Art Nouveau Decorative Objects

Stunning and important Kayserzinn pewter inkwell, designed by Hugo Leven. Who, in this day and age, would ask a top quality sculptor to design and execute a stunning sculpture with ...

A rare and unusual German Jugendstil copper and brass smokers companion or candleholder formed as a goat pulling a sleigh the design attributed to renowned sculptor Ignatius Taschner...

A gorgeous classic decorative Statue or Miniature Sculpture. Some wear with a nice patina, but this is old-age. Made of a kind of metal, we think it's bronze or brass. Very decorativ...

This exquisite “Crabe” pâte de verre glass paperweight, by Amalric Walter and Daum Nancy is decorated with a relief of a reddish-brown crab poised upon a bright contrast of green and...

This charming early 20th-century French sculpture combines the elegance of gilt bronze and the lifelike detail of ivory to create a captivating piece. Depicting a young child in peri...

Tall Majolica iris vase Massier unsigned of the end of 19th century. Art Nouveau period.

This elegant Art Nouveau Cachepot was realized by the esteemed silversmith Emile Langlois in France circa 1900. It offers a subtly conical form with stylized foliate forms, suggestiv...

Beautiful antique Murano hand blown cobalt and sky blue, orange, and white Italian art glass decorative double handle cabinet vase. Documented to the Fratelli Toso company, circa 190...

Model #3289. Mount designed by Lucien Bonvallet (1861-1919), Metalsmith: Antoine-Ernest Cardeilach (1851-1904) Auguste Delaherche turned the science of experimentation in ceramic w...

1920's Hand-Crafted Danish Art Nouveau Pekingese Dog Ash Tray / Bowl by P. Ipsens Enke. The art nuveau ash tray / bowl feature a well made lively pekingese dog and was designed by...

Liberty sculpture in Bronze and marble. French-Austrian sculptor, Friedrich Solomon Beer (1846-1912) Friedrich Salomon Beer (1846-1912) was a promin...

Daum’s "Paysage d’été" vase captures the willow tree in the fullness of summer, its pollarded branches bursting into dense green foliage. Silhouetted against a vivid red-orange sunse...

Remarkable rare Art Nouveau Majolica vase by Gerbing & Stephan from the early period in Bohemia around 1910. The beautiful shaped grey blue c...

A fine, antique Tiffany & Co. Favrile glass bowl with a principally orange iridescent finish. The polished pontil on base bears a factory sticker. ...

A wonderful mid 20th Century frosted glass figure of a crouching cat with good hand finished surface detail, signed Lalique France ADDITIONAL INFORMATION Height: ...

This a Daum crystal Pate de Verre single flower (it can be a Groundsel) and large leaves bowl depicting different shades of blue and turquoi...

1940s Art Nouveau Style Bust Of A Young Woman On A Marble Base The sheaf of wheat represents fertility No signature found Small knick on the top of hat (as shown)

A gorgeous Art Nouveau period iridescent porcelain vase In the manner of Loetz By Carlsbad Porcelain Austria, Late 19th Century Measures: 4.5"W x 4.5"D x 8.5"H. Very good origin...

Beautiful Art Nouveau matchstick holder case by an Austrian manufacturer. Silver plated alpaca. with makers mark, year around 1910s or older. With J.P. monogram. Some minor dings and...

Public mailbox of the French Post Office Model in molded cast iron manufactured by Delachanal in Paris - Late 19th Century Good general condition - presented in its original conditi...

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider des...

French ink blotter for blooting paper Made circa 1900, in wood and embossed copper Vegetal motifs To be placed on a desk or a side table. Good antique condition

A vibrant pendant light from the 1920s; ruddy-red to amber, Venetian glass grape bunches with detailed green and pink leaves. The grapes are hanging from a green, patinated brass "vi...

A gorgeous antique Art Nouveau iridescent art glass bud vase By H. Copillet Et Cie (signed to the underside) France, Circa 1900 Measures: 4"W x 4"D x 4.75"H. Very good original v...

19th Century French Majolica Egg shaped Vase Delphin Massier. Decorated with flowers a daisy ,a pansy and a wild rose. H / 4.3 inches. The Massier family are known for the quality of...

A monumentally large Charles Schneider French art glass floor vase. In the 'decor Dahlia' pattern. The vase has a pink and purple palette and i...

Austrian Loetz iridescent art glass vase in papillon finish with sterling silver applied overlay. Art Nouveau style in a dimpled form shades of green ...

Art Nouveau vase around 1910. In perfect condition. Decorated with chrisenthems. Rose-colored leaves, buds, and flower clusters executed in two layers on colorless ground, signed on ...

Beautiful Art Nouveau bronzed colored plaster bust. Bust with lots of patina, damages, as found condition, this adds lots of character to the item. A nice addition in every living ro...

Glass red Rubin Murano glass bowl in the style of Vittorio Zecchin Cappellin 1920s Italy, note the decoration as if it were an embroidery, it has decorations with typical Venetian mo...

Majestic amphora in glazed majolica, handmade and hand painted in central Italy. On the amphora are represented, in great detail, the four seasons personified by graceful women surro...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

This stylish & artistic Tiffany Studios, New York bud vase is beautifully designed in brilliant iridescent favrile art glass. The vase has a sturdy round base, from which a tall slen...

Small 1940s Danish art nouveau ceramic vide-poche bowl with rose and burgundy organic decor on warm gray glaze. Manufactured on the island of Bornholm by Lauritz Hjorth in the 1940s....

A gorgeous Art Nouveau period iridescent art glass vase By Loetz Austria, Early 20th Century Measures: 5"W x 5"D x 7.25"H. Good original vintage condition.

19th Century Majolica Vase with Floral and Foliage Motifs Description: This is a majolica vase dating from the 19th century, made in glazed ceramic with a rich and earthy brown tone...

Large bright azure blue Art Nouveau stoneware floor vase by Danish artist Carl Viggo Larsen. Handmade in his Cavila studio in the small town of Næstved in southern Zealand in the 194...

Large shaped frame for a round and a rectangular photograph in gold-plated 925/1000 sterling silver with translucent fired enamel on a radial guilloché and rich friezes in the Russia...

Model #5 Eduard Stellmacher and Co, Porzellanfabrik und Kunstkeramische Industriewerke Driven to establish a new company that produced luxury porcelain and ceramic items based on h...

A fine pair of Loetz type art glass vases. Attributed to the Kralik Glassworks. Similar to the Loetz Nautilus Pattern. Both with applied bands of rigaree to sides. The rigaree ha...

A German Expressionist bronze sculpture "Polospielers" (Polo Players). Signed and marked 'Fred Voelckerling, 1919' on the base. In very good condition, normal wear and patina. Dimensions: 45x28x36.5 cm The aesthetic composition is depicting two polo players on horseback, in full competition. The horses' movement has a special elegance and sobriety, and the finish is of remarkable sensitivity, the anatomical elements are distinguished, without the stylization becoming of a trivial naturalism. The polo players are caught in a moment of maximum tension, struggling to keep both the horses in check and the clubs in play. The whole ensemble exudes the emotion of movement and competition, being a perfect example for the expressionist sculpture. Alfred (Fred) Hans Voelckerling (1872-1945) was a German artist who worked as both a sculptor and a painter. He has created many works of art that have been exhibited in different countries. His works are very impressive and often show people or animals in different situations. Voelckerling's art is well known and admired by many people around the world. After graduating from the Dresden school for arts and crafts where he worked in the studio of Robert Diez...

PRE-OWNED GOODS ARE EXEMPT FROM IMPORT TARIFFS FOR U.S., UK, AUSTRALIAN & CANADIAN CUSTOMERS. THEREFORE, NO IMPORT TARIFFS WILL BE APPLICABLE TO YOUR PURCHASE. Kähler, Denmark. ...

Classic early 1950s metal (bronze) figurine. Shows a beautiful pug dog. Found at an estate sale in Strasbourg, France. A nice addition to any collection. You can use it also as pape...

Rare Majolica Pink Daisy basket Delphin Massier Circa 1890.

Art Nouveau Swedish majolica Rörstrand Antique Swedish Majolica Jardinière Cache Pot Flowerpot Direct from Sweden, a beautiful antique 19th century majolica jardinière or cache-p...

Splendid Art Nouveau antique pewter tazza for Liberty & Co., Regent Street, London Tall, impressive table centrepiece with hand hammered and stylised decoration Circa 1910 Signed 'Tu...

20th Century German Art Nouveau silver monumental seven-light candelabra, beautifully modelled, on shaped and beautifully decorated bases, applied with whiplash leaves, the two amazo...

Model #3356 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Vase in the form of a baluster: oval stand, wall widening towards the top, forming shoulders and converging into a short, narrow neck. Colorless glass with yellow-orange color powder...

Majolica white swan jardinière Nimy, circa 1900. A real treasure for the ceramics' collector. Small chip to top rim not visible during use see photo. Please don't hesitate to get i...

Decorate a woman's vanity or powder room with this vintage elegant ceramic Bohemian sculpture dish, crafted in the Czech Republic circa 1930. The Art Deco sculpture features a woman ...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase «Magnolias » circa 1900 A multilayer deep red and yellow glass vase with acid-etched and wheel-engraved decoration. Desig...

A large and impressive original Art Nouveau Emile Gallé cameo glass vase. colourless glass with a degrading amber layer overlaid in brown blue and green, e...

Stunning little porcelain box by Halcyon Days Enamels. The inside lid is inscribed "National History Museum of Los Angeles County 1913-1988." The bottom o...

A pair of pewter candlesticks designed and produced in Sweden, 1930s. Holds 0.65” diameter candles

This is very heavy fabulous piece of Fabulously flowing free form design. The ribbons of glass wrap around like an octopus tendrils when you see it from the side. Fabulous abstract d...

1900s Jugendstil cold-painted bronze sculpture of an oriental woman with a fruit bowl by Franz Bergmann, Austria By: Franz Bergmann Material: bronze, copper, tin, metal, paint Techn...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Model #8190. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an opt...

Charming sculpture of a young woman carrying a jug, signed by Bonnal on the back and inspired by “Rebecca at the Well” by 19th-century Italian School artist Guglielmo Pugi. The sculpture in fine white Carrara marble, created between the end of the 19ᵉ century and the beginning of the 20ᵉ century, depicts a pensive, lascivious young woman dressed in the fashion of the turn of the century: she wears a turban from which escapes curls of hair and a bracelet characteristic of the period; the cut of her dress is also very elaborate for a simple peasant woman. The finely embroidered motifs on the dress and turban are further evidence of the sculptor's mastery. A delicate, feminine piece that will look great in a hallway or on a dressing table, and will make a lovely gift for an aesthete woman. Guglielmo Pugi lived in Florence, where he ran a sculpture workshop with his two sons. Their workshop, “Guglielmo Pugi e Figli”, was mainly dedicated to exports, particularly to the United States. Guglielmo Pugi's work, emblematic of the Art Nouveau style, is characterized by direct carving in alabaster and Carrara marble (often white or veined). Some of his sculptures are now housed in Volterra's Historical Alabaster Museum. Many of his works were shown at major international exhibitions, such as the 1901 Pan-American Exposition in Buffalo and the 1904 Exposition...