Hudson

"Chair, Napkins and Sheets" by David Halliday, 2020, archival pigment print, edition of 10 35 3/4" X 22 1/4" Image size 38.25 x 24.75 inch paper size Contemporary Still Life Color...

Superb early 19th century rosewood Regency table with beaded circular tilt-top above a highly unusual carved lattice work covered pineapple standard and gilded bronze rosette insets resting on a gadroon-carved lower section with a foliate brass-inlaided tripartite base terminating in scrolled feet and raised upon original 'concealed' brass castors. The inlaid brass arabesques...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is pr...

Bronze Koro (Japanese incense burner) in the shape of a rooster Removable top.

30.5 x 30.5 inches Archival pigment print. 15" x 15" edition of 10, unframed, $1,800 30" x 30" edition of 10, unframed $3,450 Please allow at least 2 weeks for the photograph to ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

This pair of French pedestals exhibit a large and highly decorative three dimensional carved wood application of rams heads, garlanded laurel ...

Hawks were a popular motif in artwork because Japanese falconry, or takagari, was a sport of aristocrats such as nobles and samurai. Hawks came to symbolize nobility and strength. Su...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

This fine frame from the French Regence period 1715 to 1723 to perhaps 50 years after that exact date is made completely of carved wood that has been gessoed and beautifully water gi...

Mixed media monotype on paper

Price for UNFRAMED The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. black and white, photography, women, woman, portrait, feminist, aviation, aviator, fashion Southampton...

Cast Bronze work by Paris based artist and sculptor Manuel Fernandez entitled “The Walker” cast in 2001. The original single work, done in 2000, has a solid cast bronze slab base as ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and three visual artists new to the space: Erica Hauser, and Matt Kinney. The selected works of these well-established Beacon, NY artists blend with the gallery’s fine art photography. Upon entering the gallery, viewers will encounter figurative sculptures, abstract paintings, and ink wash drawings alongside fine art photography. Since Robin Rice’s move to Beacon, NY, this concept developed organically; the group exhibition is a fusion of artistic mediums inspired by chance encounters between Rice and friends at art events in Beacon. After spending time with creatives who've spent lockdown in studios, Rice carefully chose works most apropos with her edited inventory of framed photography. Through these chance encounters Rice found inspiration to create this exhibition unlike anything seen before at the gallery and curated an immersive experience. Maintaining her expert aesthetic, Rice has brought together a mosaic of mediums that seamlessly fit together like pieces of a puzzle. Kinney's collection of ink wash paintings in Japanese Sumi ink and watercolor paintings on hand-torn paper render fleeting glimpses of figures and animals as well as primal symbols. Tasmania Spiral is a hypnotic work that resembles a gyre. Also in focus is Hauser’s collection of abstract paintings featuring an alluring vintage color palette...

This listing is for the unframed photograph. This editioned print is #17/25 . The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featurin...

These four drawings, while small in scale but large in style and impact, are of fine quality. Two are of priest and two are of officers. The paper, a fine blue color, makes the drawi...

The Maxfield sofa is from the foley&cox HOME Custom Collection. Shown here in a Kravet lichen-colored ultra-suede, the curved arm sofa features a tight back with vertical top stitchi...

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making techniques a...

with brass mounts.

Trinom white coffee table by Peter Maly for COR. circa 1970. Curved bentwood legs supporting a laminate top, accented with round chrome medallions. Dimensions: 11.5” H x 30.25”...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will be after December 31st. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits...

Both stylish and practical this uncommon 3 quart sand cast aluminum casserole dish by Donald Drumm is sure to make a statement at any event. Signed Drum...

The pair of tables was made in France between 1890 and 1900. Designed in the Louis XV style the pair has extensive hand-carved decorative elements including acanthus leaves, fluting ...

David’s singular photographic vision merges with Rice’s evocative yet alluring multi-room space to envelop your senses, providing a moment to reconsider what a gallery can look and f...

This fine piece of furniture was crafted for the housing of specimens either scientific or esoteric. The many small drawers can house medals, silverware, stamps or any common collect...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

These are the unframed prices. Please inquire about the framed prices in the current edition. The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition b...

A French gilt bronze Empire style candelabrum lamp. Rewired. Shade not included.

Framed still life photograph of a pastel orange and pink rose flower on a crisp white background “Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

This large vase made in China during the first three decades of the 20th century is of a lovely deep Sang De Boeuf color. Ox Blood in the English language, this opaque deep red color was first developed to perfection in the reign of Kang Hsi...

Photo-realist oil painting of a classic brick building exterior in New York City 28 x 50 inches, oil on canvas painting Wire backing for easy hanging Unframed with white painted sides This contemporary, realistic oil painting of a New York City brick building exterior was painted by Richard Britell in 2019. Employing his mastery of the troupe l'oeil technique, Britell paints the smooth red colored stone building in extreme detail assuming a three-dimensional quality with close attention paid to shadow and perspective. This building is reminiscent of neo-classical architecture, popularized in the mid-late 1800's and the striking red exterior contrasts against the white stone window trim, further accentuating the painting's troupe l'oeil qualities. The painting on canvas is complete with wire on reverse for seamless hanging. About the artist: Richard Britell, a career painter, studied at Pratt Institute with Philip Pearlstein and Walter Erlebacher. His first show in NYC at Staempfli Gallery was sold out, and reviewed in the New York Times. Britell’s new works revolve around large, dreamy cityscapes tending toward abstraction. The artist currently lives in Pittsfield, MA. Born Utica, New York, 1944 Education 1962 – 1964 Pratt Institute, Brooklyn, NY 1964 – 1966 Syracuse University, Syracuse, NY B.F.A. 1970 – 1972 University of Massachusetts, Amherst, MA, M.F.A. Solo Exhibitions 2011 “Measuring the Universe” Lauren Clark Fine Art, Housatonic, MA 2010 “And Now For Some things Completely Different” Lauren Clark Fine Art, Housatonic, MA 2010 “The Figure, The Figure, The Figure and The Figure” Lauren Clark Fine Art, Housatonic, MA 2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA 2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma 2003 “Image and Text” Tokonoma Gallery, Housatonic, MA 1999 “From Architecture to Abstraction” Tokonoma Gallery, Housatonic, MA 1998 “New Work” Carrie Haddad Gallery, Hudson, NY 1998 “New Figures” Ute Stebich Gallery, Lenox, MA 1995 “Richard Britell, New Work” Katharina Rich Perlow Gallery, New York, NY 1993 “New Work on Gilded Panel” Phyllis Kind Gallery, New York, NY 1985 “Fresco Panels...

Geometric and gestural abstract painting on canvas in earth tones of green, beige, tan, green, light brown, and blue. Plan for Spring #2, by Jeanette Fintz in 2018 24 x 24 x 2 inche...

Sculptural suite of Biedermeier sidechairs with intricate carved detailing. Upholstered in black fabric.
Seat Depth - 15"
Seat Height - 17"

Hand-signed and dated "Franks 44" lower right. This work is in its original hand painted frame, made by the artist. The frame measures 29 ½" x 35 ½" x 1 ¾" and the canvas measures 26...

Contemporary scanograph still life photograph of a child's bib on a white background. "Aliboo Bib", by Chad Kleitsch 2011 Archival pigment print on Hahnemuhle paper, edition of 6 30 ...

Clean-lined white metal light fixture with black diffuser and brass finial. USA circa 1980. Includes matching canopy. May be cuztomized in...

Contemporary still life photograph of dandelion flowers on a white background Untitled- Flower 147 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte paper...

Untitled - Number 149 (White), by Chad Kleitsch, 2010 Contemporary still life photograph of white tulip flower on white background Archival pigment print on Hahnemuhle photo rag matt...

Color still life photograph of figurative fig branches with green leaves, measuring stick, and colorful nautical rope against a white and light beige background 'Flotsam and Fig Limb...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 30 x 30 inches, edition of 30 Print is unframed and made to order Addition...

Abstracted still life photograph of white leaves with accents of cream, blush, and white gold Archival digital print, made to order 30 x 30 inches, edition of 30 Additional sizes av...

Framed minimalist aerial landscape photograph of apple trees and shadows against bright white snow 'Apple Orchard and Shadows Near Sodus, NY', 2011 Archival digital print, Edition of 25 (#153) Image size 19.3 x 29 inches with 2 inch border 27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass Also available in the following sizes (unframed): Image 19.3 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 Image size 40 x 60 inches with 2 inch border $6800 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

Panel with Snakes, Turtles, and Dove, 2010 40 x 15.5 inches, edition of 30 (Pictured Gallery view shown - 94 x 36 inches, edition of 15) archival digital print, unframed This contem...

archival digital print 94 x 36 inches, edition of 15 unframed This contemporary, archival digital print was made by fine art photographer, Lisa Frank, in 2010. The botanical still l...

Sepia Toned Still Life of Wooden Antique Headrest from Tonga 17 x 17, edition of 25 Silver Gelatin Print, unframed David Halliday's series consists ...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's pho...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Kline Kill Road archival pigment print on watercolor paper 16 x 13, edition of 25 $1500 24 x 20, edition of 25 $2500 50x40, edition of 25, $6,500 This Black and White Sepia-toned print of a barn in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a pond reflecting the nearby willow tree and barn. The sunlight breaks through the clouds, casting a heavenly glow to the idyllic country setting. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

Washington Square Arch pigment print on watercolor paper 18 x 13, edition of 25 $1500 24 x 20, edition of 25 $2500 50x40, edition of 25, $6,500 ...

Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland) by Betsy Weis black and white archival inkjet print on watercolor paper 10 x 15 inches unframed 16.5 x 21.5 inches framed $1250 Photographed in Finland, this black and white archival pigment print by Betsy Weis captures trees in the mist during winter. The forest is softened by the snow and mist that envelopes them and there is a serenity despite the cold conditions of this landscape. This photograph is also available unframed for $950. The image measures 10 x 15 inches. 16.5 x 21.5 inches framed $1250 Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Side Table with Chain and Window Stay (Diptych), 2017 Upper: 16 x 20 inches framed Lower: 14 x 10.5 inches framed toned silver gelatin prints in vintage fr...

Rope and Side Table, 2017 31 1/2" X 21" framed sepia toned silver gelatin print, edition of 10 Top 17 x 21 inches, Bottom 14.5 x 11.75 inches This sepia toned silver gelatin dip...

Piano Stool , 2017 Sepia Toned Silver Gelatin Print Still Life in Vintage Frame 16 × 12 in; 40.6 × 30.5 cm framed Edition of 10 This sepia toned silver gelatin print still life of a...

Archival digital print 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer, ...

Archival digital print 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer...