Art Nouveau Decorative Objects

Delicate soliflore vase with berries and leaves decor. Multi-layered glass, with a decor intricately cleared with acid through vivid crimson red against a deep yellow glass ground. T...

Meissen Porcelain bottle with 800 silver stopper, made in the early 20th century Ø cm 10 h cm 28 Meissen porcelain is considered one of the earliest and finest examples of European...

BACCARAT (Manufacturer) - Julien Viard (Designer) - 'CARON - Le Narcisse Noir' (Perfume Manufacturer / Name) - Art Nouveau crystal perfume bottle designed by Viard in 1911 - featurin...

19th century diana the huntress bronze bas relief wall plaque. Diana with raised bow and hunting dog near her side. We have specialized in the sale of...

A French Art Nouveau bronze Vide-Poche Centerpiece Depicting a Naiad resting by a shell on a rock Signed Auguste Moreau on the rock Three patinas Circa 1900 Auguste Moreau (1834-1...

Art Nouveau aperitif server or pin tray, circa 1900. Silver-plated metal with ginkgo biloba leaf decoration, handle decorated with a woman. Stamped WMF. In very good condition. Note ...

Fantastic example of a I. Heinrich Hoffmann Czech Art Deco malachite glass high relief reclining nude trinket box. It's done in beautiful green Czechoslovakian malachite glass with n...

Dramatic multi color decor, in hand blown splatter glass vase . This design for vases is often called 'Pique fleurs' or 'rose-bowl' and is supplied with a fitted metal grille to supp...

A ceramic amphora-form liqueur vessel produced by Denbac, France, in the 1950s for the iconic French spirits brand Cointreau. Commissioned as a branded serving or display piece, this...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Excellent and rare Art Nouveau ceramic piece from a series of the four seasons: Naked putto in a wide stance, head tilted to the left and holding a cascade of flowers falling to the ...

This antique miniature vase from Meissen is a remarkable example of fine porcelain craftsmanship. Crafted from pristine white porcelain, it f...

Hand-thrown and boldly expressive, this English studio pottery vase dates to the 1980s, reflecting the period’s renewed fascination with organic forms and artisanal glazing. Crafted ...

Breathtaking porcelain peacock by Nymphenburg, the sculptor Theodor Ka¨rner created in 1906. This model was is signed and dated by the artist in 1912. This piece is also marked with ...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Important vase for museum display from the full Art Nouveau period. A large handled vase made of Bohemian glass with metal mount decoration in relief and chiselled in Art Nouveau sty...

Perfime Bottle "Pan" made in frosted glass with grey patina by René Lalique in 1920. Molded signature. Perfect condition. Very beautiful patina. Height: 12.5 cm Félix Marcilhac, R...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Fabulous Art Nouveau Emile Galle Cameo early landscape vase, depicting a classic landscape scene with large trees leaning over a quiet pond in the early eerie morning light. Rendere...

19th Century Majolica Vase with Floral and Foliage Motifs Description: This is a majolica vase dating from the 19th century, made in glazed ceramic with a rich and earthy brown tone...

A stylish example of a fine pair of bohemian emerald green ground gilt heightened white enamel hand cut full lead crystal lustres of outstanding quali...

A pair of art nouveau tall and slender candlesticks, In dark and green patinated bronze. A large disc with rippled edge and swirling texture serves as the foot of the composition, f...

Antique Art Nouveau Glass Apothecary Jar This antique piece of blown glass is distinguished by its vibrant, deep blue color. It features an elegant, wavy silhouette characteristic of...

An exceptional and large pair Moser amethyst glass vases with gilded chinoiserie patterns dating from around 1910. These tall glass vases Stand on...

Model #3771 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Glass vase designed by Louis C. Tiffany, manufactured by Tiffany Studios New York, 1894, signed signed "L. C. T. B2216" (underneath) Material and technique: mouth-blown glass, reduced and iridescent Louis Comfort Tiffany (New York 1848 – 1933 New York) was a famous American designer, artist and painter of American Art Nouveau. He was best known for his works in glass colored with metal salts and made a name for himself in the decorative arts at the time. In the course of his career, he created a unique style that combined outstanding craftsmanship with a love for natural shapes and bright colors. Nature had always been his inspiration and in his designs he tried, in his very own way, to capture its beauty forever. Tiffany designed lamps...

Alfred Louis Achille DAGUET (1875 - 1942) was a metalsmith active in Paris during the first part of the 20th century. His metalwork created prior to the outbreak of World War I, note...

DAUM Nancy, France. Large bowl of multilayered glass, decorated with trees in a lake landscape. Polilobed bowl with triple glass overlay in orange, red, and brown, featuring a finel...

Iridescent orange and pink glass vase by Loetz, made in the 1950s. Ø cm 10 h cm 11 Loetz is a name that immediately evokes images of extraordinarily beautiful and refined blown gla...

A stylish and finely made Art Nouveau pottery twin handled candlestick decorated in Majolica glazes by Eichwald and dating from around 1910. The lightly potted candlestick stands rai...

Daum Cameo Glass Bowl, France, circa 1910. A rare Art Nouveau Daum cameo glass vitrified Monnaies du Pape round coupe (Honesty). Very finely acid etched, wheel carved decor of Hones...

Gorgeous vintage metal money bank. A beautiful decorative item in metal with a missing lock. Made in Europe, circa 1910s or older. Nice addition to any collection, desktop, living ro...

Le pichet canard de Saint Clément, en faïence barbotine, modèle 7492, est un véritable chef-d'œuvre qui illustre l'élégance et le savoir-faire des artistes Émile et Charles Gallé. Ce...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase «Magnolias » circa 1900 A multilayer deep red and yellow glass vase with acid-etched and wheel-engraved decoration. Desig...

Signed: Alexandre / Belgium Vase green glazed terracotta decorated with Fish in relief Alexandre Gempfenstein (Alexandre de Wemmel) (Ukrainian Be...

Vase Sign: Le Verre Francais France ( Decoration Halbrans ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made a...

While there may have been no love lost for his early paintings, Eckmann had an endless fascination for the decorative potential of undulating water. The open spaces created by the me...

These three elegant Art Nouveau style crystal candle sticks were created by Tiffany & Co. in the late 20th century. Their sleek and simple design reflect the Tiffany brand in such a ...

A large and impressive Art Nouveau/Jugendstil Austrian Imperial Amphora art pottery twin handled vase with tube lined bird designs dating from the early 20th century. In addition...

Art Nouveau glass vase with engraved silver overlay, ca 1900. Baluster with gently flared mouth and round foot. Vertical overlay pattern in form of flowers with leafing and budding s...

Art Nouveau silver plated repousse tobacco or jewelry box The top, front, sides and back are beautifully cast and feature panels with images of birds...

Émile Gallé (1846-1904), Art Nouveau Cameo Glass Vase « Gladioli Flowers » Large piriform vase on heel with long collar in dark blue and blue multi-layered glass Cased glass, opales...

Erotic / nude women bronze sculpture table bell push - Austria 1900´s Talk about hard to find items! This impossible to believe bell push is the only erotic bell push we have ever se...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

EDMOND LACHENAL (1855-1948) One of France’s most influential ceramists, Edmond Lachenal contributed significantly to the development of Art Nouveau. His poor beginnings in Paris le...

Multilayered glass vase, in cameo technique. Cylindrical form in mottled orange, red, and brown, circa 1910. The decor of flowers and leaves is engraved in reserve and taken up on th...

Art Nouveau gilt bronze letter opener, France, circa 1910 – attributed to E. Bernaud Description: Elegant and refined letter opener from the Art Nouveau period, made in France aroun...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Antique Japanese Awaji pottery bottle vase with a striking turquoise crackle glaze and an elegant, elongated neck with a rounded, bulbous body tapering to a small circular foot. Hand...

20th Century Art Nouveau Green Ceramic Vase with Silver Rim/Collar, Austria By: unknown Material: ceramic, paint, silver, silver plate,...

This is a great sample of the Art Glass work of the Czech Republic in this Bohemian fruit top ONLY table ornament. no base.

Painter, theatrical and industrial designer, Georges de Feure was closely associated with Sigfried Bing who was key in the introduction of the art nouveau movement. Composed of chara...

Gorgeous patinated bronze art nouveau vase with maiden & floral design by Francesco Flora, circa 1910s. The vase has wonderful detail and is in very go...

We are offering this wonderful and original heavy french art nouveau letter opener. The design dates back to the early 1900s to 1910s, the object is made of Bronze. We believe that t...

Art Nouveau Big Vase Albert Mayer WMF Germany, 1900-1910 Silver metal with a brass removable vase inside Excellent condition. WMF mark impressed

Stunning Loetz Witwe glass vase decor "Candia Papillon" out of Bohemia, circa 1898. This very rare version of the famous rose water sprinkler vase impresse...

Beautiful and stylish clock, in good working order. If you are looking for an exceptionally designed clock from the Arts & Crafts era then this rare mantel clock could be yours to enjoy soon. You will rarely find a table clock...

Antique Set of Three Glass Apothecary Jars, 19th Century, France. Lovely amber glass with reverse painted labels and red toleware lids. Original paper label on back of Serpentine De ...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Antique Art Nouveau sterling silver Georg Jensen footed bowl, circa 1915. The tapering flared bowl raised on a flared foot and joined with a s...