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Important Pair of Meissen Porcelain Filigree Vases with Raised Flowers

$75,500per set

About

A Highly Important pair of Museum Quality Louis XV Period 18th century Meissen Porcelain filigree openwork vases with a medially of flowers and vined leaves. This is truly an exceptional pair of Meissen Porcelain vases with a truly gorgeous design which is rarely seen in this quality and condition. Each vase is beautifully hand carved with a mosaic basket-weave pattern that starts at the top, with slightly larger carved holes, and extend downwards to slightly smaller holes. Running throughout the body and neck of the vases are hand-applied 18th century Meissen Porcelain flowers which are each exceptionally painted with the finest colors and the most pristine detail on the petals of each flower. Each flower is additionally highlighted with scrolling vines and leaves in green and blue colors which are absolutely stunning on their own. The dynamic color scheme of the flowers is truly breathtaking. Meissen is known for its exceptional quality and craftsmanship which is second to none and these vases are no exception. With a multitude of flowers, which include lilies in white, yellow, and purple hues, chrysanthemum in hues of purple, orange, yellow, red and blue, Campanula Bellflowers in hues of purple and yellow, and many other gorgeous smaller applied flowers. The top and bottom of each of the vases are further adorned in 24-karat gilt decoration around the rims, bringing these already exceptional pieces to an even higher level. Vases like these can only be found in this quality, condition and craftsmanship once in a lifetime after being held for over 250 years. With Blue Crossed Swords Mark on the Bottom. Height 15 inches Germany, circa 1750.

Details

  • Creator
    Meissen Porcelain (Manufacturer)
  • Dimensions
    Height: 15 in. (38.1 cm)Diameter: 11.5 in. (29.21 cm)
  • Sold As
    Set of 2
  • Style
    Louis XV (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
    1750-1759
  • Date of Manufacture
    1750
  • Condition
    Repaired: These vases are in excellent condition and are ready to be placed, they have very minor restorations to flower petals and leaves that are done professionally, Stunning pair. Wear consistent with age and use.
  • Seller Location
    New York, NY
  • Reference Number
    1stDibs: LU919520462362

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity.
    Ships From: New York, NY
  • Return Policy

    A return for this item may be initiated within 1 day of delivery.

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About Meissen Porcelain (Manufacturer)

Meissen Porcelain (Staatliche Porzellan-Manufaktur Meissen) is one of the preeminent porcelain factories in Europe and was the first to produce true porcelain outside of Asia. It was established in 1710 under the auspices of King Augustus II “the Strong” of Saxony-Poland (1670–1733), a keen collector of Asian ceramics, particularly Ming porcelain. In pursuing his passion, which he termed his “maladie de porcelaine,” Augustus spent vast sums, amassing some 20,000 pieces of Japanese and Chinese ceramics. These, along with examples of early Meissen, comprise the Porzellansammlung, or porcelain collection, of the Zwinger Palace, in Dresden.

The king was determined, however, to free the European market from its dependence on Asian imports and to give European artisans the freedom to create their own porcelain designs. To this end, he charged the scientist Ehrenfried Walther von Tschirnhaus and aspiring alchemist Johann Friedrich Böttger with the task of using local materials to produce true, hard-paste porcelain (as opposed to the soft-paste variety European ceramists in the Netherlands, Germany, France, Italy and Spain had been producing since the late Renaissance). In 1709, the pair succeeded in doing just that, employing kaolin, or “china clay.” A year later, the Meissen factory was born.

In its first decades, Meissen mostly looked to Asian models, producing wares based on Japanese Kakiemon ceramics and pieces with Chinese-inflected decorations, called chinoiseries. During the 1720s its painters drew inspiration from the works of Watteau, and the scenes of courtly life, fruits and flowers that adorned fashionable textiles and wallpaper. It was in this period that Meissen introduced its famous cobalt-blue crossed swords logo—derived from the arms of the Elector of Saxony as Arch-Marshal of the Holy Roman Empire—to distinguish its products from those of competing factories that were beginning to spring up around Europe.

By the 1730s, Meissen’s modelers and decorators had mastered the style of Asian ceramics, and Augustus encouraged them to develop a new, original aesthetic. The factory’s director, Count Heinrich von Brühl, used Johann Wilhelm Weinmann’s botanical drawings as the basis for a new line of wares with European-style surface decoration. The Blue Onion pattern (Zwiebelmuster), first produced in 1739, melded Asian and European influences, closely following patterns used in Chinese underglaze-blue porcelain, but replacing exotic flora and fruits with Western varieties (likely peaches and pomegranates, not onions) along with peonies and asters.

During the same period, head modeler Joachim Kändler (1706–75) began crafting delicate porcelain figures derived from the Italian commedia dell’arte. Often used as centerpieces on banquet tables and decorated to reflect the latest fashions in courtly dress for men and women, these figurines, they were popular in their day, and are still considered among of Meissen’s most iconic creations. Kändler also created the Swan Service, which, with its complex low-relief surface design and minimal decoration is considered a masterpiece of Baroque ceramics.

The rise of Neoclassicism in the latter half of the 18th century forced Meissen to change artistic direction and begin producing monumental vases, clocks, chandeliers and candelabra. In the 20th century, Meissen added to its 18th-century repertoire decidedly modern designs, including ones in the Art Nouveau style. The 1920s saw the introduction of numerous animal figures, such as the popular sea otter (Fischotter), which graced an East German postage stamp in the 1960s. Starting in 1933, artistic freedom was limited at the factory under the Nazi regime, and after World War II, when the region became part of East Germany, it struggled to reconcile its elite past with the values of the Communist government. In 1969, however, new artistic director Karl Petermann reintroduced the early designs and fostered a new degree of artistic license. Meissen became one of the few companies to prosper in East Germany.

Owned by the State of Saxony since reunification, in 1990, Meissen continues to produce its classic designs together with new ones developed collaboratively with artists from all over the world. In addition, through its artCAMPUS program, the factory has invited distinguished ceramic artists, such as Chris Antemann and Arlene Shechet, to work in its studios in collaboration with its skilled modelers and painters. The resulting works of contemporary sculpture are inspired by Meissen’s rich and complex legacy.

About the Seller
4.8 / 5
Located in New York, NY
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Established in 1820
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60 sales on 1stDibs
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