1950s Wall Decorations

French Faience Quimper Leaf Dish Circa 1950.

1950's Stitched Leather Baromètre By Jacques Adnet Great condition Don't if it walk

Vintage 1959 printed lithograph double sided, of an unused paint by numbers on layer paper card stock or cardboard. "Paint by numbers Jesus" a rare and hard subject to find and in un...

Drypoint and engraving by Wisconsin born printmaker Armin Landeck (1905-1984). Titled “Stairhall.” Pencil signed lower right. Full margins. The image measures 11 7/8"h x 14 1/2"w and...

Mid-Century Octogonal Blue & White Plate signed La Roue Vallauris. 7.8 inches diameter.

We recently acquired a number of paintings from the estate of the noted outsider artist Peter Paul Sakowski (1915-2000) of Holyoke, Mass. His style tended to vary from an illustrativ...

Midcentury round dish with handle by Robert Picault Vallauris. Robert Picault (1919 - 2000) was born in Vincennes, Paris and studied at the School of Applied Arts in Paris. After the...

Gigi Caldanzano MGA, Albisola Italy, 1950-1960 Set of 6 ceramic plates Polychrome scenes painted in large fire Excellent condition Signature of artist "Caldanzano" and MGA kiln on...

Original vintage poster - Travel in Italy The Railways Function Again - featuring colourful artwork depicting a sleek electric train traveling through the Italian countryside with a town on a hill and mountains in the background. Issued by the Italian State...

Geometric landscape by Helen Gerardia. Signed lower right, Gerardia. Circa 1950-60. Good overall condition with some surface paint scuffs and losses. Ov...

Original artwork by the master. It is in as-found poor condition. It will be shipped in a tube without glass or framing. Pencil signed with information on backing paper, crayon numb...

1956 Xaviar Amiana Dancers & Drummers painting. Oil on board. As found wood frame. Purchased directly from the artist in 1956 in Port Au Prince, Haiti b...

Large Mid-Century Octogonal Blue & White Plate signed La Roue Vallauris. 9.8 inches diameter.

Original Italian film poster for the 1957 Science fiction film The Incredible Shrinking Man. This poster would have been used outside the cinema in a display case at the time of the ...

Swedish artist, oil on canvas. Abstract composition. Colouristic palette. In excellent condition with minimal wear. Indistinctly signed and dated '55. Visible dimensions: 67.5 cm x 5...

Rudolph Weisenborn (1879-1974) Colorful abstract painting in heavy impasto oil on canvas by renowned Chicago artist Rudolph Weisenborn. Signed on bottom right front Wesisenborn '57. In original wood frame. BORN: October 30, 1879[1] Chicago DIED: March 15, 1974 Chicago MARRIED: 1922 Alfreda “Fritzi” Gordon[2] of St. Joseph, MO TRAINING 1898 University of North Dakota 1905-1907 Students School of Art, Denver, Henry Reed[3] 1907-1910 Jean Mannheim School of Art, Denver ART RELATED EMPLOYMENT[4] c.1910 Commercial illustration, Denver c.1910 Portrait sketches, Denver Post 1913 Window designer for Marshall Field and Company 1922 Illustrated for The Wave c.1930s Diorama, Fight Against Soil Erosion, Tennessee Valley Authority[5] 1931 Lecture, The Abstract in Painting, Renaissance Society of the University of Chicago 1933 Mural Machine Movement[6], Pavilion No. 4, General Exhibits Building, A Century of Progress World’s Fair, Chicago[7] 1934-1939 Federal Art Project, easel and mural division[8] 1936 Mural, Contemporary Chicago, Louis Nettelhorst Elementary School, Chicago[9] 1937 Mural, Richard Crane Technical High School, Chicago: Electricians; Boilermakers Pipe Fitters, and Architects and Steelworkers[10] TEACHING 1922 Chicago Hull House[11] 1920-1937,[12] 1939[13] Chicago Academy of Fine Arts 1935-1964 Weisenborn School of Modern Art [privately], Chicago[14] RESIDENCES 1879-1888 Chicago 1888-1905 North Dakota 1893 Wisconsin 1894 Minnesota and Oklahoma 1905-1910 Colorado 1910-1913 Cripple Creek, CO c.1913[15]-c.1960 Chicago;[16] 1940s-1960s Santa Fe, New Mexico (summers)[17] c.1960-1974 Oak Park, Illinois TRAVEL c.1930s Cape Cod, Massachusetts 1950 Provincetown, Massachusetts[18] MEMBERSHIPS/OFFICES All-Illinois Society of Fine Arts (advisory board 1926) American Abstract Artists[19] Artists’ Equity Association, Midwest (president 1952) Artists’ League of the Midwest (charter member 1947)[20] Artists’ Union, Chicago Chapter (executive committee/founder)[21] Cor Ardens (vice president, 1921-1922; treasurer 1922-1923) Chicago No-Jury Society of Artists (founder, president 1922-1926)[22] Chicago Society of Artists (board 1926-1927) Independent Society of Artists, Chicago Introspectives, Chicago[23] Neo-Arlimusc (founder, president 1926-1928)[24] Palette & Chisel Club Society of Independent Artists HONORS 1928 Honorable Mention architectural subject, Art Institute of Chicago, American Annual[25] 1931 Third Honorable Mention, Ninety and Nine Artists[26] 1941 Prize, Laura Davidson Sears Academy of Fine Arts, Elgin, Contemporary American Art 1957 William H. Tuthill Prize, Art Institute, Chicago & Vicinity JURIES SERVED Art Institute, Chicago & Vicinity 1923 Chicago Society of Artists annual 1924 Covenant Club under auspices of American Jewish Artists Club, First Annual Exhibition by Jewish Artists of Chicago and Vicinity 1936[27] Jewish Education Building, Chicago under auspices of American Jewish Artists Club, Annual Exhibition by Jewish Artists of Chicago and Vicinity 1955, 1956[28] Sears Academy of Fine Arts annual, Elgin, Illinois 1941 South Side Swedish Club, Chicago Artists of Swedish Descent GROUP EXHIBITIONS All-Illinois Society of Fine Art annual 1926, 1927 American Abstract Artists, annuals 1938-on American Art Congress 1937 Art Institute of Chicago, A Half Century of American Art 1939 Art Institute of Chicago, Abstract and Surrealist American Art 1947 Art Institute of Chicago, Abstractions By Eight Artists 1942 Art Institute of Chicago, American Annual 1928, 1929, 1939, 1941-1943, 1945, 1947 Art Institute of Chicago, American Watercolors 1923, 1925,[29] 1931, 1934, 1942-1944, 1946, 1949 Art Institute of Chicago, Federal Art Project 1938[30] Art Institute of Chicago, Room of Chicago Art 1945 Art Institute of Chicago, Society For Contemporary American Art 1953 Art Institute of Chicago, Work by 17 Chicago Artists, [work from the W.P.A.] 1936[31] Art Institute, Chicago & Vicinity 1918, 1920, 1921, 1923, 1929, 1933, 1934, 1943, 1948, 1949 Artists Equity Association, Chicago 1950, 1951 Artists League of the Midwest 1947, c.1950 Associated American Artists Galleries, Chicago 1950 Association of American Artists, Chicago, Artists-Teachers 1950 Cedar Rapids Art Association 1921[32] Chicago No-Jury Society of Artists 1922-1926,[33] 1928[34]-1931,[35] 1932, 1934, 1938, 1941, 1957[36] Chicago No-Jury Society of Artists directors at Moulin Rouge café, Chicago 1926 Cor Ardens, Arts Club of Chicago 1922 Elizabeth Nelson Galleries, Chicago, Chicago Artists 1950 European Art Tour, under auspices of Mrs. John Alden Carpenter of Chicago 1924[37] Evansville, IN 1922[38] Findlay Gallery, Chicago, Best Paintings by Chicago Modernists 1933[39] Findlay Galleries, Chicago, Frank Holland...

Very rare Carlo of Hollywood Mid-Century watercolor painting featuring a full jazz band with an array of musical instruments and scrolling music notes. The painting comes in the orig...

Mid-Century Set of 6 flowers dessert plates by Robert Picault Vallauris. Robert Picault (1919 - 2000) was born in Vincennes, Paris and studied at the School of Applied Arts in Paris....

Mid century oil painting on canvas featuring a coastal landscape / nautical seascape scene with harbor and boats. Signed lower right Jver K Madsen Pinx, 1954. Dimensions: 33.5" x 1...

Original vintage advertising poster for the Olivetti Divisumma 24 calculating machine model featuring a great mid-century graphic design depicting numbers and symbols on rubber stamp...

Nude Woman post Fauvisme , superbe by the technique at romantisme atmosphere . rare by the quality Artistic Movement: Post-Fauvism was a significant art movement that followed Fauv...

A beautiful hand painted and thickly glazed decorative wall tile by an unknown artist, influenced by the works of Pablo Picasso. The wall plaque is decorated with a dove in differen...

Antoni Clave (1913-2005), . Pencil signed, Clave, lower right and number edition, 92/100. Oeuvre Gravee French paper. Circa 1950-60. Good condition with one minor tear in the upper...

Original US photographic production still from the film Vertigo, 1958. Starring James Stewart, Kim Novak and directed by Alfred Hitchcock. This piece would be shipped flat in strong ...

Roger Capron (1922-2006) Roger Capron studied at Art appliqués of Paris from 1938 to 1943 before teaching drawing in the same establishment from 1945. In 1946, he settled in Vallauri...

Mid-Century Majolica Palissy Lobster Platter Vallauris. Mussels.shells,seaweeds. Diameter / 9.8 nches.

Cityscape oil on canvas painting by James Coignard, France (1925-2008). Signed and framed. Early period. Canvas size 28.5" x 23.5. Size with frame 35" x 30".

S U P E R B ! MID CENTURY MODERN C I T Y S C A P E P A I N T I N G ! ICONIC HELLER MID CENTURY STYLE! OIL ON BOARD HUGE! Approx. 29 " x 53 " C I R ...

neo-classical tapestry circa 1950 can be delivered without frame

Original vintage advertising poster for the Royal Academy of Fine Arts of Brussels / Academie Royale des Beaux-Arts de Bruxelles featuring artwork by Anto Carte...

Iconic Italian liqueur brand Campari hired the renowned French-Italian poster designer Leonetto Cappiello to create a number of varied designs across the early part of the 20th centu...

Mid century still life oil painting on canvas showing a crumpled newspaper and a multi-colored checkered top hat. Signed in lower left corner Russo ‘55. Marked on verso Giornale e Ca...

Mid-Century round dish with handle by Robert Picault Vallauris. Robert Picault (1919 - 2000) was born in Vincennes, Paris and studied at the School of Applied Arts in Paris. After th...

Original vintage winter sports travel poster for Andermatt in the Gotthard region of the Swiss Alps featuring a great graphic design outline of a map of Switzerland with a Swiss flag...

Rare Oyster Plate signed Robert Picault. Robert Picault (1919 - 2000) was born in Vincennes, Paris and studied at the School of Applied Arts in Paris. After the war he spent a short ...

Original vintage illustrated map poster for Cameroun AOF Afrique Occidentale Francaise / Cameroon French West Africa showing the Central African country of ...

SUPERB ! MID-CENTURY MODERN ABSTRACT HANDCRAFTED TILE MOSAIC DIMENSIONS: Approx. 26" by 14" Dated 1953 This magnificent mosaic wall art work is...

MONUMENTAL! ORIGINAL OIL PAINTING CARLO OF HOLLYWOOD ARAB MARKET DIMENSIONS: ( LARGE Approx 53" By 22" Framed ) If you're a mid century art collector, you've likely heard of Carlo of Hollywood and his unique and coveted pieces! In the post war period, original art for the home was a rarity. There was no internet, very few art galleries in the new suburbia or throughout most of middle America...

Jean Nerfin Oil on Canvas Canadian, born 1922 Landscape in the Mid-Century Modern Paris School style. Painting in nice original condition! Signed and dated bottom right corner.

Astonishingly beautiful and monumental mural spanning eleven individual panels which when assembled are 16 feet long by 6 feet high. The panels are reverse paint and applique on she...

Original vintage travel advertising poster - Guatemala Clark Tours - featuring a colourful illustration of a lady carrying a basket of fruit on her hat surrounded by smaller images depicting people playing music and rowing a boat with a fish jumping up, a couple dancing and a lady water skiing against the black background, two traditional masks below the title text in stylised lettering above and the rest of the text below - Guatemala CA Consult Your Travel Agent...

A wonderful treasure of mid-century advertising, displaying the Alps, this beautiful original tourism poster was created by the Ministere Des Travaux Publics Des Transports Et Du Tou...

Large Majolica wall platter Vallauris, circa 1950. A large crab in high relief on the center surrounded by seaweeds, one fish, shells and a slice of lemon.

A somber rendering of a young girl with a page boy haircut wearing a red dress seated in a high back chair. Her arms are raised above her head. Oil paint on board. Entitled "Seated" ...

Italian mid-century modern red graphic Ceat advertising sign, 1950s Rectangular aluminum sign or billboard. It features an advertising graphic from "Ceat", a well-known tire brand, w...

Rare set of 8 Majolica oysters plates and platter signed Marcel Guillot, circa 1950. Very rare color. platter 16.5 inches , 8 plates 9.5 inches diameter.

Original vintage winter travel poster for Arosa Schweiz Suisse Switzerland featuring a fun and colourful design by the notable Swiss artist Donald Brun (1909-1999) depicting a fashio...

Peter Hvidt & Orla Mølgaard-Nielsen for Søborg Møbelfabrik, cabinet, teak, Denmark, 1950s. Unique formation of conforming cabinets executed in solid teak designed by the Danish desi...

"Serie Cactus" lithographie signed by Man Ray ( 1890 - 1976 )

Set of 2 small Wall consoles made of golden lacquered cast iron with glass shelf, Italy 1950s

Original vintage travel poster - Visit Bombay for Pleasure or Business - featuring boats sailing at sea on the busy waterfront with the Gateway of India monument in the background, a...

Original US lobby card number 3 for the American film noir directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett. The film stars William Holden, Gl...

Original vintage advertising for a race sponsored by Pheonix Reifen Rund um den Kellersee / Phoenix Tyres around Kellersee Lake on 5 August 1951 - featuring a colourful design showin...

Original US lobby card number 6 for the American film noir directed and co-written by Billy Wilder, and produced and co-written by Charles Brackett. The film stars William Holden, Gl...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill, Donald Friend...

Original vintage mid-century design advertising poster for the Rotterdam Rhineport Reconstructed Haven Tentoonstelling Haven Festival held from 15 June to 15 August featuring a fun n...

Lennart Lilja Oil on canvas Dimensions 62/72 Unframed work Lennart Lilja (1924-2008). He was a Swedish artist. Student of Isaac Gründewald and Otte Sköld. In the 1950s he wrote play...

Louis Nallard, “Interior”, circa 1955 – Tempera on cardboard, professionally framed Original artwork by French painter Louis Nallard. In this abstracted Interior the artist blends grey and earthtones with strokes of vibrant blues, orange and green. Signed by the artist, right bottom corner. About the artist Louis Nallard (Algiers 1918 – Paris 2016) was a French non-figurative painter of the Nouvelle École de Paris. Born on June 17, 1918, in Algiers, French Algeria, had a life intertwined with art and creativity. Despite facing early hardships with the loss of his mother to the Spanish flu, Nallard found solace in his ancestral landscapes. Every summer, he returned to the Dombes region, his father’s birthplace, which became a wellspring of inspiration for his artistic endeavors. At the tender age of sixteen, in 1934, Nallard unveiled his debut exhibition featuring portraits and landscapes, showcasing his skills in watercolors and gouaches. The exhibition took place at the gallery owned by Thomas Rouault, the nephew of the renowned painter. In 1941, Nallard enrolled at the Beaux-arts in Algiers, where he encountered fellow artists such as Marcel Fiorini and Robert Lavergne. Lavergne later became his introducer at the prestigious Galerie Jeanne Bucher. During this time, Nallard also met Maria Manton...