Florida - Black and White Photography

Untitled XXII, (nc-25-S3-0009). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 50 H cm x 50 W cm. Image size: 45 H...

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

Pharrell Williams Original Portrait, 2017 by Hunter & Gatti From The series, I will make you a star Pigment print on canvas. Size: 74 H x 52 W in. Signed front and signed back Mo...

David Gandy, 2017 by Hunter & Gatti From the series of IWMYAS Acrylic and oil-pastel black & white pigment print Image size: 33.8 H x 24.5 W in. Frame size: 37 H x 28 W x 2 D in. S...

Untitled XXIII, XXIV, and XXV, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 100 cm W Indivi...

Photo is 9X13.5 (image size), 16X20 is the mat. Mounted to original mat. Vintage photograph. Marion Post (June 7, 1910 – November 24, 1990), later Marion Post Wolcott, was a noted American photographer who worked for the Farm Security Administration during the Great Depression documenting poverty and deprivation. Marion Post was born in New Jersey on June 7, 1910. Her parents split up and she was sent to boarding school, spending time at home with her mother in Greenwich Village when not at school. Here she met many artists and musicians and became interested in dance. She studied at The New School. Post trained as a teacher, and went to work in a small town in Massachusetts. Here she saw the reality of the Depression and the problems of the poor. When the school closed she went to Europe to study with her sister Helen. Helen was studying with Trude Fleischmann, a Viennese photographer. Marion Post showed Fleischmann some of her photographs and was told to stick to photography. Marion Post Wolcott with Rolleiflex and Speed Graphic in hand in Montgomery County, Maryland. While in Vienna she saw some of the Nazi attacks on the Jewish population and was horrified. Soon she and her sister had to return to America for safety. She went back to teaching but also continued her photography and became involved in the anti-fascist movement. At the New York Photo League she met Ralph Steiner and Paul Strand who encouraged her. When she found that the Philadelphia Evening Bulletin kept sending her to do "ladies' stories," Ralph Steiner took her portfolio to show Roy Stryker, head of the Farm Security Administration, and Paul Strand wrote a letter of recommendation. Stryker was impressed by her work and hired her immediately. Post's photographs for the FSA often explore the political aspects of poverty and deprivation. They also often find humour in the situations she encountered. In 1941 she met Leon Oliver Wolcott, deputy director of war relations for the U. S. Department of Agriculture under Franklin Roosevelt. They married, and she continued her assignments for the FSA, but resigned shortly thereafter in February 1942. She found it difficult to fit in her photography around raising a family and a great deal of traveling and living overseas. In the 1970s, a renewed interest in Wolcott's images among scholars rekindled her own interest in photography. In 1978, Wolcott mounted her first solo exhibition in California, and by the 1980s the Smithsonian and the Metropolitan Museum of Art began to collect her photographs. The first monograph on her work was published in 1983. She was an advocate for women's rights; in 1986, Wolcott said: "Women have come a long way, but not far enough. . . . Speak with your images from your heart and soul" (Women in Photography Conference, Syracuse, N.Y.) She and other FSA WPA photographers, including Esther Bubley...

"Mick Jagger on Tour Plane 1972" black and white photograph by Jim Marshall. Image size: 22 1/2 x 14 1/2 inches. This framed photograph was previously displayed in a guest room of th...

Pharrell, 2017 by Hunter & Gatti From the series of IWMYAS Acrylic and oil-pastel black & white pigment print Image size: 33.8 H x 24.5 W in. Frame size: 37 H x 28 W x 2 D in. Sign...

Toni Garrn, 2017 by Hunter & Gatti From The series, I will make you a star Acrylic paint, Oil pastel pigment print on canvas. Size: 74 H x 52 W in. Mixed Media Signed front and si...

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...

Dianek, 2017 by Hunter & Gatti From the series of IWMYAS Acrylic and oil-pastel black & white pigment print Size: 33.8 H x 24.5 W in. Frame size: 37 H x 28 W x 2 D in. Signed back ...

Gold Griot, 2015 by Hunter & Gatti From The Series Fact Sheet Acrylic and oil-pastel over Giclee Print on Fine Art Archival Paper Image size: 33 x 24 inches Frame size: 35 x 25.5 ...

Rare Vintage Silver Gelatin and Polaroid Photograph Prints in Polaroid Photo Album. These measure 10 x 8 4.25 x 3.25. it is a folder titled on it Custom Print by Polaroid the album i...

Untitled XIX, XX, and XXI, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 100 cm W Individual...

Untitled XVI, XVII, and XVIII, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 100 cm W Indivi...

This black and white contemporary photograph by Tori Gagne captures a close-up view of two wild horses embracing. An edition size of 25, this photograph is available as a metal subli...

Gold Griot - Wing, 2015 by Hunter & Gatti From The Series Fact Sheet Acrylic and oil-pastel over Giclee Print on Fine Art Archival Paper Image size: 33 x 24 inches Frame size: 35 ...

Gold Griot Feet, 2015 by Hunter & Gatti From The Series Fact Sheet Acrylic and oil-pastel over Giclee Print on Fine Art Archival Paper Image size: 33 x 24 inches Frame size: 35 x ...

Gold Griot Head, 2015 by Hunter & Gatti From The Series Fact Sheet Acrylic and oil-pastel over Giclee Print on Fine Art Archival Paper Image size: 33 x 24 inches Frame size: 35 x ...

Lynn Saville. Ferris Wheel from the Tuileries, 1999. Photographic print. Edition 5/25. Image measures 12.5 x 18 inches. Sheet is larger. Measures 21.5 x 27 framed. Signed, titled and...

"Jimi Hendrix, Monterey Pop Festival, 1967" black and white photograph by Jim Marshall. Image size: 14 x 21 inches. This framed photograph was previously displayed in a guest room of...

This black and white contemporary photograph by Tori Gagne captures a close-up view of two wild horses embracing. An edition size of 50, this photograph is available as a metal subli...

Untitled XII, (nc-17-S1-0003). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 50 H cm x 50 W cm. Image size: 45 H ...

Untitled XIII, XIV, and XV, Triptych 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Overall size: 150 cm x 100 cm W Individua...

This black and white contemporary photograph by Tori Gagne captures a close-up view of a wild horse. An edition size of 25, this photograph is available as a metal sublimation print ...

Fragmented-Untitled 4 & 2 Diptych, 2021 by Ying Chen From the Fragmented series Archival pigment print Overall size: 24 in. H x 40 in. W. Individual size: 24 in. H x 20 in. W. Edi...

"Mick Jagger 'The Back'" framed black and white photograph by Lynn Goldsmith. Image size: 16 1/2 x 11 inches. This photograph was previously displayed in a guest room of the original...

"The Beatles" framed black and white photograph by Lynn Goldsmith. Image size: 14 x 18 1/2inches. This photograph was previously displayed in a guest room of the original Hard Rock Hotel and Casino in Las Vegas, Nevada, and comes with a certificate of authenticity and commemorative plaque to that effect. Lynn Goldsmith wrote about this image: "The Beatles were coming to Miami to the Deauville Hotel to perform live on the Ed Sullivan Show. It was February 13, 1964. I had turned 16 two days before. My stepfather was in the hotel business and arranged for me to be in the lobby for their arrival. Little did he know I thought the Beatles were too 'goodie-goodie.' I was a Rolling Stones fan. I didn’t want to disappoint him since he thought this would be momentous for me. Besides, I decided it might be worthwhile as I’d never seen the lobby carpet...

"Jimi Hendrix" framed black and white photograph by Michael Putland of Jimi Hendrix at the July 6, 1968, Woburn Music Festival in England. Image size: 19 1/2 x 15 1/4 inches. This p...

"Mick Jagger 'The Back'" framed black and white photograph by Lynn Goldsmith. Image size: 16 1/2 x 11 inches. This photograph was previously displayed in a guest room of the original...

"The Clash Joe Taxi" black and white photograph by Allan Tannenbaum. Image size: 9 x 13 inches. The text to the right of the photo reads: "Joe Strummer JFK Airport 1981 Joe Strummer ...

"Brian Setzer 'Stray Cats'" framed black and white photograph. Hand writing in lower right corner appears to say M. Farr. Image size: 19 1/4 x 13 inches. This photograph was previous...

"The Cure Gets Caught on Columbus Ave., NYC 4/11/80" black and white photograph by Allan Tannenbaum. Image size: 9 x 13 inches. The text reads: "The Cure New York City 1980. In 1978, the Sussex ensemble led by Robert Smith changed its name from Easy Cure to the name that would follow them into the pages of music history - the Cure. Their debut album, 'Three Imaginary Boys...

This contemporary black and white photograph by Tori Gagne captures a band of white horses running through water. An edition size of 25, this photograph is available as a metal subli...

"John Lee Hooker" framed black and white photograph. Image size: 18 1/2 x 12 1/4 inches. This photo was previously displayed in a guest room of the original Hard Rock Hotel and Casin...

Untitled X, (nc-14-S1-0003). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 50 H cm x 50 W cm. Image size: 45 H cm...

Untitled IX, (nc-4-S3-0007). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 50 H cm x 50 W cm. Image size: 45 H cm...

This contemporary black and white photograph by Tori Gagne captures a band of white horses running through water. An edition size of 50, this photograph is available as a metal subli...

"Sid Vicious Arrest" black and white photograph by Allan Tannenbaum. Image size: 9 x 13 inches. The text to the right of the photo reads: "Sid Vicious New York City 1978. At about 11 a.m. on October 12, 1978, the desk clerk at the Chelsea Hotel in New York City received a call from outside the hotel. A man, who did not identify himself, told the clerk, 'There's trouble in room 100.' The desk clerk called for an ambulance which arrived with a police escort. After the paramedics confirmed the woman was dead, police checked the room and found drugs and drug paraphernalia as well as a blood-stained Jaguar K-11 folding knife with a five-inch blade and a black jaguar carved into the handle. The couple had registered as Mr. and Mrs. John Ritchie, though they were not married. Simon John Ritchie was the man's real name, better known as Sid Vicious, punk superstar and former bass player for the infamous British band, The Sex Pistols. His deceased companion's name was Nancy Spungen. 'I stabbed her, but I didn't mean to kill her!' He was also heard muttering through his tears, 'She must have fallen...

"Marvin Gaye at the Recording Session for 'Let's Get It On'" black and white framed photograph hand signed by Jim Britt. This image is in the collection of the Smithsonian Portrait G...

This contemporary black and white photograph by Tori Gagne captures a band of white horses running through water. An edition size of 50, this photograph is available as a metal subli...

"Jimi at Woburn Festival 1968" framed black and white photograph by Michael Putland of Jimi Hendrix at the July 6, 1968, Woburn Music Festival in England. "Jimi at Woburn Festival 1...

This contemporary black and white photograph by Tori Gagne captures a band of white horses running through water. An edition size of 25, this photograph is available as a metal subli...

photo is 9X13.5 (image size), 16X20 is the mat. Mounted to original mat. Vintage photograph. Main Street, Winchester, Virginia. February, 1940. Arthur Rothstein ( 1915 – 1985) was an American photographer. Rothstein is recognized as one of America’s premier photojournalists. During a career that spanned five decades, he provoked, entertained and informed the American people. His photographs ranged from a hometown baseball game to the drama of war, from struggling rural farmers to US Presidents. Rothstein was born in Manhattan, New York City, and he grew up in the Bronx. He was a graduate of Columbia University, where he was a founder of the University Camera Club and photography editor of the Columbian. Following his graduation from Columbia during the Great Depression, Rothstein was invited to Washington DC by one of his professors at Columbia, Roy Stryker. Rothstein had been Stryker's student at Columbia University in the early 1930s. Stryker hired Rothstein to set up the darkroom for Stryker's Photo Unit of the Historical Section of the Resettlement Administration (RA). Perhaps Rothstein's most famous photo...

Framed black and white photograph of vintage car outside of bar. Hand writing in lower right corner appears to say M. Farr. Image size: 19 1/2 x 13 inches. This photograph was previo...

"Brian Setzer 'Stray Cats'" framed black and white photograph. Hand writing in lower right corner appears to say M. Farr. Image size: 19 1/2 x 13 inches. This photograph was previous...

"Deborah Harry and Chris Stein of Blondie on Their Roof in NYC 11/28/80" black and white photograph by Allan Tannenbaum. Image size: 9 x 13 inches. The text to the right of the photo...

"Mick Jagger 'The Back'" framed black and white photograph by Lynn Goldsmith. Image size: 16 x 11 inches. This photograph was previously displayed in a guest room of the original Har...

"Clapton, Hooker & Cray" framed black and white photograph of Eric Clapton, Robert Cray and John Lee Hooker. Image size: 18 1/4 x 12 1/4 inches. This photo was previously displayed i...

"Jimi at Woburn Festival 1968" framed black and white photograph by Michael Putland of Jimi Hendrix at the July 6, 1968, Woburn Music Festival in England. "Jim at Woburn Festival 19...

"Tina Turner 'The Back'" framed black and white photograph by Lynn Goldsmith. Image size: 16 3/4 x 11 inches. This photograph was previously displayed in a guest room of the original...

"John Lee Hooker" framed black and white photograph. Image size: 18 1/2 x 12 1/4 inches. This photo was previously displayed in a guest room of the original Hard Rock Hotel and Casin...

"Jimi Hendrix" framed black and white photograph by Michael Putland. Image size: 19 1/4 x 15 1/4 inches. This photo was previously displayed in a guest room of the original Hard Rock...

Framed black and white photograph of vintage car outside of bar. Hand writing in lower right corner appears to say M. Farr. Image size: 21 x 14 1/2 inches. This photograph was previo...

"John Lee Hooker" framed black and white photograph. Image size: 18 x 14 1/2 inches. This photo was previously displayed in a guest room of the original Hard Rock Hotel and Casino in...

"Ben Harper" black and white framed photograph. Image size: 25 1/2 x 19 inches. This photograph was previously displayed in a guest room of the original Har...

Untitled VII, (c-6-S2-0006). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 50 H cm x 50 W cm. Image size: 45 H cm...

Untitled VIII, (nc-3-S3-0008). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 50 H cm x 50 W cm. Image size: 45 H ...