Art Nouveau Furniture

This exceptional pair of Art Nouveau cut crystal decanters, crafted in America circa 1910, blends artistry with function in a celebration of early 20th-century design. The decanters ...

Friedrich Goldscheider (1845 - 1897). Bust of Moor. Polychrome terracotta. Marked reserved and numbered reproduction. circa 1890.  

Bring timeless character, history, and artisanal craftsmanship into your interior with this extraordinary handcrafted chandelier, made in France around 1900–1910, during the influent...

An Italian early 20th century Art Nouveau cast bronze sculpture, a bas-relief depicting a partially nude woman by Goria Lamberto, signed L.Goria Asti (Tortona 1863 – Asti 1927). Mounted on a wooden panel, it is in good age related condition, with a great patina. Painter and sculptor studied in Rome with Professor Allegretti. He received an honorable mention in 1896 in the competition for the monument of Pietro Costa...

A charming and delicate floral Art Nouveau "Wiener Jugendstil" / Historicism picture frame from Vienna, Austria, dated around 1900. Made of gilded brass with convex glass, it is cra...

Five-arm chandelier for the Welz Family in Vienna. Lit.: WW Archive at the MAK in Vienna. A three-arm version will cost about 2/3 of the five-arm version. Available in different fini...

19th century hand turned cherry mirror from France. This mirror has a lovely hand turned frame which looks like faux bamboo but is made from cherry. The frame surrounds a simple mi...

A finely hand-decorated terracotta table lamp from the esteemed L. Hjorth ceramic studio on the island of Bornholm, Denmark. Dating from the early 20th century, this piece exemplifie...

Art nouveau Pair handmade and Hand painted opaline vase, France 1920s Handmade and hand-glazed in brilliant coloured with a spray of chrysa...

Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who trained and worked at the Galle factory. Henr...

This box is signed by a French artist: L.Maire. It has been made around 1920 in France. Typical of the Art nouveau style. It is in an excellent condition.

Bohemian glass vase, manufactured by Johann Loetz Witwe, PG 358 decoration (world exhibition decoration), ca. 1900, orange, brown, ochre, silver, white, Bohemia, Viennese Art Nouveau...

A pair of Muller table lamps from the French Art Nouveau period. The base is made of gilded bronze/brass. The lamps have pasta glass (pate de verre) lampshades, made and signed by Muller Frères from France. The glass has very nice bright green and orange colors. The orange-green color is already somewhat rarer within the muller shades...

Stunning and elegant Art Nouveau hat and coat stand. Design in the style of Thonet and Jacob and Josef Kohn. Striking French design from the 1900s. Stained beech and bentwood frame w...

Large French Art Nouveau vase by DAUM (Nancy), France, 1910-1915. Rosehip flowers. Large double-blown glass vase in the shape of a baluster shouldered with an open neck, decorated wi...

A rare polychrome glazed ceramic fireplace crafted by the MANUFACTURE DE VITRY-LE-FRANÇOIS, circa 1900. This striking Art Nouveau piece features a richly detailed relief decoration o...

Set of two rare and highly decorative Art Nouveau bronze cobra table lamps. Made around 1910s / 1920s in France. Executed in brass, bronze and glass, each table lamps come with 1 x ...

38 stuks Art Nouveau wall tiles with an image of a flower. The dimensions per tile are 5.9inch (15 cm) × 5.9 inch (15 cm). Please note that the piece is for one piece. 38 pieces ava...

Argentor Art Nouveau coffee/tea set, silver plated, Vienna Austria, good original condition

French Art Nouveau centerpiece planter by Victor SAGLIER, 12 rue d'Enghien , Paris, France, ca.1890. Silverplate metal. Black patina in the hollows to accentuate the reliefs. Height ...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Sons company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase with a black base; the decorations, purely Art Noveau, represent graceful butterflies and dragonflies in a peaceful lake landscape. The object is "one-of-a-kind" signed by the Master; it was created in Marcello Galgani's workshop in 1982 and made with the techniques (grinding, engraving, and polishing) we explained in the description; for the shape, the Master was inspired by a vase found in a painting, preserved in the Uffizi Gallery in Florence by the 16th-century painter Jacopo Ligozzi...

We kindly ask that you read the entire description, as we strive to provide detailed technical and historical information to guarantee the authenticity of our items. This exquisite n...

Pair of bookshelves or étagères from the 19th century. Each features two open shelves, a drawer, and a lockable lower cabinet. The gently arched top is decorated with delicate inlay ...

A beautiful silver-plated cake server showing the decor of the Hildesheim rose. The pattern can be found on the handle. The shovel in leaf design. With this vintage cake server you c...

Vintage French Art Nouveau Wrought Iron Marble Top Painted Side Table - a Pair. Circa Mid 20th Century. Measurements: 22" H x 16.25" W x 12" D.

Set of 3 Georg Jensen handmade sterling serving pieces with early hallmarks in the Blossom pattern. A pair of master salt spoons and candy server. 1940's ...

Histoire de Leon Bakst
 Copyright by Edition “L’Art Russe” Alexandre Kogan 
ECrite par Andre Levinson Societe D’Editions et de Librairie Henri Reynaud PARIS This is number 94 of ...

Variation of the magnificent chandelier for the "Steinhof Church" by Otto Wagner, different measures and settings are possible Most components according to the UL regulations, with ...

Perfume bottle “Rosace Figurines” made in frosted glass with blue patina by René Lalique. Molded signature. Perfect condition. Rare model and exceptional patina. Measures: he...

Art Nouveau ceiling lamp. Photography fails to capture the simple elegant illumination provided by this lamp. Fitting messing pendant ceiling light with fixing to hold a stylish Bel...

An Art Nouveau armchair in carved walnut retaining the original period fabric that has an extra back pad stitched to the top of the back rest. A slight variation to this armchair can...

Public mailbox of the French Post Office Model in molded cast iron manufactured by Delachanal in Paris - Late 19th Century Good general condition - presented in its original conditi...

Loetz Iridescent Glass And Metal Mounted Bowl Czech Republic Circa. 1900 Unmarked Height. 7.25 Inches, Diameter 8.5 inches. Condition: Excellent AVANTIQUES is dedicated to providin...

The Legras vases, from around 1900, feature white glass overlaid with violet and green, etched with delicate wisteria motifs. Signed by the renowned French glassmaker Legras, these v...

Jugendstil plant stand professionaly stained and repolished with french polish.

Fabulous example of a Loetz Phaenomen crete (green based) vase ref 85/3780 made c1902. The green vase is covered in Silver-blue feathering, which has b...

This is very heavy fabulous piece of Fabulously flowing free form design. The ribbons of glass wrap around like an octopus tendrils when you see it from the side. Fabulous abstract d...

Elegant stepped desk in mahogany and mahogany veneer. Gilt bronze frame opening with a drawer inlaid with leaf and flower stems. The front features a draw...

This authentic Art Nouveau ceiling light from around 1910 features a finely crafted solid brass mount with decorative beaded trim and a sculptural frosted glass shade shaped like a s...

Kralik - Antique Bohemian Art Nouveau iridescent satin glass vase - 'chalice' form - striking color combination including copper streaking to the ex...

Majolica white swan jardinière Nimy, circa 1900. A real treasure for the ceramics' collector. Small chip to top rim not visible during use see photo. Please don't hesitate to get i...

Art Nouveau silvered Pewter Candelabra a pair Pair of Art Nouveau silvered pewter candelabra / candleholder with female figure surrounded by 6 arms for six candles (probably WMF) Ea...

Antique French Art Nouveau Green Wrought Iron Marble Top Scrolling Console Hall Table. Item features a patinated green scrolling wrought iron base with ornate floral work and stretch...

Eugenio Quarti (Desk , chair and Trash ) Style: Liberty or Art Nouveau or Modernism or Jugendstil Furniture realized mainly in inlays of nacre and metallic applications, parchament bronze ferrules. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Eugenio Quarti was born in Villa d'Almè, a small village in the province of Bergamo, from an artisan family of woodworkers. In 1881, at the age of 14 years old he goes to Paris, where he will learn new techniques and broaden his horizons. In 1886, he returned to Italy and settled in Milan where he worked, for a short period, with Carlo Bugatti and then open his own workshop in via Donizetti 3. His early works are strongly marked by Bugatti Moorish’s style, but already the exhibition of Turin of 1898 you can see the first signs of Art Nouveau and his personal style. He was always attentive to the quality and originality of his accomplishments, always attentive to every art form. Furniture realized mainly in walnut with inlays of nacre and metallic applications. Develop over time a harmonic elegance of the decor, with thread-like grounds, valuable wood species and inlays and high quality bezels with fine materials (nacre, silver, copper, bronze, pewter, etc.), this characteristic was called "the goldsmith of furniture makers." In 1900 he participates at the Paris International exposition where he received the "Grand Prix" of the jury. Will participate in a number of other exposures as that of Turin in 1902 and Milan in 1906 where he will receive the "Grand Royal Award" and the "Diploma of gold medal". Eugenio Quarti worked with the most prestigious architects of his time (Giuseppe Sommaruga, Luigi Broggi, Alfredo Campanini, etc.) well as with the great artists/craftsmen of his time as Alessandro Mazzucotelli. He also worked as a decorator, designing entire furniture for both public and private buildings. It was he who designed the furniture for Palazzo Castiglioni in Milan, Villa Carosio in Baveno, Grand Hotel and Casino in San Pellegrino Terme, Hungaria Palace Hotel in Venice Lido. One of his most significant works were the vessels of the "Bar Camparino", at the entrance site of the Galleria Vittorio Emanuele in Milan. however not disdain also committed less important such as the furniture for Villa Mariani to Bordighera residence of the painter Pompeo Mariani...

Art Nouveau gilded bronze nude statue by George Flamand. Very fine period work. Sits on 3 3./4" square base. Signed "FLAMAND"

Antique Art Nouveau side chair made with Hardrock maple and Birdseye maple veneer. A very sweet little chair.

An exceptional, rare and large decorative dish, Art-Deco, Art Nouveau, Modernist, Shabby-Chic, in thick circular ceramic featuring rare, complex and superb figurative decorations, by...

Impressive art nouveau vase designed by Soyer Et Fils. An extremely rare and very important piece, created in Paris, France at the atelier of Soyer Et Fils during the art nouveau ...

This lovely pocket watch chain with sentimental FOB, pendant with a picture of a loved one, is still a beauty. It is circa 1900s or older. A very pretty antique jewellery item whic...

Elegant and very rare chandelier with four frosted shades in molded-pressed glass with glass beads and rods in the manner by Lorrain/Daum (Paul Daum & Pierre D'Avesn), Nancy, France....

Most components according to the UL regulations, with an additional charge we will UL-list and label our fixtures.

Unusual and early two colour Emile Galle cameo botanical vase in browns over orange. A Ball and shaft shape with fine ridges in the shaft/stem and a botanical pattern for the lower part. It depicts brown berries and leaves on trailing branches. Very unusually, the vase is an early Galle...

Allow yourself to become lost in the expressive Art Nouveau details on this vintage French dining table featuring a large, cast iron base topped with a (French gray) painted wood sur...

19th Century French Majolica Egg shaped Vase Delphin Massier. Decorated with flowers a daisy ,a pansy and a wild rose. H / 4.3 inches. The Massier family are known for the quality of...

Beautiful wall cabinet with 4 drawers and marquetry inlay Door. Perfect as a furniture in your dressing room for your lingerie or in your living room. It could also be great at the w...

A beautiful French Art Nouveau mistletoe chandelier light fixture from the 1920s. Handmade of bronze, hand painted, the berries are made...

Arthur Heygate Mackmurdo (1851-1942), a highly important oak chair, with an Art Nouveau floral back. Mackmurdo's influence in Europe is recognized as having produced the earliest examples of Art Nouveau, particularly in the styling of a chair-back designed in 1882 and the title page for Wren's City Churches a year later. The present chair was designed for the head of Rainhill hospital St Helen's south Lancashire/Merseyside (now demolished), an institute for the mentally ill, as part of an interior scheme for his study. It was almost certainly designed and made only for this interior, unlike the earlier chair which was designed in 1882 and made and sold until 1888. It was originally thought this interior was designed by the Liverpool architect Edmund Rathbone whose brother, Harold Rathbone, founded the Della Robbia Pottery factory in 1894. A picture is shown in Jeremy Cooper's Victorian and Edwardian Furniture and Interiors, p. 199, illus. 516, from the Bedford Lemere archive at the National Monuments Record, apparently credited as 'Rainhill, Edmund Rathbone'. But Edmund Rathbone was actually the Century Guild...

Beautiful antique pot with lid, barbotine or majolica pottery, the pot has the shape of a tree trunk and the handle of a branch, typical of the organic shapes and colours that are ty...

This vintage authentic Tiffany Studios bronze candelabra dates from the early 1920’s. It features six bulbous urn shape candleholders decorating...

Six Early 20th century majolica plates with fruit decor, Earthenware. Differend fruit decorations, colourful painted. Underglaze mark. Small cracks in the ...