"Rochetto" Vase by Ettore Sottsass For Sale
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"Rochetto" Vase by Ettore Sottsass


Designed by Ettore Sottsass, and made by Bitossi from 1956-1959, the "Rochetto" series of ceramics are some of the earliest works by the great iconoclast to give an indication of the aesthetic direction he would pursue in the 1960s and beyond. In the 1950s Sottsass was not yet the consummate rebel against modernist orthodoxy that he would later become famous for being, but the impulse was there, as evidenced by some of his work, including his "Rochetto" vessels. The graphic effect of this bottle-form vase, with its stacked horizontal bands differentiated by color and texture, subtly anticipates Sottsass' later, more radical departures from modernist taste, and even his important contributions to design as a pioneer of post-modernism. Signed 1390/A/28 ITALY. Please note that this is a vintage piece from the 1950s. None of the designs from the "Rochetto" series have ever been "re-editioned" by Bitossi.  


  • Condition Details
    Perfect condition. No damage or repairs.
  • Dimensions
    H 11.5 in. x Dm 3.5 in.H 29.21 cm x Dm 8.89 cm
  • Diameter
    3.5 in. (8.89 cm)
  • Seller Location
    Los Angeles, CA
  • Reference Number
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About Bitossi (Maker)

Like a Fellini movie, the ceramics of this famed Italian company embody a creative spectrum that ranges from the playful and earthy to the high-minded and provocative. Based in Florence, Bitossi Ceramiche draws on craft traditions that date back to the 1500s. These find expression in the artisanal vases and animal figures by the firm’s longtime art director Aldo Londi, as well as the colorful, totemic vessels designed by the high priest of postmodernism, Ettore Sottsass.

     The company was incorporated by Guido Bitossi in 1921, though the family began making art pottery in the mid-19th century. In the 1930s, Londi came aboard, bringing with him a mindset that respected time-honored craft, yet looked also to the future. On the one hand, Londi’s perspective fostered the making of Bitossi’s popular whimsical animal figures, hand-shaped and -carved and finished in a rich azure glaze known as “Rimini Blue.”

     But with his other hand, Londi reached out to thoughtful, experimental designers such as Sottsass. Starting in the 1950s, some 20 years before he founded the Memphis postmodern design collective in Milan, Sottsass used the Bitossi kilns to create timeless works that manifest both primitive forms and modern geometries. In later decades, Bitossi would welcome new generations of designers, which have included such names as Ginevra Bocini and Karim Rashid. While always looking forward, Bitossi is firm in their belief that mastery of craft is the first step towards beautiful design. As you will see from the works offered on these pages, that is a winning philosophy.

About the Seller

5 / 5
1stdibs seller since 2005
Located in Los Angeles, CA
20th Century Specialists
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