Hudson

Lacquer on wood. Signature reads: Toshimasa. Solid black lacquer on reverse. Signed original box.

Chinese hardwood coffee table.

Abstract encaustic painting with dyed teal, indigo, beige, and white dyed fabrics "Blue Ochre & White Lies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 16 x 20 inches, 17 x 21 inches framed Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Natural scene of Mandarin ducks gliding gracefully amongst the water. Mineral pigments on silk with silk brocade border and natural wood trim. Seal reads: Kei.

Nicely painted mineral pigments on silk with a silk brocade border. Signature reads: Kosho.

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Japanese Two Panel Screen: Aviary Shaded By A Maple Tree, Showa period (1926 - 1989) painting of an outdoor bird enclosure under a maple tree. Painted in ...

American Flag (Sepia Toned Still Life of Vintage Flag Leaning Against Wall) by David Halliday Sepia toned silver gelatin print, edition 11 of 25 Custom bl...

This guitar-sculpture designed by Ken Butler features a compilation of dials, gauges, wires and knobs. The body of the guitar is an actual plastic drill case. This sculpture has a st...

Four individual mounted panels of calligraphy. Each panel contains a poem inspired by one of the four seasons. Each panel signed: To Rei. Ink on mulberry paper with silk brocade border.

Edition #1/10 The listed print is a framed price . It is also is available in 2 additional paper sizes, unframed. In her new collection of photographs, British born photographer H...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Japanese six-panel screen: Plovers in flight over coastal landscape. Late Edo - Early Meiji period, circa 1870, painting of plovers flying over cresting waves. Sumi ink on mulberry p...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Gestural abstract expressionist painting on canvas in colorful hues blue, pink, and green on a silver background "Untitled Blue", 2022 by Bruce Murphy 40.5 x 40.5 inches, enamel pai...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990. Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon. Black & White, Women, Lucca...

The Camille slipper chair, shown here, is the newest addition to the foley&cox HOME Collection. Inspired by a modular sofa seat from Brussels, the desi...

Zebra armchairs. Ex-collection: Geoffrey Beene.

Byron Browne On the Beach (1959) Oil on canvas, 20" x 26" 26" x 32" x 1" frame size - likely original Inscribed verso "On the Beach / 1959 / Byron Browne" Provenance: Private collection, Berkley, California About this artist: Through an oeuvre displaying the re-envisioning of figural subjects and the formation of an abstract expressionist style, Byron Browne stands out among the American abstractionists of his generation. Born in Yonkers, New York, in 1907, the artist was a bright talent at the National Academy of Design in his teens. From 1924 to 1928 Browne studied at the Academy under notable artists Robert Aitkin, Charles Courtney Curran, Charles Hawthorne, Alice Murphy...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a roller coaster that was built in 1925, abandoned in 1980, and demolished in 2000. Behind is the Pa...

17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Shanghai, China, with a yellow backbo...

With silver rim, and interior decoration of falling petals and gold dust. Comes with original storage box.

C22-9 (Abstract Geometric Color Field Multi panel painting in shades of green) by Ginny Fox Painting is on three panels measuring 36 x 12 x 2 inc...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Pelican Finn...

Modern landscape oil painting reminiscent of Hudson River School painters oil on canvas 48 x 48 inches Romantic (yet modern) Hudson River oil landscape painting of rolling, hilly fa...

Japanese Two Panel Screen: Water Fowl by River's Edge, Showa period (1926 - 1989) painting of fowl on a river bank. Very art deco in style. Painted in min...

Okinawa painting with palm trees, flying swallows, and antheriums. Graphic and dynamic splashes of color and design gives this painting an air ...

Wheels Submerged in flowing water motif, believed to be a subject popular in samurai families. Example of the same subject matter in Tokyo National Museum.

An early work by Julio De Diego embodies the deep love he had for his homeland of Spain, combined with his strong emotions against war. The peacefulness of the couple holding hands l...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Signed lower right: "Atherton", inscribed "John Atherton Original Tempera 7/28/50" on verso. Artwork measures 16" x 20" and framed 20" x 24" x 2 ½" About this artists: John Atherton (1900-1952) did not show an early aptitude for art; rather, his first love was nature and the activities he relished there, mainly fishing and hunting. Born in Brainerd, Minnesota in 1900, he learned to fish with his father from the age of four. Later the family moved to Spokane, Washington, and when he was old enough, Atherton worked at a variety of jobs to help support his family. One such job, in the sorting plant of a lead and silver mine, paid $4.25 a day—a good wage, though he never had time to spend his money, since he worked seven days a week. After serving in the Navy for a year during World War I, Atherton was determined to get an education. He worked as a sign painter and played the banjo in a dance band, finally accumulating enough money to enroll in the California School of Fine Arts in San Francisco. Once there, he worked like a fiend, attending classes both during the day and at night, getting the best training available. Though he had always intended to be a fine artist, Atherton’s first jobs were for commercial art firms. In 1929, using the prize money won for a painting he entered in an art competition, Atherton and his wife moved to New York City. Though the economic situation was difficult in those years, he managed to keep going by taking commissions for magazine illustrations, and over the years he would paint more than forty covers for The Saturday Evening Post. In 1938, an artist friend suggested that he use the same flat, decorative style as his commercial work for his gallery paintings. This was a breakthrough for Atherton; soon afterwards he held a one-man show at the Julien Levy Gallery in New York, and his paintings began to be collected by museums including the Museum of Modern Art in New York and the Metropolitan Museum of Art. Atherton’s reputation increased to a national scale when he designed the art deco stone lithograph poster for the 1939 World’s Fair that strikingly depicted Earth and its atmospheric layers in the lap of Liberty. Atherton was highly influenced by the magic realist...

Japanese Two Panel Screen: Chickens in a Millet Grove, Meiji period (1868 - 1912) painting of a Japanese breed of chicken, Shamo chickens, in a millet grove. Beautifully painted and...

Large French cabinet from a castle in northern France, near the Belgian border.

Two Buildings in Covington, Tennessee (Oil Painting Pink/Green Building) Made in 2023 by Berkshire based artist Margaret G. Still Oil on Canvas, 14 x 18 inches The desaturated tones...

Taisho period (1912-1926) bronze vase with raised design of swimming carp with gold eye details. Removable insert for flower arranging. Excellent and delicate metal work. Signature r...

Jay Van Everen was a pioneering early American abstractionist known for his affiliation with the Synchromists. His abstract color studies would take him to the forefront of the Ameri...

Skunk (Halo Lighting Surrounding a Wandering Skunk in a Field) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent condition NATURAL TH...

Top shelf can be angled up, possibly for display.

Kano school painting of nobles at rest (some yawning) under moonlit sky. Mostly likely a representation of the last story in the Ise Monogatari: chapter 16, Sekiya (The Gatehouse). A...

Mineral pigments on silk, mounted on a gold panel, in silk border. Signature and seal read: Yoho.

Peodil (Pink Peony with Yellow Center and Smaller Daffodil Realist Still Life) Made in 2023, by Berkshire based artist Ann Getsinger oil on linen, 20 x 16 inches Signed, lower left ...

"A Way in Light" by Susan Hope Fogel oil on canvas panel 9 x 12 inches, 14.5 x 17 inches in gold leaf frame wire on reverse for easy installation signature in lower left Susan Hope...

Pictured is Edition #1/10 and is the framed price. This image is available also in the two other paper sizes unframed. British-born photographer Heal creates an image where her ...

Fitted with two drawers, raised on turned legs, joinedby a stretcher on later molded flat feet.

Meander (Female Figure in Quilted Dress with Collage Lake Landscape) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophis...

Removable bronze top, with gold drip pattern at top. Cresting ocean waves on bottom with raised silver sea spray.

Japanese Two Panel Screen: Peonies In the Mist. Showa period (1926 - 1945) painting in oil on canvas of peonies with gold and silver dust clouds. Signature reads, Seishu.

Beautiful 17th century painting of pine trees. Painting in good condition on 19th century mounting. Mineral pigments and gold dust on mulberry paper w...

Italian born Gio Colucci (1892-1974) was mainly a painter but he also worked in ceramics, glass, and even did book illustrations. He studied architecture at the Fine Art School in Pa...

Impressionist style en plein air landscape painting on linen of a rural country farm with green fields and bright blue sky "Braymer Hill," an upstate New York landscape, painted plei...

Contemporary color still life photograph of yellow, purple, and white flower with red buttons in a silver compote cup on a wood tabletop "Flowers, Compote & Buttons", photographed by David Halliday in 2008 archival pigment print, ed. of 25 10 x 14 inch image on 16 x 12 inch paper, unframed Print is made to order "Flowers, Compote & Buttons" is an archival pigment print by photographer, David Halliday. Here, the artist beautifully situates colorful flowers and buttons in a silver compote cup on an old wooden table...

Oil on canvas 60 x 48 inches This large vertical painting of an expansive pastoral landscape was created by artist Leigh Palmer a few years after his move to the Hudson River Valley...

India Sachi is a contemporary, female painter and photographer who's mythologically inspired works explore concepts of power, vulnerability, and folklore. With work evocative of Raus...

French marble and wood center table. Louis XVI style.

Abstract night scene with moon. Impasto. Great expression and movement. Original.

Contemporary still life photograph of bright orange and blue poppy flowers and fingerling potatoes on a crisp white tabletop background archival pigment print, edition 6 of 10 17 x 2...

Lacquer painting on wood.

Unique, structurally sound table.

Still life photograph of purple and white clam shells on pale grey and beige background archival pigment print, made in 2007 by David Halliday 10 X 15 inches unframed Edition of 25 In this series, Halliday captures the beauty of 'the ordinary' in still lifes of various objects and vegetation arranged against simple backgrounds. This nautical themed still life of deep purple and white clam shells beside a piece of drift wood is set on a light grey table top against a cream colored wood wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior view. Halliday was one of the first artists Carrie Haddad began representing when she opened the gallery 27 years ago. Since then he has exhibited nationally and in Europe. He now lives and works in Schodack Landing by way of New Orleans and Nantucket. Resume Born 1958, Glen Cove, New York Lives in Upstate New York EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2019 Still Life Like, Carrie Haddad Gallery, Hudson, NY 2018 Group Photography Exhibit, Carrie Haddad Gallery, Hudson, NY 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...

Contemporary minimalist aerial landscape photograph of a plowed yellow field with dark blue shadow Archival digital print, Edition of 25 (#013) Image size 31 x 39 inches unframed, m...