17th Century Wall Decorations

Oval portrait of Ernst Casimir, count of Nassau Dietz. On verso a portrait of Pope Urban VIII (Urbanus VIII Pontifex). Artists and Engravers: Signature of circa Dank. Conditio...

Antique portrait titled 'Willem Lodewyk, graef van Nassau etc. Stadthouder en Kapiteyn generael van Vrieslandt, Groningen d'Ommelanden en Drenthe etc'. Portrait of Willem Lodewijk...

Antique portrait titled 'Ferdiandus V (..)'. Portrait of Ferdinand V of Spain. This print originates from 'Tooneel der keyseren ende coningen van...

Antique portrait titled 'Fredericus II (..)'. Portrait of Frederick II of Denmark. This print originates from 'Tooneel der keyseren ende coningen van chri...

Antique portrait titled 'Fridericus I (..)'. Portrait of Frederick of Sweden. This print originates from 'Tooneel der keyseren ende coningen van christenryck sedert den onderganck va...

Antique print titled 'Reverend Pere en Dieu Mesire (..)'. Portrait of Charles de Montchal, Archbishop of Toulouse, half-length, directed to left and looking to front, with broad, pla...

Antique map titled 'Geographische Beschreibung des Belobten Landes Canaan (..)'. Scarce map of Canaan, with portraits of the Apostles of Matheaus, S. Marcus, S. Lucas, S. Johannes. With Christ in lower part. The map extends along the coast of the eastern Mediterranean. Published by Georg Andreas...

Oil painting on iron plate, depicting a Vanitas with skull and fruit. Octagonal frame in interlocking ebonized wood with flaring to match the painting and gold profiling on lead. Ita...

Gorgeous 17th century wall bracket.

A wonderful 17th century FOUENE from the South of France. A FOUENE is a pronged harpoon like piece used in catching fish or clearing fish from a pond. Wonderfully crafted in hand f...

Relined canvas depicting birds prepared for dining with table and cat peeking out considering dining himself with live roosters in the background and copper pot filled with vegetables.

Amazing ALLEGORICAL PANEL in walnut 17th Century Magnificent quality wood, inspired by a 1617 panel from the Louvre. Justitia represents justice, equity and order and Mars embodies ...

Antique print titled 'Romanus Dictator coram populorem expediens'. Engraving of a dictator who signs his orders. This engraving shows one of the stage sets for 'Il Fuoco Eterno Custo...

Italian Francesco or Pietro Graziani Neapolitan battle scene, 17th/18th Century This battle scene is attributable to one of the two Graziani ( Francesco or Pietro) battle scene pain...

We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on his Mother's lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School...

Handwoven recreation of the Classic French flat-weave Aubusson rugs that have been found in the finest homes and palaces since the late 17th century. Size 5' 9” x 5' 4”.

Circle of Simone Cantarini known as the Pesarese (Pesaro, 1612 - Verona, 1648) St. Joseph Oil on canvas, 62 x 48 cm Frame 80 x 64 cm The sty...

Antique religious painting from the second half of the 17th century. Oil on canvas artwork, first canvas, depicting the Tribute Money. In fact, there was a tax for the maintenance of...

An oil on canvas portrait of a young French courtier, circa 1690. This evocative antique French-school picture has been attributed to the portrait painter Jean-François de Troy (1679-1752). De Troy was famous as a portrait painter of fashionable society women. This is a very attractive late-17th century painting surviving in its original frame and stretcher. The canvas appears to be untouched. References: 'Jean François de Troy, The Alarm, or the Gouvernante Fidèle', at the Victoria and Albert Museum, London. 'Jean François de Troy, Paris 1679 - Rome 1752', at the Thyssen-Bornemisza Museum. Laurie G. Winters, Troy, de, Grove Art Online, Oxford Art Online, Oxford University Press, 6 May 2016. Everett Fahy & Jayne Wrightsman...

Antique print titled 'Het Huys en Hof ten Duyne'. Copper engraving of the estate of Oostkapelle, the Netherlands. This print originates from 'Nieuwe Cronyk van Zeeland' by Mattheus S...

Antique map titled 'Frisiae antiquissima trans rhenu provinc et adiacentium regionum nova et exacta descriptio'. Original antique map of the province of Friesland, the Netherlands. T...

Antique print titled 'Rynsburch'. Copper engraving of the estate of Rijnsburg, the Netherlands. This print originates from 'Nieuwe Cronyk van Zeeland' by Mattheus Smallegange. Ar...

Late 17th Century, Miniature Silkwork Embroidery Reversable Picture. The embroidery is extremely finely worked in coloured silk threads on a paper or felt ground. Colours blues, gree...

In this antique 17th-century oil painting on copper, we see St. Jerome, encased within an intricately adorned wooden frame. Jerome assumes the role of a penitent, deeply engrossed in...

Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690). Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing. San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they). David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...

Set of 20 Renaissance (17th Century) engraved, hand-colored etchings for Johann Bayer's book 'Uranometria', a star atlas, in wooden frames with white mat....

Italian School 17th century Portrait of Emperor Vespasian, bust; oil on canvas, 77.6 x 65.6 cm. Provenance: Private collection, U...

Follower of Jacopo Da Ponte, called Jacopo Bassano (Bassano del Grappa, circa 1510 - Bassano del Grappa, 13 February 1592), 17th century Allegory of the Spring Measures: With frame: ...

Peter Lastman inscribed on reverse Old Master painting, probably Dutch school, late 17th century. Oil on curved canvas depicting the entrance of King David on Horseback. No apparent ...

Italian lead pencil drawing, entourage of Ciro Ferri, depicting an offering scene in front of a temple, in the manner of the antiquity. Measurements: 7.8/5.9 inches ...

PULZONE Scipione (1554 - 1598) School "Virgin of Sorrows" 17th Century Oil on canvas marouflaged on canvas "Virgin of Sorrows". Follower of Scipione Pulzone. Italian school. Perio...

Circle of VAN DE KASTEELE, Frans (Brussels, c. 1541 – Italy, 1621). "Virgin with angels and saints". Oil on copper. Curly frame in ebony. Devotiona...

This 17th century panel painting is a depiction of a praying Franciscan monk, or of Saint Francis. The grey-brown habit, the skull and the book are ...

A fine matching pair of hanging scrolls ink on paper mounted in green brocade borders circa Edo period (17-18th century). The Kano school painting depicts wild geese in the reeds by the margin of water, a popular subject borrowed from the Chinese tradition. Both painting were signed as Tanyu with a red seal of Morinobu, his birth name. The storage box is also present and was inscribed with the title Painting of Geese and Reeds and Kano Tanyu...

Fine folio including early and finely executed portraits of Renaissance artists by Joachim von Sandrart. Included are portraits of: Antonio da Correggio; Rosso Fiorentino; Gianfrancesco Penni; Polidoro da Caravaggio...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Handwoven recreation of the Classic French flat-weave Aubusson rugs that have been found in the finest homes and palaces since the late 17th century. Size: 6' x 9'1''.

The embroidered appliques in fine silk and gold and silver threadwork with coloured glass, sequins and mirror simulating jewels in deep relief worked onto the original red velvet tex...

Magnificent and enormous pair of 17th century Italian Baroque period carved giltwood putti wall figures. The pair maintained its original gilding and co...

A large exquisite silk satin panel embroidered in pastel colors with mythological figures, animals, foliage, and intertwined scrollwork from Piedmont Italy, circa 17th century. Prove...

A painting, prior to 1678, from a famous fresco of the Triumph of the Name of Jesus from the Gesù Church in Rome, completed in 1684, attributed to the Old Master Painter Giovanni Bat...

This lovely 17th century painting was made in the last part of the European Renaissance period, also known as the high renaissance, late 17th century. This scene depicts the Madonna with her Child...

Title: Moses on the Stone Date/period: XVII century Dimension: measure without frame 60cm x 83cm, frame 13cm in noble wood Materials: oil on wood Additional information: Dutch School...

Sst of 20 Renaissance (17th century) engraved, hand-colored etchings for Johann Bayer's book 'Uranometria', a star atlas, in wooden frames with white mat....

Hand Woven Recreation of the classic French flat weave Aubusson rugs that have been found in the finest homes and palaces since the late 17th century. Size 9' 3'' x 12'

This silver bas-relief is an original decorative artwork realized in the mid-17th century. The work is an original relief realized in silver. A golden frame is included (cm 28 ...

Beautiful Tuscan Ceramic Plate 17th Century with a deepened centre, painted with a biblical scene, landscape and architecture, glazed on the underside, described and marked. Diamete...

oil on canvas German 17th school follower of Johann Hulsman "Gallant Scene" written "Bonhams" in chalk on the stretcher Condition: Presents well, vibrant colours relined probably in...

In good condition From a private collection Free international shipping 17th Century Old Master Oil Painting Portrait of Saint Dominic

Immense 17th Century Flemish wool verdure tapestry Flemish, 17th Century Height 323cm, width 424cm This very large and exquisite tapestry was crafted in wool in Flanders during the ...

OIL ON CANVAS OF 17th Century LANDSCAPE OF WINTER OF THE NETHERLANDS. Good CONDITION. MEASURES WITH FRAME: 114X90 CM WITHOUT FRAME: 96X74 CM      

Marzio Masturzo, attributed (Active in Italy - in Naples and Rome- in the second half of the 17th century) "Battle between cavalry and vessels with fortified city on the left" ...

Handwoven recreation of the Classic French flat-weave Aubusson rugs that have been found in the finest homes and palaces since the late 17th century. Size: 9' 10” x 13' 10”.

Alessandro Rosi (Florence 1627-1697) "St. Christina of Bolsena and the Angel." Oil on octagonal canvas, 94x77 cm. In carved and gilded wooden frame (total measurements 125x114 cm) A...

A fine example of an English Charles II silk needlework picture framed under glass with figures and animals in its border, and foliate decoration throu...

Japanese six-panel screen: Battle at Uji Bridge, the first battle at Uji was in 1180 and it marked the start of the Heike Wars. The Genji troops crossed the...

Oil on canvas painting "Madonna and Child". Blacklight scan show there has been a touch up covering the baby Jesus's genitals done over the centuries. In the original ornate gold fra...

Handwoven Recreation of the Classic French flat-weave Aubusson rugs that have been found in the finest homes and palaces since the late 17th century. Size 8' 10'' x 12' 1''.