California - Case Pieces and Storage Cabinets

It’s rare to find a pair of custom-made nightstands by Chicago-based ELLO. These vintage rare pieces have been in the original home they were custom ordered for. What makes these rar...

A teak museum vitrine cabinet, in excellent condition. This generously sized cabinet features glass panels on all sides, three front doors, and glass shelving inside.

Condition: Expertly Refinished With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage design...

Amazing Midcentury wall unit in handcrafted solid aspen hardwood with exceptional quality and strength.. Featuring expertly carved wood with perfect proportions and captivating desig...

This is a charming 19th century French chest of drawers with attached mirror, crafted in a French Provincial style, likely dating to the mid-to-late 1800s. The piece features the qui...

George III / Chippendale Oak Chest of Drawers. Quarter sawn oak, cross banding with canted corners. Very original condition. Retains the original brasses, steel locks and bracket fee...

A striking rosewood credenza by Danish born designer Kurt Østervig for Brande Mobelindustri, circa 1960s, Denmark. The credenza ...

An Italian 19th century Baroque Revival style carved walnut figural Cassone chest-trunk. The ornately carved chest, also known as a marriage chest, with ...

Wonderful Jacques Adnet table which could also be used as a desk. Beautiful slatted oak wood top and signature caramel leather legs with contrast stitch detail New leather beautif...

A pair of freestanding walnut shelves from England, each showcasing a smooth and polished finish with a uniquely curved silhouette. These shelves are versatile for displaying books, ...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A very fine and rare French 19th-20th century Louis XVI style Belle Epoque ormolu-mounted satine, kingwood and burlwood two-door cabinet, the mounts by Ferdinand Barbedienne, fitted with a shaped Breccia Colorata marble top above a Vitruvian scroll frieze, centered by two doors flanked by putti and griffin mounts, the interior with two shelves, on four tapering fluted legs, the backs of the mounts stamped 'FB'. Paris, circa 1890-1900. Ferdinand Barbedienne (French, 1810-1892) Was a highly important and prolific bronze founder of furniture mounts and more commonly, bronze sculpture including figures, animals, urns, clocks and candelabra. His signature Varied from hand written capitals to stamp in capitals,- Bronzes cast bear...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

Bookcase with adjustable shelves and two drawers with hand-cut dove-tails in all four corners.

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A fine and rare Italian 19th century Baroque style oak-carved figural credenza cabinet. The upper part with a pair of colorful Vitreaux (Stained glass) panelled doors, surmounted on ...

Beautiful vintage “Irwin Collection” mahogany and brass credenza by Paul McCobb for Calvin Furniture, manufactured in the United States, circa 1950s. Thi...

Directoire Style painted Bibliotehque; France, circa 1830.

Circular restored seven-strand rattan wall shelves holding two glass shelves. This stylish round rattan wall shelf adds a touch of tikki-inspired elegance to any space. With two tran...

This three drawer commode is an absolutely unique piece - something Alice, no doubt, carried back from her visit to Wonderland! The cantaloupe-like finish is fun, precarious and soph...

Rectangular top with molded edge over a pair of paneled doors raised on molded base with bracket feet

A stunning tall oak dresser designed by Paul Lazlo for Brown Saltman c.1950s, USA as part of the "Basket Weave" collection. This classic California Modern design features two cabinet...

Unusual, hand carved, veneered, inlaid and ebonized, four drawer, serpentine front commode with clipped corners bolstered by turned pilasters capped with Corinthian capitals. The whole in Burl veneer with foliate style, pear wood inlay. Original, gilt bronze drawer pulls on 3 lower drawers, replacement antique knobs...

This large 1940s rattan "Pumpkin Bar" features a mahogany top, interior shelves and a drawer. The unit becomes a unique barrel or pumpkin shaped accent tab...

COCO CABINET - Modern Ebony Oak Cabinet with Brass Inlays and Acrylic Handles The Coco Cabinet is a luxurious piece of furniture that features an Art Dec...

19th century original stained chest of drawers with original gilded trim. The porcelain knobs or drawer pulls are also original to the miniature chest of drawers. The construction is...

Origin: Denmark Designer: Arne Hovmand Olsen Manufacturer: Linnebjerg Era: 1950s Materials: Teak, Glass Measurements: 39.5" wide x 21.5" deep x 33" tall Condition: In excelle...

Original 1950s RWAY dresser. Dark walnut with brass. Classic midcentury piece in good condition.

In the style of Jean Prouve an etagere with lower cupboard with patinated white painted bypass sliding doors, from the dormitories of the La Residence Universitaire Jean Zay, France ...

Mid-century walnut tambour door credenza manufactured by Glenn of California in the United States, circa 1950s. This storage unit boasts a stunning blend of functionality and aesthet...

Opulent commode, dresser, or chest of drawers featuring a handsome organic modern raffia grasscloth wrapped or clad case. Made in the fabulous style ...

A vintage Dutch pine faux dresser chest. A simple raw wood chest that has three fake drawers on the front, making it look like a dresser. The faux drawers all have varying metal keyh...

Swedish-made blonde Mid-Century Modern bookshelf pair with three floating shelves each designed by Edmond Spence for Walpole. Attractive joinery and a v...

________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precis...

Flower Cabinet by Elisabeth Garouste and Mattia Bonetti in Zebrano wood and Aluminum. Edited by BGH. Made in France circa 1999.

A beautiful fine Maison Jansen commode (France, c. 1960s) with exotic marquetry woods, brass inlay and brass trim, a similar example documented in the book 'Jansen Furniture' by Jame...

A traditional mahogany commode / bedside cabinet with original brass hardware. In excellent mostly original condition (the top surface was refinished in the 20th century). England, G...

18th - 19th century sugar chest 20 x 17 x 23

Our "Venezia" 3-door Credenza and Media Cabinet in old walnut! A lovely combination of Venetian carved details adorn this stylized yet simple credenza which offers custom sizing and ...

Elizabeth Garouste (Born in 1949) & Mattia Bonetti (Born in 1953) Elegant oak cabinet with two doors framing a gilt wrought iron grid on a gilt wrought iron base Collection " En attendant les barbares " France, circa 1990 Ironwork made by Pierre Basse...

Paul McCobb design twelve drawer dresser for his Irwin collection by Calvin. Made with a bleached mahogany case and trifold accordion doors atop a brass plated six leg base and a tra...

This exquisite rosewood tallboy dresser, crafted in Denmark during the 1960s, epitomizes the superior craftsmanship of the Danish mid-century ...

Vintage bookshelf by Peter Shire, 1986-1987. Birch solid core plywood and Abet Laminati Laminate, metal with paint. Approximate: 58" high x 10" wide (front to back) Peter Shire:...

Teak glass fronted bookcase designed by Pierre Jeanneret for Chandigarh. Thick teak solid wood shelves inside. Provenance: Administrative buildings, ...

Rare and important display cabinet by the master Gio Ponti, model 4120 for Singer & Sons. Elegant and architectural display cabinet in gorgeous Italian walnut with brass sabots and p...

Italian Old Walnut Credenza with Olivewood Burl: 18th Century Style Extraordinary Italian handcraft as exhibited in this finely mastered Italian four-door and four-drawer credenza ...

George III mahogany secretary, late 18th century. Pediment with dental molding, two glass doors with through mullions, two adjustable shelves and four drawers on the bottom, a central single board slant top, interior with central prospect door flanked by 4 letter slots and 7 drawers, below are 4 graduated drawers with cock beaded moldings, all drawers with locks stamped "Sam Hall...

18th century Regency commode with marble top.

Very Large French Enfilade. Circa 1770, Marble top is in two pieces. Multiple drawers, lots of storage. Beautiful marble top.

Pair of Raoul Guys French wicker and iron wall shelves France, circa 1950’s Can be mounted two ways Clean lines, beautiful and functional Wicker delicately wrapped around sturdy iro...

Vintage 1960's Mid-century Modern china cabinet for sale. It's in great original condition, and a very high-quality designer piece. It's made of walnut, and has three smoked glass pa...

Pair of Chic long 'Esquisse' parchment consoles from our Exclusive Design Frères line. Chic combination of a slender blackened iron base with an inset goatskin (parchemin) clad top. ...

Jacques Dumond bookcase - Lyon, France circa 1963 Fully modular bookcase composed of nine boxes, each in two molded plywood elements connected by cast aluminum hardware that fasten ...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

Walnut Renaissance three-drawer chest with raised panels on the drawer fronts and 17th century brass drawer pulls and escutheons. We believe this piece to be a modified prie dieu as ...

Late Victorian four-tier tiger bamboo with handwoven rice mat shelves. Restored to new for you. All rattan, bamboo and wicker furniture has been painstakingly refurbished to the ...

1940s French sideboard with burgandy inlaid top and simple circle brass hardware. Clean and simple design with storage capacity with shelves and original keys.

Modular set of reinforced fiber concrete shelving cubes in three sizes retaining remnants of the original black finish by Swiss architect Willy Guhl ...