Art Nouveau Furniture

Art Nouveau Signed WMF Pitcher Brass and Copper with Handle and Organic Details Hand-hammered out of one piece of copper. Brass handle with Organic style details With original Pati...

French Art Nouveau Bronze Sculpture by Leo Laporte-Blairsy Signed: “LEO LAPORTE BLAIRSY” Foundry Mark: “Susse Fres, Edt” . With Susse stamp Leo Laporte-Blairsy (1865-1923) was a Fr...

Tiffany Studios By Louis Comfort Tiffany Gold Favrile Iridescent Art Nouveau Trumpet Vase. This is the one you want to have for your collection in the classic trumpet from in amazing...

Outstanding, rare example of a large red Art Nouveau "Jack In The Pulpit" glass vase created by Fritz Heckert around 1901. This unique piece of Bohemian Art Nouveau glass art convinc...

This lovely small scale Spanish iron side table was recently hand crafted by skilled artisans using traditional iron-working techniques. It features a distinctive design with a twist...

Rare and Unusual Unger Brothers Jester Sterling Letter Opener from the 1900's. Wonderful detailing and unusual subject matter. 1900 USA. 9.5" x 1.85" x 1.25".

Brilliant handmade hand-glazed Art Nouveau planter jardinière, 1930. This Is signed but we cannot find out by whom it was made Handmade and hand-glazed in brilliant colored details...

An elegant silver sugar bowl with an oval base form, standing on four animal feet, straight body slightly flared upwards with openwork decoration in relief, divided into six segments...

Art Nouveau Bronze chandelier with nickel patinated finish and glass tubes.

Jugendstil Otto Wagner One (1) Desk Chair Chair Side Chair Chocolate Brown Beech Osterreichische Postsparkasse 1902 for Jacob & Josef Kohn 1904/1906 Vienna. An iconic chair or si...

A classic Kralik Striefen and Flecken glass vase c1900, a deeply shaped vase with the classic pattern of repeated stripes and circular spots in silver over dark green glass. This par...

Art Nouveau Stained Glass Lantern, France, Circa 1890–1900 – Vintage Iron & Stained Glass Lighting This magnificent French Art Nouveau stain...

A beautiful variation of a table lamp from the very early period of the Wiener Werkstätte Most components according to the UL regulations, with an additional charge we will UL-list ...

While they are obviously not a pair, they were so close, we thought it best to list them as such. The bases are bronze and the shades are etched. The arms can be moved around the cen...

Art nouveau chandelier circa 1900. Brass and copper frame with 5 branches. 5 opalescent glass tulips by James Powel. Stamped 2 times "Benson". Electrified and in perfect condition. ...

A decorative building sculpture as a souvenir. Some wear with a nice patina, but this is due to age. Made of metal. This item was purchased as a souvenir at a Grand Tour in Europe an...

Original antique poster - Reverie du Soir / Evening Reverie (or Evening Contemplation) - by the notable Czech illustrator, graphic artist and painter Alphonse Mucha (Alfons Maria Muc...

Émile Gallé “Magnolia” Art Nouveau Cameo Glass Vase, circa 1900 An exceptional and large example of Gallé’s celebrated Magnolia design, this impressive cameo glass vase stands an im...

Vintage antique crystal tabletop gas and electric lighter. In great condition. This exquisite Lighter is a testament to the opulence and craftsmanship of the mid 20th century. The b...

A very nice version from the often used design by Koloman Moser as well as by Josef Hoffmann, the total drop will be custom made. Originally manufactured at the Wiener Werkstaette A...

Huge candelabrum crystal antique chandelier ceiling lustre Art Nouveau Measures: Total height 140 cm, height without chain 110 cm, diameter 110 cm. Weight (approximately): 35 kg. Number of lights: 30-light bulb sockets: E14 material: Brass, cut glass, crystal, New electricity! New cable! Restored and rewired. tested. Ready to hang. Total length variable. Old chandelier with love and professionally restored in Berlin. electrical wiring works in the US. Re-wired and ready to hang not one missing Cabling completely renewed. Crystal, hand-knotted The chandelier is sent in a specially made wooden box so that safe transport is guaranteed. So worldwide shipping is no problem. they will for everyone the chandelier is wired in such a way that it works worldwide without any modification. in USA the chandelier works. ready to connect. before shipping the chandelier will be cleaned. missing crystals added. just cleaned and complete. will be sent. You are buying from a specialty chandelier store. with years of experience and heart for chandeliers Huge Candelabrum Crystal Antique Chandelier Classic...

Late 19th or early 20th century glass lantern by Baccarat, France, signed in relife "Baccarat" and "Depose" It is decorated all around with floral motifs. At the moment it can hold a...

KRALIK - Antique Art Nouveau iridescent 'threaded' glass vase with dimpled sides and ruffled edge - striking green and red color combination - polished pontil mark to the base - unsi...

For sale is a pretty little glass vase with red and white specks and gold- and silver colour applications. The design can be attributed to French glass and ceramic Artisan Émile Gall...

Liberty vase in transparent glass and pewter carved with ladies, made in the early 20th century Ø cm 16 h cm 28 Art Nouveau is an international style of art, architecture, and appl...

An exceptional and rare Bohemian art nouveau Phenomen Genre 2/484 (also known as Medici) pattern Loetz vase dating from around 1902. This beautiful vase stands on a rounded spread fo...

Art Nouveau Pewter and Velvet Snail-Shaped Pincushion, Early 1900s A charming and decorative snail-shaped pincushion in polished pewter with a green velvet cushion. The detailed cr...

An early vintage Georg Jensen grapes tazza or footed bowl, design #264B, created by Georg Jensen in 1918. This piece is the largest size of its design and showcases exceptional craft...

A “Cyclamens” jarrón, Emile Gallé, Nancy, c. 1920 This multi-capa glass jar (cameo glass) of glass master Émile Gallé, presents a design called "Cyclamens". The jar has a globular sh...

Beautiful antique Murano hand blown Millefiori Murrina flowers mosaic Italian art glass decorative cabinet vase / pitcher. Documented to the Fratelli Toso Company, circa 1910-1930. T...

A custom-crafted Art Nouveau style wrought iron gate with stylized flower; of assymetrical form with a lively floral head emanating from one corner; with artist's initials 'RSM'.

Passaic by Unger sterling silver asparagus fork gold washed circa 1900. Good large Serving Fork, partial gold wash. Length: 8.75 inches. Weight: 81 grams. Very minor wear to original...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A decorative building sculpture as a souvenir. Some wear with a nice patina, but this is due to age. Made of metal. This item was purchased as a souvenir at a Grand Tour in Europe an...

Vase, water jug, glass paste, Art Nouveau, circa 1900. Vase, water jug, Art Nouveau period, circa 1900, glass paste signed by Georges de Feure. H: 17.5 cm, W: 18 cm, D: 16 cm

Rare commode in the style of Louis Majorelle with front and sides inlaid in painted wood. Two doors on the front that hide a cabinet with open compartments and small drawers in light...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Luxury at its finest, high-end glass plate with mermaids by Daum, France. This exquisite Art Nouveau dish by Daum exemplifies the mastery of French glassmaking. Crafted using the pâ...

Important pair Art Nouveau Baccarat crystal gilded cameo vases in deep red over pale green depicting a stylish aquatic scene with water lilies. As with most early Baccarat cameo...

Hand-Carved English Bobbin Style Wood Wall Mirror, 1920s/1930s Beautifully handcrafted English bobbin-style wall mirror from the 1920s/1930s. Made of painted wood in a deep brown-bl...

Stoneware pot center piece depicting different scenes of a hunt party. Made in Marzy & REmy manufacture in West Germany. You can see deer and does on one part and a hunting scene wit...

Excellent rendition of a Tiffany style lamp, bronze with a conch shell shade. Beautifully cast with a deep bronze patina. In cord switch with a dim...

Glorifying the effects of refracted light for 170 years, the iconic Baccarat vases are well-known all over the world. A crystal deep blue masterpiece with exceptional proportions, t...

Antique Rosenthal Porcelain Tea Cup or Coffee Cup And Saucer Demitasse Black And Gold Art Nouveau Venetian Style. Rare antique porcelain go...

Three 19th Century Cobalt Blue Glass Decanters or Serving Bottles c1860 for display purposes. These rare bottles have a unique look with the...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

A Wonderful Set Of 4 / Two Pairs Of Art Nouveau Style Single Candelabra Arm Chrome / Nickel Wall Sconces In The Manner Of Vaughan

Luzette Pendant Light By Peter Behrens For Siemens Circa 1920s - Opaline glass bottom and top - Takes E27 fitting bulbs - Model L1521 - Produced by Siemens & Schukert, Berlin - Desi...

Rare Antique French Galle Signed Cut-Cameo Lamp with Original Signed Galle Cut-Cameo Shade, in Red and Yellow Sunset Colors. The lamp features a masterful design with a vibrant palet...

French Majolica pink daisy plate Orchies, circa 1890.

Variation of the Chandelier for the Anglo-Austrian Bank in Vienna also used at the Boston Trade Bank comes as well in 50cm diameter, please ask for the price. The total drop is custo...

Pictured is an original fixture which was sold for 250.000 US$ at Jacques Grange Collectionneur in Paris in November 2017. We manufacture this lamp true to the original - Please cho...

Beautiful cast bronze floral design Art Nouveau table lamp, France, 1930s. This exquisite table lamp features two flowers standing on a plant, one of them holds the light bulb. This ...

1910-1920 Handel Art Nouveau Table Lamp, Elegant proportioned bronze base & fittings, 3 original light sockets with bell chain pulls, in attractive old patina. Handel label on ba...

This bed and night stand was produced by Colli Torino established in 1850. - solid oak with hand-carved elements - mattress size is 120cm x 190cm - The company is well known becau...

This is a petite and rich looking pendent. The glass has a frosted finish creating a nice warm glow and no bulb glair. The glass also has a unique stone patterned texture. The brass ...

Exquisite 1920s pair of tin mirrows, believed to be crafted by talented David Wretling. Adorned with delicate feminine figures. These mirrors capture the elegance and charm of the ...

Vintage Crystal Candy Box realized in Germany in 1970s. Very good condition.

This Art Nouveau vase features an extraordinary crystalline glaze that enhances its elegant, flowing form. The vase’s surface is adorned with unique, intricate patterns created by th...

French Art Nouveau Style 'Neptune' Fireback / Backsplash, 20th Century, in a natural brown patina. Upon request, it can be made black/pewter at no extra cost. The fireback is in good...