Hand-Painted Vases

Step into the enchanting world of antique elegance with our stunning Hand-Painted & Gilt Decorated Tall Porcelain Rose Vase. This exquisite piece is a testament to timeless beauty, a...

A Qing Chinese porcelain vase with baluster-form, hand-painted with cobalt blue decoration of "shuang-xi" or "double happiness" symbol representing happiness in marriage, amid contin...

Of extraordinary beauty and unique charm, the blue butterfly has always been considered the bearer of wishes. According to ancient beliefs it has the power to make dreams come true. ...

An imposing and very good quality pair of Cantonese / rose medallion vase. Each having wonderful bold colors, the inset hand painted panels depicting interior scenes of courtiers and...

An Extremely rare pair of early Royal Vienna Porcelain Hand decorated Milk and Cream Pitchers or Jugs of medium proportion and outstanding workmanship, both of traditional bulbous outline, each with applied “C” scroll handle...

An exceptional pair Japanese Meiji twin handled decorated with moriage patterning on a floral painted ground dating from around 1900. The porcelain vases stand on a shaped round foot...

Stunning example of an English Minton Porcelain centerpiece or flower vase, depicting an entwined upright Dolphin been help by a scantily clad Female standing on a naturalistic circular base. Circa third quarter of the Nineteenth Century. Exquisitely decorated in colors of turquoise on white glazed ground with lavish gold highlights. Condition: Good condition for such an early piece with no losses except for a tiny loss dot at dolphins' lip, no discoloring anywhere. Height: (entire as image one) 11.5" (29cm). Depth: (at base) 5.25” (13cm). Width: (at base) 5.25” (13cm) Location: Dublin City, Ireland. Affordable fixed price Worldwide Store to door shipping. Provenance: From the Collection of Kenneth Neame, Mount Street, Mayfair, offered by Sothebys London. Mintons was a major English company in Staffordshire Pottery, "Europe's leading ceramic factory during the Victorian era" an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliment...

The heart collection is the result of the extravagant creativity of two innovative designers, who are inspired especially by the human body. The heart collection is inspired by the ...

Stunning Bohemian pedestal glass vase with 'schwarzlot' (black ink) and gold designs with front decoration of a young woman in medieval costume, next to a blooming tree. Haida Steins...

A wonderful late 19th century Chinese Cantonese (Rose Medallion) lidded vase, having bold classical colors, figural handles on either side and to the lids, inset hand painted panels ...

A beautiful antique pair of decorative pink porcelain Sèvres Style urnes with a hand-painted background of a lovers scene. In the back there is a scene of a bouquet of flowers. Mounted Bacchus/ Dionysus bronze...

Decorate a shelf or console table with this elegant pair of antique Delft vases. Crafted in Holland circa 1920, both vases with wide mouth...

Stunning example of a pair of English Minton porcelain centerpieces or flower vases, each modelled as a standing cherub one harvesting wheat, both ending with stunning pierced oval centerpieces on footed supports. Circa third quarter of the Nineteenth Century. Exquisitely decorated in colours of turquoise on white glazed ground with lavish gold highlights. Condition: Good condition for such an early piece with no losses, few old tiny firing hairlines at leg areas. Typically unmarked as pieces of this early period. Height: (entire as image one) 8.5" (21.5cm). Width: (at base) 7.75” (19.5cm). Depth: (at base) 5.25” (13.5cm). Location: Dublin City, Ireland. Affordable fixed price Worldwide Store to door shipping. Provenance: From the Collection of Kenneth Neame, Mount Street, Mayfair, offered by Sothebys London. Mintons was a major English company in Staffordshire Pottery, "Europe's leading ceramic factory during the Victorian era" an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliment...

Vintage Danish handmade soft cylinder shaped ceramic vase. Sand and brown colored glaze with cream and burnt orange curved vertical lines. Signed under base. Beautiful vintage condit...

Of extraordinary beauty and unique charm, the blue butterfly has always been considered the bearer of wishes. According to ancient beliefs it has the power to make dreams come true. ...

A very good quality pair of 19th century Chinese Cantonese / rose Medallion vases, each having the classical green ground with pink floral decoration, pierced blue handles to either ...

A Kutani style porcelain vase from the early 20th century with floral and scenic design. This early 20th-century porcelain vase in the Kutani style is a stunning example of fine craf...

Monumental 19th century Sèvres Neoclassical-style vase with mauve ground French, c. 1878 Height 152cm, width 72cm, depth 66cm This remarkable Sèvres vase, dating back to 1878, was ...

A beautiful pair of 19th century French Louis XVI style Sevres cobalt blue and ormolu-mounted vases with rams heads and wreaths. The porcelain body is beautifully painted with the signature Sevres Royal cobalt blue. The square shaped base is decorated with ormolu acanthus leaves and ribbon wreaths beautifully hand chizzeled and detailed ormolu work. These vases can easily be turned into a fabulous pair of...

A beautifully glazed and colored, hand-decorated Korean Buncheong vase. Joseon Dynasty (1392-1910). Very nice patina. We are listing it as 19th cent...

A gorgeous monumental 17" antique 19th century Art Nouveau period French Sarreguemines majolica vase. Maker's mark on reverse. This exquisi...

A 19th century Meissen porcelain 'Elements' ewer emblematic of water. Blue crossed swords mark. The present ewer, representing water,...

We offer a fine Porcelain Vase made by MK Bo Jia for Middle Kingdom, Japan. Hand painted with Gold Leaf Overlay and depicting 2 iron red Koi Fish with turquoise eyes. The Vase is in...

19th century large Chinese blue & white hand painted vase.

A very impressive pair of 19th century Chinese rose medallion / cantonese two handled vases. Each with wonderful bold coloring to the inset painted panels depicting interior scenes o...

A striking mid-century modern 1950s fat lava vase by the renowned West German pottery maker Jasba Keramik. The company was founded in 1926 by Jakob Schwaderlapp in Ransbach-Baumbach ...

The yellow dragon vase is crafted out of porcelain and finished with a yellow glaze and hand painted Chinese dragon design. The color yellow and pai...

French vintage ceramic pitcher vase by Vallauris. Abstract face like decor with umber, dark green and midnight blue brush strokes on crisp white base. Signed under base. Beautiful vi...

Here's a beautiful pottery vase by mid-century California studio potter Joel Edwards (1923 - 2007). In tones of blues and greens, the vase is decorated with abstract forms in sgraffi...

A fine quality pair of 19th century French Louis XVI style Sèvres style lidded vases, each with turquoise ground, floral decoration and of twisted form. Wonderful scrolling gilded or...

A gorgeous, rare, and unique large stoneware vase by famed Mexican American California studio art potter Dora De Larios. De Larios was born in Los Angeles to Mexican immigrant parents. She grew up in the artistic Silver Lake district near downtown Los Angeles amongst Mexican and Nisei Japanese immigrants. As a result, De Larios was heavily influenced by ancient American...

Very unique tall Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tac...

A truly stunning gilt bronze Art Nouveau style decorative piece / vase with Exterior hand carved design details. The piece / vase is in great condition . Minor wear consistent with a...

Extraordinary pair of vases, in the Secession style, originals from the Art Nouveau period, made around 1910 by the famous Villeroy and Boch factory, Dresden, Germany. The vases eac...

This large luxurious amphora, in majolica handmade in Italy and hand-painted in polychrome, is characterized by a dense presence of naturalistic ornamental motifs that decorate the v...

Rose Medallion Export porcelain cylinder vase, China, 19th century.  

A fine pair of antique porcelain flower vases. In the style of Jacob Petit. Each with a large central vase surrounded by 4 smaller, int...

PAIR of Chinese blue and white porcelain vases with jade pot spring bottle forms traditionally found in Chinese porcelain, a dragon design that is painted in the style of the Yuan D...

19th century Chinese hand painted Blue & White porcelain vase with interesting symmetrical pattern.

"Boy with Sledge and Dog" is carved wooden brush pot with hand painting in oils in post - impressionist manner performed by a famous master: Elisaveta Merkuryevna Bem or Boehm or Böhm (1843–1914). Very beautiful vase that will decorate any interior. Antique wooden vases...

A delightful Art Nouveau Royal Worcester urn shaped twin handled porcelain vase hand painted with floral designs dated 1905. The lightly potted vase stands on a narrow round foot rim...

A large blue and white Chinese porcelain baluster vase, produced in the late 20th-century in the Kangxi revival style. The body displays a finely hand-painted figural scene in cobalt...

A very impressive 19th Century Samson, Meissen style porcelain 'Snowball' ( Schneeballen) lidded vase. Of baluster shape encrusted with snowball blossoms, flowers and birds, the dome...

This stunning large ceramic vase, handcrafted and hand-painted by C. Monarchi in Gubbio, Italy, during the 1930s, embodies the refined elegance of the Art Deco movement. Featuring in...

This large and exquisite handmade lidded vase, is skillfully crafted by the renowned Swedish ceramic artist Josef Ekberg. He is recognized as one of Sweden's foremost ceramic artists...

A 19th century Meissen porcelain 'Elements' ewer emblematic of air. Blue crossed swords mark. The present ewer, representing water, i...

A fine and stunning Art Nouveau German pair of hand painted art pottery vases with floral designs made by the renowned manufactory of Royal Bonn and dating from around 1900. Royal B...

A lovely tall Japanese Imari porcelain baluster vase with images of Chinese boys, Meiji Period, late 19th century, Japan. The tall vase of baluster form, with a short, slightly spla...

Le pichet en barbotine de Saint Clément, conçu par les talentueux Émile et Charles Gallé, représente une pièce maîtresse de l'art nouveau. Avec son décor inspiré de la faune et de la...

Exceptional set of two vases, so-called basket vases, made from 1910 - 20, by the famous Amphora factory in Bohemia. The vases have a round base and taper towards the top. They have...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Vase, table lamp, in Porcelain. It has been made in china, Circa 1880. The decorative pattern are Birds, and leaves. USA PLUG ADAPTATOR WILL BE FURNISHED FOR FREE TO THE US BUYERS S...

Large porcelain vases crafted by Gustave Asch in the late 19th century. Each vase is highlighted with cascading chestnut leaves and chestnuts in their bugs painted in gold on dark bl...

Pair of Paris Two Handled Vases in Gold and Cobalt Blue. Pair of early 19th century Paris baluster shaped porcelain vases. Elaborately painted on each side with the most intricate p...

A baluster shaped vase with high glossy finish made in the 1920s by the famous Danish potterer Herman Kähler. The glazes shows a beautiful surrounding leaf-shaped decoration and it ...

This one of a kind Mexican antique is one of few pieces Dolores had at her home at the time she passed away. Dolores portrays the flora from her garden in Santa María Atzompa, Oaxaca...

A rare small World War I interest art pottery vase or possibly inkwell inscribed ‘JOFFRE FRENCH’ and decorated in red lustre glazes by renowned maker Bernard Moore and dated 1914. Joseph Jacques Cesaire Joffre, was one of France’s most influential leaders, played a significant role in shaping the outcome of World War I. He served as commander-in-chief of the French forces on the Western Front from 1914-16 and became an iconic symbol of French resistance for his defence against the German invasion. The bell-shaped vase stands on a narrow round unglazed foot rim and has a wide skirted body narrowing to a small, short, raised funnel shaped neck. The vase is decorated with a cream glazed band over a red lustre ground with the inscription applied around the body of the vase. The vase has a BM monogram...

A blue and white Dutch delft vase made circa 1700, with clobbered-style polychrome enamels added in the mid-18th century. This brightly colored blue and white Dutch delft vase is a ...