Frank Hess for Miriam Haskell Jewelry & Watches

Beginning in 1939, American Miriam Haskell asked her first designer since 1926 Frank Hess to sparingly use metal in their costume-jewelry collections during WWII while war materials were needed. So not unlike the Spring/Summer 2024 floral appliques designed by Balmain artistic director Olivier Rousteing, hand-crafted rose-motif plastic never looked more beautiful in the 20th Century than such eye-catching glossy creations as these ballet-pink clip earrings by Hess. In this reflective and sparkling pair of lightweight slightly asymmetrical climbers, shiny film-like rhodoid is hand-cut, layered in three dimensions for irregular shadows, and riveted with clear roses-montees to a thin silver metal frame, which replaced Hess' characteristic wired Russian-gilt brass frame while still resembling his earlier construction (see our other Haskell listing for an early double fur-clip chain lariat). The earring clips, with tiny holes that were used for unsigned Haskell...

This Miriam Haskell (1899-1981) brass-wire wrap coil bracelet that features handcrafted peacock-colored beads and decorative gold-gilt brass was created by her first designer Frank H...

This early Miriam Haskell lacquered shell and brass-and-wood-decorated clip brooch was created by Frank Hess, her first designer since 1926. The circa 1930 brooch features three seas...

Featuring the earliest white-swirled glass and enameled faux-pearl round beads handcrafted by Parisian lampwork-master Louis Rousselet for American entrepreneur Miriam Haskell and he...

In the late 1920s during the Art-Deco period, this Miriam Haskell white mostly glass-beaded sautoir was created in New York City by her first designer Frank Hess. This uniquely hand-...

Beginning in 1939, Miriam Haskell asked her first costume-jewelry designer Frank Hess to spare the use of metal during WWII while war materials were needed in the United States. So t...

Miriam Haskell was born in 1899, opening her first boutique near the McAlpin Hotel in New York in 1924 with the title ‘Miriam Haskell – le Bijou de l’Heure’, selling unusual, handma...

A very interesting necklace by Miriam Haskell from the early 1950s. Consisting of larger and smaller agate balls and smaller glass balls. In the middle the...

These lovely pair of dangle clip on earrings from the 90's are a gorgeous shade of light green glass against the gold. They are by Frank Hess of the Miriam Haskell collection and are...

- Vintage item - Collectible costume jewelry piece from the '40s - Extremely rare, early design from the iconic designer Miriam Haskell - 7" length, adjusts to fit most wrists - ...

A very decorative and important necklace by Miriam Haskell, shown in "Miriam Haskell Jewelry" by Cathy Gordon & Sheila Pamfiloff page 110. It consists of 1.5 cm large yellow cut...

A splendid necklace deigned by the earliest and leading designer for Miriam Haskell, Frank Hess. Made from gilt metal and rose montes (clear flatback pastes individually set), it is classic vintage...

Two years before the brand signature first appeared in 1947, Miriam Haskell's first designer Frank Hess since 1926 designed these asymmetrical Baroque-style climber earrings. To be p...

A spectacular Vintage Miriam Haskell White Flower Necklace from the 1940s. An important, statement cluster or open white glass flowers forms the focal point of this incredible piece ...

Featuring a relatively heavy fringe of dangling Russian-gilt brass bars and contrasting French-blue textural hand-pressed glass beads topped with filigree caps to resemble flower bud...

With the earliest brand signature from 1947-1949, these Miriam Haskell (1899-1981) hand-wired Russsian-gilt brass floral French-wire-clip earrings were created by her first designer ...

Miriam Haskell green faux jade Grape Cluster fob bracelet c. 1950 designed by Frank Hess. A Cluster of Pate de Verre Beads and Prong-set rhinestones with ...

During the Art Deco period, Miriam Haskell's first designer Frank Hess designed this blue-and-white glass-beaded hand-sewn torsade set of dangle earrings and a choker necklace, whose knotted string is capped with their characteristic Russian-gilt brass flora filigree. Coinciding with the American Great Depression, to offer some less expensive costume jewelry than her initial ready-to-wear styles featuring Parisian hand-crafted materials found in French couture, Haskell reduced the cost of some of her findings by locally sourcing stamped metal and incorporating hand-pressed glass beads from Germany and Czechoslovakia. With a loop, the line from hand pressing the glass can only be found on the blue beads, while the white ones are coated in an organic material like authentic French faux pearls. The ends of the textured cords that string the beaded set were frayed to form a fuzzy opaque dome that hides the knots attached to the filigree caps. No Haskell jewelry was signed before 1947. The unsigned necklace...

- Vintage item - Collectible costume jewelry piece from the '40s - Extremely rare, early design from the iconic designer Miriam Haskell - 2" x 1.5" - Mother of Pearl disc - Past...

Beautiful three piece parure (wraparound necklace with jewelled terminals, wraparound bracelet and matching earrings), a iconic design from the 1930s by Miriam Haskell. In soft cranb...

An early and very unusual three piece set (or parure) by Miriam Haskell. Designed by the most cherished of house designers, Frank Hess, it is a subtle mix of soft coral beads and 'ro...

Miriam Haskell jewellery is some of the most prized and beautiful costume jewellery from the 20th century. The intricate designs coupled with their novel colours and materials have ...

Miriam Haskell jewellery is some of the most prized and beautiful costume jewellery from the 20th century. The intricate designs coupled with their novel colours and materials have made Haskell jewellery hugely coveted by collectors, with the most elaborate pieces fetching many hundreds of pounds. Miriam began her fashion career in New York city working as a milliner but pivoted to jewellery in 1926 when she opened her first shop, named Le Bijou...

A large and strong 'sunburst' brooch designed by Frank Hess, from Miriam Haskell's early days, in the 1930s. As with many pieces, this stylised dynamic flower design is unsigned, and...