Florida - Portrait Photography

Gabriel Wickbold I am light #6, 2019 64 x 44 inches 160 x 110 cm Edition of 5 Archival Pigment Print Framed (Matt Black) Signed on verso + Signature Label Certificate of Authenticity

Gabriel Wickbold Glitter, 2019 64 x 44 inches 160 x 110 cm Edition of 5 Archival Pigment Print Framed (Matt Black) Signed on verso + Signature Label Certificate of Authenticity

Gabriel Wickbold I am light #3, 2019 64 x 44 inches 160 x 110 cm Edition of 5 Archival Pigment Print Framed (Matt Black) Signed on verso + Signature Label Certificate of Authenticity

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Dollhouse II, by Léa Bon Archival pigment print on photo baryta 315 paper Image size: 29.53 in. H x 19.68 in. W Edition 1/6 2012 All sizes signed, titled, dat...

Oxygen of Sleep by Léa Bon Archival pigment print on Harman Glossy 260 g. paper Image size: 29.53 in. H x 19.68 in. W Frame size: 31 in. H x 21 in. W x 1.5 in. D Edition of 2/6 2013 ...

Sweet Dream, by Léa Bon Archival pigment print on Harman Glossy 260 g. paper 35.43 in. H x 23.62 in. W Edition 1/6 2019 All sizes signed, titled, dated, and numbered on artist label...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Capoeira / Bahia, 2009, 2010 by Guilherme Licurgo Image size: 35 in. H x 23 in. W Edition of 10 + 2 AP Unframed From the Homage to Bahia series. Other sizes are available. All Pri...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Leto's Daughter, 2019 by Hunter & Gatti Acrylic And Oil Pastel On Pigment Print Image size: 36 cm. H x 28 cm. W UNFRAMED This piece is part of the H&G series titled "Nothing Stays S...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Invacuo Project #19, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 24 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

Gelatin silver print. Hand signed and numbered by the artist. Image size: 30.75 x 25 in. Sheet size: 40 x 30 in. Frame size: approx. 52 x 39 in. Edition of 25. Artwork is in excellen...

Hand signed, numbered and titled on verso. Image Size: 10 X 10 Inches. Sheet Size: 20 X 16 Inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition ...

Fuchsine, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on gliceée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with date. UNFRAMED ...

Bruno Bisang Haute Couture Helmut Newton shooting Naomi Campbell at Dior 16 x 20 inches 40 x 50 cm Edition of 7 23 x 31 inches 60 x 80 cm Edition of 5 47 x 35 inches 120 x 90 cm...

Raphael Macek is a celebrated photographer whose horse Portraits are collected and admired worldwide. The legendary and complex relationship between humans and horses is an endurin...

Paris, 2017 One Of a. kind From the series of Nothing Stays Still Acrylic on glicée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with the date. UNFRAMED Th...

Muse, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on glicée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with the date. UNFRAMED T...

Paris Alone, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on glicée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with date. UNFRAMED...

Nymphs Empty Spaces, 2017, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on acetate print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with...

Skarsgård, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on glicée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with a date. UNFRAMED...

Nothing Stays Still, Untitled I, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on glicée print. Image size: 29.5 cm H x 21.7 cm W...

Maiol Nymphs, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on gliceée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with a date. UNFR...

Flammarion, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on acetate print Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with a date. UNFRAME...

David, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic and encaustic wax on burned on glicée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed ba...

Bella Neon, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on glicée print. Image size: 29.5 cm H x 21.7 cm W Signed front and sig...

Mars, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on gliceée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with the date. UNFRAMED ...

Capoeira II / Bahia, 2009, by Guilherme Licurgo Image size: 35 in. H x 23 in. W Edition of 10 + 2AP Unframed From the Homage to Bahia series. Other sizes are available. All Prices...

Daytona Playboy Dallas I, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on glicée print. Image size: 29.5 cm H x 21.7 cm W Signe...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Fluid Bella, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on gliceée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with the date. UNF...

Great Lakes Williams, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on gliceée print. Image size: 29.5 cm H x 21.7 cm W Signed fron...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Looking at Arcadia, 2019 by Hunter & Gatti Acrylic And Oil Pastel On Pigment Print Image size: 36 cm. H x 28 cm. W UNFRAMED This piece is part of the H&G series titled "Nothing Stay...

Untitled XI From The Series Of La Costilla Roja, 2016 by Jose Sierra Image size: 35.44 in. H Edition of 10 + 2AP Unframed All Prices are quoted as "initial price". Please note th...

Occult Games #4 by Léa Bon Archival pigment print on Harman Glossy 260 g. paper 29.53 in. H x 19.68 in. W Edition 1/6 ________________________________________________ All sizes sig...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

This is a photograph. The Mutted cool and warm greys with desaturated color hair accents update a familiar subject. Signed, dated, numbered lower right, recto 3/15, unframed, ot...

Lady of Naggaroth #2 by Léa Bon Archival pigment print on Harman Glossy 260 g. paper Image size: 36 in H x 24 in W Edition 1/6 2013 ________________________________________________ L...

Soñar Que Tiene Las Manos Muy Grandes, 2014 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on %100 Cotton Paper Imag...

Occult Games by Léa Bon Archival pigment print on Harman Glossy 260 g. paper 29.53 in. H x 19.68 in. W Edition 1/3 2016 ________________________________________________ All sizes sig...

Untitled V From The Series Of La Costilla Roja, 2016 by Jose Sierra Image size: 23.62 in. H x 35.44 in. W Edition of 10 + 2/2AP Unframed All Prices are quoted as "initial price". ...

Fuck Off by Léa Bon Archival pigment print on Harman Glossy 260g. paper 36 in. H x 24 in. W Edition 1/3 2015 ________________________________________________ A...

Fuscae I 2019 by Hunter & Gatti Acrylic And Oil Pastel On Pigment Print Image size: 43 cm. H x 33.5 cm. W One of a Kind This piece is part of the H&G series titled "Nothing Stays S...

Infrahumana (Infrahuman) by Léa Bon Archival pigment print on Harman Glossy 260 g. Paper 36 in. H x 24 in. W Edition 1/6 2016 ________________________________________________ All siz...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Lady of Naggaroth #1 by Léa Bon Archival pigment print on Harman Glossy 260 g. paper 36 in H x 24 in. W Edition 1/6 2013 ______________________________________...

Venen by Léa Bon Archival pigment print Edition of 3 2015 ________________________________________________ Léa Bon is an androgynous fashion and art photographer, with a unique, pers...

Raphael Macek is a celebrated photographer whose horse Portraits are collected and admired worldwide. The legendary and complex relationship between humans and horses is an endurin...

Raphael Macek is a celebrated photographer whose horse Portraits are collected and admired worldwide. The legendary and complex relationship between humans and horses is an endurin...

Sweet Dreams by Léa Bon Archival pigment print on Harman Glossy 260 g. paper 36 in H x 24 in. W Edition 1/6 2015 ________________________________________________ All sizes signed, ti...

Untitled III From The Series Of La Costilla Roja, 2016 by Jose Sierra Image size: 23.62 in. H x 35.44 in. W Edition of 10 + 2AP Unframed All Prices are quoted as "initial price". ...