Hunter & Gatti

Pharrell Williams 3 and 4, Portraits, Intervened by the artists

2018

Pharrell Williams #3 by Hunter & Gatti Black and White Photography with broken glass on top of the image. Image size: 45.2 in. H x 32.5 in. W Frame s...

Heart - Alexander Skarsgård by Hunter & Gatti This photograph of actor Alexander Skarsgård is a one of a kind piece as it was physically manipulate...

Untitled 30 (Paris), 2010 by Arslan Sükan From the series La Notte Black and white archival inkjet print on baryta photographic paper Image size: 50 cm H x 75 cm W Edition 1/6 + 1AP Unframed Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Paris, Milan, London and NY between the years 2004-2010. ‘La Notte’ is mainly from one specific costume party that is given by Carine...

Checkmate MUNDO DE SOMBRAS–Milan, 2011 by Guilherme Licurgo Archival Pigment Print Image size: 35 in. H x 23 in. W Limited Edition of 10 + 2AP From the Mundo de Sombras series. "Our...

Shanghai #6 by David Jay 40 in. H x 60 in. W Archival Pigment Print Edition of 5 2012 UNFRAMED Shanghai is a series by photographer David Jay exclusive to Art Design Project. Jay’s p...

BOTTLE and CRY ME A RIVER, BELÉM DO PARÁ by Guilherme Licurgo Archival Pigment Print Overall size: 35 in. H x 46 in. W Individual size: 35 in. H x 23 in. W Both works are limited Edition of 10 + 1AP Other sizes are available. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. ____________ Guilherme Licurgo was born in Rio de Janeiro in 1983 and is currently residing and working in São Paulo, Brazil. Invited to model for Terry Richardson for his book, "Terry Richardson Rio Cidade Maravilhosa" in 2008, Guilherme went on to study Photography at the Panamericana School of Art. He discovered his real passion behind the lens, creating images. He has been working as a photographer ever since. He has worked for many Brazilian and International brands/ magazines, including Lancaster Paris, Architecture Beauty Culture Design, Roberto Cavalli, Wonderland, Martha Graham Dance Company, EMI Records, Greenpeace, PIRELLI, at PIRELLI CALENDAR...

Peter Fischli / David Weiss Equilibres 1984–85/2006 Limited-edition book with photograph in linen-bound portfolio Photograph: 12 1/4 x 9 1/8 inches; 31 x 23 cm Book: 9 1/4 x 7 3/4 x 7/8 inches; 24 x 20 x 2 cm Portfolio: 15 x 11 1/2 x 1 1/2 inches; 38 x 29 x 4 cm Edition of 60 Photograph signed and numbered in ink (lower verso) Book signed and numbered in graphite on title page For Equilibres, the well-known series of photographs from the mid-1980s, Peter Fischli and David Weiss balanced everyday household items on top of each other in an absurd equilibrium. The Equilibres photographs anticipate Fischli and Weiss...

The project uses the remains of recently felled trees to construct talismanic 'forest figures'. They are left to slowly fall apart where they stand with the photographic record being the only enduring impression. The forest is in constant flux, with the trees coming and going either of their own accord or through forest management. Nature is a dynamic force that one becomes more aware of as time passes and areas begin to look very diffrent over several years... 'Where once we stood on Scragged Oak Hill' is an ongoing project using the remnants of felled trees to build ‘forest figures’ as an act of remembrance to the trees that have gone on to further use. These figures are in influenced by folklore, old traditions and beliefs that encompass animistic thinking and can be thought of as the spirit-body of the trees that have now gone. They act as a symbolic resurrection and recognition of the change that has occurred. The title refers to the location of the first figure — Scragged Oak Hill — where there used to be a grove of mature hemlock trees. Forest figure #1 is made from their branches. #forest #sculptural...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

A group of moss draped fir trees dance together as if they were a coven of witches weaving incantations... "When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

Original title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...

This photo was taken on April 1996 in Rajasthan, India Edition of 10 Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polaroid T55 Negative BW and printed w...