Florida - Portrait Photography

The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The gla...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

In 1969, Bethesda Fountain on weekends was a gathering place for the radical and hip people of the time. Abbie Hoffman and Jerry Rubin were regulars...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso with a frog or turtle. Mougins, 1968 Hand signed by the artist with hand written descr...

In 1969, Bethesda Fountain on weekends was a gathering places for the radicals of the time. Abbie Hoffman and Jerry Rubin were regulars speakers the...

Gabriel García Márquez, Portrait by Hernan Diaz Signed by Hernan Diaz C. 1994@ Provenance Writer Estate. Archival Pigment print Image size: 15.5 H. x 11.5 W in. Frame size: 25 H x 2...

Peacocks roam freely in the streets around Coconut Grove in Miami. Arguably, they are one of nature's most exquisite works of art. They are adorned wit...

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

Fisher Ross. Untitled, ca. 1975-80. Gelatin Silver print, sheet measures 8 x 10 inches. Artist studio stamp on verso. Good condition with some rippling in ...

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

"David Bowie, New York City, 1973" photograph by Neal Preston. "Photo by Neal Preston" hand written on front lower right corner. This framed photograph was previously displayed in a ...

An artist who puts his life on the line for his art. Chris Burden was at the forefront of the conceptual art movement in the early 1970s. Prelude to 220, or 110 is one of his most important works where the artist puts his life on the line for his art. Burden voluntarily lays on his back. His neck and wists are have copper bands that bolt him to the floor. To his immediate left and right are two buckets of water with a 110-volt line inside. If the buckets were compromised in any way by a passerby or an unexpected event - Burden would have been electrocuted in a literal shocking performance. Art history is replete with artists who put themselves in harm's way to accomplish their art. Michelangelo risked a misstep to a certain death as he elevated himself over 60 feet to paint the ceiling of the Sistine Chapel. Francisco Goya's "The Disasters of War" may have put him at odds with a governing orthodoxy. Picasso walked a very narrow line with during the Nazi occupation. Gutzon Borglum dangled himself off the face of Mount Rushmore and War Photographer Robert Capa, landed on Omaha Beach during D-Day. But it was Chris Burden whose art spotlighted...

“People from Ibiza” Kenta first came to visit the magic island of Ibiza as a young man at the age of 18 and fell in love with the diversity of personalities and expressions of freedo...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Portrait, ca. 1975. Period print measuring 8.75 x 11.25 inches. Unframed. Studio stamp on verso. Mounting and framing services available. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Raphael Macek Maternum, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring on...

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

"Mick Jagger on Tour Plane 1972" black and white photograph by Jim Marshall. Image size: 22 1/2 x 14 1/2 inches. This framed photograph was previously displayed in a guest room of th...

Fauna #3, by Zoltan Gerliczki From the series "Fauna" Archival Pigment Print Image size: 48 in H x 39 in W. Edition of 8 + 2AP Unframed 2014 All Prices are quoted as "initial price". Please observe that prices and availability may change due to currency “I am presenting women as powerful as any man. Each woman decorated with the most common and beautiful flowers. Each picture is powerful in color, energetic, and pure in nature, their expression is innocent.” Your images point toward qualities of women that go largely unseen, yet you seek to reveal through beauty and wonder. The colors and shapes perfectly illustrate the idea of “beauty and wonder” in a way that only nature could produce. Your painterly...

Ed. of 21, estate-stamped, posthumous print. Includes black frame. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1...

Artist: Man Ray (American born, 1890 - 1976) Title: HENRI MATISSE Date Of Negative: 1922 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st...

In 1969, weekends at Bethesda Fountain were a gathering place for the radical, glamorous, and hip people of the time. Abbie Hoffman and Jerry Rubin were regular speakers there. Po...

Artist: Man Ray (American born, 1890 - 1976) Title: SIDE PORTRAIT Date Of Negative: 1926 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogra...

William Wegman's highly conceptual Dog - Cat interaction is depicted in this large-format Polaroid Polacolor print that features a double portrait - a Dog and a Cat - together but separate in their own defined space. Signed, titled, and dated to lower right ‘Church & Steeple William Wegman 93’. This work is unique. provenance: Wright Chicago, Fraenkel Gallery, San Francisco Acquired from the previous in 1993 by the original owner Thence by descent Best viewed with a top gallery light...

A combination of analogue and digital compositions based on ideas from Ovid’s Metamorphosis, deconstructed and subverted to my own narrative. MJO, 2021 Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural commentary. O'Brien produced a diverse body of photographic work, from still lifes and portraits to art documentation. He still uses film and works in medium and large formats. His themes are not classical, the artist prefers to portray extraordiary beuty, transgender people and still lifes. The artist's images have a sense of discovery and loss; absence and presence. From In Spite of Dreams Series Printed on Hahnemuhle fine art paper Dimension for each print is 20 in. H x 30 in. W The overall size composition of the entire portfolio is: 60 in. H x 60 in. W) Limited Edition of 10 + 2AP A combination of analog and digital compositions based on ideas from Ovid’s Metamorphosis, deconstructed and subverted to my own narrative. 1. The Fall of Icarus (Diptych), 2013-2018 “Drawn on by his eagerness for the open sky, he left his guide and soared upwards…” -Ovid, The Fall of Icarus 2. Lycidas (Diptych), n.d. “Who would not sing for Lycidas” -John Milton, Lycidas 3. The Ides of March...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Raphael Macek Calceus, 2020 - Afresco series 71 x 48 inches 180 x 120 cm Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legen...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

"Marvin Gaye'" framed color photograph. This photograph was originally displayed in a guest room of the original Hard Rock Hotel and Casino in Las Vegas, Nevada, and comes with a cer...

Men, Women, and Drag, draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural commentary. O’Brien's photographss highlig his ability to capture the human experience with depth and nuance. His involvement in activism, particularly with HIV/AIDS awareness and support, further informs his artistic perspective, making his work both impactful and deeply personal. Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural commentary. O'Brien produced a diverse body of photographic work, from still lifes and portraits to art documentation. He still uses film and works in medium and large formats. His themes are not classical, the artist prefers to portray extraordiary beuty, transgender people and still lifes. The artist's images have a sense of discovery and loss; absence and presence. From the Series Girlfriend Printed on Hahnemuhle fine art photo rag paper Dimension for each print is 22 in. H x 17 in. W (The overall size composition of the entire portfolio is: 66 in. H x 51 in. W) Limited Edition of 10 + 2AP All these portraits were made on tri-x BW film with a Pentax 6 x 7 photographed in Natural Light. 1. Lavinia (Girlfriend), NYC, 1992 “I came to Manhattan with just a handbag” - Lavinia Co-op 2. Ebony Jet (Girlfriend), NYC, 1992 “We’re all born naked, everything else is drag” - RuPaul Charles 3. Miss Guy (Girlfriend), NYC, 1992 “You’ve got your mother in a whirl; she’s not sure if you’re a boy or a girl.” - David Bowie, Rebel, Rebel 4. Ming Vauze (Benjamin Liu) NYC, 1992 “Impersonation is the supreme act of creation.” - Yukio Mishima...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Raphael Macek Domino, 2020 Afresco series 60 x 40 inches Archival Pigment Print Edition of 10 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

In the early 1970s, Central Park was a center for celebrations and protests. In his image, the Hare Krishnas who are a mystical sect of Hinduism are capt...

Series titled "Nothing Stays Still", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Well-muscled male cat with full mane. He's King of the Jungle even if he's in stone and against a pink background. The contrast of gritty the stone texture against the smooth flat sky is unexpected and somehow makes the image special. Signed, dating and numbered 2/15 recto, unframed, another size available, printed later, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy photography, doll photography...

Series titled "BLUE", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin, as a vehicle ...

This project is with Louis Vuitton and the stylist Carine Roitfeld and Madame Figaro, starring the Belgian singer Lous and the Yakuza. All the looks Lous is wearing are designed by N...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Scout Tufankjian: President Barack Obama and First Lady Michelle Obama Inauguration Night, 2009 Chromogenic print, 2009, signed and numbered 1/25 on a label from Danziger Projects, NY. 20 x 24 in. (sheet), 22 x 29 in. (frame). Provenance: A Contemporary Vision: Works from the Melva Bucksbaum Collection Sold to Benefit Art for Access at Bennington College Scout Tufankjian is an Armenian-American photojournalist and author based in Brooklyn, New York. She is well known for her photos of American President Barack Obama during his campaign leading up to his presidency. She is also known for her photojournalism work on the Armenian diaspora. She was born in Boston, Massachusetts to an Armenian-American father, Allan, a lawyer, and an Irish-American mother, Betty. She grew up in the south shore towns of Whitman and Scituate, both in Massachusetts. As a child she was separated from the Armenian community in Massachusetts. Her knowledge of the her Armenian heritage came from reading magazines and newspapers that she found at her grandparents home. She started shooting photographs in Northern Ireland at age 18. She attended and earned a B.A. in Political Science and Government from Yale University in 2000. She speaks English and Arabic. From 2006 to 2008 she covered Senator Barack Obama's campaign for President of the United States, and was the only independent journalist to follow him from the run up to his announcing his candidacy through his victory on election night. Tufankjian took more than 12,000 photographs throughout the campaign. She released a book featuring a selection of the photographs titled Yes We Can: Barack Obama's History-Making Presidential Campaign in December 2008, which sold out its initial 55,000 copy run a month before it was released. In 2010 she went to cover the Haiti Earthquake and its aftermath. From 2011 to 2012 Tufankjian went to Egypt to photograph The Egyptian Revolution. From this time she has Photos categorized as The Egyptian Revaluation, The Detainees, Along the Barricades, Endgame, The Egyptian Elections and Egypt's Salafi Community. In August 2012, Tufankjian took a photo of Michelle Obama and President Barack Obama hugging each other. The photo was taken in Dubuque, IA in Aug15th. Instead of focusing on the Obamas as political figures, Tufankjian focused on them as a couple. The Obama campaign staff sent this picture out on the official Obama Facebook and Twitter accounts the night of the election, 6 Nov. 2012. This picture became the most liked photo on Facebook and most retweeted tweet in history. In 2015 Tufankjian published in commemoration of the Centennial of the Armenian genocide, There is only the Earth: Images for Armenian Diaspora. Tufankjian took 6 years and traveled to 5 different continents gathering stories and photos of the Arminian people who were killed and displaced from their homes by the Turkish Ottoman government between 1915 and 1923. Tufankjian traveled to Ethiopia, Syria, Turkey, Lebanon, Argentina, France, United States, Hong Kong, and Canada in search of Armenian communities, photographing Armenian lives around the world. In showing how the Armenian people survived Tufankjian's photos capture everyday life, the from religious to the romantic to the familial. Works Images from the Middle East (2006) Yes We Can: Barack Obama's History-Making Presidential Campaign (2008) Haiti 2010 The Haitian Earthquake, A Tale of Two Camps Egypt 2011-2012: A Year of Revaluation There Is Only the Earth: Images from the Armenian Diaspora Project, Melcher Media, 2015. A photojournalist's study of the Armenian diaspora on its 100th anniversary Commissioned work: The HALO Trust: 100 Women in Demining (2017) Ongoing Projects Karabakh: 2002-2020 Danziger Gallery is a leading photography dealer. they have shown Robert Frank, Henri Cartier Bresson, Alice Mann...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting a portrait of a costumed Pablo Picasso. During the Feria de Nîmes festival, Picasso dressed...

The artist explores the intersection between submission and domination with this set of photographs.For this series the artist explores the moment when nature in animal form intertwines with the human form, there you can learn true balance. -In this series the artist studies the balance between black and white photography. The harsh lights and shadows in the warm Florida weather led Ricky Rocket to explore photography. The sharp and refined effect of these types of lighting conditions became a necessity to avoid studio environments. Self-taught, while photographing ballet...

Kenn Duncan (1928-1986). Woman with Turban and Feathers, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita Rivera...

Fauna #5, by Zoltan Gerliczki From the series "Fauna" Archival Pigment Print Image size: 48 in H x 39 in W. Edition of 9 + 2AP Unframed 2014 All Prices are quoted as "initial price". Please observe that prices and availability may change due to currency “I am presenting women as powerful as any man. Each woman decorated with the most common and beautiful flowers. Each picture is powerful in color, energetic, and pure in nature, their expression is innocent.” Your images point toward qualities of women that go largely unseen, yet you seek to reveal through beauty and wonder. The colors and shapes perfectly illustrate the idea of “beauty and wonder” in a way that only nature could produce. Your painterly...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

This close-up of a peacock displaying is defined by late dramatic light. Robert Funk is a photographer and New York advertising art director for Print and TV. He was widely publishe...

Fauna #1, by Zoltan Gerliczki From the series "Fauna" Archival Pigment Print Image size: 48 in H x 39 in W. Edition of 8 + 2AP Unframed 2014 All Prices are quoted as "initial price". Please observe that prices and availability may change due to currency “I am presenting women as powerful as any man. Each woman decorated with the most common and beautiful flowers. Each picture is powerful in color, energetic, and pure in nature, their expression is innocent.” Your images point toward qualities of women that go largely unseen, yet you seek to reveal through beauty and wonder. The colors and shapes perfectly illustrate the idea of “beauty and wonder” in a way that only nature could produce. Your painterly...

Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter ...

Mantras and Sun Family Diptych by Leobardo Huerta Mixed-media Vintage photograph drawn on with pen and acrylic paint. Overall size: Sheet size: 15.75 in. H x 26 in. W Image size: 1...

Mantras by Leobardo Huerta Mixed-media Vintage photograph drawn on with pen and acrylic paint. Sheet size: 15.75 in. H x 15 in. W Image size: 14 in. ...

Artist: Man Ray (American born, 1890 - 1976) Title: SINCLAIR LEWIS Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1s...

16 x 16 inches 40 x 40 cm Edition of 15 Archival Pigment Print on a Baryta Paper Mounted and Framed 32 x 32 inches 80 x 80 cm Edition of 7 Archival Pigment Print on a Baryta Paper ...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...