Cabinets

Perfect for that powder bath! This is a red lacquer chinoiserie cabinet with gold faux bamboo accents. The cabinet opens to a single sh...

A sculptural piece of functional decor, this wardrobe boasts the dynamism and elegance typical of Karim Rashid's design. Frame, shelves, and doors are made of red-lacquered MDF, boas...

Found in Italy, this tall glass and brass-clad bar cabinet dates from the 1980s. Brass curule base has decorative details and supports a two door, glass and brass-clad cabinet. Glass...

Multileg Cabinet in Red Ash by Jaime Hayon for BD Barcelona It can be uniquely configured with twelve elaborate leg options, customisable finishes and colours, and a multitude of in...

Red lacquer cabinet with gilt motif with inside two drawers shelf and bottom space. We carry fine quality furniture with elegant finished and has been appea...

Patricia Urquiola Hayama Cabinet For Cassina With her unmistakable design signature, what Patricia Urquiola creates is an invitation to travel, in the form of furniture – through th...

1950's Mid Century Chinoise Red Cabinet. Good storage and brass hardware.

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century, with chinoiserie décor. Created in China during the Qing dynasty, this cabinet captures our attention with ...

Joe Colombo 'Boby' Trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

A pair of excellent vintage nightstands lacquered in a high gloss finish. Color matched to Benjamin Moore’s Tomato Red “A radiant orange-red that beams with confidence.” Nightstands ...

A Chinese Qing Dynasty period cabinet from the 19th century, with original red lacquer, hand-painted golden scenes and carved apron. Created in China during the Qing Dynasty, this red lacquered cabinet features two doors fitted with ornate bronze hardware, opening to reveal inner shelves, two hidden drawers and a removable panel concealing an additional compartment. Adorned with traces of a golden hand-painted Chinoiserie décor, the cabinet showcases a carved apron in the front. With its red and gold tones and Chinoiserie motifs, this 19th century Chinese Qing Dynasty lacquered...

Stunning "Revolving Cabinet" by Shiro Kuramata for Cappellini, Italy. The revolving cabinet looks like a mobile sculpture: light and innovative, it is the perfect emblem of the proj...

Red lacquer cabinet with painted motif and painted calligraphy. Two drawers inside and one removable shelf. We carry fine quality furniture with elegant ...

A Chinese Qing Dynasty period cabinet with original red lacquer and gilt hand-painted court scenes décor. Created in China, this cabinet features its original red lacquer serving as ...

For those who imagine their lives in color Distinguished by the color of the red carpet, Glossy Red Gala Egg is a precious design element, perfect for all fashion addicts, ideal insi...

Joe Colombo 'Boby' Trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

Striking brass frame and hand-cut red Mondrian imitation Murano glass Commode or chest of drawer, raised on special brass legs. Handmade by a master artisan.

A red lacquered cabinet adorned with hand-painted butterfly and foliage motifs, this tall storage piece offers both visual richness and practical function. The surface is finished in...

Bar cabinet by Gio Frigerio. Red lacquer doors and mirrored interior. Makers label affixed to back.

This 19th century Chinese cabinet is simple in design and features a round face plate with pierced knobs and metal pulls, an apron and an apron-head spandrel. The cabinet is painted ...

Chinese cabinet i red lacquer with remains of decorations, which gives the cabinet a beautiful patina. Black lacquer on the sides of the cabinet. Features double doors, beautifully a...

A Chinese Qing Dynasty period red lacquer cabinet from the 19th century, with two doors and hand-painted décor. Created in China during the Qing Dynasty, this cabinet captures our attention with its red lacquer beautifully adorned with a gilded hand-painted landscape and architecture-themed décor. Two doors fitted with large bronze hardware, open to reveal inner shelves and hidden drawers while the ensemble is raised on four short feet connected to one another through an apron carved in the front. With its clean lines and elegant motifs, this Qing Dynasty red lacquer cabinet...

A small Chinese Qing Dynasty period red lacquer side cabinet from the 19th century, with double doors, two drawers and brass hardware. Created in China during the Qing Dynasty in the...

A Chinese Qing Dynasty period Shanxi cabinet from the 19th century with original red lacquer and floral décor. Created in the North-Eastern province of ...

A Japanese Meiji period red cabinet from the late 19th century, with sliding doors and drawers. This exquisite Japanese Meiji period cabinet...

A Chinese red lacquered cabinet with gilt decoration from the late 19th century. This cabinet is a great size and is highly decorative and useful with a lot of hidden storage space.

This is a tall, lacquered wood Olinto cabinet with glass doors, designed in the 1970s by Japanese architect Kazuhide Takahama for B&B Italia. Takahama’s collection featured a serie...

A red lacquered Qing Dynasty period cabinet from the 19th century, with round brass medallion, drawers and carved gilded apron. This Qing Dynasty period red lacquered cabinet from th...

A pair of fine red lacquer chests with hand-painted gold gilt motif, beautiful color, form and lines.

English chinoiserie two door painted cabinet with fitted inerior shelving, original bronze locking mechanism, and ending on original carved squared feet.

Elegant bow front multi-purpose chinoiserie red bar cabinet with removable marble top. Great for storage as well with opportunities at front and curve...

Beautifully carved walnut armoire from the Normandy region of France.

Patricia Urquiola Hayama Cabinet For Cassina With her unmistakable design signature, what Patricia Urquiola creates is an invitation to travel, in the form of furniture – through t...

Tudor cabinet uses simple symbolic forms to emulate the theatrical architecture, opulence and culture of the 16th century. Iconic forms loyal to the Tudor period...

Powder-coated steel, paired with wood, becomes the chosen language of Officine Tamborrino in reimagining a 1920s American icon, the Cambusa cabinet. Combining the simplicity of lines...

For dreamers of luxury and sophistication, who design a better and more beautiful world. The recycling garbage can becomes a designer dustbin, Ovetto Galà Rosso Opaque gives a touch ...

Elegance and order, always at hand. Infinity represents an innovative and elegant solution for those who wish to organize their collection of shoes, bags and accessories with class. ...

Red Lacquered Cocktail Cabinet with Carved Lotus Motif and Brass Lotus Handle. A contemporary twist to the beautiful lotus motif inspired from our Phara...

A handsome and well made vintage cabinet from the 1960's. It features an Asian Modern motif with plenty of storage.

Raymond Loewy for Doubinsky Frères DF 2000 Mid Century Red Fiberglass Valet Cabinet This cabinet measures: 19.75 wide x 21 deep x 4...

A Chinese Qing Dynasty Ningbo red lacquered four-door wedding cabinet from the 19th century, with butterfly hardware. Created in Eastern China durin...

Cabinet 'Bridges' by Muller Van Severen, Small, Arch, Red Dimensions: 120 x 52 x 90 cm 47,2 x 20,5 x 35,4 in Model presented: Bridges in the Arch disposition Small size Red color ...

A pair of tall vintage Asian red lacquer cabinets with gold branch and leaf design and square brass hardware. Two small center drawers are flanked by...

19th century crimson red on black chinoiserie cabinet Original paintwork The door, decorated with oriental landscapes and figures in gilt, op...

Pair of the Classic Chinese Red Crackle Finish with Antiqued Brass Hardware Fully Assembled Ming Style Vanity Cabinets, Two Doors with One Removable Shelf and Two Drawers at Bottom f...

A Chinese late Qing Dynasty period bedside cabinet from the early 20th century, with red lacquer, two doors, hidden drawers, carved décor and brass hardwa...

Playhouse Modular Showcase Cabinet by Matteo Cibic is a modular cabinet that can be used singularly or be grouped as customized cabinets. The modules may be with or without doors. I...

This pair of early 19th century red lacquer cabinets is an extraordinary find. When placed beside each other, what remains of the finely-painted decoration comes together to form a s...

These magnificent commodes are shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready. ...

Baby Alpaga is distinguished by its long viscose fringes, offering a refined appearance reminiscent of a miniature boudoir on legs. This original bedside cabinet allows for discreet ...

Vitrine, marble, brass, glass, silk moiré, France, 1950s.   This is a refined midcentury brass vitrine of exquisite craftsmanship, presumably made for the high-end boutique French ...

Cabinet 'Bridges' by Muller Van Severen, Medium, Red Dimensions: 120 x 52 x 140 cm 47,2 x 20,5 x 55,1 in Model presented: Bridges Medium size Red color 2 Legs Bridges is a collec...

1980s German abstract design heart shaped iron TV cabinet.

A pair of vintage Chinese side cabinets from the Mid-20th Century, with red lacquer finish, pairs of double doors, four interior boxes each and traditional brass hardware. Created in...

This red lacquer cabinet features elegant lines, rich color, and delicate decorative details. The surface is finished in a deep red lacquer, softened by age and accented with traces ...

Single Art Deco Cabinet by De Coene Frères. Red Lacquer with nickel trim and details.

Armored jewelry chest with pullout / pull-out necklace bars. Available in three finishing variations. See information below for details of finish...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Striking brass frame and hand-cut red Mondrian imitation Murano glass Commode or chest of drawer, raised on special brass legs. Handmade by a master artisan.

Elie brass elephant bar storage cabinet by Matteo Cibic is a grand elephant with a lovable brass head and a smart red uniform. It opens up as a fantastic sculptural cabinet. Custom s...