Early edition SURVETTA bookcase by Ettore Sottsass for Memphis,1981

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About

Lovely and rare sculptural form "Survetta" bookcase designed by Ettore Sottsass and manufactured ny Memphis Milano circa 1981. A classic piece of early memphis and an important example of early italian post modern design.

This Survetta was purchased in 1983 at Gallery Binnen in Amsterdam, a leading gallery who was the first to introduce the radical Memphis movement in The Netherlands

A full provenance is available on request.

80.5 w x 13.75 d x 67 h inches

Literature: Ettore Sottsass Jun.: Designer, Artist, Architect, Höger, pg. 101 Memphis Milano, manufacturer's catalog, 1986, pg. 2
Details
Creator
Ettore Sottsass (Designer)
Of the Period
Memphis Group
Place of Origin
Italy
Date of Manufacture
1981
Period
Late 20th Century
Materials and Techniques
Laminate over wood
Condition
Good. Few small restored chips to the laminate.
Wear
Wear consistent with age and use
Dimensions
75.39 in. H x 80.12 in. W x 13.78 in. D
192 cm H x 204 cm W x 35 cm D
Dealer Location
bergen op zoom, Netherlands
Number of Items
1
Reference Number
LU9301951402

About Ettore Sottsass (Designer)

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.

     Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves, and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking.

     Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981— notably the multihued, angular “Carlton” room divider and “Casablanca” bookcase. As pieces on these pages demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

     It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Address
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bergen op zoom 4614AD
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