Fabric Wall Decorations

Francisco Bores – "La Ferme" (The Farm) A remarkable and highly collectible painting by the celebrated Spanish modernist Francisco Bores (1898-1972). "La Ferme" is a prime example of...

Wonderful first-year-of-release French Grande film poster for bonafide classic Lawrence of Arabia. Lawrence of Arabia, undoubtedly one of the most celebrated epics in the history ...

1890 Antique French Tapestry Arts & Crafts Ceremonial 8x9 7'10" x 8'5" 239cm x 257cm 1890 "This is an outstanding very large antique French tapestry- This room size piece incorporat...

Provenance: Consigned to the gallery by private collector. Description: Oil painting by Hanson Puthuff, created circa 1925. He is nationally famous for his lyric interpretations o...

This tactile piece of hand-woven textile art is one of a collection of one-off plant-dyed pieces designed and produced by British Weaver Pamela Print. This piece is dyed by hand usi...

This is a fantastic oil on canvas by Gail Lapins. This piece is perfect for a splash of color in that drab interior! A great size at 47" x 35", this piece shines with color and texture. Tones of red, blue, green and yellow fill the canvas. The piece is signed on the left, "Gail Lapins", and is framed in a 1.5" gold leafed frame. From Gail Lapins Website: Born: New York, New York Otis Parsons Art Institute, 1982-86 Cal Poly University, 1991-1994 B.A., summa cum laude “Gail Lapins is a contemporary figurative artist whose paintings have been exhibited in art galleries, museums and university settings nationally and internationally. Her paintings are explorations of an internal world where characters, events and scenes mirror...

Early 20th century Italian oil on canvas by M Zampella, "Cows by Stream", gilded frame, signed: lower right, M. Zampella.  

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Regency period Sampler, 1827, by Mary Ann Ragen. The sampler is finely worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, ...

Handsome portrait of a Great Dane by painter, Lawrence Shelby. Oil paint on rust-colored velvet canvas, framed by stained oak. Artist-signed.     ...

This is a mid century vintage modern abstract oil on canvas. This abstract oil on canvas has a heavy pallet knife impasto with deep tones of burgundy, Amber and gold On a cream backg...

Very beautiful and fine Aubusson tapestry with a nice design of royal Court with knights, and very beautiful colors, entirely and finely handwoven with wool and silk, at the famous B...

An important painting by one of the most representative Italian artists of the 19th century, Enrico Coleman. It depicts a village most probably from Lazio, perhaps a glimpse of Anticoli Corrado, the town famous for the attractiveness of its models, or rather Subiaco, his mother's birthplace. The atmosphere here is typical of the XXVs of the Roman Campagna of which Enrico Coleman was probably the most important exponent. The reason for this can also be seen in this small masterpiece that captures the washerwomen in their occupation immersed in a poetically bucolic atmosphere; a sky of unparalleled blue stands out in the background. Signed below on the right This painting, never before on the market, comes from an important Italian private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Oil painting on paper Enrico Coleman (21 or 25 June 1846 – 14 February 1911) was an Italian painter of British nationality. He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman. He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese. Enrico Coleman was born in Rome in June 1846. He was the fourth child of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and of a famous artist's model from Subiaco, Fortunata Segadori (or Segatori), whom he had married in 1836. Coleman was initially taught by his father, did study at the Accademia di San Luca in Rome. Following the mocking reception of Una mandria di bufali nelle paludi pontine, a naturalistic painting of a herd of buffaloes in the Pontine marshes, at the International Artist's Club in 1872,he reportedly began to paint genre subjects in the manner of the then-fashionable Mariano Fortuny, although no works showing the influence of the Spanish painter are known. At the instigation of Nino Costa, he soon returned to the depiction of the people, animals and landscapes of the Campagna Romana and the Agro Pontino. Coleman was lover of orchids, which he painted, collected and cultivated. An 1894 watercolour of orchids is in the Galleria Comunale d'Arte Moderna e Contemporanea in Rome. Coleman had a remarkable collection of indigenous orchids, which he cultivated himself in his house at 6 via Valenziana and the botanist Fabrizio Cortesi named the hybrid Orchis x colemanii Cortesi in his honour. In 1875, Coleman was among the founding members of the Società degli Acquarellisti, the Roman society of watercolourists; he participated in the society's first exhibition in 1876, and continued to exhibit with them until 1907. In 1878 he was elected an honorary member of the Société Royale Belge des Aquarellistes, the Belgian royal society of watercolourists, with which he participated in the Salon de Paris in 1879 and to the 4th Esposizione Nazionale di Belle Arti, or national fine art show, of Turin in 1880, and to that of Milan in the following year; he showed works in London in 1882 and in Rome in 1883. In 1885, Coleman was among the founding members of the group In Arte Libertas, of which Nino Costa was the leading force and the other founding members were Vincenzo Cabianca...

Jean Marie Daneis (French 1944-) Peches et Groseilles, (Peaches and Currants) Oil on canvas, Signed lower left. The still life painting , an oil on canvas, depicts three peaches an...

724 - 19th century Italian religious element in velvet.

Fantastic hunt scene with pack of dogs by Arthur Alfred Davis, “Full Cry” original Oil on canvas, signed & dated bottom right, with inscription plaque bottom stretcher. canvas: 36”...

Italian vintage painting "Grey Sun" , signed by Osvaldo Malvizzati (Imperia 1923...) and dated 1962. This painter, piedmontese by adoption, lived abroad for many years and then he settled in Pinerolo, near Turin. This painting refers to the famous film "A special day" by Italian producer Ettore Scola, with Sofia Loren...

Vintage (20th Century) unframed canvas still life oil painting depicting a blue vase filled with blossoming pink, yellow and white florals behind a golden tray...

An abstract painting by Venezuelan artist Alejandro Rios. Rios is known for creating largely abstract landscapes that disappear through the texture a...

A late 19th Century hand painted mature portrait in a bone and Bronze frame with velvet backing and bronze twig like stand. An impeccable piece and lovely on the desk or shelf. A w...

Very beautiful mid century french Aubusson tapestry with beautiful gallant design and beautiful colors, entirely hand woven at Aubusson manu...

Tapestry, anonymous, Sweden, early 1900s. Hand-woven wool and linen. Provenance: From a private Swedish collection. Measurements: L: 152 cm / 4' 11 3/4'' W: 138.5 cm / 4' 6 1/2''

A signed and dated French oil on canvas painting of a churchyard in a pastoral landscape by Lucien Quenard, 1942. The tableau depicts a few members of the congregation engaged in con...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Lovely original impressionistic oil painting of a Venice Canal scene at dusk by Edward Barton (1926-2012).

FLOW is a fiber art tapestry made out of hundreds of knots, a technique also known as macrame. The design is an exploration of form and texture, examining the interplay between fluid...

Antique Darning Sampler, 1791, by Ann Manning. The sampler is worked in silk threads on a linen ground, in a variety of stitches. Comprises of 15 darning p...

Fantastic first-year-of-release French Moyenne film poster for Hammer's very first Dracula (1958) film featuring a wonderful design by Guy Gerard Noel. The first in the series of Hammer Horror...

The impossibly rare and very beautiful Italian early re-release film poster for Charade starring Cary Grant and Audrey Hepburn. Rodolfo Valcarenghi design is easily the best for the ...

A pair of 17th century Chinese Huaniaohua paintings created in 1665 with the watercolor mixture Gouche. The pair showcases beautiful floral scenes in the centuries old tradition of...

Large and beautiful contemporary painting by Cornelia O’Donovan (RCA, MA) 'Woman with Birds'. Signed version 'Cornelia O Donovan', 2023. Cornelia’s art is shown in several galleries ...

A French Aubusson rustic tapestry from the late 19th century, 'Le Jeu de Colin-Maillard', ('The Blind Man’s Buff') after a cartoon by Jean-Baptiste Hue...

Andrew Mandolene ”Grey Gig” Acrylic on canvas Framed Dimension: Unframed - 36" W 48" H As framed - 37.25" W 49.25" H Signed at lower right AM, 20. ANDREW MANDOLENE (b. 1960). Andrew Mandolene is one of those rare talents, who hadn’t picked up a paint brush in 40 years since graduating from The Art Institute of Pittsburgh. After a successful career as an Art Director, he determinedly took to the canvas in 2020 as though he had been painting for years developing a style that he felt certain defined him as a unique artist. Mandolene’s style of painting evolves from his sensibility of scale, form and color. The tension felt in his compositions combined with that strong color sense keeps him up at night with excitement. His creative space is shared in a Palm Springs warehouse with his other passion...classic car collecting...

1930s striking oil painting on canvas painted in muted tones of a recling female nude in an artists studio setting lying on a chaise. simply framed of the period and signed by Finnis...

In good condition From a private collection Free international shipping 18th Century Old Master Oil Painting Vision of the Virgin

1960s oil on canvas abstract painting signed 'Reynolds'. This large scale artwork features a bright white ground with vivid yellow, orange, red and pink textured palette knife detail. See the obituary for Lee Reynolds Burr...

Allegory of Venus with Cupids. Oil on canvas. Enthroned by BOUCHER, François (Paris, 1703- 1770). The scene presents, in the background, an idyllic natural landscape, with trees to ...

Introducing a masterpiece of artistry and history, a truly exceptional vintage French Aubusson-style tapestry that will transport you to a world of enchantment. This tapestry is a ce...

Edo period (c. 1800) screen, beautifully painted with excellent details. Kano School painting at its best. An exuberant Audobon landscape being observed by a cat and her kitten. A...

79160 Vintage Turkish Silk Hereke Rug, 03'04 x 05'03. This hand-knotted vintage Turkish silk Hereke rug unveils a vivid pictorial scene, a magnificent Garden of Paradise woven into its very fibers. The Hereke rug's design is a lush tableau, where nature thrives in every corner. At the heart of the composition lies the revered Tree of Life, its roots deep in the earth, its branches reaching to the heavens, surrounded by an array of life in motion—birds, animals, and blossoms—all painted with the delicate brushstrokes of silk. The rich pinks, reds, and soft golds of the field create an ethereal glow, as though the garden itself has been bathed in the first rays of dawn. Each section of the rug feels like a living scene from an ancient fable, where the earth is fertile and alive with movement. In the foreground, gracefully depicted deer and rabbits wander among the trees, their soft fur and gentle presence inviting peace and tranquility. In the background, birds with their vibrant plumage take flight, filling the scene with a sense of freedom and vitality. The interplay of nature’s creatures—feline and winged, terrestrial and celestial—speaks to the balance of life, captured in the woven artistry of Turkish silk. The elegant design weaves seamlessly into the Tree of Life motif, a symbol of eternal growth and renewal, revered across cultures for its deep spiritual meaning. The trees bloom with abundant blossoms, their pink flowers echoing the natural beauty surrounding them. With each knot, this Hereke rug conjures the timeless beauty of the garden as a reflection of paradise...

An exquisite mid-19th century hand-embroidered Termeh Suzani textile from Kerman, one of Persia’s oldest and most culturally rich cities. This elegant piece, dating to circa 1850, is...

A large scale oil on linen painting entitled "Doggednoonblear" by Stanley Boxer, 1975.

Pair of Neoclassical style painted wall panels on canvas. They are done to resemble antique wall frescoes.

79208 Late 19th Century Antique French Aubusson Tapestry, 06'00 x 08'10. A lavish panorama of pastoral enchantment unfurls across this handwoven French Aubusson tapestry, a masterwor...

79206 Antique Shishedar Phulkari Textile, 07'10 x 09'01. Woven in the mountainous cradle of the Swat Valley, this embroidered Shishedar Phulkari is not merely a cloth—it is a languag...

A monumental diptych oil on canvas. Done in the abstract expressionist style with bold apparently spontaneous strokes conveying a sense of universal humanity.

Mechanical tapestry of the 20th century in perfect condition of conservation. Negotiable price and free delivery. Dimension: 150 x 110 cm.

Intricately embroidered with 'turn of century' motifs in silk and velvet on golden yellow moire silk.

French Trompe L’oeil painting, Frederic Chopin Musical Theme Incredibly detailed illusionistic painting of a collection of music paraphernalia relat...

A vibrant, late 20th century, woven wool rug with design after a Sam Francis (American, 1923-1994) painting.

Chinese School landscape ink painting on gilded silk by Yukimatsu Shunpo, signed and dated 1924. Yukimatsu Shunpo was born in Oita in 1897 and studied under Himejima Chikugai in Osak...

Unknown European artist. Oil on canvas. Abstract motif. Mid-20th century. Unsigned. Unframed. In excellent condition. Dimensions: W 80.0 cm x H 27.0 cm.

DESCRIPTION: Mid-Century Albert Chubac Painting, circa 1950, France Large modern abstract painting by Albert Chubac. Acrylic painting on cardboard. Signed by the artist. Mid-Century ...

The 19th Century Painting from Mexico in Gilt Frame is a captivating work of art that showcases the rich artistic tradition of the region. Set within an ornate gilt frame, the painti...

This striking oval portrait, attributed to the circle of Nicolas de Largillière, exemplifies the refined elegance and artistic sophistication of late 17th to early 18th-century Frenc...

Beautifully executed, this large size work of art on canvas by Tom Marchin is made of paint and paper cut pieces. Rich in color and texture!

ntique Aubusson Tapestry Wall Hanging French and dating from early 19th century Hand woven in wool. Armorial shields to all four borders. Weavers Initials bottom right corner Lined...

Stunning Hand- Made wool Camel Saddle Bag, beautiful rich colors and intricate weaving Has one pocket on each side. This is art ! Would perfect to d...