Continental Europe - Case Pieces and Storage Cabinets

Modular Mid-Century bookcase with wooden structure and gilded brass details. This elegant piece offers versatile storage with four shelves, a central cabinet, four drawers, and two f...

Great cocktail bar in the style of Gio Ponti, featuring a mirrored display cabinet and two stools. On patinated brass X frames, the bar cabinet has three individual wood sections wit...

A 19th Century French provincial sideboard or buffet in Louis XV style. Made of solid oak. Traditionally crafted oak body with 2 doors, 3 drawers and a slightly protruding moulded ...

This rare and beautifully restored Art Deco bar cabinet from the 1930s is the perfect fusion of form and function, offering a stunning solution for those seeking a vintage liquor cabinet...

Beautify yourself in the most exquisite way possible with Kanttari luxury dressing table Mona. Available in a curated selection of fashionable finishes, this elegant console table is...

Iron console is a high quality product by Mambo Unlimited Ideas, crafted in natural walnut veneer and lacquered metal feet. The console is divided by one shelf and in two drawers and...

Italian chest of drawers from the mid 20th century. Wavy and rounded piece of furniture, richly inlaid in walnut, burl, maple and beech wood. Small chest of drawers of nice size and ...

Vintage Danish Modern Rosewood/palisander Secretaire by Erling Torvits, 1960s. Stunning Rosewood bureau designed by Danish architect Erling Torvits for Klim Møbelfabrik, Denmark. Th...

Carved Armoire in Bleached Oak, France, 1940s A sculptural heirloom echoing the geometry of French provincial ritual forms Monumental yet delicately resolved, this French armoire fr...

Guillerme et Chambron for Votre Maison, sideboard, solid oak, ceramic, France, 1960s This sideboard by Guillerme et Chambron is a robust and heavy object that speaks through its mat...

Code: FG34 Heavily carved Tuscany Renaissance Revival sideboard featuring sculptural depictions of lions, heads and heraldic coats of arms. Cabinet maker Dini e Puccini- Cascina.

Mid-Century Modern Italian Sideboard with Bar Cabinet, Osvaldo Borsani 1950s Export document only for extra EU This exquisite midcentury modern Italian sideboard with a built-in b...

USM Haller Cabinet with shelves storage by Fritz Haller & Paul Schaerer 1980s. Label: USM Haller Fritz Haller & Paul Schaerer Material: Steel chrome plated with white and blue met...

Wall Bookcase composed of 5 bays with height-adjustable shelves. Designed and produced in Italy in the 60 s. It is made of lacquered metal structure with brass bases and 30 wooden sh...

Pair of Rosewood bedside tables with handles and gilt brass inserts, Italian design, 1960s. CONDITION: In good condition, show signs of wear and tear given by time SIZING: Height ...

Nature Sideboard by Lola Glamour Dimensions: D 45 x W 180 x H 77 cm Materials: Wood. The Nature series is a return to nature, to elegance, to the floral tradition in carving. An art...

Solemn and ceremonial, this petite armoire stands like a devotional column—its oak façade incised with rhythmic motifs that echo both liturgical ornament and rural craftsmanship. The...

Discover the Spectacular White & Black Cabinet, a masterpiece of Italian craftsmanship that embodies the fusion of traditional techniques and modern design. This unique cabinet is ...

This modular teak shelving system, designed by Kajsa and Nils "Nisse" Strinning in the 1960s, is a prime example of Scandinavian functionalism. Versatile sectional design, perfect a...

Very rare cupboard system from the SoftLine series by In Design/Zapf based on a design by Otto Zapf from the late 1960s. A striking design object with function. As a storage option ...

The baroque chest of drawers dates from the 18th century. The front and the lid of the chest of drawers are veneered with walnut marquetry on spruce. The sides are solid walnut. The ...

Two door wardrobe made in Czechoslovakia in 1970s. Door in a high gloss finish. Very good original condition - surface polished. Shipping quote on request.

Hello, This elegant and early Austrian Biedermeier secretaire was made circa 1825-30. The Secretaire is an example of beautiful, rare and refined design and excellent craftsmanship....

Designed by Franco Poli exclusively for Morelato, this unique bookcase is part of the Cartesia collection, composed of perfect objects suitable for any décor. This freestanding bookcase...

Elegant pair of bar cabinet. Decorated front doors with geometrical inlaid. Finished in two-tone blond birch and dark coffee colors.

This haberdashery cabinet was produced during the 1950s in Germany. It features 30 large drawers in beech with glass fronts and metal handles. It was originally used in a shop for be...

This haberdashery cabinet was produced during the 1950s in the Netherlands. It features 36 drawers in beech with glass fronts and metal handles. It was originally used in a warehouse...

Danish Modern Teak Bookcase, 1960s. Scandinavian Mid-Century Modern bookcase in teak. Lower part with two wide drawers. Sculpted pulls in solid teak. Upper part has three height adj...

French Reconstruction armoire model S154 by René Gabriel for the "Service des Constructions Provisoires". René Gabriel insisted on the importance of the finish for this collection, ...

Malcolm bar cabinet is a high quality product by Mambo Unlimited Ideas, crafted in carved wood veneer, brass applications and a marble top. It features slanted corners, elegant polis...

Patricia Urquiola Hayama Cabinet For Cassina With her unmistakable design signature, what Patricia Urquiola creates is an invitation to travel, in the form of furniture – through th...

Two-door cabinet with shallow proportions and richly carved, multi-curved crown, adorned with a winged cherub in a cartouche with wavy edges. The cabinet stands on compressed bun fee...

The bookcase has a structure that is reduced to a minimum by transforming the diagonals into load-bearing elements that allow the sides to be eliminated and emphasise the role of the...

Beautiful chest of drawers designed by Arne Vodder around 1960. Ultra high-end manufacturing made of teak wood with a finished backside so it can stand as a centerpiece. It has the s...

German Art Nouveau Portable Sewing Machine 1890 JONES

Lovo cabinet by Axel-Einar Hjorth, produced by Nordiska Kompaniet, 1930s.   

A striking cabinet made in Denmark during the 1960s or 70s, crafted from Nordic oak in the style of renowned Danish designer Henning Kjærnulf. Known for blending Scandinavian Moderni...

Georges & Gaston Guérin, sideboard, solid oak, iron, Paris, France, 1930s/40s Made in Paris, this sideboard is designed according to the French Art Deco design principles that rose ...

Unique and top quality crafted, solid teak, library steps with dovetail joints. In all our years of buying and selling rare antiques we have never had the priviledge of finding antique English...

These two corner display cabinets showcase Austrian Art Noveau Design perfectly. They are attributed to Hans Bolek who studied in Josef Hoffmann's class of architecture. The cabinets...

Pair of display cases, Italy 1930 – 40 Single display case dimensions 154 W x 183 H x 77 D cm

Lovely 20th century Baroque style chest of drawers from the period around 1940 in Italy. A fantastic looking, perfect sized chest of drawers providing three drawers. This piece has b...

Renaissance cabinet from Burgundy Or Lyon Region Origin : Burgundy Or Lyon, France Period : Second Half 16th Century, C. 1580 Height : 209cm Length : 184cm Depth : 71cm Good condition Walnut wood, original keys and keyholes Around the middle of the 16th century the conception and ornamentation of French furniture evolves. The start of major building projects, such as the castle of Fontainebleau, gives artists a new impulse. Inventive and rich formulas are developed there, before spreading to all of Europe thanks to engravings and printed leaflets. Furthermore, Italian artists working on such construction sites bring French artists and patrons a renewed taste for the Antique. Regarding the art of furnitures, the most complex scenes and figures are drawn from illustrated books, ornament and emblem compendiums and engraving compilations. Rather than copying those images the artisans feed their inspiration and decline the motifs in numerous variations. The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 1540-1550 that we have to look for the origin of leather cut-outs, masks, chimaeras, harpies, sheathed figures, fruit and flower garlands that soon enrich every pieces of French furniture. The structure of the pieces of furniture also evolve thanks to the re discovery of Antique architectures, rigorously used as a model. This cabinet presents an imposing structure and a rich and original decor exemplifying the production of the late 16th century, infused with Italian, Antique and Fontainebleau influences. It stands on a moulded base ornate with palm leaves. It opens with four door-leaves and two drawers in the belt. Six whimsical terms divide the facade. The lower body is horizontally divided by three sheathed female terms. The two standing on the lateral posts are topped with fruits while the body is covered by acanthus leaves carved with precision, belted at the waist. The term standing on the central door-jamb is crowned with laurel leaves and is draped in the Antique fashion. A wincing mask hides the key hole. The two door-leaves are centred by a beautiful mask carved in a strong relief. They wear stylised feathered headdress and are set on draperies. Straps, leather scrolls, acanthus leaves and a shell are spread around the masks. The recessed panels are secured in frames ornate with acanthus leaves. The belt is flanked by two large mouldings enriched with variations of acanthus leaves. The drawers are carved with choux bourguignons and palm leaf motifs minutely executed. The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong and nervous musculature, their manhood hidden by drapes secured thanks to a winged lion head. The term on the left appears to be younger and is wincing while the one on the right has a beard. The central female term brings contrast with her youth and sensuality. As it is the case on the lower body, the key hole is hidden behind the mouth of a faun’s mask placed on the drapes barely covering the intimacy of the caryatid. The panels of the upper body present an idealised architecture comprising pilasters and sinuous broken pediments. The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask. The terms of the upper body support the cornice. The entablature carries palm leaves and roses alternating as well as an egg-and-dart frieze. The cornice is adorned with acanthus motifs. On the sides, the carving is executed flat. A central rose is surrounded by scrolls, flowers and choux bourguignons. We can admire the variety of the elements employed. The artist vary with great genius many different ornamental motifs : palm leaf, egg-and-dart, laurel leaf, roses, scrolls … But the artist went even further as each profile and each face is individualised and presents different features. You can take a look at the faces of the satyrs flanking the upper body’s panels. The talent of the artist is undeniable. It makes no doubt the patron who commissioned this cabinet was an aesthete looking for the greatest quality. The artist who authored this cabinet had a great mastery of composition both in the general design and in the individual panels. They probably drew inspiration from engravings and drawings made especially for the making of this piece of furniture or not. They seem to be familiar with the style of Jacques Androuet du Cerceau. Indeed, we can find in Du Cerceau’s engravings the same juxtapositions of leather cut-outs, masks and fruits. The terms and caryatids used on the facade could very well be inspired by his work as well. The cabinet-maker was also undoubtedly observant of Hugues Sambin, the most famous cabinet-maker and sculptor in the Burgundy of the time. Like Du Cerceau, Sambin left an important ensemble of models particularly useful for the design of cabinets. His publication De l’Oeuvre de la diversité des termes dont on use en architecture (1572) was an essential book for every artisan. All the motifs testify of the artisan’s high knowledge of forms as well as the precision of their tools : super imposition of ornamental elements, foliages, architectural cut-outs, flat and high reliefs alternating, palm leaves inscribed in circular spaces, wincing faces. It is also a testimony of the artisan’s familiarity with Italian and Fontainebleau productions. Because of the proficiency of the cabinet-maker in so many different models, this cabinet truly is a master-piece authored by the hand of an authentic master. The generous carvings executed with great rigour and virtuosity evoke an origin close to Burgundy and Lyon workshops. This cabinet was made by a master of the region during the Second French Renaissance. Literature BOCCADOR Jacqueline, Le mobilier français du Moyen-Âge à la Renaissance, Édition d’art Morelle Mayot, 1996 BOS Agnès (dir.), Mobilier du Moyen âge et de la Renaissance, La collection du musée du Louvre, Louvre éditions...

Marvelous Mid-Century dry bar with stool made in a gorgeous mix of bamboo, rattan, wicker and formica. This charming organic bar was designed by Ti...

18th century Italian Baroque cabinet with capriccio's painted on the doors and drawer. Interior covered with Carta di Varese. Ca 1750, Italy.

The cabinet’s upper body, slightly recessed is topped by an overlapping entablature and cornice supported both in the front and the rear by four fluted columns. The lower body stands on four squared feet and a moulded base. Each door-leaf’s panel is centred by a low-relief carving presenting one of the four evangelists...

Bauhaus tubular steel low bookcase with case in chrome plated metal, lacquered blockboard and sliding glass panels.

"Raw materials are both the medium and the message." — Paul Rudolph A bold expression of mid-century French Brutalism, this sculptural bar is a striking testament to raw materiality...

The definition of rich furniture design, this beautiful sideboard catches the eye from first sights! Superbly executed by our master craftsmen, this display cabinet is particularly o...

Antique Swedish chest on chest in gustavian style made around 1780 in Stockholm, Sweden. The chest is made in a classic, straight gustavian styl...

Military officer’s Campaign chest of five drawers by Ross & Co of Dublin. Crafted in 1860-1880 in solid mahogany with original brass fittings and drawer locks by Hobbs & Co. Gently repolished to preserve the beautiful patina. England / Ireland 1860-1880 Ross and Co...

High-Quality Italian Louis XV / Louis XVI Style Mazarin Bureau Plat — Hand-Finished Reproduction, Circa 1990-2010 This piece is a high-quality Italian reproduction, crafted circa 1990-2010 in the Louis XV / Louis XVI Mazarin style. It is not an original 18th-century antique, but rather a hand-finished homage to the French master cabinetmakers of the 1700s.

 The desk features elegant floral marquetry using walnut, maple, and other light hardwoods, with a finely proportioned Mazarin structure: multiple drawers on both sides, a central drawer above a door compartment, and cabriole legs connected by a decorative stretcher. The ormolu (gilt bronze) mounts are finely cast and richly detailed.

 This reproduction combines the timeless elegance of palace-style French furniture with modern durability and functionality. It offers the appearance and craftsmanship of antique furniture, without the fragility or price tag associated with true antiques. Perfect for luxury interiors, boutique hotel spaces, or distinguished offices.

 Please note: Only one piece is available. Contrary to previous listing details, this is not a made-to-order or unlimited item. It is a unique piece, available for immediate sale and shipment. Dimensions:
 - Width: 143 cm (56.3 in)
 - Depth: 73 cm (28.7 in) 
- Height: 85 cm (33.5 in)

 Condition:
Excellent, with only minimal, barely perceptible signs of age. Professionally maintained and showroom-ready.

 Origin:
Italy, circa 1990.

 Shipping:
Worldwide shipping in a custom-made wooden crate with tracking and full insurance. White-glove delivery available upon request.

 Relevant styles: Mazarin desk, Louis XV, Louis XVI, French palace style, Italian marquetry, Florentine craftsmanship, Bureau Plat, Ormolu mounted furniture...

Exceptional Viennese Art Deco Palisander Sideboard – Circa 1930 We are pleased to present a truly rare and exceptional Art Deco sideboard, masterfully crafted in Vienna circa 1930. ...

Rare antique country cabinet from the mid-19th century, the cabinet is dated "1846” at the back. The cabinet is a genuine country house furnitu...

Stylish and practical Art Nouveau table with built-in display cabinet. This multi-layer and multipurpose piece of Art Nouveau furniture is a great example of the creative and elegan...

Contemporary Brutalist Sideboard, Wood and Travertine, Italy

Joe Colombo 'Boby' Trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

Unique midcentury cubic dry bar in lacquered ash wood, mirrored steel and glass dry bar with hidden wheels. This gorgeous Willy Rizzo style dry bar was produced in Italy during the 1970s. The wheeled bar cart's four sides are in mirrored chromed steel, while the top is in dark smoked glass. It moves thanks to four hidden wheels, and the structure is veneered black lacquered oak. A design masterpiece that will become a cult furniture element in a midcentury bar or living room. Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France early. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and travelled to Tunisia for Point de Vue to photograph the conflict in North Africa, later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, allowing him to capture these public figures in unusually candid moments. Hoping to advance his career further, Rizzo travelled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in colour, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Throughout his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before tragically committing suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...

Magnificent and ultra rare Art Deco Modernist armoire or wardrobe. Design by Hendrik Wouda for H. Pander & Zonen Den Haag. Striking Dutch design from the 1920s. Solid oak base with o...

Antique French cabinet from the early 20th century with a rich golden colour and patina.