Europe - Folk Art

Carl Euler - Bear Hunt in the Zillerthaler Alps, Oil Painting on Wooden Board 1889 An impressive oil painting depicting a high mountain landscape with mount...

Early 20th century Folk Art Boat Model Collection Every now and again something truly amazing comes along, this is true in this amazing collection of...

Early 20th century scratch built Church model We share what we love, and we love this scratch-built pine model of a church. Hand carved detail with gla...

Baule “Blolo Bian” Statue – Côte d’Ivoire, Early 20th Century Height: 39 cm Material: Wood with dark, aged patina Provenance: Piasa, Paris, June 20, 2008 This elegant male figure,...

Richard rohac, rare car with lantern, thermometer, 1950, good condition.

Wall or home cross. Russian orthodox bronze and enamel cross. Scene with Martha, Maria, Johannes, and Longinus underneath the cross and above the sku...

This delightful Italian faience decorative cauldron is a stunning piece with vibrant colors that add warmth and charm to any space. Crafted with attention to detail, it embodies the ...

Jean Da Milano (1928-2017), painting, Creased paper, Signed lower right, circa 2000, France. Measures: Height 115 cm, Width 90 cm Jean Da Milano is an abstract painter from Nice who was cradled by the rich breeding ground of the School of Nice and its artists. Active from the 1960s to the 2008s, his works were forgotten and rediscovered by the HARTER Gallery, which today highlights his touch. According to Agnès Roux, Honorary Secretary for Culture, “Jean Da Milano is one of those modest painters who knew how to develop abstract painting alongside his contemporaries. In an infinite world, the Kinetic object on an astral background gradually transforms into a pictorial relief, where the painting falsely becomes painting and invisibly paper. The humility of its formats does not give the work the fullness it deserves. But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which begins with an almost cosmic painting in the 70s, then what we could qualify as “implosions” in the 80s and finally, a real research on paper and pictorial relief. in the 2000s. According to Georges Braque "Everyone is a creator, the viewer is himself a creator, it is the way of seeing that gives life to the object. " Personal exhibitions: - 1992: Golden Gallery Nice - 1988: Acropolis Nice - 1982: Municipal Gallery Renoir Nice - 1977: Municipal Museum Saint-Paul-de-Vence Collective exhibitions: - 1992: Golden Gallery - 1991: Golden Gallery - 1990: Golden Gallery - Art Jonction - 1989: Nice university center - 1987: Acropolis - 1985: Chapel of Mercy Vallauris - 1984: CIAC Paris and Chapelle des Pénitents in Péone - 1983: Art Expo Dallas Texas and Art Expo New York - 1980: Galerie Waterlot Nice - 1971: Necrolium Nice - 1970: Maison de la Culture Magnan Nice and Musée de la Salle Marine Nice - 1969: Galerie Le Nombre d´Or Nice - 1968: Musée de la Salle Marine Nice and Galerie Salmon Nice - 1966: Paul Langevin Biot school group - 1965: Chapelle St Esprit...

A Wooden Carved Black Forest Thermometer with Bear Item e7302 A finely carved Black Forest desk set with a bear sitting next to a thermometer. A great example of the art of woodworki...

Wooden Micro Carving Plaque by Johann Rint ca. 1880 A small wall plaque with detailed relief carvings worked out of linden wood by Johann Rint ca. 1880....

Wooden nutcracker figure from the Erzgebirge. The region Erzgebirge formerly Eastern Germany is famous for this special kind of nutcrackers, where intricate carving has been their ho...

This vintage hand-carved Malagasy sculpture depicts a graceful nude woman, meticulously crafted from solid ebony wood. Signed Bera, this original mid-century artwork (1950-1969) refl...

This authentic vintage Malagasy sculpture showcases a beautifully hand-carved nude female figure, crafted from solid ebony wood. A remarkable example of African craftsmanship, this p...

A stolen gem!!!! beautiful penned circa mid to late 18th century notice for it to be returned. Housed in a later glazed deep moulded gilt frame “Stolen or strayed the 8th instant At...

A large antique wabi sabi tray with heavy patina from age and use. Old repiars with metal.

Amazing antique Scottish tapestry in gilt frame tat measures almost six feet wide - 180 CM The subject is based on the famous oil painting 'Scotland ...

A fine English hand crafted large turned and carved oak wood vase by Richard Chapman (b.1951) and dating from the 20th century. The large bottle shaped...

Italian school ,early 20th century Hand-painted oil on canvas depicting gentleman with oval wooden frame worked with gold leaf.

Step into the world of classic magic with this unique collection of vintage magician's tools and props. This assorted set includes a variety of intriguing items, each with its own history and charm. From the traditional magician's hat and wand to more obscure tools, this collection is perfect for any magic enthusiast or collector. The items showcase the craftsmanship and creativity that were essential in the art of magic, making them not only functional but also fascinating pieces of history. Whether displayed as a complete set or used in performances, these vintage magic props...

Elevate your dining experience with this set of 5 crystal wine glasses, likely from the mid-20th century. Crafted from fine crystal, these glasses are a sophisticated addition to any...

This charming vintage cheese serving platter from the 20th century showcases a beautiful hand-painted fruit and leaf motif, adding a touch of rustic elegance to any table. The platte...

An original oil on canvas by the renowned artist Peter Howson OBE. The painting is entitled 'Towards Heaven' and was painted in 2000, signed lower right. Peter Howson OBE, was born ...

"Articulated Cyclist Toy – Belgian Folk Art, Early 20th Century" Early 20th Century Belgian Folk Art Articulated Cyclist Toy Handcrafted Solid Wood — Rare Colonial-Era Subject — Mechanically Designed Pedaling Motion (Belt Missing) Description A rare and remarkable early 20th-century Belgian folk art toy, hand-carved entirely from solid wood, depicting a stylized Black cyclist mounted on a painted green bicycle. The figure is fully articulated and was originally designed with a mechanical belt-drive system (now absent) connecting the foot pedals to the rear wheel. When pushed forward, the toy was engineered to simulate a realistic cycling motion, animating the rider's legs in tandem with the rotation of the wheels. Materials & Construction Primary material: Solid wood (no plywood or laminates) Figure & Bicycle: Fully carved, hand-painted in polychrome (green, red, black, ochre) Mechanical features: Jointed limbs designed to move with crankshaft motion Metal-spoked wheels on rotating axles Pulley attachment points for original belt-drive (belt now missing) Dimensions: Length: 53 cm Height: 42 cm Condition: Structurally intact; expected surface wear and patina consistent with age; belt mechanism missing but all original pulley points and joints remain. Iconography & Cultural Context The cyclist is depicted as a Black male figure in a red cap and outlined uniform, rendered in a simplified, expressive style typical of early folk toys. The toy likely reflects Belgium's colonial presence in the Congo during the early 20th century (Congo Free State until 1908, Belgian Congo from 1908–1960). Such depictions were common in Belgian visual culture of the time, often appearing in children's media, toys, and public exhibitions. This toy offers not only mechanical charm but also serves as a historical document, reflecting period attitudes and visual language. It holds curatorial interest for ethnographic, toy history, and colonial-era cultural studies. Dating & Attribution Date: Circa 1900–1930 Origin: Likely Belgium Style: Folk art, with vernacular mechanics and colonial subject matter Comparison: Closely parallels German kinetic push toys...

Full Length Opaline Glass Bar Sign, Spirits Saved During Refurbishment, this very good quality piece is framed in solid Walnut, the sign itself “spirits” is on very attractive Opal...

Pre columbian Lamabayeque wood figure Peru Circa 750 to 1375 AD A rare standing figure of a deity with triangular tear drop shaped eyes holding a child, Carved in very dense heavy hard wood Measures: Height 14 inches, 36 cm weight, 1.5 kg approx Ex collection of a Oxford Academic, reputed to have came from Pit rivers...

This is a vintage totemic figure. A South American, carved crystal and gilt metal decorative tribal ornament, dating to the mid 20th century, circa 1950. Fascinating tribal figure ...

For magician and circus lovers. This early 20th century circus banner. Hand painted on canvas.

A outstanding pair of ancestor figures from the Tharu people of Southern Nepal. The standing guardian figures, the faces with serene enigmatic expression,  Ancient weathered  patina...

Add a touch of classic charm to your table with this beautiful vintage blue and white faience sauce boat. Crafted with an elegant design and timeless color palette, this piece brings a vintage sophistication to any dining setting. Although the gilding has worn off with time, it remains in great overall condition, showcasing the durable quality of faience pottery. Product Details: Type: Vintage Sauce Boat / Gravy Boat Material: Faience Color: Blue and White Dimensions: Length: 16.5 cm (6.5 in) Diameter: 11.5 cm (4.5 in) Height: 7.5 cm (3 in) Weight: 463 g (1.02 lbs) Condition: Good vintage condition with faded gilding (see photos) Origin: Unknown This piece is perfect for collectors of vintage ceramics or as a statement piece for holiday dinners or elegant gatherings. Despite the fading of its gilded accents, this sauce boat remains both functional and decorative, embodying the charm of vintage tableware. This listing includes: Type: Vintage blue and white faience sauce boat Material: High-quality faience pottery Dimensions: Length 16.5 cm (6.5 in), Diameter 11.5 cm (4.5 in), Height 7.5 cm (3 in) Weight: 463 g (1.02 lbs) Condition: Well-preserved with original blue and white design, minimal gilding remaining Features: Classic blue and white faience, elegant design, ideal for vintage-inspired table settings This charming faience sauce boat is a timeless addition to any collection of vintage ceramics...

David Whitehead Stoneware ceramic vase realised in La Borne Circa 2000 Unique handmade piece signed under the base Black and bron stoneware ceramic colors Measures: H...

Original 1960s rocking horse made of bamboo and rattan. Design attributed to the well-known architect and designer Franco Albini (1905-1977). Made in Italy. Wonderful decoration fo...

Collection of 3 Italian 19th century Marionettes A fantastic set of 3 19th century hand crafted marionette puppets. All with original cotton, silk and valour clothing intact, han...

Antique Original French advertising poster Curacao Mirabelle Hand coloured Lithographic print Framed in a simple photo frame gold with plexiglass ...

Edward III 1361-1369 Gold Noble Treaty Period 1361 - 1369, London. Country: England England Period: House of Plantagenet Ruler: Edward III Phase: treaty period (1361-1369) Producti...

This is a very good quality antique Vesta case, all handmade from various hardwoods and having well detailed shell inlay, dating to the 19th Century, Circa 1880. The case is all han...

This round low relief is a singular artwork crafted by sculptor Raffaello Romanelli in 1896 and exhibited in the monument for Donatello in the Saint Lawrenc...

In the style of Guidette Carbonell. Original lion ceramic sculpture. Brown and black ceramic glazes decorations. Original perfect condition. Unique handmade piece Mea...

Albert Chubac (1925-20008),Composition, Acrylic on paper representing an abstract character, Workshop stamp lower right, Framed, circa 1960, France. Measures : Width 50 cm, Height 65 cm. Albert Chubac was born in Geneva in 1920. After studying decorative art, then at the Beaux-Arts in Geneva, he obtained grants to travel to Italy, Algeria, Spain, Egypt and Greece, stages which will mark his work. He settled in 1964 on the Côte d ‘Azur in Aspremont in a very Spartan house, attracted by the light, the sun and the colors of nature. The year 1967 is the year of the establishment of the School of Nice. He will work and exhibit alongside Aman, César, Tinguely, Gilli, Ben, Rayse, etc ... In 1990, it was the consecration with the opening of MAMAC in Nice. Albert Chubac then becomes accessible to the general public. He will use solid primary colors, will develop modifiable structures and then develop the collages in three dimensions. Gradually, he broke away from his classical training and figuration to move towards abstraction through the encounters and influences of contemporary artists. Always in search of simplicity, He will radically limit the plastic means with a reduced palette, geometric shapes and simple gestures to concentrate on minimum conditions of possibility. His work, which lies between constructivism and geometric abstraction, is playful and imbued with the artist's joie de vivre. In 2004, following the major retrospective at the Museum of Modern and Contemporary Art in Nice, he donated around one hundred works to the City of Nice. Albert Chubac died in 2008 in Tourrette-Levens, near Aspremont. Bibliography: - Albert Chubac, MAMAC Nice, Cultures Nice Editions, 2004. - Albert Chubac: exhibition, Nice, Museum of Modern and Contemporary Art, January 29 - May 16, 2004. - Albert Chubac, Galerie Harter, 2013. - Albert Chubac, a lifetime of artist, Patrick Boussu and Cynthia Lemesle, South Art éditions, 2021. During the workshop auctions in Nice and Marseille, the Harter Gallery acquired the largest part of his work. Personal exhibitions: - 1950: Personal exhibition in Athens at the Zappéion museum. - 1954: Exhibition at the Arman Gallery in Geneva. - 1956: Exhibition at the Galerie Connaître in Geneva. - 1957: Exhibition at the Galerie La Palette in Zurich. - 1958: Exhibition at the Galerie L’Entracte in Lausanne. - 1960: Exhibition at the World House Gallery in New York. - 1967: Exhibition at the Galerie Loo in Geneva, at the Salon Comparaison in Paris, Aspects in Chexbres in Switzerland. - 1968: “Paintings” exhibitions from March 30 to May 11 at the Galerie Alexandre de la Salle. - 1970: Exhibition at the Maison des Jeunes et de la Culture de Magnan in Nice, at the Maison de la Culture Le Corbusier in Firminy entitled "Chubac recent works" and at the Galerie Royal Luxembourg in Nice. - 1971: Exhibition at the Galerie Germain in Paris and at the Fernand Léger School in Malakoff. - 1972: Exhibition on the village square of Aspremont, at the Galerie Royal Luxembourg in Nice. - 1973: Exhibition at the Galerie Ferrero in Nice. - 1974: Exhibition at Art-club in Antibes. - 1975: Exhibition at the Galerie Jacques Boudin rue de Dijon in Nice. - 1978: Exhibition at the Galerie Anne Roger in Nice. - 1980: Exhibition at the Galerie de la Salle in Saint-Paul de Vence from August 8 to September 9. - 1981: Exhibition at Lieu 5 in Nice from February 13 to March 20. - 1983: Exhibition at the Galerie d'Art Contemporain in Nice, at Anne Roger. - 1984: Exhibition "Lille Nice" at the Galerie GodArt in Lille from April 14 to May 17 and at the Galerie Luisella d´Alessandro in Turin. - 1985: Exhibition in Thonon les Bains at the Galerie Galise. - 1988: Exhibitions at Galerie Argéco in Nice and Galerie Triade in Barbizon - 1989: Exhibitions at the Galerie de la Salle, at Lola Gassin's in Nice, in galleries in Nice - 1990: he made four mobiles for the MAMAC in Nice, Exhibitions at the Galerie François Moulin in Lyon and Golden Gallery, ArtJunction in Nice. - 1991: Exhibition at the Galerie de la Salle in Saint-Paul. - 1992: Exhibitions at the Espace du consulat suisse in Nice, Besançon and opening of the Espace Chubac in Tourrette-Levens. - 1993: Exhibition at the Maison Comoni in Revest-les-Eaux, at the Galerie François Moulin in Lyon. - 1994: Exhibition at the Espace Caravadossi in Aspremont. - 1996: Exhibition at the Espace Dellile in Nice. - 1997: Exhibition at the Galerie de la Salle in Saint-Paul. - 1998: Last personal exhibition at the Galerie de la Salle in Saint-Paul. - 2000: Exhibition at Lympia college in Nice. - 2001: Exhibition at the Espace Chubac in Tourette-Levens. - 2002: Exhibition at the Galerie Scholtès in Nice and in Carcès in the Var entitled "Albert Chubac-Couleurs mobiles". - 2004: Great Albert Chubac retrospective at MAMAC in Nice. - 2011: Permanent exhibition at the Galerie Harter in Nice. - 2012: Exhibition at the Olympia Show in London at the Christopher Jones Gallery and at the Serge Castella Interiors Gallery in Bascara, Spain. - 2013: Exhibition at the Municipal Contemporary Art Gallery of Pochettes in Nice. - 2019/2021: Exhibition of works belonging to the permanent collection of MAMAC in Nice and exhibition "Geometry according to Albert Chubac" at the Galerie Harter in Nice. - 2021/2021: Permanent exhibition at Galerie Atelier 55...

Charming handcrafted Provincial French woven wire work basket, circa 1900. A well-executed nicely shaped 'pannier' with moveable handles and decorative loop...

Antique print titled 'Monumens de Sculpture et Idoles trouvés dans les Tombeaux'. Copper engraving of monuments of sculptures and idols found in the Krasnoy...

1960's New Old Stock Vintage Pocket Pinball. We recently came across a large hoard of new old stock hardware and general merchandise items, laying untouched since the 1940's and 50's...

The African Kuba Bwoom tribal mask is the oldest known mask, the Kuba bwoom mask. The materials used for the realization of the Mask are: Wood, colors and vibrates plants, caures, beads, animal hair. In dance it expresses exuberance and joy. The style is similar to that of the middle Kasai. This mask is a helmet with animal hair, carved with a very wide forehead and hollow cheeks that are announced by motifs or dashes and beads. The mouth of the mask is very pronounced carved in wood and then applied on the mask. To distinguish the forehead in different areas are used black and white beads to draw attention to other aspects of the face such as the nose and chin. The entire edge of the chin is surrounded by beads of various colors. The person wearing the mask cannot look because there are no holes for the eyes present; the mask must create the feeling of being blind. Some masks similar to the bwoom mask include the funny mask, the ram mask and initiation masks such as Nnup. The real Kuba masks...

Bath cabinet makers. In the Liberty style. An early Arts & Crafts oak break front sideboard with Dutch inlaid scenes of mill owners with there little bla...

Print by engraving on copper plate from the Panckoucke Encyclopédie méthodique, end of the 18th century, volume Marine Planches (more than 1,500 figures dealing with all subjects on the marina: planes, construction, carpentry, tree trunks, armaments of maneuvers, ropes, sails, artillery, ship maneuvers and combat tactics). This is the plate n. 149, page. 166 fig. 1209-1212; with frame cm 57.8 x 31.8. The prospect of the side of a ship is depicted. The Print has the "Benard direxit...

Wooden nutcracker Tiroler figure from the Erzgebirge. The region Erzgebirge formerly Eastern Germany is famous for this special kind of nutcrackers, ...

Mbuti Ituri (Congo) traditional handpainted Pygmee bark cloth. +/- 1920 These cloths we're made from the inside of the bark of the Ficus latex tree. After been prepared and dryed, ...

Pair of Mid-20th Century Laurel and Hardy Theatre Masks A quirky matched pair of hand-crafted papier mache mid-20th Century French theatre masks. In the form of the world-renowned...

This antique Art Nouveau tilt coffee pot, crafted by L.C, is a stunning example of early 20th-century metalwork. Its pierced (ajouré) design embodies the elegant, flowing lines chara...

This antique copper cauldron, engraved with "Poitiers," is a stunning decorative piece that adds a touch of vintage charm to any setting. Its classic design and fine craftsmanship ma...

Great condition

An amazing zoomorphic ceramic by Accolay, circa 1960-1970. Perfect original conditions. Stamp signature under the base.                  

Antique Handforged Cattle Bell Made in Switzerland ca. 1900s Item e7309 An antique handforged cattle bell, made in Switzerland around 1900. The bell comes with its original brown lea...

Hand Carved Wood Bear Head Nutcracker Brienz, Switzerland A wooden carved nutcracker with a bear head. It is a fine antique Black Forest woodcarving ...

A Rare and Extremely Fine South African Tsonga Prestige Staff by the ‘Baboon Master’ Depicting a Zulu elder wearing a head-ring Superb silky reddish brown patina Late 19th Century ...

Square Mirror Adrien Audoux and Frida Minet, circa 1960. Seagrass rope braided. 19.5 inches on 19.5 inches.

An early 19th century yellow original painted Swedish nightstand or side table with one drawer, liftable top and a door in the front. This Gustavian rural furniture's keeps totally the original paint, patina and the charming worn condition due to the use in the country social world of the so called "allmoge" folk. This little cabinet had place for a wooden or metal bowl under the lock, for washing hands and face in the morning and a water jug and glass...

La Borne Unique handmade piece, stoneware ceramic table lamp Brown stoneware ceramic color Original perfect condition Circa 1970 Measures: Height 23 cm Height with el...

MEMPHIS MILANO ADVERTISING SIGN/POSTER An original point-of-sale sign advertising the Memphis Group that would have been displayed in Liberty & Co. flagship Regent Street, London st...

This late nineteenth-century headrest, from the Oromo culture in Ethiopia, displays a rare form. Above a triangular-shaped base, the curved, crescent-shaped neck rest features four c...

African Art by Luzolano, Oil Painting, 1978 African Art , oil painting Signed by Luzolano, 1978, A scene of two African woman The measurement is 60.5 cm ...