Hudson - Art

The Gentleman Caller (Nick Simpson Sepia Victorian Styled Theatrical Photograph) 12 x 16 inches, 21 x 26 inches framed in unique, vintage frame, anti-reflective glass, 8 ply off-white mat board. C-type archival print, edition of 7 This antique style figurative photograph was created by London based photographer, Nick Simpson, in 2013. This scene depicts 4 characters in period dress including a blindfolded man touching a woman's leg as two others peek on. Simpson's aesthetic is enhanced by his playfulness and nostalgia for the Victorian era. Simpson includes a slight patina around the sepia toned photograph's edge to accentuate its antique inspired quality. The Duratran print is paired with a dark wood frame. About the work: London based artist, Nick Simpson, is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpson's for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

11 x 25.5 inches $2,500 oil on canvas, unframed Modern, horizontal landscape oil painting of Lake Guatavita in Colombia which inspired the lege...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. Male nude...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges classical ideas about light and composition or still lifes with contemporary experiments of fresh color. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the bright red Bing cherries with their bright green stems are piled high into a silver goblet, gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Abstract landscape sepia tone photograph of clouds Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches ...

36 x 48 inches oil on canvas, unframed (thin wood stripping only) Contemporary Hudson River winter landscape oil painting, horizontally oriented. A snowy, iced over river is lined ...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Nautical color still life photograph of white life preserver archival pigment print, edition of 10 32 inch diameter on 37 inch square paper This contemporary nautical still life ph...

Found objects, repurposed textiles Statement In work that integrates the theories and methodologies of both fine art and craft, I transform domestic cast-offs, such as old furnitu...

Acrylic on canvas

These four paintings are in a series of 4 oil on canvas $8000.00 for the set of four. “Friends of Friends” explores a playful world where dreams and reality meld together to cre...

Abstracted still-life painting on panel of a striped flower on a striped collaged background. David Konigsberg Fleur, 2023 9" x 12" oil on panel This contemporary still-life paintin...

Impressionist style en plein air landscape painting of rural country hay field at sunset with robin egg's blue sky and yellow clouds #5790 At the Slurry Pit, painted by Harry Orlyk i...

"Central Park", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures resting in Central Park on a misty afternoon with a cool grey blue palette 7 x 24 i...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Abstracted landscape sepia toned photograph of clouds and sky on three panels Japanese Kozo paper infused with encaustic on 3 panels, each panel ...

Signed and dated "Vytlacil 38" lower left, and signed and dated verso. Provenance: Estate of the artist #1602; Martin Diamond Fine Art About this artist: Born in 1892 to Czechoslov...

This is the framed price. Print is available unframed in three paper sizes. Edition # 1/10 In her first solo show, 1997 “Madeline”, Heal creates her images where her figures rese...

Realistic, ornate oil painting of New York City edifice by Richard Britell oil on wood panel 10 x 8 inches Framed, hangs flush to the wall Signed o...

Still Life painting of a pink peony in a domestic setting Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas 16 x 12 inches, 19.5 x 15.5 inches with an artist-...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

86 x 42 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of romance...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 30 x 30 inches, editio...

Abstract geometric drawing on paper in bright sunflower yellow and red, with a custom light wood frame 'Yellow and Red Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 24 x 24 inches, editio...

John Dolan’s photographs revel in the extraordinary that lies beneath everyday, fleeting occurrences. And in this eloquent collection of twenty images shot in ravishing color and bla...

"Dune Grasses" by Susan Hope Fogel oil on canvas panel 9 x 12 inches, 17.5 x 21.5 x 1 inches in gold leaf frame wire on reverse for easy installation sign...

"Gerber Daisy" by Carl Grauer Contemporary Still Life Painting of Pink Flower Pot on Kitchen Window Sill Acrylic on Canvas in Custom Frame 40 x 30 inch...

Realistic oil painting of New York City edifice by Richard Britell oil on linen 10 x 8 inches Framed, hangs flush to the wall Signed on ...

Eucalyptus with Turtles and Honeycomb, 2010 54 x 19.25 inches, edition of 20 (Pictured in Gallery View - 94 x 36 inches, edition of 15) archival digital print, unframed This contemp...

oil on linen on panel 23.5 x 13 inches This modern cityscape oil painting was completed on linen and mounted on panel. Painted in a realistic style, the scene is of Brooklyn roofto...

Abstract black and grey charcoal drawing on thick, high quality Arches paper Vertical drawing, 25 x 20 inch image on 30.5 x 22.5 inch Arches paper 35 x 28.5 inches in black frame wi...

archival pigment print, edition of 10 32 x 60 inches unframed, $4200 Fish on Blue is a contemporary still life photograph of small, silver fish strewn across an icy blue farm table...

36 x 24 x 2 inches acrylic, incised wood Stephen Walling’s painted wood constructions incorporate both a playful usage of color with geometry and a dialogue with nature using an ...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

"Two Sisters" by Richard Britell 86 x 45 inches vertical, monochromatic blue contemporary landscape oil painting on canvas This large vertical blue monochromatic...

Color still life photograph of pomegranates and walnuts on a tabletop with figurative olive branches against a beige and white background 'Pomegranates and Walnuts', by David Hallida...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

Impressionistic landscape painting of the Hudson River during the wintertime in tones of grey, white, slate, blue, dark brown and green Oil on linen, 22 x 28 inches John Kelly approaches the Hudson Valley landscape with the eye of an architect and the hand of an impressionist. With intense attention paid to form and light, Kelly nevertheless manages to abstract the landscape just slightly, breaking earth, sky, and atmosphere down to their most elemental qualities. In this painting, a body of water, solidified into ice, stretches toward a murky treeline. The painting is composed primarily in a palette of pale blue, gray, and pink, with white, dark green, and gray accents. About the artist: Hudson Valley based painter John Kelly received his education from the Art Institute of Boston and Buffalo State. He has been exhibiting around the northeastern United States since the 1970s. EDUCATION 1973 74 BUFFALO STATE BUFFALO NY 1974 – 77 ART INSTITUTE OF BOSTON EXHIBITIONS 1978 BOSTON CITY HALL GROUP SHOW CURATED BY DAVID VAREANO 1979 MAC READY GALLERY JOHN KELLY, DEBORAH CLARKE 1979 BERKSHIRE MUSEUM REGIONAL CURATED BY KENWORTH MOFFIT 1984 GALLERIE TAUB PHILADELPHIA PA SOLO PAINTINGS 1984 GROUND ZERO GALLERY SURVEY SHOW AT KAMIKAZE 1984 NO LO CONTENDERE GALLERY NYC SMALL WORKS 1985 UNIVERSITY OF MASSACHUSETTS, BOSTON SOLO PAINTINGS 1988 RENNSELAER REGIONAL TROY NY CURATED BY LANGDON QUINN 1995 HUDSON VALLEY COMMUNITY COLLEGE SOLO PAINTINGS 1997 FIRST THINGS GALLERY NYC SOLO PAINTINGS 2014 CHATHAM BOOK STORE GALLERY SOLO PAINTINGS 2015 AWS GALLERY GREAT BARRINGTON MA SOLO PAINTINGS 2017 SPENCERTOWN ACADEMY REGIONAL 2017 CARRIE HADDAD GALLERY HUDSON NY LANSCAPE SHOW 2017 WRIGHT STATE UNIVERSITY DRAWING PERCEPTIONS 1981 FOUNDED MAAPSPACE, PERFORMANCE AND READING SERIES WITH BOOK, PRINTED MATTER AND EXHIBITION SPACE AT THE INSTANT MUSEUM 63 ENDICOTT ST BOSTON,MA CURATED 1983 MAIL ART; DAVID COLE AND PAUL ZELAVANSKY 1984 CONTENT SHOW, PAINTINGS AND XEROX PRINTED MATTER 1985 IS THIS ROMANTICISM PAINTINGS- MAGNUS JOHNSTONE, DENNIS RAFFERTY, PETER HOSS 1985 GROUND ZERO, EAST VILLAGE STENCIL AND STREET ART CURATED BY MARGUERITE VAN COOK AND JAMES ROMBERGER ; JANE BAUMANN, DAVID WOJNOROWICZ, MICHAEL ROMAN...

Tunisia, Red Trees: Colored Pencil Drawing & Unique Stamp by Andrea Moreau colored pencil and postage stamp on paper 11 x 11 inches 15 x 15 inches framed Artist Statement: My drawin...

Contemporary Abstract geometric painting in vivid shades of yellow, greys, white, and black "Ospedale III" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24...

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

Six color photographs railroad train cars are presented in a 24"x 98" grid. Each of the six 10"x30" photographs is signed on the reverse and is a limited edition of 10, mounted to pl...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Edition #1/10 This is the frame price listed. The photograph are available in the additional sizes listed unframed. Veteran artist Patricia Heal documents her visual narrative o...

Abstract minimalist three-dimensional dark metal sculpture is oxidized brass My Shadow Always Watched, created by Joe Wheaton in 2019 24 inches high x 64 inches wide x 22 inches deep...

Large, photo-realist painting on canvas featuring a fire engine red and white industrial crane against a bright sky blue background 69 x 48 x 2 inches oil on canvas, thin wood stripping signed verso, "Joseph E. Richards" Hangs with wire installed on the back Excellent condition, ready to hang as is This precisely detailed photo-realist painting was made by Joseph E. Richards in 1992. The artist painted this piece when he was 71 years old during a long career of painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, industrial cranes. With a photo-realist approach to the subject, Richards was able to capture detailed changes in light and shadow, shape and form. The red and white crane, painted with extreme detail and focus, vividly contrasts against a bright blue sky. Areas of brown rust, attesting to the machine's power and longevity, are captured with immaculate precision. Since the painting has a very smooth surface, one could easily confuse this painting with a photograph. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with pre-installed wire. The artist's signature is located on the back of the canvas. About the artist: Joseph Richards...

Edition # 1/5 The listed price is the framed price; this editioned photograph is also available in 2 other paper sizes listed. Heal says, "Martin and I have worked together profes...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Unique chromoskedasic monoprint mounted on aluminum 40 x 25 inches Signed on reverse This contemporary, abstract style chromoskedasic monoprint was created by experimental photograp...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Rose in Blue Glass Vase Photograph of Found Objects Printed in Cyanotype 10" x 8" image on 14" x 11" paper, edition of 5 19 x 15 inches matted and framed Wire backing, ready to hang Signed on front Available in additional sizes Other available sizes: 20" x 16" image on 24" x 18" paper, edition of 5 40" x 32", edition of 5 Contemporary still life cyanotype photograph of delicate rose poised in a blue glass vase. David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

Geometric and gestural abstract painting on canvas in earth tones of beige, tan, light brown, with details of white and pale yellow "Passing Through #2", by Jeanette Fintz in 2018 54...

Detailed sky blue colored pencil landscape drawing of postage stamp with red plane 'Republique du Congo (Wind)' made by Andrea Moreau in 2012 ...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four black and white panels combine to depict a sky-scape that could easily be mistaken for an abstract water color due to the style of this negative photograph...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 40 x 40 inches, editio...

Eclipse (Contemporary Cosmic Abstract Painting on Canvas in Black and White) painted by Cinda Sparling 20 x 16 x 1.5 inches oil on canvas, unframed (no frame required) Cinda Sparlin...