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Celery Serving Plate, by Michele De Lucchi from Memphis Milano

$353.24per item

About

The Celery serving plate was originally designed by Michele De Lucchi in 1985. Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence during the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchymia and Memphis. His architectural designs have been mainly for office buildings in Japan, Germany, Switzerland and Italy. He has taken care of numerous art and design exhibitions and has planned buildings for museums as Triennale di Milano, Palazzo delle Esposizioni di Roma and Neues Museum Berlin. His professional work has always gone side-by-side with a personal exploration of architecture, design, technology and crafts. Memphis is the great cultural phenomenon of the 1980s that revolutionized creative and commercial logics in design. Born from the idea of Ettore Sottsass and a group of young designers and architects, in Milan, coupled in the years by famous designers from the international scene, Memphis turned upside down all of the existing parameters on living. Ettore Sottsass as the backbone of the group, design gained a new concept and expression through new shapes, materials and patterns, expanding the creative limits of the industry. Memphis became a symbol of New Design. Its influence is still clear in various sectors of production and beyond. Additional info: - Dimensions: D 12.59 W. 16.93 inches - Materials: Ceramic - Pricing: Prices do not include VAT. - Purchased products are shipped with forms of authenticity by Memphis Milano. Ceramic and Porcelain items as well, contain a decal which shows the signature of the designer, and the year which the product was originally designed in.”

Details

  • Creator
    Memphis Milano (Manufacturer),Memphis Group (Manufacturer),Michele de Lucchi (Designer)
  • Dimensions
    Height: 1.19 in. (3 cm)Width: 16.54 in. (42 cm)Depth: 12.6 in. (32 cm)
  • Style
    Modern (In the Style Of)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    Contemporary
  • Production Type
    New & Custom(Current Production)
  • Estimated Production Time
    8-9 weeks
  • Condition
  • Seller Location
    Pregnana Milanese, IT
  • Reference Number
    Seller: 422850091stDibs: LU4830117350482

Shipping & Returns

  • Shipping
    Estimated Customs Duties & Taxes to the Continental US: $0.
    Ships From: Pregnana Milanese, Italy
  • Return Policy

    This item cannot be returned.

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About the Manufacturer

Memphis Group

To many people, postmodern design is synonymous with the Memphis Group. This Italian collaborative created the most radical and attention-getting designs of the period, upending most of the accepted standards of how furniture should look.

The Memphis story begins in 1980, when Ettore Sottsass, then a beacon of Italian postmodernism, tapped a coterie of younger designers to develop a collection for the Milan Furniture Fair the next year, determined that all the new furniture they were then seeing was boring. Their mission: Boldly reject the stark minimalism of the 1970s and shatter the rules of form and function. (Sottsass’s Ultrafragola mirror, designed in 1970, embodied many of what would become the collective’s postmodern ideals.)

The group decided to design, produce and market their own collection, one that wouldn’t be restricted by concerns like functionality and so-called good taste. Its debut, at Milan’s 1981 Salone del Mobile, drew thousands of viewers and caused a major stir in design circles.

So as a record of Bob Dylan’s “Stuck Inside of Mobile” played on repeat, they took their name from the song, devised their marketing strategy and plotted the postmodern look that would come to define the decade of excess — primary colors, blown-up proportions, playful nods to Art Deco and Pop art. A high-low mix of materials also helped define Memphis, as evidenced by Javier Mariscal’s pastel serving trays, which feature laminate veneer — a material previously used only in kitchens — as well as Shiro Kuramata’s Nara and Kyoto tables made from colored glass-infused terrazzo.

An image of Sottsass posing with his collaborators in a conversation pit shaped like a boxing ring appeared in magazines all over the world, and Karl Lagerfield furnished his Monte Carlo penthouse entirely in Memphis furniture. Meanwhile, members like Andrea Branzi, Aldo Cibic, Michele de Lucchi, Nathalie du Pasquier, Kuramata, Paola Navone, Peter Shire, George Sowden, Sottsass and his wife, journalist Barbara Radice, went on to enjoy fruitful careers.

Some people think of the Milan-based collective as the design equivalent to Patrick Nagel’s kitschy screenprints, but for others Memphis represents what made the early 1980s so great: freedom of expression, dizzying patterns and off-the-wall colors.

Eventually, the Reagan era gave way to cool 1990s minimalism, and Memphis fell out of fashion. Sottsass left the group in 1985, and by 1987, it had disbanded. Yet decades later, Memphis is back and can be traced to today’s most exciting designers.

“As someone who was born in the 1980s, Memphis at times feels like the grown-up, artsy version of the toys I used to play with,” says Shaun Kasperbauer, cofounder of the Brooklyn studio Souda. “It feels a little nostalgic, but at the same time it seems like an aesthetic that’s perfectly suited to an internet age — loud, colorful and utilizing forms that are graphic and often a little unexpected.”

Find a collection of vintage Memphis Group seating, tables, decorative objects and other furniture on 1stDibs.

About the Seller
4.8
Located in Pregnana Milanese, Italy
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2019
1stDibs seller since 2019
106 sales on 1stDibs
Typical response time: 17 hours
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