Benelux - Sculptures

Jung Jisook wanted to express the lives of atoms that constantly move between life or matter that constantly change while alive. They don't know where the destination is, resemble a ...

Jung Jisook wanted to express the lives of atoms that constantly move between life or matter that constantly change while alive. They don't know where the destination is, resemble a ...

Beautiful, meaningful, practical and decorative mid-century bookends. Given the fact that owls are the international symbol for wisdom and learning, these are the perfect sculptures...

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

Striking and meaningful work of religious art. This beautifully hand carved and over three feet tall, wooden Sacred Heart of Christ statue is another one of our recent great finds. In our view the sculptor has perfectly managed to capture both the serenity and the 'conscious clarity' of our Lord Jesus Christ. This large and made out of solid wood only Sacred Heart sculpture...

Art Deco mid Century German porcelain Figure Rosenthal porcelain figurine Fox. Material: Porcelain, Ceramic, glazed Design: Theodore Karner (Hohenberg an der eger 1884 - 1966 Munche...

Unique large abstract ceramic sculpture by Pierre Digan (1941 -2016), France circa 1970. Digan was besides ceramist a gifted sculptor;...

Iron Sculpture By Robert Michiels, Belgium, 1960s

Carlo Nason designed these objects in the 1970s for V.Nason&Co, the company of his father Vincenzo Nason. They are made of Murano glass in four striking colours. The items could be ...

Large abstract organic wooden sculpture by B. van Beek (1946), The Netherlands 1970s. Made from light tropical wood with a beautiful linear grain and a soft and smooth surface, finis...

This unusual Chokwe mask is probably Katoyo, representing non-Chokwe individuals. The deviation of the mask from the more common Chokwe masks is mainly because they represent Portugu...

Surrealist abstract sculpture made from different kinds of wood. Created by Dutch visual artist Frederik Weerkamp. This sculpture was part of his personal collection. It depicts a p...

These stone sculpture fragments can be dated between the 12th and 13th century. They were finely sculpted by the Khmer people. The Khmer culture flourished between the 8th and 15th c...

Abstract cubistic ceramic sculpture, The Netherlands 1970s. The sculpture is made out of heavy chamotte clay with a beautiful black glazed finish. Interesting composition out of seve...

Sculpture of a human in an acrobatic position on a pole. Textured bronze

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Decorative sculpture of two panters in movements, mounted on a rectangular base. The scultpure is in solid brass, and has a very balanced look.

"Stag, doe and fawn" also know as "Deer family" Art deco bronze depicting a doe and its fawn on a black marble base. Weight 28 lbs - 13 kg.

Two Songye dolls, reductions of the ritual costume of the masked dancers, painted wooden head and body covered with animal skin, feathers and braided fibers. Private collection Brus...

A griffin is a mythical creature, half eagle, half lion. The griffins used to guard the gold of the kinds. Represents ferocity, pride, wisdom, courage and power. This unique and ra...

In 1993 Hans van Bentem started working with the world-famous Ajeto glassworks in the Czech Republic, he immersed himself in the great tradition of Bohemian crystal. This experience ...

Stylish and fully marked Art Deco era table with portoro marble top. The stylish design of this 1920s table / stand makes it ideal for displaying all kinds of antiques and works of ...

Raku skin sculpture by Vica Ceramica Dimensions: D 12 x H 17.5 cm Materials: High Temp. Ceramic. VICA CERÁMICA-STUDIO is a design and sculpture studio established in Mexico Cit...

Giovanni Ronzan tall ceramic animal figure - sculpture. Depicting a Parrot on a tree trunk. Hand crafted and hand painted in strong lively colors. Styl...

These door locks were generally used to protect houses and granaries.Bamana doorlocks range from the abstract and symbolic to representations of ancestors. They are usually larger an...

A finely carved significant Yoruba Male Ibeji figure with a tall headdress, expressive eyes, original bead belt and heavy wear and polish from native use. Areas of encrusted camwood ...

Art Deco Bronze Sculpture by Jean Ortis " NU FEMININ ACCROUPI" Statue en bronze à patine brune représentant une femme nue accroupie. Signée "J. Ortis", avec le cachet du fondeur, "S...

Decorative Grassland Leopard skin Mask Private collection Brussels The raffia splint is covered with cloth and colourful miniature glass beads in vario...

Beautiful set of two antique French Old Paris Porcelain "Porte Plume" - Statues for ink pens. These 2 antique French Porcelain Porte Plume from around 1820-1850 are beautiful hand decorated with a man and woman in oriental Arabic traditional style. This style is characteristic and popular from that time with oriental scenes atmospheres. The "Porte Plume" was used at the secretary desk for inserting the feather ink...

Hornbills are strange and beautiful birds, often incorporated in local cultures. In Africa, they are respected by people and involved in mythology and folklores. These birds are not ...

Dimensions: 38,5cm H , 24cm W, 14 cm D and 28cm H, 27,5cm W, 17,5cm W Condition: Good Material: Brass Color: Gold Period: 1970’s

Antique late 19th C Victorian lifesize bull’s head taxidermy with glass eyes on beautiful oak shield wearing a leather collar with brass bell The mount has a leather collar with bra...

Dimensions: 17.5cm W, 5,5cmD, 4cm H With stand: 8cm H Signed by artist

a unique fun object for your kitchen ! this publicity sign from a French bakery shop ...

Archer Sculpture by Victor Demanet (1895-1964), Belgium , 1930s

Large abstract macramé cat sculpture in wool and rope made by the Belgian artist Louise Denoel. Artist of the international lace biennial in 1983. Height 150 cm.

Bamileke beaded Collar or Torque, Cameroon Private collection Brussels

Art Deco sculpture hoop dancer by Limousin. Patinated Art Metal. On Portor and pink marble base. France 1930.

Valery Pchelin’s distinct approach to sculpture has been shaped by his early experience as a carpenter: different pieces of wood are assembled to construct intriguing artworks full o...

Valery Pchelin’s distinct approach to sculpture has been shaped by his early experience as a carpenter: different pieces of wood are assembled to construct intriguing artworks full o...

Floral Shelf with Three Plates by Chanel Kapitanj Dimensions: D 62 x W 40 x H 100 cm Materials: Metal Unique Piece This collection aims to offer completely unique pieces. Each is di...

Largest and rare antique Black Forest inkstand. If you are a collector of decorative and rare Black Forest antiques then this entirely handcarved inkstand could be gracing your home...

Rare art piece ashtray by Yonel Lebovici. Interesting Kinetic sculpture made of a ceramic hemisphere with a chrome-plated steel shell and glass cover. Inside the hemisphere 4 steel ...

Terracotta Cat Tobacco jar. A Tobacco jar - humidor with a cat or puss on top of the lid. This tobacco jar in the shape of a barrel looks great ! The cat who peeps out of the barrel has yellow glass eyes, wears a bow around the neck and leans on his 2 front paws on the barrel. This tobacco storage box or humidor looks like wood but is made of pottery - terracotta. Due the wood-look / faux bois with the yellow glass eyes, it's in the style of the black forest figural tobacco jars and humidors. The barrel humidor - cigar barrel is numbered under 2404. This great looking cigar box is a beautiful addition to your collection of tobacco jars, a stunning piece on your desk, in your mancave or cigar bar or a collectable object for someone who collects cat sculptures. Antique tobacco jars...

Vintage Swedish Dala Horse by Nils Olsson for Grannas A. Olssons Hemslöjd, circa 1990s. The horse is in good vintage condition and is hand-painted red with decorative accents. This D...

The design of the male torso must be meticulously planned, paying close attention to anatomical details. The layers of MDF should be cut and stacked to accurately resemble the curves...

Large sized abstract sculpture by Valerio Moreschi made in is own workshop in Brescia 1979. Hectic dynamics, burst of imagination and exp...

A French bust in bronze with original gold patina is derived from a masterpiece by Jean-Antoine Houdon. The original Bust of Louise Brongniart (1772-...

Striking and meaningful work of religious art. This beautifully stylish hand carved and large size Sacred Heart of Christ statue is another one of our recent great finds. In our view the sculptor has perfectly managed to capture both the wisdom and serenity of our Lord Jesus Christ. This large size and carved out of solid teakwood Sacred Heart sculpture...

Antique Carousel horse by J.Hübner. A hand-carved wooden carousel horse made by Atelier Hübner Germany - Josef Hübner - Joseph Hubner. This piece of Carnival Art - funfair roundabout horse - Merry-go-round Horse dates circa 1910 and has sulfide eyes, a real tale and stirrups. It's a European Springer Horse - Jumping Horse - Galopping Horse on a metal base. During his life, already more then 110 years !! it does have some old restorations and old repainting but that gives this antique horse the charm of his history: making people and children happy and offer them a ride. Antique carved horses - Antique German Carousel Horses - Hübner horses...

Fine and meaningful, 19th century, goddess of war theme clock. Throughout the 19th century, French artisans have made some of the most amazing quality and meaningful antiques using the most expensive materials and techniques available. This finest quality made and relatively small mantle clock has all of that and that is why it resonates a timeless style that you don't find anymore in this day and age. On top of this clock you have the beautiful Athena bust...

Antique carrara marble hand-carved bust in white statuario quality marble. h 47 x w 32 x d 29 cm

Mid-Century Modern Horse Ceramic Sculpture by Aldo Londi, Italy, 1960

Bronze statue The Kiss, Auguste Rodin by Ara Kunst Germany A bronze statue "The Kiss" Design by Auguste Rodin (1840-1917), made by Ara Kunst, sculpture foundry, Germany. The statue ...

Abstract modern sculpture set in bronze by Hattakitkosol Somchai (Bangkok, 1934-2000). These sculptures are made of solid bronze and come in different shapes that look fantastic when...

Brutalist figurative sculpture made out of rusted metal, reminds us of a tree moved by the wind. Perfect decoration for the garden.

One of a kind and superb condition, extra large ( diameter 38.6 inches) pendant light. If you have a passion for sculptural and meaningful Art then this antique and fully hand carved owl chandelier could be flying your way soon (no pun intended). Because of its size and quality it must have taken one very skilled German artisan weeks rather than days to fully handcarve this unique light fixture. With a diameter of 38.6 inches this is one of the largest, hand carved wooden chandeliers...

The stool represented here is a typical Caryatide stool of the Zela people in the Democratic Republic of Congo. The stool is carved out of wood and is held up by a kneeling woman cov...