1870s Wall Decorations

Nineteenth century 1870 George Eldridge chart titled "Chart Of The Vineyard Sound And Nantucket Shoals", surveyed by George Eldridge hydrographer...

This is Manlio Garibaldi Monogram, a rare decorative object realized in Italy in 1874. This important artwork represents the monogram MG of Manlio Garibaldi, the minor son of the ...

Frans Verhas 'Devant le miroir` Frans Verhas (1827 Dendermonde - 1897 Schaerbeck) "Devant le miroir" Oil on panel, original frame Dimensions: Frame: 68.5 x 108 cm Plate: 36,8 x...

Viennese enamel painting of a tavern scene, circa 1875.

Stunning antique oil painting by renowned American artist Henry Collins Bispham, featuring a dog and a rooster. Signed on the bottom " H.C. Bispham 1871 ...

James David Smillie (January 16, 1833 – September 14, 1909), American artist, was born in New York City. His father, James Smillie (1807–1885), a Scot...

Chart of southern Japan compiled by James F. Imray and published in 1870. The chart captures the coast and islands. Includes Nagasaki, Kii Channel, Gulf of Yed...

This exceptional painting by Charles Euphraise Kuwasseg is a true masterpiece. The artist's use of oil on canvas creates a unique texture and depth that enhances the beauty of the pi...

Pair Of Oil Portraits From The 19th Century Italy XIX Eme Pair of oil portraits from 1879 signed: Armani. Italy 19th century. Oil on canvas. Very good general condition. Measurements...

Intricate oversized silver plate curtain tiebacks.

Signed With The Initials 'LB' and Incised With The WTC Copeland monogram. A mounted lancer gallops across the frame displaying the peg that he has uprooted from the ground, while other competitors, amongst them a few spectators, wait their turn in the background. Detailed research within the Copeland Spode archives and consultation with ceramic historians and technicians reveals that these important hand painted panels are probably the largest known examples of this kind of ceramic art from their day. Each single earthenware panel (made from the finest Cornish China Clay) would have been produced in a mould and fired and glazed a number of times. Their scale, the quality of the painting, and the vivid clarity of the cobalt blue establish them as a remarkable artistic and technical achievement for any era. The Collection was commissioned by Thomas Russell from Copeland Spode, for Cleveden House, Kelvinside, Glasgow, (designed and built by John...

Very nice and original French Napoleon III Period pair of melting decorative kitchen Credenza. Representing a men with animals and angels. Very or...

Artist: Unknown. Painting: Rural Hilly Landscape with Lake and Railroad. Period: XIX century. Style: American School, Primitivism. Medium: Oil on canvas, framed. Dimensions: H: ...

Portrait of Friel, Dog of the Dukes of Osuna, by Marcos Hiràldez Di Acosta, 1879 Splendid large signed painting made by Marcos Hiráldez De Aco...

Jules James Rougeron (1841-1880). French artist. Figure and genre painter. Pastel on paper. Reclining lady, circa 1870. In style of F. Goya 'Maya'. In...

Depicting a group of figures around a table with a loaf of bread, one mustachioed figure gesturing with his sword on the table and two children on his side playing with another sword...

Miss Ethel Mortlock an oil on canvas called 'Town' of Marie Adelaide Brassey (aged 3) who became Marchioness of Willingdon (see below) and is buried in the Nave at Westminster Abbey, signed and dated 1878. Picture 60 x 45 cm Ethel Mortlock (1865-1928) an extraordinary woman and sought after portrait painter, she painted this aged 16!. Born in Cambridge and lived in London. She exhibited at The Royal Academy between years 1878-1893 no less than 29 paintings also at the Grosvenor Galleries. Many of Paintings in museums (See History below and her sitters). Marie Adelaide Brassey - Marie Adelaide Freeman-Thomas, Marchioness of Willingdon, GBE, CI DStJ (née Brassey; 24 March 1875 – 30 January 1960) was a daughter of Thomas Brassey, 1st Earl Brassey. On 20 July 1892, she married Freeman Thomas , 1st Marquess of Willingdon (12 September 1866 – 12 August 1941), the future Governor General of Canada and Viceroy of India. She became : Invested as an Imperial Order of the Crown of India (C.I.) in 1917, Decorated with the Kaisar-i-Hind Gold Medal , Invested as a Dame of Justice, Venerable Order of St John (D.J.St. J.),Decorated with the Order of Mercy. Invested as a Dame Commander of the Order of the British Empire (DBE) in December 1917. Invested as a Dame Grand Cross of the Order of the British Empire (GBE) in the 1924 Birthday Honours. Marie Canyon on the Cowichan River, Vancouver Island is named for her, commemorating a 1930 canoe trip from Cowichan Lake down that river to the city of Duncan, British Columbia. The Lady Willingdon Hospitol in Lahore, Pakistan is named after her .The Lady Willingdon Hospital in Manali, Himachal Pradesh, India, is named after her. About Ethel Mortlock : Her clientèle of sitters included members of the aristocracy and European nobility and included, by her account, the Shah of Persia (1900) and the ‘Chinese Ambassador’, Li Hung Chang (who was actually the Chinese Viceroy), à propos which sitting the Sketch published an illustrated interview with Ethel in August 1896. Ethel was thought pretty grand by the American papers who reported that Chang had to go to her studio for sittings in 1896 rather than she wait upon him. He brought her a roll of silk and a white jade palette as presents. Li Hung Chang was a pretty big cheese; his wife had two thousand servants waiting on her. The Chatham, NY, Courier reported that Ethel had painted every Ambassador who had come to London. These last clients, allegedly by failing to pay the £1000 charged for their portraits, landed Ethel in trouble. They were, of course, conveniently unavailable to the bankruptcy commissioners so this sob-story could not be checked. Strapped for cash she was caught out when the executors of a racehorse owner called Edward Overall Bleakley found, in his effects, IOUs for hundreds of pounds (Bleakley had bequeathed his own portrait by Ethel to Manchester Infirmary [Daily News, 1.8.98]). Ethel went to court, claiming that these were offset by painting commissions, but the court found against her and she was told to pay up. Now saddled with legal costs, she was caught again when Captain Noel Hoare, her man of business, died and it was found that he had mortgaged to Hoare’s Bank, without her knowledge (she said), three properties in Sloane Street that she had been building. She tried to buy back one of these but lost a £500 deposit when she could not complete, making a bad situation rather worse. Bleakley’s executors now broke her and her examination in bankruptcy in 1901 can be read in the PRO as above. Her troubles were attributed to extravagance and betting - the Bleakley IOUs were assumed to be in fact gambling debts and the creditors now included all sorts of tradesmen and the Hotel Cecil where Ethel was then living, presumably in some style. She did not help herself by claiming an income of £250 p.a. when individual commissions were on her own account at the £1000 mark as above, meaning that the Chinese and Persian portraits alone would have occupied her last eight years and she would have obtained these prestigious commissions at the age of 18 (she gave her age as 26). Faced by the raised eyebrows of her superiors in mental arithmetic Ethel then upped her declared usual income to a still rather modest £800. She claimed to keep no sort of cash book, accounts, or any memoranda. Proceedings closed with Ethel declared bankrupt and a number of people out of pocket; the settlement was at 7/6 in the pound. Ethel went back to her easel. Some financial aspects seem never to have been sorted out; funds in Chancery relating to her, Hoare and Bleakley were still being recorded in the London Gazette every few years at least up to 1938; maybe the born in Cambridge; she appears never to have married. The 1881 census had not heard of her - she may have been in the United States at that time. However, standard works about Victorian painters, such as the Antique Collectors’ Club Dictionary of British Artists (Johnson %26 Greutzner, 1976) and their Dictionary of Victorian Painters (C Wood, 2nd edition, 1978) tell us that she was a pupil of Sir William Orchardson (who came to London in 1863) and that by 1904 she had exhibited 29 works at the Royal Academy. I have listed these, usually prestigious, sitters, who included Don Carlos...

The Harvesters Paul Albert Baudouin (French, 1844-1931) signed and dated P. Baudouin 1878 Literature: Benezit volume 1 p. 873 Provenance: Sothebys, New York, 2001 Born ...

Great Francois de Blois landscape painting of fisher folk along a beach with shacks beyond oil canvas. Dimensions: 18" H x 26" W x 3.5" D (The painting itself is 11.5" x...

illustration of episcopal palace and bridge access. Oil painting circa 1874 from Jacob Julius (1842-1929)  

A beautiful American oil on canvas school room scene with a teacher instructing students who are seated on benches and on the ground, with one student who appears to be wearing a dun...

A set of three sketches on post cards of sailing vessels in heavy water by Montague Dawson RA. Montague Dawson was born in West London, in Chiswick in 1895, Montague Dawson was the grandson of Victorian landscape painter Henry Dawson. He studied under the seascape artist Charles Napier Hemy at the Royal Academy. He also worked in an art school in Bedford Row...

Rare, antique Parisian lithograph from the mid-19th century.

Rare, antique Parisian lithograph from the mid-19th century. The dimensions below are of the actual lithograph and do not include the exterior matte. Now more than ever, home is wher...

Drawing made in pencil on paper measuring 15 x 19 cm by artist Alberto Pasini (Busseto 1826 - Cavoretto 1899) depicting a female face datable to around 1870. The work has the sign...

A set of three pen, ink and water color sketches set in a single frame, HMS Euphrates, HMS Irresistible and a hulk, a view of Sunbury Lock and a Dre...