Laminate Collectibles and Curiosities

Steinway & Sons, Baby Grand Model L Piano, Refurbished Satin Ebony, 1911, 88 Keys, Serial Number 146562 This exceptional 1911 Steinway piano, Model 146561, has undergone a complete ...

Wrought iron Spanish caravel boat / galleon sculpture. Spain, 1940s-1950s This sailing ship sculpture was handcrafted in Spain at the mid-20th century period. The ship has a richly detailed scrollwork...

Stereo that can be closed to cube shape and opened by moving the baffles apart. It includes a radio, record player and 8-track cassette player. It is also possible to connect the tel...

Italian Radiophonograph RR126 and Record Player by Castiglioni Brothers for Brionvega, 1960s. RR126 radio phonograph and turntable with a rectangular wooden base with dark brown prof...

Record player Braun Pc3 Design in Germany in 1950s by Wilhelm Wagenfeld, Dieter Rams for Max Braun AG, Frankfurt a. M., Fully restored by a Brun specialist.

This rare 1940s record player cabinet by LESA (Laboratori Elettrotecnici Società Anonima), Milan, represents a refined fusion of Italian craftsmanship and early modernist design. The piece features: A solid wood frame veneered in exquisite walnut burl, with striking natural grain patterns that add depth and character. Ebonized trim that highlights the clean geometry and subtle curves of the cabinet. Slender, tapered legs typical of Italian furniture design of the period, lending the piece a light, elegant stance. A functional 78 rpm turntable integrated into the cabinet, with original metal and bakelite components. The mechanism is in working condition. A drop-front door that conceals the turntable when closed, preserving the cabinet’s sleek aesthetic. A lower shelf suitable for storing records or accessories. LESA, founded in 1929 in Milan, was a leading Italian producer of phonographs, radios and hi-fi components. The company was known for combining technical innovation with stylish furniture integration, making pieces like this a hallmark of mid-century Italian domestic design. 🌟 Why acquire this piece Functional art: This cabinet is not only a piece of furniture, but also a working vintage audio device, providing authentic 78 rpm playback in its original form. Historical value: An original example of LESA’s craftsmanship from the 1940s — a brand that was once a market leader in Italian hi-fi. Aesthetic appeal: The combination of walnut burl, ebonized details and streamlined form makes it a perfect fit for Art Deco, mid-century modern, or eclectic interiors. Conversation piece: Its rare combination of furniture and audio technology will attract attention and admiration in any setting. Investment: Well-preserved vintage audio furniture by noted manufacturers is increasingly sought-after by collectors and interior designers. Cabinet Console of the 1940s in burr walnut and walnut flame applied veneered. Cabinet with two shelves, the upper with central flap drawer with internal turntable Record...

An innovative porcelain and metal creation inspired by one of the fascinating creatures in nature. Part of the Awesome Insects Collection. This origi...

A Very Fine German 19th Century Louis XVI Style Burr Walnut Bechstein Concert Grand Piano, Serial No. 5655. The beautifully crafted Grand piano, raised on three tapered barrel shaped legs, with an intricately carved ornate music desk and original keys. Circa: 1872. Length: 80 inches (203.2 cm) Width: 59 inches: (149.9 cm) Height (top closed): 38 5/8 inches (98.1 cm) C. Bechstein Pianofortefabrik C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein. Before Bechstein Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies. C. Bechstein C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany. Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons. In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos. In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard. The signature of Carl Bechstein The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia. Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons. Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year. First World War C. Bechstein suffered huge property losses in London, Paris, and St. Petersburg during World War I. The largest loss was in London. Although the company's position in the United Kingdom was initially unaffected, with the company still listed as holding a Royal Warrant in January 1915, Warrants to both King George V, and his wife Queen Mary were cancelled on 13 April 1915. Bechstein was not the only musical concern to be affected by growing anti-German sentiment: there were earlier attempts, led by William Boosey, to boycott German music altogether. In 1915, despite being a Baronet and Privy Counsellor, Sir Edgar Speyer, who was then funding the Proms, was forced to leave the country. Following the passing of the Trading with the Enemy Amendment Act 1916 the British arm of the company was wound-up on 5 June 1916, all Bechstein property, including the concert hall and showrooms full of pianos, were seized as "enemy property" and closed. In 1916 the hall was sold as alien property at auction to Debenhams for £56,500. It was renamed Wigmore Hall, and then re-opened under the new name in 1917. All 137 Bechstein pianos at the Bechstein showrooms were confiscated too, and became property of the new owner of the Hall. After a dispute with his brother, Edwin Bechstein left the company and was paid off. Eventually the Bechstein factory resumed full-scale production during the 1920s. At that time, technical innovations and inventions of new materials and tools, as well as improvements in piano design and construction, had allowed Bechstein to become one of the leading piano makers again. The most successful models were the updated "A"-185 and "B"-208 grand pianos. The upright pianos became more popular after the war, and C. Bechstein were successful with its upright pianos Model-8 and Model-9, both of which have been considered the finest upright pianos. As the company was changed into a joint-stock company 1923, Edwin Bechstein and his wife Helene, bought themselves back into the company as shareholders. In 1930 the company collaborated with German electrical goods manufacturer Siemens under Nobel laureate Walther Nernst to produce one of the first electric pianos...

Original Poul Hennigsen piano, circa 1930. Has been fully remastered and in beautiful condition. In 1930, the Danish creative genius, Poul Henningsen, reimagined what a piano could be when he created the PH Grand Piano...

Fully Restored 1901 Steinway & Sons Model B Louis XV Baroque Rococo Grand Piano – Serial Number 99151, Full 88 key keyboard. The most exquisitely d...

The Brionvega RR-126 is an icon of Pop design. It was conceived as an anthropomorphic ‘musical pet’, with speakers for ears and control dials for its face. It could be moved around e...

Brass banana tree or palm tree sculpture with a custom burnished bronze like finish, removable leaves, a weighted base decorated with floral designs,...