Paintings

"FANTASY" by Thomas Hart Benton. Oil on canvas laid on wood with a gorgeous gold gilded frame. Price upon request.

Portrait of a high-ranking officer with arms crossed over his chest and three-quarter view in detailed military garb: fringed silk epaulets, gold buttons, red cuffs. The attention to...

The Honorable John Maler Collier (British, 1850-1934) was an important artist who painted portraits, dramatic themes, and landscapes. Maler painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. He was educated at the Eton School and studied art in Munich and Heidelberg, as well as at the Slade School under Poynter and in Paris under Laurens. He also was encouraged by Millais and Alma-Tadema. Presented is a large hillside and river landscape signed oil painting by Collier. Framed it measures 48" wide, 30.5" high and 3" deep. Canvas is 42" wide and 24" high. Frame has very light wear. Painting is in very fine condition. Collier was one of the 24 founding members of the Royal Society of Portrait Painters, of which he became Vice President and was also a member of the Royal Institute of Oil Painters. He exhibited no fewer than one hundred and thirty paintings at the Royal Academy and one hundred and sixty five at the Royal Society of Portrait Painters, as well as many others in galleries throughout the country and abroad. He was the author of The Primer of Art (1882), A Manual of Oil Painting (1886) and The Art of Portrait Painting (1905). He was awarded the O.B.E. in 1920 and he was the subject of The Art of the Honourable John Collier...

A scene of the Thames River near Richmond (outside of London). Unsigned, with hand written note attached verso as pictured. The elegant painting in original giltwood frame Dimensions...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

This beautiful 19th Century Portrait Oil Painting of Giuliano de Medici in a big black frame was painted 1885. The canvas was at some point cut and glued onto a hardboard. A unique p...

Dali The Work and the Man by Robert Descharnes Hardcover coffee table art book. Master artist Salvador Dali large coffee table book. Dated 1984. ...

18th Century oil on canvas painting depicting Saint Catherine of Siena bearing lilies and a book in her left hand and a crucifix in her right ...

The artwork features a unique three-dimensional texture that creates a sense of depth and movement, drawing the viewer's eye to the figures depicted. The two figures, one appearing t...

Superb Painting by Daniel Van der Putten, a view of one of Ireland’s most scenic locations Wicklow mountains in County Wicklow just outside of Dublin. This vintage view depicts a stream with sheep grazing to the left and a Round Tower and a group of cottage ruins with cattle grazing in the distance and a stunning Cherry Blossom Tree to the left. Oil on board complete with its original exceptional giltwood frame. Signed lower right Daniel Van der Putten and titled at back as shown, “Glendalough in Spring” Van der Putten is Dutch born but resides and paints in the UK. Exhibited only in the finest Galleries, it is a great honour to have a Van Der Putten in my Gallery and to have a Painting of St. Stephens...

1970s painting Framed wihin a glazed frame Image measures 40 x 50 cm Signed on the back.

Vibrant XL vintage 60's Mid-century G Virkala sun flowers oil painting. We just love everything about this large-scale bold painting with its huge brush...

17th Century Italian School Oil on Canvas - Soldiers and Travellers Resting by a Rocky Cove The painting carries a plaque with the name of the attributed artist Salvator Rosa (1615-...

***Reduced Delivery Rates - See Below or Click “Ask The Seller” to Request a Quote*** Large Antique 18thC Portrait Painting Signed By Thomas Beach (English 1738-1806) Seated in Gilt...

Beautiful Mid 19th Century oil painting with three Fisherman, signed P. Pascal framed. Paul B Pascal was born in France in 1832 and died in 1903. Paul Pascal lived in the District of...

Gary Komarin, Burgundy Contemporary 'Cake' Painting, American, 21st C. CAKE by Gary Komarin. On view now and available for sale exclusively through our Americana Manhasset gallery w...

Hand-painted in Florence, Italy, this fantastic oval wooden wall panel features a large urn with a scrolled handle. The urn is adorned with a fluted...

1947 Una Mañana En Enero by Antonio Ballerini Painting. Newly framed in gold giltwood frame. Painting includes COA and artist information from the gallery it was purchased from in Bu...

Modernist view of Funza, lush green hillside landscape surrounding red-roofed buildings and bright sun overhead in sky. Likely depicting Funza - Bogotá savanna, Colombia. - Oil on ar...

A well executed 19th Century oil on canvas of an active street scene of Bell Street in Reigate. Colourful and finely detailed building of the White Hart, the Bell Pub and houses, wit...

A very beautiful mid-20th century French oil on board painting entittled "Les Martigues - Bateau A' Voile. A wonderful seascape of a sail boat with its sail in the water. The perspec...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

Large Mid Century abstract geometric painting. African tribal vibes and colors. Brown with an off-white creamy blush/mauve background. This item can parcel ship for $55

Bruno Krauskopf was born on 9 May 1892 in Marienburg. From 1906 to 1908 he completed an apprenticeship as a chromolithograph in Berlin, and from 1910 he began his studies under Emil Doepler at the Royal Museum of Arts and Crafts. After the outbreak of the First World War, he did his military service from 1914 to 1916 in Alsace and in Russia. In 1916 he became a member of the "Freie Secession Berlin", where Max Beckmann and Lyonel Feininger belonged too. From 1917 to 1933 he was a member of the Berlin Secession and was also a member of the executive committee and jury. In 1918 he founded the "November Group" together with Max Pechstein, Erich Mendelssohn and Georg Tappert. In the years after the First World War, he traveled in France, Italy and Poland and during this time his paintings became increasingly impressionistic. Under the National Socialist...

After the original 17th-century by the famed Flemish painter, David Teniers II (usually referred to as “David Teniers the Younger”, as his father David Teniers the Elder was also an accomplished painter), this fabulous painting depicts a vibrant scene, both in color and theme. Our version, which was painted in the 1700s, is by an unknown, but very talented artist. The painting is surrounded by a giltwood frame with two layers of beading. Both Teniers were known for developing the “peasant genre” or “tavern scene”, where members of the working class were shown actively celebrating life. The earthy tones of the interior of the inn (brown and beige) are offset by citizens in brightly colored attire consisting of green, red, black, and gray. The scene is divided into two rooms, with seven patrons (mostly men) gathered around a barrel table in front of a very large fireplace. Two of the men are playing cards and there are two tankards visible. The calmness of this group is a drastic difference from the 11 people gathered in the foreground. A man in blue stands on top of a wine barrel table...

In our opinion, the masterpiece of Marcel Delmotte's long artistic career, this highly-finished surreal painting depicts four semi-nude female figures, one very pale and ghostly in t...

1962 Large Mid-century Abstract Oil Painting, Stanley Landsman "Raven" Offered for sale is a large original abstract painting by the listed American Artist Stanley Landsman ( 1934-...

Here's a very bold and powerful hard edge painting by Henry Kallem (1912-1985). The oil on canvas measures 30" by 40" (without frame) and is titled in pencil "Autumnal" on verso as w...

An oil painting on canvas showing a portrait of a classical maiden depicted as a vestal virgin dressed in classical attire, having chestnut hair concealed by a guarnello or thin veil and holding a Roman oil lamp. The painting signed “F. Hofelder" on the lower right of the canvas was executed circa 1873 almost 100 years after the original by the late 18 Century neoclassical Swiss artist Angelika Kauffman. The virtually unknown Polish artist is likely to have copied the original painting hanging at the Gemäldegalerie Alte Meister (Old Masters Picture Gallery) in the Staatliche Kunstsammlungen, Dresden, Germany. The Swiss-born artist Angelica Kauffman...

17th Century Italian School Crucifixion Oil on Panel This exquisite 17th-century Italian School Crucifixion oil painting is a masterpiece of...

Still life expressionist abstract of interior view. Oil on canvas, signed J Haymson (B.1903-D.1980). Recently custom framed. John Haymson was active/lived in District Of Columbia...

A large and sweeping abstract by New York based artist Francine Tint. Ms. Tint has works in the permanent collections of the Portland Art Museum and the Krannert Art Museum as well a...

An original pencil architectural sketch on paper realised in 1928 by the Italian architects Michele Busiri Vici and Clemente Busiri Vici for the large vill...

Framed Triptych Oil Painting on Board is signed by the artist, and features three amazing landscapes creating a panorama of beauty! Framed togeth...

A very colorful oil on canvas painting by Peter Todd Mitchell. Bouquet of flowers with a surrealist Medusa image. About the artist: Born: 1924 - New York City Died: 1988 - Sitges, Spain Known for: Abstract and representational urban view painting, wallpaper design He was a very talented painter and writer in Europe and the United States. Mitchell exhibited at such famous galleries as the Hanover Gallery in London and the Carstairs Gallery in New York City. For many years he supplemented his income as a painter by creating textile and wallpaper designs. Mitchell's early years were spent in the company of the fashionable and famous surrounding his beautiful playwright mother, who was twice married to the great impressario Leon Leonidoff, Senior Producer of the Radio City Music Hall. His travels with them and his associations at an early age with a theatrical and literary crowd gave him a taste for the exotic. He died suddenly in Sitges, a small town south of Barcelona, in 1988. World traveler...

Modernist abstract painting on canvas circa 1960s. Notated on stretcher: “Shozo No. 2”.

Charming pair of Italian oil paintings on canvas of two palm trees on an aged cream colored background with the artist monkey logo and pa...

A pair of 19th century French portraits depicting a bourgeois husband and wife. Signed E. Bourgeois. From the town of Autun in Burgundy. ...

Claude Venard, French painter (1913-1999).Colorful abstract cubist oil on Canvas "Nature Morte Aux Fruits ". Signed "C. Venard", label to the back May 9, 1989, lot 60 Provenance: Collection of Litsa Tsitsera, New York;, Christie's East, NY, May 9, 1989, lot 60, "Modern and Contemporary Paintings...

Artists: Johan Ringsten (1848-1911) or Per D. Holm (1835-1903) Oil on canvas View of a "mountain Lake" with Reindeer Saggat Trask Lapland c. 1879 Canvas: 47 1/2" wide x 27 1/2" high Frame: 57 1/2 wide x 38" high x 4" deep Artist: Johan Ringsten, born October 10, 1848 in Kalmar, died August 11, 1911, was a Swedish artist and curator. He was the son of Johan Matias Ringsten and Augusta Serafina Nisbeth and married to Teckla Maria Dalqvist. Ringsten studied at the Academy of Fine Arts in Stockholm and after his studies was active as a copyist, landscape and genre painter. He participated in exhibitions arranged by the Art Association for Southern Sweden. He was hired as a curator by the National Museum, the Academy of Fine Arts and the Catholic Church in Stockholm. Ringsten is represented at Östergötland Museum, Norrköping Art Museum and Uppsala University Library [1]. Note: You should always request a shipping quote. Quoted amounts are an estimate of what it might cost to ship out to you based on destinations of the greatest distance. We would love to find you a better quote if possible. Artist: Per Daniel Holm (11 September 1835, Smedjebacken - 7 August 1903, Stockholm) was a Swedish landscape painter. His father, Alexander Holm, was a pastor at Järnboås church [sv]. He attended the KTH Royal Institute of Technology until 1855, then became a mechanical draftsman for the Köping-Hults Railway [sv], This was followed by a similar position at the zoological museum of the Royal Swedish Academy of Sciences. From 1858 to 1863, he studied landscape painting at the Royal Swedish Academy of Fine Arts, with Nils Andersson, and made numerous study trips to northern Sweden and Norway. In 1862. he was awarded a royal medal...

A blue-red, vintage French Mid-Century modern abstract interior oil on canvas painting of a color field, painted by Daniel Clesse in good condition. Singed on the lower left. Wear co...

Monique Beucher (1934), French artist. Oil on canvas. Abstract composition. Colorful palette. From the 1980s. Perfect condition. Exhibited at "La Galerie" 67 rue Saint André des Arts...

(1912-1978). Original ace powell oil on canvas; 24" x 48" frame 56" x 34" American artist Ace Powell, real name Asa Lynn Powell, was born in 1912 in Tularo...

Born in Holguin, Cuba in 1972, it was in the embattled island nation that Ahmed Gomez was exposed to art throughout childhood and it was there that he honed his aesthetic. “I was alw...

A large scale oil on linen painting entitled "Doggednoonblear" by Stanley Boxer, 1975.

Dutch style (19th Century) oil painting portrait of boy on a white and green background in an ebonized frame (Van Dyke copy, Caruso Collection).  

A postmodern abstract expressionist acrylic painting on signed stretched canvas in the style of Paul Jenkins. Signed on the bottom right. The bright abstraction represents a sense of...

PRESENTING a GLORIOUS Contemporary piece of Art by a recognized Indian Master – C J Anthony Doss – The Temptation 1957 . This piece has impeccable Provenance ! It was purchased by a Private Dallas Collector at Sotheby’s New York Auction on 20th September 2005. Sale No: 8111 Lot No. 223. Sotheby’s operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. This sale was titled “Indian and Southeast Asian Art”. The Lot is described as: “C.J. Anthony Doss (b. 1933) THE TEMPTATION. Signed and dated ‘C J A Doss/57’ lower right. Oil on canvas laid on board. 27.5 by 20.5 in (69.9 by 52 cm.) The Provenance is given as: “Property from the Collection of Mr. Artur Isenberg”. The painting carried an Auction estimate of USD 2,000 to USD 4,000. Allowing for inflation alone this would be over $6,000 in today’s value. As an added bonus and proof of authenticity the painting still retains it’s original Sotheby’s Lot No. Label. It has substantially increased in value over the years as a HIGHLY DESIRABLE piece from an exhibited and highly collected Modern Indian Master painter. C.J. Anthony Doss is a very highly regarded and widely exhibited, Indian painter. He was born in 1933 and died in 2008. DAG Modern in Mumbai featured Doss’s work. Doss represented India at biennales in Paris and Sao Paulo. He was also a prominent member of the South Indian Society of Painters. His works are in Indian museums...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

A surrealist oil on canvas by listed artist Kurt Larisch, circa 1960. Scene depicts floating cone like shapes in blue and green with small figures that appear to be emerging from the...

Oil on copper representing the martyrdom of an unidentified saint (the angels passing over the scene) and bringing him the palm and the crown of martyrs, without any specific attribu...

Modernist abstract acrylic painting entiltled "Emergence" by Tania, circa 1960s. The piece is in very good vintage condition and measures 24" x 24". Colors and texture are amazing...

A large scale abstract citiscape painting, oil on canvas, by the Uruguayan artist Carlos Perez Franco (1929-2015). Perez Franco exhibited throug...

A fabulous vintage Boho original oil portrait on board. A chic composition of a handsome shirtless man. Deep rich color dominate the piece. Acquired from...

A vibrant French still life painting, signed by the artist. This oil on canvas depicts a jar and various fruits spread across a tabletop. Fixed with a wire, this painting is ready to...

Art Dimensions: 68 x 68 H inches and Framed Dimensions: 69 W x 69 H inches. Maple float frame with gold leaf. John O’Hara (1963) is an American painter who is well known for his a...

A superb watercolor of golden eagles In an antique birds eye maple frame On paper laid on to card Late 19th century. Signed indistinctly bottom right ...

A lovely oil painting of a rural landscape in spring or summer time. Painted on canvas with bright colors. Signed left under: Beauvais. More inform...