1810s Furniture

This is a rare 100% original painted Swedish Mora clock, Jamptland Model.

Hand-painted in France, this handsome grisaille overdoor painting is from the neoclassical period, circa 1815. Grisaille is a monochromatic painting ...

19th Century Regency pair of triple branch gilt metal wall sconces featuring elaborately scrolled candle holder light fittings with acanthus leaf ...

English cherry one drawer table with beautiful figured cherry top, the single drawer with original brass swan neck pulls, tapered legs.

We are delighted to offer for sale this exquisite, hand made in England circa 1815 Regency, Sheraton painted extending side table What a table...

American Hepplewhite applewood one drawer stand. The drawer retains its original turned wood drawer pull. American, Lower Delaware Valley, Pennsylvani...

English oak and mahogany bow front lowboy, the top is cross banded with mahogany and inlaid with ebony , two over one drawers are also banded in mahogany, the pulls are not original ...

A fine pair of gilt bronze storm lights with triangular bases on lion paw feet leading to hawk heads surmounted by crooks swagged with chains fitted with leaf decorated mount and fin...

19th Century Regency ebonised carved library chair with needlepoint back and seat, of solid wood construction and finely carved details. The arms of t...

A Regency magnum carafe with diamond, slice and flute cutting. Measures: Height 24.5 cm (9 3/4") Diameter 14 cm (5 1/2") Period 1800-1849 Year 18...

A rare Georgian pearlware pottery jug commemorating the Treaty of Paris on 30th May, 1814. The Treaty of Paris ended the Napoleonic wars between France and Great Britain, Russia, A...

Landmark stone lithograph of large size and issued in the ‘Incunabula’ period of stone lithography prior to 1820. Print on fine Ziegler paper. Extremely rare. Hand colored ston...

Great image of an egret Drawn and engraved by William Daniell Aquatint engraving on fine Japan paper Published by Cadell & Davies 1812 Unfr...

During the Regency period it was very much the height of opulence to inlay delicately shaped pieces of brass design into wood. This pen and ink stand...

FINE, 19TH CENTURY, NEO-CLASSICAL, ORMOLU CHANDELIER, WITH 5 BRANCHES HEADED BY FEMALE MASKS, ELECTRIFIED, 31” high, 25” diameter - Injects classical elegance, grandeur and atmosphe...

Each with a curved wide seat rail with grape leaves and grapes central decoration, upholstered seat, raised on exaggerated saber legs. Provenance; Estate of William Hodgins, Interior...

A pair of Regency period diamond and slice cut glass mugs. Ireland, circa 1810. Height: 10.5 cm (4 1/4") Width: 14 cm (5 1/2"). Depth: 9 cm (3 1/2").

American Sheraton four drawer bow front chest with curly maple front and American cherry case. The graduated drawers, with projecting top drawer, are flanked by reeded pilasters which resolve into turned legs. Northern white pine secondary wood. American, North Shore Massachusetts...

A highly Important, Early Regency period mahogany, ebonised and parcel-gilt partners writing table on monopodia legs of exceptional quality and design, in the manner of George Smith, stamped Chas Norman, whom was associated with the work of Gillows. Labelled ‘Morning Room’. English, Regency period, circa 1810. Rarely seen, the crescent shaped ended rectangular top, beautifully lined with the original gilt tooled leather writing surface, enclosed by a mahogany cross-banded border and reeded edge. The frieze, containing four finely chosen fiddle-back mahogany drawers, two pairs to opposing sides, each retaining the original gadrooned carved ebonised knob handles. The perimeters having a finely ebonised cockbead, whilst the drawer liners being executed in mahogany retain the original recessed brass locks, which look to have never been removed. Flanking the drawers are bead-moulded ebonised panels which conform to either end above a reeded mould. Raised on four boldly designed and imposing, crisply carved, ebonised and parcel-gilt leopard monopodia supports, of wonderful original waxed condition. The Egyptian leopards mask above a bold breast decorated with carved gilt anthemion and guilloche motifs, finishing on a finely detailed carved leg and paw foot. The condition is excellent, retaining the original hand-dyed and gilt tooled waxed leather writing surface along with original locks, handles and ebonising with gilt-work to the legs. Commissioned for what presumes to be a private collection and due to its condition, being obvious to see, this writing table has been home to an important household. Labelled ‘Morning Library’ to the underside, whilst in this exemplary condition strongly suggests this striking piece of Regency furniture has furnished the library of the said house for the majority of its life. As can be noted, this is an extremely rare, elegant, early Regency writing table of exceptional colour, which corresponds with designs of the celebrated furniture maker and designer George Smith, workmanship of Gillows, being stamped to the underside Chas Norman four times. George Smith (1756 - 1826) was one of the most influential furniture designers of the English Regency Period (1811-1830). Smith, who began his pattern-book in 1804, wrote of ‘the great taste and elegance’ of this design. In 1808 he published his influential and definitive text on Regency interior Design titled ‘ A Collection of Designs for Household Furniture and Interior Decoration’ and classed himself as ‘Upholder Extraordinary to His Royal Excellency the Prince of Wales’…The Prince Regent. Smith was inspired in his designs from his earlier career as an Egyptologist, producing drawings incorporating motifs of Leopards heads and paws, Lions, sphinx’s, anthemia, and griffons amongst others. Charles Heathcote Tatham (1772-1842) published ‘Etchings, Representing the Best Examples of Ancient Ornamental Architecture; Drawn from the Originals in Rome, and Other Parts of Italy During the Years 1794, 1795, and 1796’, in which he illustrated an antique tripod table...

Set of American brass and polished steel urn finial Bulbous fire tools, early 19th century. Set consist of Shovel, Tong and Poker.

Antique English Regency figural inkwell with candle holder. In finely cast and original patinated bronze. Set on ball feet the rectangular base has a figure of Cupid holding up a w...

A Regency birds eye maple open bookcase, of rectangular form with a shaped top surmounted by the original brass gallery, above two adjustable shelves and two mirror-fronted cupboards...

This painted chest comes from Germany, year 1811

Biedermeier secretary desk, South west German, 1820. This beautiful drop front desk has three drawers in the lower part, they are embellish...

This is a beautiful coffee can and saucer made by Flight, Barr & Barr between 1813 and 1840, but most probably, circa 1815. It has a peach ground with a very charming gilt strawberry...

Pair of English Regency Period faux rosewood painted beechwood Klismos side chairs inlaid with pierced brass embellishments on the center of the back rail and the corners of the crest rail. The chairs are fitted with upholstered slip seats...

English Regency figural ecrier or inkstand. Set upon a rectangular base with milled edges all around. The ecrier with pin tray to front and back with inkwell to one side and sander to the other. Quill holder...

A fine early 19th century Regency period Mahogany 2 door cabinet having crossbanded and brass galleried rectangular lobed top with brass edging...

American brass rail & pleasing scrolled wire work fire place screen with original exterior hooks. Hooks were originally used to attach fire place screen to fire place surround, early...

Nice orange red color with two lights.

A large Regency mahogany serving table attributed to Gillows, the shaped top above a fluted frieze with four superb ormolu lion’s mask r...

English Regency period satinwood kidney shaped writing table with pedestal ends and saber legs ending in brass casters. This elegant writing table has...

Watercolor and ink on laid cut paper featuring a solider and his love. With cut out lettering at the top reading "Valentine The (23 or 25) of December 1816" and at the bottom "When T...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A Regency amboyna and gilt library table attributed to Seddon and Morel, with a rectangular top set upon solid end supports with a turned, reeded an...

English Regency ormolu inkstand with watch movement circa 1815. The whole in fine original condition. The rectangular base is set on four animal paw fe...

An exquisite pair of early 19th century regency chairs, twisted wrought iron construction, with wirework seats. Each chair is of three legg...

We are delighted to offer for this stunning original Regency circa 1810-1820 gilt bronze finish with mahogany shelves and brass gallery rail sheet music stand A very good looking...

Classic English Regency, this handsome mahogany stepdown sideboard features two large deep drawers and one center hidden drawer at top and two larger drawers beside; one with a lead liner for decanters. There are two four-paneled doors at bottom flanked with spiral reeded columns. This very substancial piece stands on eight turned feet and retains the original brasses and keys. Suitable as a buffet or with a free standing bowl, a bathroom sink with ample counter space.

A rare and exceptional Georgian Worcester porcelain spill vase hand painted with a scene of Malvern Priory by Doe & Rogers and dating from around 1810/20. This finely made vase stand...

Rectangular with cross banded hinged top over a reeded urn form support and four reeded splayed legs ending on paw casters.

Early 19th century Italian wall mirror characterized by a walnut wood frame with a particular star shape. Its small size makes it perfect also for decorating small rooms.

Empire drop front desk, Copenhagen 1810-20. This unique Danish secretary desk is embellished with mahogany veneer. The lower part has three cur...

Landmark stone lithograph of large size and issued in the ‘Incunabula’ period of stone lithography prior to 1820. Print on fine Ziegler paper. Extremely rare. Hand colored stone li...

Landmark stone lithograph on fine Ziegler watermarked paper. Extremely rare. Antique hand colored stone lithograph by Carl Joseph Brodtmann from his extremely rare series: Naturhi...

A set of four, Italian, ormolu, neoclassical, two arm/branch, electrified, acanthus leaf, wall sconces, -Fluid, naturalistic, classical form, in one continuous, scrolling piece -...

A highly unusual pair of Regency storm lights with elaborately decorated bell shaped frosted shades, painted with a Greek key pattern rim, initialled wreath and floral bands. The sha...

Shaped rectangular top with cross banded edge and brass curtain rail over a central drawer with central wheat motif flanked by two drawers and a single deep bottle drawer, over sunburst spandrels. Loin head drawer pulls. Raised on square tapered reeded legs. Ex Malcolm Franklin...

This superbly crafted wheel barometer and thermometer has a mahogany case surrounded by twisted brass stringing and central panels of foliate tendrils above Russell’s signature thistle motif in black and gilt verre églomisé. It is surmounted by a brass Prince of Wales feather finial. The long, rectangular thermometer plate is inscribed ‘Thermometers: Beaumar, Fahrenheit, Royal Society of London’, the latter being an early attempt to standardise temperature measurement. The circular dial is inscribed ‘Changeable, Fair, Settled Fair, Much Rain’ and ‘Rain’ and signed across the centre ‘J Russell, Falkirk, Invt et Fecit, Watch Maker to his R.H the Prince Regent’. The reverse has a paper label ‘Russell, Iden Collection Inventory 1896’. Scottish, circa 1815. Provenance: Mr Walter Iden. Published: Percy G. Dawson, The Iden Clock Collection, Woodbridge, 1987. No.125, p.280. These ‘royal barometers’ were so named because John Russell of Falkirk...

Italian neoclassical silver gilt wood & gesso red lacquered wall mirror with a central urn lion mask cartouche decorated with scrolled foliate ...

We are delighted to offer for sale this sublime original Regency circa 1810-1820 fully restored metamorphic library steps table with oxblood leather steps This is an important and sophisticated piece of English Regency furniture. Every discerning gentleman’s library should have one. They were the height of elegance and technology in the late Georgian to early Victorian era The one is a very fine, fully restored example, the steps are hidden inside the bottom drawer, the idea being you sit this table near a very large library bookcase...

American Federal mahogany butler's desk with a carved molded edge, three upper drawers with original brass knobs, sliding fall front interior desk with Satinwood drawers and pigeon h...

Pennsylvania walnut single drawer server table on turned legs and joined by a cupid’s bow cut stretcher shelf. The single board top has radius cut corners over an apron drawer fitted with a single turned walnut knob. Tulip poplar...

These charming English School portraits show the subjects half-length by a desk, the surgeon with a skull at his elbow and his wife with an open writing box. Oil on canvas within a gilded frame and accompanied by five related letters. English, circa 1810. Footnote: Robert Prideaux died aged 36 in 1818 but in his short life he managed to rise rapidly through the ranks as a naval surgeon. The Naval Chronicle Vol. 19 (1808) records his appointment as a surgeon, aged only 26, on the cutter Sprightly and that he moved to the Lily by the end of the same year. In 1809, a member of the crew of the vessel Polyphemus was involved in a drunken incident that culminated in him being sick on the quarter-deck of the Lily whilst both vessels were docked at Port Royal in Jamaica. This led to a Court Martial appearance for one Joseph Fountain, the Master at Arms...

A Regency amboyna and gilt library table attributed to Seddon and Morel, with a rectangular top set upon solid end supports with a turned, reeded an...

This is a beautiful Spode creamware dessert service made in 1814, which was the Regency era. The service is decorated in a printed and hand-colored Chi...

Regency rosewood pedestal table with brass inlaid and flowered details. Includes turned supports at the bottom of each leg.

Circular banded top over a conforming frieze supported on three ebonized and gilt wood legs joined by a plinth base raised on Greek scroll feet.