English Brooches

A fine and impressive vintage 18 karat yellow gold, 1.05 carat natural ruby and 0.44 carat diamond jewelry set (brooch and earrings); part of our gemstone jewelry and estate jewelry collections. This fine and impressive vintage jewelry set...

A silver double bow brooch set with chunky old-cut diamonds (app. 3.4 carats) with gold backing. One edge of the bow has scalloped sides and the ends of the ribbon are decorated with small gold balls...

A Victorian natural pearl ruby and diamond bug brooch, the body with a baroque pearl, the legs embellished with emeralds and the wings with faceted ...

This wonderfully detailed Victorian sterling silver floral 2-Piece belt buckle with a matching floral sterling silver brooch. The 2-piece floral belt buckle measures 5 inches in...

A Victorian neo-gothic stick with a Griffin. Beautiful stick tie-pin created in England in the late 19th century, back in the 1890. The piece was designed during the late Victorian ...

Shakudo were from Samurai’s ceremonial swords and sheaths. The last time these unique and works of art were used in the Japanese Samurai culture was in the late 1800’s, when the Samu...

A fine and impressive 18 karat yellow gold 'Tyneside Scottish Brigade' regimental brooch made by Thomas L Mott; part of our diverse antique jewelry and e...

Victorian 14 Karat Yellow Gold Ring of Pearls Pin. Delicate and dainty 3mm pearls set in a circle for a simple yet elegant design. The size of pin pendant is...

Victorian Carlo Giuliano 18K yellow gold sapphire and ruby pin featuring his signature gold open-work. The pin contains two rubies that total 0.70 carats, no treatment, Thailand orig...

Antique Victorian 15K gold brooch, English C.1870. The brooch centering a dome with etruscan decoration surround of bead rhondelle circlets and outer star border. Locket to reverse. ...

A Regency cannetille gem-set cross brooch, to the centre a rectangular-cut emerald estimated to weigh 0.9 carats, surrounded by eight rectangular-cut rubies and eight old mine-cut di...

Delightful late Georgian/early hand made Victorian brooch Typically for the era it was made of Sterling Silver covered with patina Four rows of flower petals hold 40 old full cut dia...

An Edwardian diamond-set buckle brooch and choker centrepiece, the rectangular shaped brooch consisted of a double openwork frame set with old European and rose-cut diamonds, with tw...

Edwardian belle époque stick pins Very delicate pair of stick pins, created in England during the Edwardian belle époque period, back in the 1910. These pieces has been crafted in y...

A Whimsical Nod to the Jazz Age Embrace the elegance and playful spirit of the Art Deco era with this charming platinum stick pin, intricately designed in the form of a duck. Lovingly adorned with small round diamonds and set with a ruby eye, this piece blends humor, artistry, and timeless sophistication. Whether worn on a lapel, hat, or scarf, it will make an eye-catching statement that sparks conversation. Exquisite Details & Design Duck Motif Sculpted to depict a duck in graceful profile, the stick pin’s bird figure showcases the streamlined geometry and refined artistry characteristic of Art Deco design. Diamond Accents Small round diamonds accent the duck’s body, creating a captivating interplay of light along the polished platinum. These gems not only add sparkle but also underscore the piece’s fine craftsmanship. Ruby Eye For a touch of warmth and color, a small ruby is set to form the duck’s eye, providing a subtle yet striking contrast to the duck’s diamond-clad body. Premium Platinum Setting Renowned for its strength, durability, and white luster, platinum was a hallmark of luxurious Art Deco jewelry. The metal’s cool tone highlights the brilliance of both diamonds and ruby, ensuring a refined, classic finish. Dimensions & Origin Length: Approximately 2.25 inches Width: Approximately 0.90 inches at the widest point (duck motif) Circa: Early 20th Century Origin: Continental (European) Its compact size offers versatility—easily pinned to lapels, hats, or scarves—while maintaining a clear and eye-catching presence. Why Choose This Art Deco Stick Pin? Historic Allure: Authentic Art Deco pieces carry the distinctive design echoes of the 1920s–1930s, offering collectors and enthusiasts a true glimpse into the era’s aesthetic brilliance. Rare & Whimsical Design: The duck motif, complete with diamond feathers and a ruby eye, presents a conversation-worthy twist on classic Art Deco geometry. Versatile Styling: Stick pins add a polished accent to both casual and formal ensembles, reflecting individual personality while remaining tasteful and chic. Care & Maintenance Cleaning: Gently wipe the platinum and gemstones with a soft, lint-free cloth after each wear. Avoid harsh chemicals; if deeper cleaning is needed, a mild jewelry solution safe for platinum and precious gems is recommended. Storage: Store in a padded jewelry box or soft pouch, ensuring the pin remains separated from other pieces to prevent scratches or tangling. Delight in the playful charm and refined elegance of this Art Deco Platinum Duck...

One (1) 14Karat Yellow Gold Jewelry set, including one (1) Brooch and one (1) pair of earrings set with Three (3) pieces of hand painted portrait Porcelain ca 1870 (England) Total weight: 16.21 gram One (1) Original fitted Case...

This exquisite antique piece, dating to the early 20th century, embodies timeless elegance and exceptional craftsmanship. Designed with versatility in mind, it can be worn as a clip ...

An Edwardian star ruby and diamond cluster stick pin, the oval shaped cabochon-cut ruby estimated to weigh 0.5 carats, surrounded by eighteen rose-cut d...

This exquisite Victorian-era clip pendant is a timeless blend of elegance and versatility. Crafted from silver-plated gold, it features a captivating floral-inspired design that show...

Antique shell cameo brooch and earrings by John Brogden, English, circa 1870. A yellow gold suite of jewellery, the brooch composed of a horizontally situated oval Bull’s Mouth shell cameo of the Greek goddess Selene riding a serpentine dragon in a rubover collet setting, encircled by a conforming frame of gold beading and twisted gold wire punctuated with four gold palmette form plaques engraved and decorated with dark blue enamel and placed at the cardinal points, the reverse mounted with a hinged pin and scroll clasp, the earrings each composed of a vertical oval Bull’s Mouth shell cameo engraved with a bust length portrait of Selene with crescent-set headdress, encircled by a conforming frame matching that of the brooch with the addition of a pendant decoration composed of a horizontal bar of gold beading and twisted gold wires suspending gold link chains graduated from centre and ending in conical gold elements, the reverses mounted with French wire fittings, all in a fitted red leather case, the interior marked ‘FIRST CLASS PARIS MEDAL/ 1855.1867.1851/ PARIS FIRST CLASS & LONDON PRIZE MEDALS/ JOHN BROGDON/ Goldsmith/ MANUFACTORY/ 16, Henrietta St. Covent Garden/ London’. The cameo—defined as a gem, usually either a mineral or a shell, upon which a design has been carved in relief—is believed to have originated in Hellenistic Greece, during the third century BC. These miniature sculptures, at that time confined to the medium of hardstone, are thought to have been made with the primary purpose of personal adornment. The same practice of mounting cameos in jewellery was then continued by the Ancient Romans, and they are known to have been worn by many a Roman emperor. After the fall of Rome the fashion for cameos went into a decline, until it was again revived during the Renaissance period, brought about by a keen interest in the ancient world. At this time both antique and contemporary cameos were mounted in jewellery, as well as collected as objet d’art. The art of cameo cutting was revived in Italy, where it would remain a centre for the coming centuries. Again there was a lull in interest in carved gemstones, until the Neoclassical revival of the eighteenth century, largely stimulated by the discoveries of the ancient Roman cities of Pompeii and Herculaneum. As with the Renaissance, antique specimens were generally prized over modern cameos, and the worldliest men in Europe held them among their collections of art and antiques. That said, carving centres in Rome and Torre del Greco (near Naples) in Italy were established in response to the demand of the Grand Tourists, who travelled to Italy and Greece to become educated in the wonders of the ancient world. It was at this time that shell cameos, mostly made in Torre del Greco due to its proximity to the sea, became more popular, owing to the relative ease in carving shell over hardstone. In addition to Rome, hardstone cameos also became a specialty of Idar Oberstein, Germany, which had a long history with both the gem mining and cutting trade. In a shift away from the collector’s cases of the previous century, the nineteenth century saw a strengthening in the fashion for wearable cameos. After the Empress Josephine donned a cameo-set suite of jewellery at the coronation of Napoleon in 1804, cameo jewellery became all the rage. Napoleon played a further hand in promoting the art by establishing a gemstone carving school in Paris, inspired by his appreciation for the arts of the ancient world. By the mid-nineteenth century shell cameos, in part due to their lightness compared with hardstone cameos, were the height of fashion. Large shell cameos as well as hardstone cameos were set into contemporary mounts, often as suites of jewellery. Some of the best cameos of the nineteenth century—carved by a select group of recognized carvers—were set into revivalist mounts, corresponding to the subject matter. In Victorian England cameo jewellery was particularly prized, due in part to the fact that the Queen owned and wore a number of cameo jewels. One example which can often be seen in official portraits is the Badge of the Order of Victoria and Albert, carved by Tommaso Saulini of Rome, who also produced cameos for the maker of the present suite, John Brogden. To meet demand some carvers set themselves up in London, including William Schmidt, a German carver from Idar Oberstein, who produced cameos for top London jewellers, including Brogden, Carlo Giuliano and Child & Child. In fact, Schmidt purports to have been the first to carve cameos out of opal, which Brogden reportedly displayed in the Paris Exhibition of 1878. An extant example, now in the collection of the British Museum, was set by the Giuliano firm. Regarding subject matter, cameos throughout time have been largely figural, from bust length profile portraits to scenes with multiple full-length figures, and sometimes animals. Ancient Greek and Roman cameos often depicted mythological scenes as well as contemporary figures. During the Renaissance, mythological scenes were popular, often taken directly from ancient sculpture, as well as portraits of notable contemporary figures. During the eighteenth and nineteenth centuries, due to the revivalist styles, both Renaissance and Classical subjects were copied and set into matching (and sometimes unmatching) revivalist mounts. From the Renaissance through the Victorian era, being able to recognize the source of the carving in a cameo was a mark of erudition, revealing in the wearer knowledge of Classical art. As mentioned, the present cameo parure...

A mid 19th century Caduceus brooch, in the archaeological revival style with gold wirework and gold beading decoration, circa 1850, measuring 6x2cm, gross weight 7.9 grams. This ant...

We are thrilled to present this amazing Victorian Cameo Brooch, dating back to the 1830s-1850s. The beautiful portrait of a young Greek lady is expertly carved into the shell with ex...

Incredible 18kt Yellow Gold & Sapphire Brooch made in the U.K & signed. Marked Handmade in U.K. and dated marked, as well as initialed TAD.. Signed Durant. Beautiful emerald cut S...

A turn of the century novelty scatter pin consisting of a green enamel and pearl set turtle, and green enamel and pearl spider with cabochon cut ruby eyes, all in 18ct yellow gold an...

An unusually large antique "Crescent Moon" motif brooch. Wow! To most antique jewelry lovers this brooch is exceptional. Made in the United Kingdom circa 1900, it is handmade in 15k ...

A Victorian gem-set butterfly brooch, the body set with old-cut diamonds, the wings embellished with rose and old-cut diamonds, emeralds and rubies, perched on a branch with rose-cut diamond-set leaves, all mounted in yellow gold, the detachable butterfly can be worn individually as a brooch, accompanied by associated fitting, circa 1880, unmarked, tested as 18ct gold, measuring 4.3 2.7cm, gross weight 10.8 grams. This antique brooch is in very good condition for its age. Unmarked, tested as 18ct gold. This colourful and bright Victorian butterfly brooch comes from the collection of Bentley and Skinner, the London jewellers by appointment to both Her Majesty the Queen and His Royal Highness the Prince of Wales. This brooch features a yellow gold floral branch set with sparkling rose-cut diamonds. Resting on the branch is a butterfly set with further rose-cut and old European cut diamonds and decorated with bright and vivid rubies and emeralds. This charming brooch...

An Edwardian diamond and ruby Star of David stick-pin, formed with an equilateral triangle-cut diamond estimated to weigh 0.25 carats, set between three triangular-cut rubies, all fi...

Beautiful victorian English 15 Kt. yellow gold, turquoise, and pearl brooch. Reverse - tube hinge, lever catch, and locket back. Great condition. Locket Back Dimensions: 2.0" Lengt...

An Antique Victorian Finely Carved Shell Cameo Brooch with a bail - provision to wear a piece as a pendant within a 9K Yellow Gold decorative rope border featuring safety chain be...

A beautiful example of Victorian craftsmanship, this antique cameo brooch features a finely carved portrait of a Grecian woman in profile. The delicate carving is set into a soft pea...

The Cut Steel in this brooch is remarkable because of the multitude of forms that make up this heavily textured design. The center is cut like a rose cut dia...

Rare Pair of Georgian REGARD Turtle Dove Brooches, ca. 1820s A symbolic and museum-collectable example of acrostic jewels, featuring two doves, mounted with various gemstones, where the gems spell out "regard" - (R)uby (E)merald (G)arnet (A)methyst (R)uby (D)iamond. The pieces are further accentuated with fine cannetille gold work throughout. About Acrostic Jewellery and Turtle Doves In acrostic jewels the first letter of each gemstone spells out a word. Typical examples are words of endearment like "adore", "dearest" and "regard". The utterly romantic trend of acrostic jewels began in the Georgian era and flourished throughout the Victorian period. It is believed that acrostic jewelry was first created by Jean-Baptiste Mellerio of the House of Mellerio, who started designing jewels with gems that spelled out “j’adore.” Napoleon Bonaparte admired Mellario’s acrostic designs and commissioned acrostic jewels for both Empress Josephine and his second wife, Empress Marie Louise. Secret messages of love encoded in gems went perfectly with the Georgian and Victorian love of romance and symbolic meanings. These sentimental jewels would have been gifted to lovers, family members, or even treasured friends. Further to being acrostic jewels, these doves also represent love and faithfulness, because they mate for life, work together to build nests and raise their young together. They are immortalized in literary and poetic works, such as the Old Testament, and artists like Shakespeare, Edmund Spenser...

Wonderful gold plated abstract wave brooch, with a matt finish. Measuring length 9.05 cm / 3.5 inches by width 3.5 cm / 1.37 inches. The brooch is in ve...

A turn of the century ruby and diamond stick-pin, depicting Fleur-de-Lis encrusted with thirteen old European-cut diamonds, estimated to weigh 0.20 carats in total, and six round faceted rubies, estimated to weigh 0.10 carats in total, all mounted in platinum and yellow gold to a yellow gold pin, circa 1900, the jewelled part has indistinctive mark, measures approximately 1.4x1.25cm, the pin is 6.5cm long, gross weight 2.2 grams. This antique pin is in very good condition for its age. Unmarked, tested as 18ct gold and platinum with 9ct gold pin. This attractive ruby and diamond stickpin...

This wonderful Georgian gold lyre brooch is set with amethysts and has a little locket with a hinged lid. The lyre is the instrument of Apollo. In Greek an...

Beautifully crafted in 15K Yellow Gold, this stunning Bar Brooch is Edwardian, i.e. dating from the turn of XX century Of elegant elongated design, it features 2 horizontal bars ...

This exquisite brooch features a stylized cloud from design embellished with an exquisite landscape pictorial executed in hand done Guilloche enamel . The scene is one of a twilight ...

This original antique piece features a 5.8mm cabouchon onyx diagonally set from a fine quality old cut diamond weighing approximately 0.40ct both rubover set onto a Deco design bar b...

A Victorian pear rose cut diamond with blue sapphire and red ruby set in 14k gold and silver , the central rose cut pear diamond ( approximately ...

An impressive vintage 1970's enamel, 9 carat rose, white and yellow gold bird brooch in the form of a goose; part of our diverse enamel jewellery and estate jewelry collections. This fine and impressive vintage gold brooch has been crafted in 9ct yellow, white and rose gold. The brooch has been modelled in the form of a goose in flight. This tri-coloured gold brooch has a textured decoration replicating the fine details of the bird's feathers. The head of the goose is embellished with a black and white enamel decoration. The underwings of the 9ct yellow gold brooch are crafted in 9ct white gold and the anterior surface of each wing features 9ct rose gold. The brooch secures to the reverse with a hinged pin and clasp fastening. The reverse of the brooch is hallmarked with the 9ct gold fineness mark (.375), the Birmingham assay office mark (anchor), the date letter for 1978 (D) and the maker's mark A&W. Images do not always reflect the true colour and brilliance of gemstones and diamonds. The video however provides a truer representation of the actual colour and showcases each stone. Date: 1978 Origin: Birmingham, England Condition This impressive brooch is fine quality set with fine enamel decoration; the enamel panel is in perfect condition. The vintage gold bird brooch with enamel is an exceptional gauge of gold and is in excellent condition, with clear hallmarks to the reverse of the setting. Reflections in photographs may detract from the true representation of this fine example of vintage enamel jewellery...

An Edwardian diamond and emerald stick-pin, the square shaped openwork panel consisting of six interwoven stripes finely millegrain-set with forty-five rose-cut diamonds, each corner...

A fine and impressive antique Victorian pearl and blue colored glass, 9 karat yellow gold bar brooch in the form of a spider; part of our antique jewelry collections. This impressive antique bar brooch has been crafted in 9k yellow gold in the form of a spider. The cephalothorax of this fine representation of an arachnid is ornamented with a 2.5mm pearl, and the abdomen embellished with a mixed oval cut blue colored glass stone which resembles a sapphire. The stones are both displayed in millgrain decorated bezel settings. Completing the spider, are eight realistically modelled legs. This piece of Victorian jewelry secures to the reverse with a hallmarked hinged pin and hook fastening. The hallmarks to the pin and hook fastening include the 9k fineness hallmark 375 and the Sheffield Assay Office mark (Sheffield rose). The Victorian spider...

A Victorian demantoid garnet and pearl lizard brooch, the body set with a central row of graduating round faceted demantoid garnets and two half pearl-set rows on the side, with face...

Antique Victorian Silver And Enamel Brooch Dated Circa 1880 Beautiful original enamel scene with realistic flowers and foliage.

An Edwardian gold and diamond dog stickpin, in the form of a dog in a resting position, the collar and eyes set with old-cut diamonds, marked 18ct gold on...

A diamond-set partridge brooch, the body pave-set with round brilliant-cut diamonds estimated to weigh approximately 5 carats in total and a round fac...

Antique Bird Brooch 15ct Gold Stamped Circa 1900 This exquisite Edwardian bar brooch is a true masterpiece. Crafted from 15ct gold, it features a lovely bird design with a natural...

Wonderful antique Victorian Whitby jet pendant with a metal bow brooch and dog clip, and featuring a lovely painted porcelain portrait. The dog clip is attached to the pendant with black ribbon. Measuring length 8.7cm / 3.4 inches by maximum width 3.8cm / 1.5 inches. The bow brooch has some wear, and the pin is loose inside the clasp. The porcelain portrait pendant is in very good condition. This is a beautiful antique Whitby jet...

ntique Pearl Flower Brooch 15ct Yellow Gold Stamped Victorian Circa 1890 Hallmarked Chester Beautiful, Victorian double bar brooch. Features a centre flower set with a pretty, ...

This exquisit profile portrait of a bearded gentleman is mounted in 1800 ca in an exquisite hand made frame. The cameo is secured in a wavy inner gold frame surrounded by an outer f...

This good size Vitorian Brooch of an anchor symbolizes hop and faith. A facetted carnelian cross is mounted in silver and secured to the anchor by fine...

Wonderful gold plated dragon brooch, featuring a lovely textured design. Measuring length 7.4 cm / 3 inches by width 4 cm / 1.57 inch. The brooch is in very good condition. This sty...

Victorian Swan Brooch Gorgeous Diamonds & Seed Pearls set in Silver & Gold Check Out Her Beautiful Little Ruby Eye Victorian Circa 1880 Measures 4.5cm x 2cm All of our items a...

This charming pin with a bird was handcrafted in the 2nd half of the 18th century. It is made from steel. The bird is made out of cut steel, its entire surface is covered with tiny ...

This early Victorian brooch was hand crafted from 15 karat gold and finely engraved with foliage framed by ornamental borders. The two gold hoops are held together by a pale blue ena...

Wonderful large antique sterling silver brooch, featuring three hubbell stones (faux turquoise), and decorated with mythological faces a...

This stunning Vintage 18K Flower Brooch by Elizabeth Gage is a true marvel of elegance and craftsmanship. It's adorned with 8 carats of sparkling VS ...

This Cut Steel brooch has telltale Georgian characteristics. Georgian era cut steel has a variety of cut steel bits held in place by rivets to the back brass...