Mixed Metal Earrings

This dazzling pair of statement 1950's clip on earrings, made up of baguette, round and petal claw set violet purple rhinestones in a curved v shaped design, are the perfect finishin...

Vintage Cadoro Gold with Faux Turquoise Dangling Earrings Circa 1980s. These are in a front-facing mogul-inspired design of gold, faux turquoise, and d...

These vintage mixed alloy moonstone cluster screw back earrings exude timeless elegance and unique charm. The earrings feature a captivating arrangement of luminous moonstones, each ...

Inspired by the captivating beauty of the Siamese Fighting Fish, these Siamese Betta Fish Diamond Earrings bring the mesmerizing elegance of the aquatic world to life. The dynamic fl...

These clever mixed metal earrings look great for any occasion! The were made in Italy out of a combination of 14 karat yellow gold, white gold, and rose gold herringbone chain. The e...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Dangling Resin Earrings. Misshapen Pieces Form these Very Classy and Chic Earrings That are ...

Maison Gripoix Vintage Faux Turquoise and White Layered Dangling Earrings. There are three layers to this, all wrapped in an offset gold tone and then a long, dangling piece. These are so stunning and look good with many colors. Clip On. These are proper statement earrings in that they are so well-made. These can also be worn in the winter against dark colors. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Yves Saint Lauren YSL Gold Tone Couture with Large Crystals Circa 1980s. Vintage French Gold Tone with Large Crystals. These are spectacular. Clip On. The Couture pieces...

Antique Style Sterling Silver Ruby and Simulated Diamond Drop Earrings. The earrings features mixture of rubies and simulated diamond adorned in antique style - vintage gunmetal and ...

The white gold and yellow gold mixed metal look is gorgeous with the hammered finish. They have an oval shape that looks perfect on anyone’s earlobe. They sparkle from across the room and they are perfect to wear everyday! The details for these gorgeous earrings are listed below: 1 Set Metal Quality: 14K Yellow / White Gold Earring Type: Hoop Earring Length: 25 mm...

Vintage Yves Saint Laurent YSL Haute Couture Gold Pearl Dangling Earrings. These were created for the Defile, also known as the runway. ...

A stunning pair of earrings from the Victorian (ca1880s) era! Crafted in 18kt yellow gold and topped in sterling silver, these incredible earrings begin with an ornate surmount. Five...

A miniature iteration of the signature poise earrings, an S shaped simple hook design incorporating red jasper and white sapphire gemstones. Sapphire is known as the stone of wisdom...

The details for these gorgeous earrings are listed below: 1 Set Metal Quality: 14K Yellow and White Gold Earring Type: Hoop Earring Length: 4 cm Earring Width: 4.06 mm Post Type: Hinge

Vintage Carolee Gold and Faux Pearl Dangling Birdcage Earrings Circa 1980s. The earrings feature a gold bird with a pink cabochon and diamante face s...

Vintage Yves Saint Laurent YSL Diamante Dome Like Pearl Earrings Circa 1980s. These are so gorgeous. Where do I even begin? The faux pearl is like a flower waking up under a dome of ...

One of a Kind Double Diamond Drop Earrings handmade by award-winning jewelry artist Petra Class with a bezel-set brilliant-cut diamond and a rough diamond individually wrapped and fr...

Maison Gripoix Vintage Red and Green Flower Dangling Earrings Set in Gold Tone. These are some of the most stunning earrings in my collection. The colors, of course, and the way they are made. They are just exceptional. They will always be relevant. They are well-made and make a statement. They are just classy and chic. Clip On. Always In Style. Clip on. I also have them in blue. Acquired in Paris. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their own jewelry in case of robbery, loss, or for unusual pieces to be used in their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous byzantine style of Chanel jewelry was brought to life, fancying golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created exceptional, irregularly shaped pearls from glass for Chanel, imitating the baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls . As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House still crafts jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

Vintage Yves Saint Laurent YSL Couture Sun Burst Long Dangling Earrings Circa 1980s. These feature faux turquoise, amber, and gold beads, as well as quartz beads. These were created...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Textured Earrings. Clip on. One of those that becomes magical when you see it on you. These are the types of earring...

This incredible pair of 1930's screw back earrings, constructed on a filigree gold toned brass base, in a scalloped medallion shape, are the perfect statement piece to add to your je...

Vintage Philippe Ferrandis Dangling Gold-Tone Earrings, Circa 1980s. These are so chic. They resemble a plant with a tiny ladybug, although it is not immediately apparent. It's a spe...

Vintage Gripoix Translucent Earrings with Pieces Of Gold. Dangling Earrings With Pieces of Gold and Stones. Long Necklace/Sautoir on Site to Match. So Gorgeous! Clip On. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent woman struggling with the limitations of living with a husband who lacks any exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colours and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Gold Tone with Red Enamel Earrings Circa 1990s. These earrings look so chic on the ears. They are gold tone, but at the ear point, you see the red snake at the point of your...

Vintage Yves Saint Laurent YSL Diamante Half Flower Earrings Circa 1980s. These earrings are a Flower that has been cut in half. There are specific ones for the left and right, so t...

Vintage Panetta Gold Tone Diamante Faux Turquoise Earrings Circa 1980s. They are shown in gold metal with diamante and faux turquoise. Always in sty...

Vintage Vendome Large Slinky Dangling Hoop Earrings. These have the most divine look. Clip on. These look absolutely fabulous on, and it's hard to put into words. It is as if they come alive. They are deep, so when you wear them, they appear substantial. They are comfortable to wear. That slinky look is so divine. I have seen and owned the medium-sized ones before, as they are part of my personal collection, but I had never encountered the larger ones until now. They are the only pair I...

Vintage Diamante Fringe Dangling Waterfall Earrings. Looks great with a t-shirt or for a night out. Clip On. These look so fun and so chic for the holidays or even for lunch out during the next few months. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

One of a Kind Balance Earrings by jewelry artist Lauren Harper hand-fabricated in 18k yellow gold featuring a matched pair of custom-cut and faceted hexagonal rainbow moonstones uniquely flush-set in hexagonal 18k white gold elements set with round brilliant-cut white diamonds. These six sided elements balance perfectly in place by way of six 18k yellow gold chains hanging from a single jump ring and finished on accented 18k yellow gold ear wires. About the designer - Lauren Harper has always had a strong creative spirit. As a child, she was a classical violinist. As a young adult, she painted and sang. Finally, Lauren found her calling in the art of jewelry design and metalsmithing. "I wanted to work with my hands”, she says. “It was important to me that I have something tangible at the end of a days work." Traveling to the exotic locales of Namibia, Botswana, South Africa, Cambodia, Thailand and Laos, Lauren searches the world for gemstones of perfect color and distinctiveness. She uses warm blends of 18k and 22k gold and studs them with brightly colored combinations of precious gemstones and brilliant diamonds. Lauren finds her inspiration by merging the individual characteristics of each stone with the art, architecture and culture of the places she visits. From ancient Egyptian and Byzantine designs, to Khmer ruins, her muse is the world at large. "The collection has its roots in the past,” she says, “so it is never off trend."

Rose quartz is featured in these delicate yet dramatic Mughal style dangle earrings. The rose quartz was melon carved and expertly finished in India. Complimenting the gems are bri...

Vintage Rondell Dangle Ball Earrings, Circa 1960s. These earrings just bring a smile to my day. They are so well-made and spectacular. There is a larger Rondell ball at the bottom, f...

Gold-plated Oscar de la Renta earrings with amethyst Swarovski crystals in a floral drop design. These Oscar de la Renta gold-plated clip earrings depict a lilac branch motif adorne...

Vintage Versace Gold Tone Dangling Pieces Hoop Earring Circa 2000s. These fabulous earrings feature a small hoop with a long, dangling V. A vine w...

The eight diamond cluster earrings have a total of sixteen diamonds all set in 14 karat solid gold. There is a 14 karat white gold center and a 14 karat yellow gold textured edge wit...

Vintage Jerval France Gold Tone Ivory Color Earrings Circa 1960s. These feature a beautiful aquamarine-colored crystal in the center, surrounded by go...

Unveil timeless elegance with these vintage-style drop and dangle earrings, masterfully crafted from rhodium-plated 18K white gold. Each piece captivates with a 6x9mm natural black o...

Vintage Christian Dior Boutique Gold Tone Butterfly Earrings With Diamante. These can also be clipped at the side of the ear for a very different look. The Butterflies look like they are Creepers. Clip On. One of the most well-made and gorgeous earrings in the collection. Beautiful just to even look. If you remind me, I will send Velcro dots, which will allow you to do cartwheels and wear them for hours. Trick of the trade from the models in Paris. Velcro dots from Amazon that allow all clip...

Vintage Yves Saint Laurent YSL Pink and Red Flower Earrings, Circa 1980s. These are flower earrings set in gold tone with red crystals. The tiny di...

Prism Facet Drop Earrings hand-fabricated by jewelry maker Elizabeth Garvin in oxidized sterling silver (on 18k yellow gold ear wires) featuring a mat...

Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Set in Gold Tone Clip On. Always In Style. Very Classic Chic. These are so spectacular. I have them in red as well. The prices differ because they were purchased at different exchange rates. These are stunning. They will never go out of style!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle, so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

One of a Kind Earrings hand-fabricated in Belgium by acclaimed jewelry maker Eva Steinberg showcasing a stunning matched pair of lustrous 10mm round peacock blue Tahitian pearls...

Vintage Gold Tone With Blue Diamante Drop Earring Circa 1990s. These drop earrings are so unique and look fine. When I first saw them, I thought they were fine. Upon closer inspecti...

Discover the enchanting allure of these exquisite drop earrings, meticulously crafted from rhodium-plated 14K white gold and adorned with natural diamonds of F-G color and VS1-VS2 cl...

Vintage Yves Saint Laurent YSL Gold Open Heart Earrings. Clip On. People always know this is YSL. These are classic earrings that exude chic. If...

Vintage EP Gold Byzantine with Faux Dangling Pearl Earrings, Circa 1980s. These earrings can transition seamlessly from day to night or complemen...

Gold hoop earrings are a staple in fine jewelry! These classic earrings are timeless and upgrade any outfit! The 14 karat yellow gold and white gold hoops are lightweight and comfort...

Vintage Vendome Slinky Dangling Hoop Earrings. These have the most divine look. Clip on. These look fabulous on, and it's hard to put into words. ...

A, lovely pair of dangle lever back earrings by Gurhan. These beautiful earrings are composed of 24k yellow gold and silver. These, beautiful earrings were inspired in a quilted pear...

The twist of these hoop earrings is so clever using 14 karat white and 14 karat yellow gold. The earrings have a hinged clasp that is very easy to put on and makes for a classic pair...

Vintage YSL Pink and Amber Color Dangling Earrings. They are two round discs on top of each other to form these earrings. As they are Slightly Domed, you see earrings almost all th...

Vintage Givenchy Gold Tone Feather Like Front Facing Hoop Earrings. Clip On. There is also a Necklace on site that matches. Again, I say t...

Vintage Lorenz Baumer Gold Tone Crystal Earrings. Amazing Shape. 2" L x 1.75" W. Lorenz Baumer is a renowned jeweler in Paris, located on Place Vendôme, and has designed fine jewe...

Vintage YSL Gold Tone with Varying Shades of Pink and Crystal. Clip On. Another YSL that is just magnificent. These are definitely from the 1980s, but they remain so relevant today and are not mass-market products. When you have these, you have them forever. These are true collectibles to be handed down. They match anything. Wear a black outfit, white outfit...

Vintage Kramer Gold Tone Flower with Pave Circa 1970s. These are so special and unusual. They are 3D, with the flower blooming and having depth, and the inside bloom part being a sma...

Vintage Silver Tone Diamante Hoop Earrings, Circa 1980s. These earrings are so fine-looking. They don't photograph well at all. They are pave and with dimension, as there are cutouts...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Heart Textured Earrings. These have it all. Weighty, Textured, 3D. If I only had one pair of Heart earrings, I wo...

Vintage Diamante Fringe Dangling Long Waterfall Earrings Circa 1980s. Looks great with a t-shirt or for a night out. Clip On. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. You don't need an occasion to wear them! I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

Vintage D'Orlan Gold Tone Byzantine Drop Earrings. Large oval, highly detailed drop pieces hang down from a rope-like top piece. Clip on. You can wear the pl...