Becquerel. Signed. With foundry marks. With original Art Deco patina. Mounted over a marble base.

Exceptional Goldscheider Figurine of the 1920s after an Art Nouveau Design: Representation of a thoughtfully walking harlequin in an elaborate costume decorated with a large floral ...

Bronze Austrian Art Deco storks, heron, crane? standing on a marble base. Very good condition. Dimensions: 4" depth x 5" W x 9.5" H.

Ceramic sculpture titled "Bathers in the Sun" Le Bertetti Torino, 1940, Figure No. 12 Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is needed (...

The 4 Seasons glass Statuettes were created by R.Lalique in white glass . These examples have a brown patina and are in excellent conditi...

Georg Wrba (1872-1939) A Bronze Figure of Diana, 1900, inscribed 'WRBA' (on top of the base) and 'GUSS C. LEYRER. MUNCHEN' (on top of the base). Li...

Solid oak horse that can be dismantled into four pieces. Original patina. Mane, tail, hooves and details in black colour. Accessory from an old photography studio near Madrid. ...

"Bildhauer" model porcelain sculpture made by Thomas Andreas "Theo" Vos (1887–1948). It represents the German dancer Gertrud Leistikow. Leistikow beg...

A fine detailed casting of a dancer by the artist dh Chiparus, has the mark on the base plate. All solid marble base. After the original and is super detailed and patina finish. A he...

Unique and rare French Art Deco Greyhound dog, large size sculpture in ivory color, in a very good condition. Beautiful line, movements and wonderfu...

Excellent Goldscheider Figure Group of the 1930s: Young lady in rosé pantsuit with brunette short haircut sitting on a large stool with low back support, embracing with both hands tw...

MARKINGS & DETAILS Signed ‘B. Butzke’ on integral base. Original black veined marble plinth. DIMENSIONS Height: 24 inches Width: 15.5 inches Depth: 9 inches Base height: 1.5 i...

With the rise of the car industry , R.Lalique developed with his usual skills , a large choice of car mascots which were supposed to protect, bring luck and speed the the cars they a...

Incredible and original terracota pine cone Art deco on wood base circa 1930.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Gracefully posing dancer with head tilted to the right, tight-fitting top with bustier and floor-length, wide, front-slit, beige skirt with poppy decoration, holding it up with the arms on both sides like butterfly wings, so that the right leg placed forward can be seen through the opening. On beige oval base with light green painting...

Signed by the artist on the plinth, this desk-size sculpture of a child feeding a squirrel was created by the sculptor mostly known for his depictions of children, Rudolph Henn. In t...

Bronze sculpture with silver plating, green polychrome skirt and Belgian black marble base. Signed Samuel-Lipschitz France, CIRCA 1940.

A well made Sculpture of a Young Lady holding an Alabaster Shade . Cast in lost wax bronze with an Antique Silver patina finish . Standing mounted on a solid Black marble base . A n...

Beautiful Italian bronze sculpture circa 1950s in good condition.  

Bear sculpture in white enameled and crackled ceramic, representing a bear signed at the lower part Debrieu. A beautiful sculpture and is sure to give a certain cachet as a decorativ...

Art Deco-style American sculpture of three marching elephants, each cast in metal with a patinated bronze finish, mounted on a textured gilt metal base on a brown and gray marble pli...

Sculpture in the shape of a trumpeter in bronze signature LOHE Yves born in 1947, good condition, Circa 1970/80 Measures: Width: 17cm Height: 28cm Base: 14cm x 11cm Sculpture in ...

A graceful dancer in a long, low-cut, high-slit red dress with an all-over floral pattern, her head tilted to the right, looking down, her left hand placing a downward-facing bouquet of roses on her chest and posing with her upper body tilted back, holding the end of her skirt with her outstretched right hand, in front of her on the floor a fallen rose that has come loose from the bunch. On a black, flat oval base, artist's signature ‘Dakon’ on the underside. Compare model 7991 Twin Dancers The 'Dolly Sisters' Rosie Dolly (1892 - 1970) and Jenny Dolly (1892 - 1941), known professionally as (the) Dolly Sisters, were Hungarian-American identical twin...

Rene Lalique Sanglier Car Mascot Marcilhac 1157, Designed 1929 Additional Information: Heading : Rene Lalique 'Sanglier' (wild boar) car mascot Date : Designed 1929 Origin : Wingen...

Deco girl lamp cast in Bronze with a green patina. After one of the famous Art Deco Artist . Mounted on an absolute black marble base 8 1/4" by 4 1/2" by 1" thick solid. Has a Alaba...

Excellent Goldscheider ceramic figurine of the late 1930s: Young elegant lady in an off-the-shoulder top of black lace and a long skirt of red lace swinging up in waves at the back, ...

Zaccagnini "Colombe rose" craquelé faience Art Deco sculpture Ceramiche Zaccagnini, Gualdo Tadino, Italy, 1940 Signed under the base. 20.5 cm H - 18.5 x 9 cm Conditions: ...

ABOUT This funny, humorous tabletop ceramic figurine depicts a drunken sailor lying on his back. Around his neck is a metal ring with an anchor on it. MARKINGS Signed on the left buttock: "Italy". DIMENSIONS: Height: 2.5 inches Width: 2 inches Depth: 3.5 inches VALERIE “VALLY” WIESELTHIER (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...

A great find of a large almost clear quartz crystal that was custom mounted on special designed base after the original by (Gustave Miklos). The only ot...

Louis Burton, Plaster Sculpture Signed and Dated 44, Accidents and Losses

Ceramic bust of Madonna by Goldscheider, 1940s

Art Deco cast and cold painted bronze pair by Ferdinand Preiss. The pair is known as "Hoop Girl" and "Sonny Boy". Each bronze is mounted of a 1" stone base a...

Nude female standing on top a wave. Mounted on absolute black marble base. Cast from an original, Artist is Harriet Frishmuth. Modern cast. Has the s...

A large and rare bronze female figure by Goldscheider Austrian, late 19th century Measures: Height 85cm, width 38cm, 25cm Large in size and all the rarer for having been cast in...

Ernestine Sirine-Real "lioness's head", plaster, circa 1930 Not signed.  

Large sculpture in bronze, contemporary of( Dianna the Huntress). Multi-colored patina finish mounted on deluxe Onyx and Black marble. Depicting Dianna the huntress hunting with two ...

Unusual, fun, pair of art deco, marble and bronze, mouse, sculpture bookends. One mouse is absorbed acquiring knowledge reading a book and the other is curiously looking towards the...

Figure in the center of a flower of a maiden stunned at the sight of a small frog, title "the flower". Masterful execution and splendid choice of pastel colors. Ronzan Turin 1940 Pub...

Signed on the base: “DITA”. Impressed foundry stamp.

A fabulous vintage Contemporary sculpture. Made by the iconic Studio A group and tagged on the bottom. Chiseled stone in a chic Abstract design. Acquired from a Palm Beach estate

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Guero, "Femme à la biche" important Art Deco ceramic group. Signed.

French Art Deco ceramic sculpture with fishes, glazed, 1920 by Susse Freres. Unique handmade ceramic sculpture from Paris, France. The pictured fish and underwater landscape is elabo...

Patinated Plaster Bust of woman by Herbert McRae Miller Signed: H. Mcrae Miller/32 Herbert McRae-Miller was born in Montreal. He studied at the Art Students League, New York under J...

1900s Signed Art Deco metal sculpture of a woman with a silver tray.

Art deco "Pax Labor" double patina bronze, height 36 cm. Signature Kossowski. Additional information: Material: Alabaster, Marble & onyx Style: 1930...

Work done by Italian sculptor. In cast bronze, chiselled and original patination. Signed: Rogelio Gonzalez Roberts, Firenze, Italy.