Florida - Black and White Photography

Untitled III, (c-3-S1-0003). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 100 H cm x 100 W cm. Image size: 90 H ...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

"The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents e...

From Bruce Springsteen's 'Born to Run' session. Photographed June 20th, 1975 and print created September 2006. Carbon pigment on innova fiber paper. Hand signed, dated and numbered b...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

signed in ink and with photographer stamp verso and hand written title. Sidney Janis (July 8, 1896 – November 23, 1989) was a wealthy clothing manufacturer and art collector who ope...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

Espiral Dos, by Ricky Cohete From the series "Espiral" Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed 2021 Exploring color in the darkness, inspired by the Italian and...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Marc Vaux, a figure of Montparnasse, pro­duced a trove of pho­tographs which are cur­rently held in the col­lec­tion of the Centre Pompidou in Paris, France. Marc Vaux was com­mitted equally to sup­porting artists, notably by cre­ating the Foyer des Artistes (1946-70) and, in 1951, the first Musée du Montparnasse at 10, rue de l’Arrivée. Marc Vaux was born on February 19, 1895 in Crulai, Normandy Thanks to the color mer­chant from whom he bought his plates and his pho­to­graphic equip­ment, he met the sculptor Charles Desvergnes winner of Prix the Rome and author of var­ious memo­rials who was looking for someone to pho­tographs his works. Two of Marc Vaux’s first clients were his neigh­bors of 21 Avenue du Maine- Marie Vassilieff and Maria Blanchard...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Joey Arias Channeling Billie Holiday, NYC, 1992 by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 36 in. H x 24 in. W Edi...

Christopher Makos, American Photographer b. 1948. Tattooed Man Holding Cat, ca 1970. Signed in red pencil on verso. Size 8.25 x 10 inches. Unframed and unmounted. This example was...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Little Buddha by Robert Curran Image size: 24 x 16 inches Framed 41.5 x 34 x 1 inches Archival pigment print/ signed by the artist 1998     Robert was born in Manhattan and moved to...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Circumambulate. The Doldrums- from the series "SPAR/CUBA" by Paul Meleschnig image size 12" x 8" Frame size: 24.25" x 21.50" Archival pigment print 2012 Framed Paul Meleschnig lives and works in New York. He received his Bachelor of Fine Arts from Rhode Island...

Bosque Tropical Húmedo Nuquí, 2021 by Miguel Winograd From the Series Sin título Pigment Prints Frame size: 58.5 in H x 41.5 in W x 2 in D Sheet size: 43.3 H x 36.2 W in. Image size...

Dorian Corey, Wigstock, NYC, 1992 by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 60 in. H x 40 in. W Edition of 5 + ...

Nude trumpet Artistic photography. JUAN PALMER (MFIAP - Teacher of the Federation International de l'Art Photographique) In love with Photography in all its aspects and especially t...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

These photos were shown at the exhibition 'A Fatal Pass at the Wolfsonian FIU Museum in 2015'. The Exhibition was part of Myth and Machine: The First World War in Visual Culture cura...

Untitled by Ricky Cohete From the series "Espiral" Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed Exploring color in the darkness, inspired by the Italian and Dutch ren...

These photos were shown at the exhibition 'A Fatal Pass at the Wolfsonian FIU Museum in 2015'. The Exhibition was part of Myth and Machine: The First World War in Visual Culture cura...

These photos were shown at the exhibition 'A Fatal Pass at the Wolfsonian FIU Museum in 2015'. The Exhibition was part of Myth and Machine: The First World War in Visual Culture cura...

Hombre en movimiento 3 by Ricky Cohete Small size: 20 in H x 30 in W. Edition of 13 + 1AP Unframed All prices are quoted as "initial price" and may change due to current sales. Exp...

Arco Dos, by Ricky Cohete Archival Pigment Print From the series "Espiral" Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed Exploring color in the darkness, inspired by t...

Galope Dos, by Ricky Cohete Archival Pigment Print Small size: 20 in H x 30 in W. Edition of 13 + 1AP Unframed 2020 The artist uses a vivid contrast of color to add an extra dimensi...

Marc Vaux, a figure of Montparnasse, pro­duced a trove of pho­tographs which are cur­rently held in the col­lec­tion of the Centre Pompidou in Paris, France. Marc Vaux was com­mitted equally to sup­porting artists, notably by cre­ating the Foyer des Artistes (1946-70) and, in 1951, the first Musée du Montparnasse at 10, rue de l’Arrivée. Marc Vaux was born on February 19, 1895 in Crulai, Normandy Thanks to the color mer­chant from whom he bought his plates and his pho­to­graphic equip­ment, he met the sculptor Charles Desvergnes winner of Prix the Rome and author of var­ious memo­rials who was looking for someone to pho­tographs his works. Two of Marc Vaux’s first clients were his neigh­bors of 21 Avenue du Maine- Marie Vassilieff and Maria Blanchard...

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

Tabboo! Wigstock, NYC, 1992 by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 36 in. H x 24 in. W Edition of 7 + 2AP Unframed _________________ ...

Ed. 1/5, includes white frame. As part of Coe's newest 2024 series photographed at the Norton Gallery of Art in Palm Beach, this brand new body of work builds upon Coe's signature s...

Lynn Saville. Ferris Wheel from the Tuileries, 1999. Photographic print. Edition 5/25. Image measures 12.5 x 18 inches. Sheet is larger. Measures 21.5 x 27 framed. Signed, titled and...

A rock cannot burnt to ashes, 2021 by On Hansen Pigment print Image size: 69 cm. H x 100 cm. W Edition of 10 Unframed ____________________________ On Hansen originally from Scandinav...

Magda Von Hanau’s photographs create a rare visual poem that evokes a sense of magic. Turning classical into contemporary while playing with both form and architecture, her work is b...

Magda Von Hanau’s photographs create a rare visual poem that evokes a sense of magic. Turning classical into contemporary while playing with both form and architecture, her work is b...

Hermafrodite, #2261 by Natasha Zupan Enlarged photographic print of the original photo collage by the artist 60 in. H x 53.5 in. W Edition of 5 2018 _________________________________...

Paul Georges poses with self portrait with wife - January 6th 1967 Photographer is Fred McDarrah Paul Georges with Painting Jan 6, 1967 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...

Caballero, Two, 2017 - 2018 Archival Pigment print 36 x 24 in. Ed of 10. Unframed Throughout his exploration of the movement of the body, with modern and ballet dancers, as well as ...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Kabuki Starshine, Wigstock, NYC, 1992 by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 60 in. H x 40 in. W Edition of 5 + 2AP Unframed “Nobody w...

Lavinia Co-op, NYC, 1992 by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 80 in. H x 60 in. W Edition of 3 + 1AP Unframed _________________ Mic...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

Butch Chanel: John, Robert, and Michael, NYC, 1992 by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 36 in. H x 24 in. W Edition of 7 + 2AP Unframe...

Girlfriend, 1990-1992 by Michael James O’Brien Portfolio of 9 photographs Printed on Hahnemuhle fine art photo rag paper Dimension for each print is 22 in. H x 17 in. W (The overall size composition of the entire portfolio is: 66 in. H x 51 in. W) Limited Edition of 10 + 2AP All these portraits were made on tri-x BW film with a Pentax 6 x 7 photographed in Natural Light. Girlfriend; Men Women and Drag by Michael James O’Brien with text by Holly Brubach was published by Random House in 1999. 1. Lavinia (Girlfriend), NYC, 1992 “I came to Manhattan with just a handbag” - Lavinia Co-op 2. Ebony Jet (Girlfriend), NYC, 1992 “We’re all born naked, everything else is drag” - RuPaul Charles 3. Miss Guy (Girlfriend), NYC, 1992 “You’ve got your mother in a whirl; she’s not sure if you’re a boy or a girl.” - David Bowie, Rebel, Rebel 4. Ming Vauze (Benjamin Liu) NYC, 1992 “Impersonation is the supreme act of creation.” - Yukio Mishima...

Galope by Ricky Cohete Small size: 20 in H x 30 in W. Edition of 13 + 1AP Unframed Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints o...