Continental Europe - Sculptures

Concorde Model Scale 1/36 sculpture, in resin fiber, on aluminium polished base. From Air France Agency. On base: height 110cm.

Large beautiful figurative sculpture by Danish artist Jens Jacob Bregnø in jugend style. The sculpture is made of raw sandstone and is signed by the ...

Set of Two Braceli lamps designed by Salvador Dali manufactured by BD furniture in Barcelona. Bracelli Panel structure covered with silver plated polyester painting (Fine gold leaf)...

This textured glass chandelier is composed of individually cast glass petals which are mounted on a brass structure in the shape of a lilypad flower. The chandelier is composed of 24...

Stone sculpture of a four-eyed idol. A superb reproduction of a four-eyed idol in sandstone, the original of which dates back to 4000 BC. These idols were frequently used as votive ...

Basset hound dog statuette in 800 solid silver. The object was made with the technique of fusion in two halves and subsequently joined by welding. In th...

Limited edition Disney princess sculpture of Cinderella and her carriage, decorated with handmade gloss finish porcelain flowers. Designed and handmade in Spain. Unique pieces by the...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Original chair in golden oak, satin finish. Flared legs, backrest and seat upholstered in a textured cream fabric by Dedar.

Impressive Art Deco Bronze Sculpture of a Panther by Emile Louis Bracquemond, bronze with black patina, on a Belgian black marble base. Signed and with founders signature Etling Par...

IMPORTANT SEDES SAPIENTIAE VIRGIN AND CHILD ALSO CALLED « THRONE OF WISDOM » ORIGIN: FRANCE, BURGUNDY PERIOD: EARLY 13th CENTURY Height : 75 cm Len...

This verdigris metal crab statue was most likely made in the 1960s in Italy. Can not tell the maker or the artist and it is not signed. This particular crab statue is a beautiful pie...

This is a bronzed, plated metal sculpture, in the style of the antique statues and figures of the Etruscans. It is a gorgeous interior furnishing item, an incredibly stylized Horse a...

This is a plaster bust reproducing the Torso Gaddi, the famous fragmentary sculpture displayed in the Uffizi Museums in Florence, which inspired many great artists of the Renaissance, including Michelangelo. The piece, handcrafted by the skilled artists of Galleria Romanelli...

Painted ceramic, good original vintage condition. Beautiful and unique decorative sculptures. White Spaniel Dogs Sculpture was produced in Staffordshire, England in 1960s. Only one pair of dogs...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each part is handmade, wether it be cast, milled, fabricated and finished from our Swedish workshop. With a combination of hand-brushed and polished surfaces, this solid brass fixture...

Art Deco style panther sculpture BAGHERA by Max Le Verrier. Signed Le Verrier and with foundry mark Le Verrier Paris. Designed around 1920. Posthumous contemporary cast. Patinated ...

In their long career, Belgian ( interior) designers and architects Claire Bataille and Paul Ibens have remained true to their starting point: striving for the greatest possible simpl...

Classic early 1910s Desk Catchall figurine. This polychromed cold painted metal is probably something you need if you’re a Vienna bronze or a dog figure collector. Also nice as a gif...

Murano Sommerso Teardrop Glass Sculpture, Attributed to Flavio Poli for Seguso Vetri d’Arte A striking Murano glass teardrop sculpture in the...

Lalique France Crystal “Le Faune” Dancing Nude Lovers Pan & Diana Figurine, from the 1960s. This Crystal Figurine features two nude lovers, Pan and Diana, dancing in a romantic pose....

Elegant Art Deco sculpture of an athletic scouting / watching male figure by Jean de Roncourt from France around 1930. Very good original condition, greenish patinated Spelter / Zinc...

Wall plate Morbelli.

Italian School Sculpture "Hermaphrodite" 19th Century Carrara White Marble Group presented on a marble base Total height: 18 cm Width: 46.5 cm Depth: 25.5 cm good condition some defe...

Art Deco bronze sculpture two panther heads by Irenee Rochard, France 1930. Bust of two panthers. The bronze has a green patina and stands on a Belgian Black marble base. Literature...

Atelier mannequin graven and carved stone pine wood Italy, late 19th century Measures: H 102 cm x 25 cm x 14 cm H 40.15 in x 9.84 in x 5.51 in Weight: circa kg 4 State of conse...

Extremely rare, very decorative and lifelike horse made of leather. Probably from the house "Liberty's London" in England. The proportions are wonderf...

Sculpture amethyst flower I on marble base with metal gold finish leaves, with minerals stones sticks and with amethyst stone in the heart of the flower.

Midcentury amazing rare sculpture ‘Onorevoli’ series in terracotta by Aldo Londi (1911-2003) for Bitossi. Made in Italy in the 1960s. Natural terracotta, unglazed and incised with ...

Glazed ceramic wall lamp with geometric relief made by the Jean Roger workshop in Paris. Available in green, yellow, blue, pink, brown, and matte white colors and in two sizes. Made...

Symbol of strength and virility, the bull is a staple in ancient Roman figurative art. The majestic head of the animal, animated by a powerful look and masterfully rendered musculatu...

One of a kind sculpture by renowned artist Boris Lovet-Lorski, depicting a majestic horse in a completely stylized pose, with elongated shapes and gentle curves. The legs are simple...

Stig Lindberg stoneware sculpture horse with hand painted decoration for Gustavsberg, Sweden 1950-1960s. Marked on the bottom with the Artist sign. Excellent vintage condition.

Sculpture gold dragon all made in porcelain and gold-plated in 24-karat. With gold-plated polished brass whiskers. Exceptional piece.

Made in France with hand-turned, flared oak legs. Upholstered backrest and seat in a textured cream bouclette fabric (LG.FB-89).

Marble Camel Sculpture, Zoomorphic Carved Figurine, Morocco 1970s Folk Art piece from Morocco made of marble. Hand-crafted object, finely engraved with geometric patterns on both s...

Antique sewing bust from the 50s, by Stockman. Stockman couture mannequins have been handmade near Paris for 150 years. Made of papier-mâché from recycled paper and covered with the ...

Design inspired on an artwork by Salvador Dali´: Interpretation project for a stable-library, 1942 Stuffed lamb, elaborated with a technique by a taxidermist. Drawer and table top i...

Add a touch of charm to your home with this exquisite ceramic Terracotta English Bulldog sculpture. This piece captures the playful spirit of the beloved breed with intricate detaili...

Sculpture leopard black and white left all in hand-crafted ceramic mad ein Italy.

Art deco sculpture circa 1930 in copper spelter. White bakelite arch all on a marble base black and onyx. Signed J De Rouncourt on the marble base. In very good condition, note some ...

Measurements and infos: Type: figurine of boy and fish. Height: Approximately 21 cm (8.5 inches). Base diameter: Approximately 9 cm (3.75 inches). Material: terracotta w...

Art deco sculpture circa 1930 in spelter with brown patina. Signed Plagnet on the Portor marble terrace, a French artist working in the period 1920-1930. In very good shape. Height...

Small rooster figurine by Walter Bosse, Vienna, around 1950s Original condition.

Stunning, rare and important vintage midcentury modern centrepiece in bright, vivid green uranium 'Massello' glass sculpture of a female nude bust and torso by master glass blower E...

Beautiful and exceptionally rare pair of bronze sculptures with a magnificent gilding, France early 20th century. Signature on the base of each sculpture "G. Flamand". By the artis...

Pair of 3 flowers sconces in white enamelled ceramic, as all the Georges Pelletier ceramics, this pair of sconces is bringing to your space an amazing ...

Sculpture Horse Black with all structure in porcelain in black matte finish.

Bronze sculpture with wooden base, Homage to Marino Marini 1950s/60s

An impressive mid 20thC. life size Art Deco stone Jaguar. Provenance: private collection Athens, Greece. Note: old restorations on the tail Dimensions...

Pair of table lamps by Michel Zadounaisky, France, 1930s. Partially black patinated wrought iron antelopes. Measurements: Each-length 10.2" (26 cm), height without shade 9.8" (25 cm)...

Two 1960s Modernist Clear and Gold Murano Glass Sculptures of Swans are a delightful representation of the artistry and craftsmanship associated with...

The Murano Glass Goto collection brings a piece of authentic Italian art to your dining table. Hand-blown with artistic expertise, these glasses are inspired by the traditional Venet...

- Hand built decorative cat sculpture - made of clay collected from the potter's surroundings. - decorative motifs painted with a goat hair brush made b...

Sculpture Samurai Raku red and silver made in Raku ceramic which have metallic silvered sheen. Raku ceramics Samurai are distinguished by their raw appearance. The smoking techn...

This rare and exquisite limited edition glass plate was designed by the celebrated Italian artist Arnaldo Pomodoro and produced by Ars D Milano. The piece, with a diameter of 32 cm, ...

Wonderful Italian wooden door from Capri belonging to the 1960s, in a beautiful rustic chic style. The door is a classic rectangular door, but lower than the current norm because houses were smaller before. The door is made of fine wood and very durable, with clear scratches and wear, but this is what gives beauty to the object. The lower part is decorated with two pairs of rectangles, finely carved. The upper part, on the other hand, shows two glass rectangles, with a wooden bar dividing them in the middle. The door has a lock and handle: both are made of brass in patina, attached to the wood with two screws. The door is a wonderful piece of furniture to refer to the vintage and rustic...

LUNA borosilicate glass, flame-worked. This interior decoration embraces the heritage of the classic Murano tradition, showcasing a contemporary design with a vertical progression of...

A beautiful and exceptionally 19 inches tall classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the early 20th century, covered with a layer of wax. Signed by the artist on its underneath. In good condition with charming patina. A classic traditional doll with a simple but lovely design, a decorative piece. In Japan these dolls symbolize love, friendship and believed to be a lucky charm. We offer more large Kokeshi...

Vintage Hollywood Regency Chinese Elephant Plant Stands. Very decorative, can be also used as bookends. Hand painted and fired in a glossy...