Hudson

Bright, Maximalist style still life photograph of purple and green flowers and yellow lights against a black background Archival digital print, made to order 30 x 30 inches, edition ...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

22 x 22 x 2 inches encaustic on square wood panel Stella is an abstracted painting in rich encaustic (pigmented wax) on wood panel. Using a neutral palette of dark brown, light blu...

sepia toned archival pigment print, edition 4 of 25 Item size: 24 x 20 inches, 100% cotton rag paper Image size: 22 x 17 inches This modern, sepia toned landscape print was made by ...

Still life photograph of purple and white clam shells on pale grey and beige background archival pigment print, made in 2007 by David Halliday 10 X 15 inches unframed Edition of 25 In this series, Halliday captures the beauty of 'the ordinary' in still lifes of various objects and vegetation arranged against simple backgrounds. This nautical themed still life of deep purple and white clam shells beside a piece of drift wood is set on a light grey table top against a cream colored wood wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior view. Halliday was one of the first artists Carrie Haddad began representing when she opened the gallery 27 years ago. Since then he has exhibited nationally and in Europe. He now lives and works in Schodack Landing by way of New Orleans and Nantucket. Resume Born 1958, Glen Cove, New York Lives in Upstate New York EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2019 Still Life Like, Carrie Haddad Gallery, Hudson, NY 2018 Group Photography Exhibit, Carrie Haddad Gallery, Hudson, NY 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...

25 x 55 inches horizontal, monochromatic lavender purple landscape acrylic painting on canvas This contemporary, horizontal landscape acrylic paintin...

A set of six (6) dinner plates in the Floral Tapestry pattern by Wedgwood. Signed. Made in England. Produced from 1997 to 2005. Bone china. Includes the following 6 pieces: 6 Din...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, a bunch of radishes with their deep pink skins are are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Abstract still life photograph of green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on three panels Edition 1/12, 36 x 34 i...

Contemporary still life photograph of faint orange wall with white plaster patches archival pigment print, ed 2 of 10 22.25 x 40 inches unframed 28.75 x 46 inches in dark wood frame with non-glare glass In this series, Halliday captures the interiors of his home and studio. The photograph depicts a light orange painted wall with white plaster patches over a mantelpiece. The artist likens the patches to clouds hovering over a horizon. Light blue styrofoam resting in the foreground provides an elegant detail of color. This still life photograph is complimented with a dark wood frame with non-glare glass. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Geometric and gestural abstract painting on canvas in earth tones of beige, tan, light brown, with details of white and pale yellow "Passing Through #2", by Jeanette Fintz in 2018 54...

Kabuki Series, Distracting Fate by Joseph Wheaton 2021 44" x 43" x 9" Oxidized Steel, wax (Lightweight contemporary three-dimensional wall sculpture) This piece can be installed two...

Minimalist aerial landscape photograph of turquoise blue water and curved break wall Archival digital print, Edition of 25 (#094) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs turquoise blue water above Lake Michigan near Chicago, IL. When seen from above, the break wall that spirals into the blue water resembles an abstract line on a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

Nature-Inspired Minimalist Abstract Color Field painting on two wood panels in shades of light, icy blue, white and grey Acrylic on two wood panel, Each panel is 18 x 24 x 1.5 inche...

Modern still life photograph of earth toned brown and green moss Archival digital scanograph 18 x 13 inches, edition of 75 Additional sizes available This contemporary, archival di...

After extensive research we're unable to find anything similar to this piece. Chair in form but more functional as a table or just sculpture. Maybe for a potted plant. Really just a...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 24 x 24 inches, editio...

Archival pigment print Interior Still Life Photograph of a Wardrobe full of Clothing and Books 25 1/2 × 20 in; 64.8 × 50.8 cm, 40.5 x 33 inches framed Edition of 10 In this series, Halliday captures the interiors of his home and studio in his restored home in New Orleans, Louisiana. This intimate portrait is of the artist's own wardrobe; oxford button up shirts in blue, coral and white hang on the inside. The items displayed represent objects from the artist's daily life and gives a glimpse into his personality. The peeling wallpaper...

Blue (Sepia Toned Figurative Oil Painting of Boys on Bikes with Blue Ball) Contemporary figurative painting based on a 1960's photograph, plays deeply on feelings of nostalgia and identity. oil on wood panel 20 x 20 x 2 inches Carl Grauer’s 'Blue' plays with the tension between memories, the “return to home”, and the actual experienced past through the renderings of the family unit. Inspired by images on found slides or old family photos, Grauer provokes mixed responses of delight and sadness, reminding us that unlike space, time cannot be returned. Grauer paints 'Blue' in black and white, sepia tones, and blue oil paint on wood to capture the nostalgia of a vintage 1950's photograph. Two young children ride bicycles in a charming landscape while one child holds a big blue ball. The blue ball beautifully contrasts with the sepia toned landscape. The brushstrokes are smooth, with little texture built upon the surface. About the work: Recollections, a series that plays with the tension between memories, the “return to home”, and the actual experienced past, is an idea that I explore through the renderings of the family unit. Nostalgia comes from the Greek word nostos, meaning “to return to home” and algos, meaning “pain”. Before the rise of pathological anatomy and bacteriology made it less credible, medically; nostalgia was considered a “disorder of the imagination. Through time, nostalgia’s meaning became a more generalized reaction to the sad fact that, unlike space, time cannot be returned. I initially began with source imagery of found slides and photos of people I find at flea markets, second hand stores or from my own family’s collection. I take the source imagery and change elements to signify specific moments that could be seen as memories that are remembered or forgotten. I aim to represent nostalgic scenes that may relay a tension, sorrow or humor that could be constructed memories or actual experienced events. The exact narrative may be forgotten or unknown, but the complex projection of an idealized story that I find intriguing may serve to reflect a feeling or memory for another person. CV 1975 Born in Wilson, Kansas, USA EDUCATION 1998 Bachelor of Arts – University of Kansas 2000 Mastor of Fine Arts – University of Michigan 2015 Portrait and Figure Painting – London Atelier of Representational Art EXHIBITIONS 2016 "Petit: A Group Exhibition of Smaller Sized Art...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

Circular color photograph of figures in a white landscape with red and white tulips Archival pigment print, ed. of 5 10 inch diameter image on 22 x 17 inch archival paper Made to order, unframed This circular photograph...

Made of rosewood, this antique tea caddy is distinguished by its porcupine quill detailing. Featuring elements of ebony and ivory dots, the hinge lidded box...

Contemporary nautical seascape photograph of blue ocean waves in white frame 36 x 33 inches unframed, 41 x 38 inches framed Japanese Kozo paper infused with encaustic on 3 panels, ea...

Color still life photograph of pomegranates and walnuts on a tabletop with figurative olive branches against a beige and white background 'Pomegranates and Walnuts' by David Halliday...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted grey background, black abstract portrait with many colors. Here you certainly see the Picasso...

Framed flower still life photograph of a white and pale yellow peony on a solid black background “Untitled 18” by Chad Kleitsch, this image i...

Abstract still life photograph of yellow Acacia flowers and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on four panel...

Color still life photograph of a figurative olive branch, brick, chestnuts, and shotgun shells "Brick, Chestnut, Shotgun Shells" photographed in Greece by David Halliday in 2017 21 x...

10 x 8 inches sold with white 8 ply matte board that is 24 x 17 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This work...

Nature-Inspired Minimalist Abstract Color Field Painting on 3 Panels in Sage Green Acrylic on 3 wood panels Each panel is 20 x 16 x 2 inches Suggested installation is 1-2 inches bet...

This nice medium-sized bowl has underglaze and overglaze painted details and was made circa 1945 to 1950. It is decorated in an asymmetrical pattern of prunus and chrysanthemums with...

Graphic Abstract mixed media collage of black and white shells with pops of peach, yellow, and marbled paper "Shell 1", by David Dew Bruner, 2020 Mixed Media on paper in a white pain...

Still life photograph of flowers against a black background Archival digital scanograph 18 x 13 inches unframed, edition of 225 Additional sizes available This contemporary, archiva...

Nature-Inspired Minimalist Abstract Color Field Painting on 2 Panels in light blue and white with details of earthy brown Acrylic on 2 wood panels Each panel is 36 x 24 x 2 inches Su...

Abstracted Baroque style still life photograph of colorful green vegetarian and flowers. Available in multiple sizes (listed below) Lisa Fran...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

graphite on paper, drawing measures 5.5 x 4 inches Vintage frame is 12.5 x 9 x 2 inches with beautiful floral carved detail and fabric inlay. This graphite work on paper was inspire...

Geometric and gestural abstract painting on canvas in earth tones of green, beige, tan, green, light brown, and blue. Plan for Spring #2, by Jeanette Fintz in 2018 24 x 24 x 2 inche...

Abstract mixed media encaustic painting, blood orange encaustic with dark red saffron fibers on wood panel 14 x 14 x 1.5 inches, ready to hang as is Sturdy d-ring is on the back for...

Abstracted still life photograph of white leaves Archival digital print 40 x 40 inches, edition of 15 Additional sizes available This contemporary, archival digital print was made b...

60 x 72 x 1.5 inches acrylic on canvas This painting is being offered by Carrie Haddad Gallery, located in Hudson, NY. Tirta gangga means WATER PALACE and is a former royal palace i...

49 x 79 inches framed, thin black painted wood frame 48.5 x 77.5 inches unframed oil on canvas $9,000 Modern, horizontal landscape oil painting of a large volcano, Cotopaxi, in...

"Chair, Napkins and Sheets" by David Halliday, 2020, archival pigment print, edition of 10 35 3/4" X 22 1/4" Image size 38.25 x 24.75 inch paper size Contemporary Still Life Color...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 30 x 30 inches, editio...

Sepia Toned Landscape of Net in Water and Reflection from Tonga 17 x 17, edition of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives of...

86 x 42 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of romance...

Archival digital print, edition of 25 23.5 x 29 inch image with 2 inch border, unframed *additional sizes available are listed in the detail section John Griebsch learned how to fly...

Minimalist aerial landscape photograph of green ponds with a white barrier Archival digital print, Edition of 25 (#072) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs five green ponds above Batavia, New York. When seen from above, the stark white barrier that divides the green bodies of water resembles an abstract line on a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...

11 x 25 inches oil on canvas, unframed (thin wood stripping only) Cotopaxi is the highest active volcano in the world located south of Quito in Ecuador. This very contemporary ...

Archival digital print 15.25 x 11 inches, edition of 225 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographe...

This very large and impressive server was made in France by traditional craftsmen in or around 1950 to 1960. It still retains its old shipping label from France to this country and i...

Sepia Toned Photograph of a Palm Tree in Tonga 17 x 17, edition of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lif es of antique objects...

Color still life photograph of pomegranates and walnuts on a tabletop with figurative olive branches against a beige and white background 'Pomegranates and Walnuts', by David Hallida...

Panel with Snakes, Turtles, and Dove, 2010 40 x 15.5 inches, edition of 30 (Pictured Gallery view shown - 94 x 36 inches, edition of 15) archival digital print, unframed This contem...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Abstract encaustic work on panel 20 x 20 x 1.5 This square contemporary pattern-based abstract encaustic work on panel was created by San Francisco-based artist Susan Stover. Stover...

Contemporary color still life photograph of long black fishing boots on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image s...

11 x 25.5 inches $2,500 oil on canvas, unframed Modern, horizontal landscape oil painting of Lake Guatavita in Colombia which inspired the lege...

C-type archival print, edition of 25 20 x 16 inches unframed 29.5 x 25 inches in ornate wood frame with engraved gold detail This Renaissance inspired photograph was created by London based photographer Nick Simpson in 2005. It is based off of the c. 1540 painting "Venus, Cupid, Folly and Time" by Forentine painter Agnolo Bronzino...